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ZIPPO; a cased part set of RAF commemorative lighters, five out of the ten are present, comprising 'Let Us Go Forward Together', 'Dambusters Raid', 'US Eighth Air Force', 'The Lancaster Bomber Command' and 'The End of the Beginning', all lithograph printed front, in slotted tray, with the original ten empty cases underneath the tray and printed metal tin.Condition Report: - As stated, there are ten cases, but only five lighters are present. All lighters are unstruck.
GLYNN BOYD HARTE (20th century); three limited edition colour lithograph prints, each a still life of cricket ball, bat, pad and Pimms glasses, signed in pencil and numbered 34/500, 51/500 and 350/500 (3).Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
GLYNN BOYD HARTE (20th century); three limited edition colour lithograph prints, each a still life of cricket ball, bat, pad and Pimms glasses, signed in pencil and numbered 36/500, 296/500 and 355/500 (3).Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
A miscellaneous collection of antique prints to include An Exact Perspective View of Dunmow, Essex, engraved by C. Mosley after David Ogborne, 1806; a mezzotint portrait of Robert Walpole, engraved by John Simon after Hans Hysing, [c. 1727-1742]; The North-West View of Grace Dieu-Nunnery in the County of Leicester, etching by Samuel & Nathaniel Buck, 1730 or later; Freiburg, etching by Helmut Philipp, limited edition numbered 34/50, signed & dated, 1977; Street in Toledo, etching by Albany E. Howarth, signed & numbered 194; portrait of Jacob Epstein, after Jacob Kramer, lithograph, and 17 other prints, including portraits, various sizes, together with two Acts published by John Baskett - one for erecting a workhouse in Canterbury, 1728; one for establishing a hospital in Bath, 1739 (25)
ARR Barbara Hepworth (1903-1975) Two Marble Forms (Mykonos), from the twelve lithographs, 1961, signed lower right, numbered 32/60, blind stamped, printed by the Curwen Studio, lithograph, 81.5 x 59.5 cm (SH), frame 103 x 79 cm Curwen Gallery label verso. Provenance: private local collection, purchased from The Curwen Gallery, London from the exhibition Twelve Lithographs by Barbara Hepworth, with original exhibition booklet and purchase note dated 1969Condition:The item is a lithograph, framed under glazing - not examined external to the frame. The sheet appears in generally good condition, full margins are present and the blind stamp visible to the lower left. There is some general ageing (browning) to the edges of the sheet, There are no obvious faults or losses to the sheet. The colours appear well preserved and the surface stable. The picture is still within the original frame- the glass has cracked to the lower right corner and both lower corner joints are loose.
ARR Barbara Hepworth (1903-1975) Sun Setting - The Aegean Suite, signed lower right, numbered 9/60, blind stamped, 1971, lithograph, 81.3 x 58.8 cm (SH), frame 98.5 x 76.5 cm Provenance: private local collection, purchased from Curwen Gallery, London, at the exhibition of The Aegean Suite in 1971. Original exhibition catalogue, invitation to the private view and purchase note present.Condition:The picture is a lithograph, framed under glazing, not examined external to the frame. The sheet appears in generally good condition, no obvious faults or losses. The sheet has full margins, there is some general ageing (browning) to the sheet and there are stains coming through from the four corners where the print has been stuck down (see images). The colours are well preserved and the surface appears stable. It is within its original frame and there is some general wear and tear to the frame.
ARR Salvador Dali (1904-1989) Manto, from the Divine Comedy, c.1960, numbered 141/150, signed, lithograph, 25 x 20 cm, frame 46 x 36 cm Certificate of authenticity from The Collectors Guild and old lot stencils verso Part of the series created by Dali to illustrate the poem by Dante Alighiere
A Safavid firman fragment in Shikasteh script with the names of Imams, Iran, 17th century, with 2 lines of shikasteh script in black, blue and gold on paper, 19.2 x 10cm.; and a Qajar Persian quatrain in nasta'liq signed Ahmad al-Tabrizi dated 1286AH/1869AD, with four lines of black bold naskh diagonal script on a gold and floral ground within cloud bands, on a cobalt ground with scrolling floral vine, signed below and dated, both mounted, glazed and framed, 30/5 x 17cm. (2)A lithograph of a Qur'an signed by Ahmad ibn Muhammad Al-Tabrizi sold at Bonhams 18 October 2016, Lot 49.One other work signed by Ahmad ibn Muhammad al-Tabrizi is recorded, a calligraphic page dated AH 1271/AD 1854-55. (See Mehdi Bayani, ahval va asar-e khosh nevisan, vol. IV, Tehran 1358, p. 216).
