70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

ALT, Otmar(geb. 1940 Wernigerode) Abstrakte KompositionFarblithographie. Bleistiftsignatur unten rechts. 25/100. 29 x 20,5 cm. Gerahmt & hinter Glas : 51 x 41 cm. Darstellung bunter, organischer Formen, unten links Trockenstempel mit Dreieck "Original Lithographie". Deutscher Designer, Maler und Grafiker, studierte ab 1960 an der Hochschule für bildende Künste Berlin. Als freischaffender Künstler übernimmt Alt Aufträge verschiedenster Art, darunter Plastiken, Porzellan, Buchillustrationen, Entwürfe für Spielzeug, Bühnenbilder und Kostüme. Literatur : https://otmar-alt.de/otmar-alt/. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:02 Uhr (CET) ALT, Otmar(born 1940 Wernigerode) Abstract compositionColor lithograph. Pencil signature lower right. 25/100. 29 x 20.5 cm. Framed & behind glass : 51 x 41 cm. Depiction of colorful, organic forms, lower left dry stamp with triangle "Original Lithographie". German designer, painter and graphic artist, studied at the Hochschule für bildende Künste Berlin from 1960. As a freelance artist, Alt takes on commissions of various kinds, including sculptures, porcelain, book illustrations, designs for toys, stage sets and costumes. Literature : https://otmar-alt.de/otmar-alt/. Aufrufzeit 26. | Oct. 2024 | probably 11:02 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ZIMMERMANN, Mac(1912 Stettin - 1995 Wasserburg am Inn) "Kieker II"Farblithographie. Signatur unten rechts. 1970. e/a. 58.5 x 42 cm. Gerahmt & hinter Glas : 71 x 51 cm. Zwei Figuren in wehenden Mänteln mit Fernglas und Fernrohr vor einer Komposition, die einem Eisberg ähnelt, in dem 2 Leitern stecken, drumherum Strommaste oder Antennen. Maler, Grafiker und Bühnenbildner im surrealistischen Stil, war ab 1958 als Professor an der Hochschule für Bildende Künste Berlin und ab 1963 der Akademie der Bildenden Künste München tätig. Literatur : https://kulturstiftung.org/biographien/zimmermann-mac-3. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:03 Uhr (CET) ZIMMERMANN, Mac(1912 Stettin - 1995 Wasserburg am Inn) "Kieker II"Color lithograph. Signature lower right. 1970. e/a. 58.5 x 42 cm. Framed & behind glass : 71 x 51 cm. Two figures in flowing coats with binoculars and telescopes in front of a composition resembling an iceberg with 2 ladders stuck in it, surrounded by electricity pylons or antennae. Painter, graphic artist and stage designer in the surrealist style, worked as a professor at the Berlin Academy of Fine Arts from 1958 and at the Munich Academy of Fine Arts from 1963. Literature : https://kulturstiftung.org/biographien/zimmermann-mac-3. Aufrufzeit 26. | Oct. 2024 | probably 11:03 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MIRO, Joan(1893 Barcelona - 1983 Palma) "Der Singende"Farblithographie (1972). Passepartoutfenster: 35,5 x 28 cm. Gerahmt & hinter Glas : 61 x 53 cm. Abstrakte Komposition mit Fischmotiv. Doppeltes Passepartout. Spanischer Maler, Grafiker und Bildhauer; zählt zu den bedeutendsten Vertretern des Surrealismus. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:04 Uhr (CET) MIRO, Joan(1893 Barcelona - 1983 Palma) "Der Singende"Color lithograph (1972). Passe-partout window: 35.5 x 28 cm. Framed & behind glass : 61 x 53 cm. Abstract composition with fish motif. Double passe-partout. Spanish painter, graphic artist and sculptor; one of the most important representatives of Surrealism. Aufrufzeit 26. | Oct. 2024 | probably 11:04 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MIRO, Joan(1893 Barcelona - 1983 Palma) "Der blaue Stern"Farblithographie. 33 x 27 cm. Gerahmt & hinter Glas : 52,5 x 42,5 cm. Abstrakte Komposition aus farbigen Flächen, Tropfen und Linien verschiedener Formen, Stärken und Transparenz, zentral der namensgebende blaue Stern. Spanischer Maler, Grafiker und Bildhauer; zählt zu den bedeutendsten Vertretern des Surrealismus. Provenienz : Rückseitig Zertifikat: "Original Farblithographie vom Künstler für das Werkverzeichnis seiner Lithographien (Mourlot Litograph Band I) 1972 geschaffen. WVZ Mourlot Nr. 857". Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:04 Uhr (CET) MIRO, Joan(1893 Barcelona - 1983 Palma) "The blue star"Color lithograph. 33 x 27 cm. Framed & behind glass : 52.5 x 42.5 cm. Abstract composition of colored surfaces, drops and lines of various shapes, thicknesses and transparency, with the eponymous blue star in the center.Spanish painter, graphic artist and sculptor; one of the most important representatives of Surrealism. Provenance : Certificate on verso: "Original color lithograph created by the artist for the catalog raisonné of his lithographs (Mourlot Litograph Volume I) 1972. WVZ Mourlot no. 857". Call time 26 | Oct. 2024 | presumably 11:04 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ANTES, Horst(geb. 1936 Heppenheim) "Kopffüßler" auf getönter PlatteLithographie. Monogrammiert. 44/230. Passepartoutfenster: 28,5 x 21 cm. Gerahmt & hinter Glas : 51 x 40,5 cm. Abbildung eines amorphen Wesens aus Kopf und Beinen. Rechts minimal fleckig. Maler, Grafiker und Bildhauer, studierte an der Akademie der Bildenden Künste in Karlsruhe Malerei. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:05 Uhr (CET) ANTES, Horst(born 1936 Heppenheim) "Kopffüßler" on tinted plateLithograph. Monogrammed. 