AMENDED AFTER ANDY WARHOL (1928-1987); limited edition lithograph print, 'Man on The Moon' from the Leo Castelli Gallery, edited by George Israel, with 'Arches' watermark stamp verso, 51/100, printed signature lower right, 57 x 39cm, unframed and unmounted.Additional InformationProvenance: from a European collection. PLEASE NOTE the signature is printed, not original.
70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
70553 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
70553 Los(e)/Seite
AMENDED AFTER ANDY WARHOL (1928-1987); limited edition lithograph print, 'Chanel' from the Leo Castelli Gallery, edited by George Israel, with 'Arches' watermark stamp verso, 19/100, printed signature lower right, 57 x 39cm, unframed and unmounted.Additional InformationProvenance: from a European collection. PLEASE NOTE the signature is printed, not original.
AMENDED AFTER ANDY WARHOL (1928-1987); limited edition lithograph print, 'Macintosh' from the Leo Castelli Gallery, edited by George Israel, with 'Arches' watermark stamp verso, 29/100, printed signature lower right, 57 x 39cm, unframed and unmounted.Additional InformationThis is a print and not a painting and is unframed, all stated in the description. In good condition. Provenance: from a European collection. PLEASE NOTE the signature is printed, not original.
AMENDED AFTER ANDY WARHOL (1928-1987); limited edition lithograph print, 'Mickey Mouse' from the Leo Castelli Gallery, edited by George Israel, with 'Arches' watermark stamp verso, 94/100, printed signature lower right, 57 x 39cm, unframed and unmounted.Additional InformationProvenance: from a European collection. PLEASE NOTE the signature is printed, not original.
[Point Breeze New Jersey, United States] Lady Dudley Stuart, Princess Christine Bonaparte Album of prints, chiefly lithographs, including 12 lithographs of studies of trees by Henry William Burgess, etched view inscribed "Albano 1825" by Charlotte Bonaparte; lithographed plates of plates in the vicinity of Point Breeze, New Jersey, by Charlotte (Chute de la Passaic; Vue des chutes de West, Vue prise dans le Parc de Point-Breeze, Vue de Lebanon, Vue du Lac Diane), engraving of Palazzo Pandolfini, 2 uncaptioned lithographs by Charlotte, one lithograph by L. Salucci 1827, 6 small etched views probably by Charlotte, 4 etchings of landscape on orange paper, lithograph "L'hermitage des Camaldoli", Vue de Monte Forato, 1828, Palais des Cesars, 1828, Rome, Maison de Raphael, [Palace], by Salucci after Charlotte, further lithograph La Villa di Campmarzo a Trieste 1829 (2 views), by Mac-Donald D, engraved view of Dartmouth from Mount Boon by F.C. Lewis, Entrance to Dartmouth harbour, after A.H. Holdsworth, lithograph of East Teignmouth by Geo Rowe, coloured aquatint of Mouth of the Teign after J. Strutt, 6 lithographs by Salucci of Italian landscape, one by Charlotte after Napoleon, contemporary half roan, bookplate of Lady Dudley Stuart on bottom board, wornFootnote: Note: Lord Dudley Coutts Stuart married Princess Christine Bonaparte (1798–1847), daughter of Lucien Bonaparte by his first wife, Christine Boyer . Point Breeze estate in Bordentown, New Jersey, was the home occupied by Joseph Bonaparte during his American sojourn (1815-39). Charlotte Napoléone Bonaparte (1802 – 1839) was the daughter of Joseph Bonaparte, the older brother of Emperor Napoleon I.
Bliss, Douglas Percy Edward Bawden The Pendomer Press, [n.d.]. 4to, number 88 of 2200 copies, with original lithograph [Nekayah, the Prince and Imlac in Cairo], signed by the artist in printed folder, text original black quarter morocco with patterned sides, t.e.g., both in slipcaseCondition report: very good, slipcase clean
[Schenck, Emil Ernst Friedrich Theodor] Edinburgh and the Surrounding Country as Seen from the Edinburgh: W. Macgill, [n.d., but mid 19th century], hand-coloured lithograph comprising 6 joined sheets, 229 x 27cm in total, framed and glazed, a few small tears and repairs especially to centre fold, slightly affecting area of lithographed text [Abbey, Life, 549, described as one continuous sheet]Footnote: Provenance: Property of the Late George Neilson
AFTER JOHN PIPER "At Lewknor, Oxfordshire" lithograph, bears Wolseley Fine Arts label verso together with "Weathercote Cave, Yorkshire" together with VINCENT GUIRO "Abstract Study" signed and dated in pencil '75 lower right together with five others in the same hand variously dated, all mounted on card, plus various mid 20th Century catalogues/art design magazines to include L'Oeil
AFTER JOSEPH WOLF (1820-1899) "Santa Maria della Salute, Venice" coloured lithograph, signed in pencil lower right together with AFTER DOUGLAS PORTWAY (1922-1993) limited edition etching of a woman wearing a hat No'd 2/30, signed in pencil lower right and a further etching AFTER M OLIVER RAE "Christ's College Cambridge (Entrance Gate)"
John Suchy (American, b. 1946), 'Broadway Crossroads, N.Y.C.', lithograph in colours (3D), numbered 88/350, signed and dated 1994, 14.5cm x 9.5cm, 'San Francisco Trolley', lithograph in colours (3D), numbered 14/300, signed and dated 1993, 9cm x 11cm, 'The New York Stock Exchange N.Y.C.', lithograph in colours (3D), numbered 119/450, signed and dated 1994, 22cm x 13cm (3).

-
70553 Los(e)/Seite