Gilbert du Motier, Marquis de Lafayette (1757-1834), French general and politician; letter to Madame [name cut from the cover], 22 Rue St Anne, Paris; La Grange, 26 December 1825 Has not replied to her letter of 16 December, ‘most precious to my eyes’; will be interested to hear the details which she proposes to give him on his next visit to Paris, which will be towards the 12th or 15th of January.With a lithograph of a portrait of Lafayette by François Séraphin Delpech (1778-1825); [Paris, 1832]In September 1825 Lafayette returned from a triumphal tour of the United States, visiting the sites of the battles of the American War of Independence in which he had participated over forty years before. Lafayette lived at the Château de la Grange-Bléneau to the south-east of Paris, which he had acquired with his wife Adrienne, between 1802 and his death in 1834.
Robert Hancock (1730 - 1817), A New and Accurate Plan of the City of Bath to the Present Year 1793, published by W. Taylor and W. Meyler, 1793, hand-coloured engraving, 47 x 53cm, framed and glazed, Bath from the Ordnance Survey, engraved by J. Henshall, coloured engraving, label verso from The Antique Map Shop, Bath, 'Guaranteed to be a genuine antique map, by Henshall, Date c1837', 31.5 x 19cm, framed and glazed, City of Bath, engraving, label verso from Antique Maps, Earley Maps c.1540 - 1900, Certificate of Authenticity, 'Earley Maps guaranteed this to be a genuine Antique Map as dated, by T. Moule, printed in c.1840', 27 x 20cm, framed and glazed, J. Newman, A view from the Railway Arch over Pulteney Road, coloured lithograph, 22 x 31cm, unframed, General Motors Limited advert, colour print, 26 x 9cm, unframed and The Rover Co. Ltd 1948 advert, colour print, 20.5 x 15.5cm, unframed
MIRÓ, JOAN (1893-1983), Abstrakte Komposition aus "Oda a Joan Miró", 1973, Farblithographie/Papier, mit Bleistift von Hand signiert u.re der Mitte, mit Bleistift num. 38/75 u.li. der Mitte, HxB: Passepartoutausschnitt ca. 87x60 cm (mit Rahmen: 114x86cm). Altersspuren, gebräunt und Lichtrand. Im Passepartout hinter Glas gerahmt (Rahmen leicht bestoßen).| MIRÓ, JOAN (1893-1983), Abstract composition from "Oda a Joan Miró", 1973 Color lithograph/paper, hand-signed in pencil lower right in the middle, in pencil number. 38/75 below left the middle, HxW: passepartout cutout approx. 87x60 cm (with frame: 114x86cm). Signs of age, browned and light edges. Framed in a passe-partout behind glass (frame slightly bumped).
DE CHIRICO, GIORGIO (1888-1978), "Piazza d'Italia", 1969, Lithographie/Papier (u.re. undeutliches Wasserzeichen), u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num. 47/300, HxB: Platte ca. 45x60,5 cm, Passepartoutausschnitt ca. 48x64 cm, Außenmaße Rahmen ca. 67,5x83,5 cm. Leichte Altersspuren. Im Passepartout hinter Glas gerahmt.| DE CHIRICO, GIORGIO (1888-1978), "Piazza d'Italia", 1969, lithograph/paper (indistinct watermark on the bottom right), bottom right. signed by hand in pencil, lower left. with pencil number. 47/300, HxW: plate approx. 45x60.5 cm, passepartout cutout approx. 48x64 cm, external dimensions of frame approx. 67.5x83.5 cm. Slight signs of age. Framed in a passe-partout behind glass.
SONDERBORG, KURT RUDOLF H. (auch Hoffmann-Sonderborg, 1923-2008), "Strommast", 1991, informelle Komposition mit Architekturelement, Lithographie/Papier, mit Bleistift von Hand signiert, datiert und num. 22/100, HxB: Blatt ca. 27x21 cm, Außenmaße Rahmen ca. 31x25 cm. Leichte Altersspuren. Mit verglastem Rahmen. | SONDERBORG, KURT RUDOLF H. (also Hoffmann-Sonderborg, 1923-2008), "Strommast", 1991, informal composition with architectural element, lithograph/paper, hand-signed in pencil, dated and numbered. 22/100, HxW: sheet approx. 27x21 cm, external dimensions of frame approx. 31x25 cm. Slight signs of age. With glazed frame.
ANTES, HORST (geb. 1936), "Figürliche Komposition mit Kopffüßler", Farblithographie/Papier, u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num. 65/100, darunter Trockenstempel 'Galerie Schmücking', HxB: Platte ca. 64x91 cm, Blatt ca. 69x97 cm, Außenmaße Rahmen ca. 79x104 cm. Altersspuren, leicht gebräunt und gewellt. Mit verglastem Rahmen. VERSO Etikett Galerie Schlichtenmaier, Schloss Dätzingen.| ANTES, HORST (born 1936), "Figurative composition with cephalopods", color lithograph/paper, bottom right signed by hand in pencil, lower left with pencil number. 65/100, including drystamp 'Galerie Schmücking', HxW: plate approx. 64x91 cm, sheet approx. 69x97 cm, external dimensions of frame approx. 79x104 cm. Signs of age, slightly browned and wavy. With glazed frame. VERSO label Galerie Schlichtenmaier, Dätzingen Castle.
WARHOL, ANDY (1928-1987), 'Ingrid Bergmann', Profilportrait in collagierter Darstellung, Offsetlithographie/Glanzpapier, u.re. mit silberfarbenem Stift sign., HxB: Passepartoutausschnitt ca. 20x20 cm (45,5 x 45,5 cm mit Rahmen). Leichte Altersspuren. Im Passepartout hinter Glas gerahm (Rahmen verkratzt). ANBEI Echtheitszertifikat von Joachim Penno, Esslingen 2017. | WARHOL, ANDY (1928-1987), 'Ingrid Bergmann', Profile portrait in collage, offset lithograph/glossy paper, bottom right. Signed with a silver pen, HxW: passepartout cutout approx. 20x20 cm (45.5 x 45.5 cm with frame). Slight signs of age. Framed in a passe-partout behind glass (frame scratched). ATTACHED certificate of authenticity from Joachim Penno, Esslingen 2017.
UNGERER, TOMI (1931-2019), "Der Korkenzieher", 2005, Paar in erotischer Szene, Lithographie/Arches (Wasserzeichen unten rechts), u,.re., mit Bleistift von hand signiert, u.li. mit Bleistift num. 25/50, HxB: Platte ca. 31x27 cm, Blatt ca. 60x50 cm. Außenmaße Rahmen ca. 67x57 cm. Alters- und Knickspuren. Hinter Glas gerahmt. ANBEI Echtheitszertifikat von Joachim Penno, Esslingen.| UNGERER, TOMI (1931-2019), "The Corkscrew", 2005, couple in an erotic scene, lithograph/Arches (watermark bottom right), bottom right, signed by hand in pencil, bottom left. with pencil number. 25/50, HxW: plate approx. 31x27 cm, sheet approx. 60x50 cm. External dimensions of the frame approx. 67x57 cm. Signs of age and creases. Framed behind glass. ATTACHED certificate of authenticity from Joachim Penno, Esslingen.
Marc CHAGALL (1887-1985) JesajaFarblithographie für "Bible", Verve 33/34 ,Paris 1956, verso mit Lithographie in schwarz / weissLichtmass: 33,5 x 24,5 cm, Rahmen: 61,5 x 50 cmBeiliegend: Zertifikat von Frank-Thomas Gaulin.Marc CHAGALL (1887-1985)IsaiahLithograph in colors, for "Bible", Verve 33/34 ,Paris 1956, verso with lithograph in black and whiteLight dimensions: 33.5 x 24.5 cm, frame: 61.5 x 50 cmEnclosed: Certificate by Frank-Thomas Gaulin.
§ Sir Eduardo Paolozzi R.A., H.R.S.A. (British 1924-2005) An Empire of Silly Statistics...A Fake War of Public Relations, 1965-70 signed and numbered 22/350 in pencil (in the margin), stamped with title, number, portfolio name, printer’s and publisher’s stamps (to reverse), photo-lithographDimensions:sheet 25.4cm x 38cm (10in x 14 7/8in)
§ Sir Eduardo Paolozzi R.A., H.R.S.A. (British 1924-2005) Totems and Taboos of the Nine to Five Day, 1965-70 signed and numbered 22/350 in pencil (in the margin), stamped with title, number, portfolio name, printer’s and publisher’s stamps (to reverse), photo-lithographDimensions:sheet 25.5cm x 38cm (10in x 15in)

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