44/230. Passe-partout window: 28.5 x 21 cm. Framed & behind glass : 51 x 40.5 cm. Depiction of an amorphous creature with head and legs. Minimally stained on the right. Painter, graphic artist and sculptor, studied painting at the Akademie der Bildenden Künste in Karlsruhe. Aufrufzeit 26. | Oct. 2024 | probably 11:05 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KILLGUSS, Eberhardt(geboren 1938 in Beckingen) Ohne TitelLithographie auf geschöpften Papier. Signiert rechts unten. (19)90. Ca. 64 x 44 cm (unregelmäßiger Rand). Gerahmt & hinter Glas : 92,5 x 71 cm. Abstraktes Kunstwerk in japanischer Manier. Deutscher Künstler, Maler, Zeichner und Bildhauer, ausgebildet ab 1954 ab der Staatlichen Schule für Kunst und Handwerk in Saarbrücken, seit 1964 freischaffend tätig. Literatur : https://institut-aktuelle-kunst.de/kuenstlerlexikon/killguss-eberhardt. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:06 Uhr (CET) KILLGUSS, Eberhardt(born 1938 in Beckingen) Without titleLithograph on laid paper. Signed lower right. (19)90. Ca. 64 x 44 cm (irregular margin). Framed & behind glass : 92.5 x 71 cm. Abstract artwork in Japanese style. German artist, painter, draughtsman and sculptor, trained from 1954 at the State School of Arts and Crafts in Saarbrücken, freelance since 1964. Literature : https://institut-aktuelle-kunst.de/kuenstlerlexikon/killguss-eberhardt. Aufrufzeit 26. | Oct. 2024 | probably 11:06 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Die Isolierung"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". 27.10.65. Blatt: 65,5 x 53,5 cm. Aus der Widerstands-Mappe; nach einer Zeichnung von 1933. Etwas knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 1237. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:07 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Die Isolierung"Lithograph. Pencil signature, red stamp "Clan-Presse". 27.10.65. Sheet: 65.5 x 53.5 cm. From the resistance folder; after a drawing from 1933. Some creasing. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 1237. Aufrufzeit 26. | Oct. 2024 | probably 11:07 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Ins Magazin"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse". (1971). Druckplatte: 19 x 16,5 cm. Gerahmt & hinter Glas : 45,5 x 35,5 cm. Karikaturhafte Darstellung eines kleinen Mannes mit Vollbart und Barett, der eine übergroße Büste mit emporgereckter Nase schleppt. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : vgl. Dorsch WVZ 1214. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:09 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Ins Magazin"Lithograph. Pencil signature, red stamp "Clan-Presse". (1971). Printing plate: 19 x 16.5 cm. Framed & behind glass : 45.5 x 35.5 cm. Caricature-like depiction of a small man with a full beard and beret, carrying an oversized bust with an upturned nose. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : see Dorsch WVZ 1214. Call time 26 | Oct. 2024 | probably 11:09 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Am Abgrund (II)"Lithografie. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". [1972]. Blatt: 51 x 38,5 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 90. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:11 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Am Abgrund (II)"Lithograph. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse". [1972]. Sheet: 51 x 38.5 cm. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 90. Aufrufzeit 26. | Oct. 2024 | probably 11:11 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Kafka: Ein altes Blatt"Lithografie. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". [21.5.74]/1988. Blatt: 64 x 50,5 cm. Auflage der Nachlassblätter für die Griffelkunst-Vereinigung Hamburg 1988. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 1264. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:12 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Kafka: Ein altes Blatt"Lithograph. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse". [21.5.74]/1988. Sheet: 64 x 50.5 cm. Edition of the estate sheets for the Griffelkunst-Vereinigung Hamburg 1988. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves, depresses, worries or amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 1264. Aufrufzeit 26. | Oct. 2024 | probably 11:12 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Grippaler Infekt"Lithografie. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". [20.5.78]. Blatt: 65 x 51 cm. Auch: "Sehr bedenklich", "Schön Aaah sagen" oder "Patient und Ärztin". Etwas knickspurig. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 955. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:12 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Grippaler Infekt"Lithograph. Signed in the print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse". [20.5.78]. Sheet: 65 x 51 cm. Also: "Sehr bedenklich", "Schön Aaah sagen" or "Patient und Ärztin". Some creasing. German lithographer, draughtsman and painter, he was awarded the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Audience" in his honor as part of the "German Painting of the 20th Century" series. "I follow an urge and see it as my task to visualize and create what moves me, depresses me, fills me with worry or amuses and amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 955. Aufrufzeit 26. | Oct. 2024 | probably 11:12 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Die beiden Meister"Lithografie mit farbigem Klischeedruck. Bleistiftsignatur, roter Stempel "Clan-Presse". [26.9.76]/1981. Exemplar: VIII/XV. Blatt: 64,5 x 53,5 cm. Füchse beim Schach; 1981 als Plakat für eine Buch-Vernissage des Bruckmann-Verlages München (Auflage von 150 Exemplaren). Etwas knickspurig, Klebespuren am oberen Rand. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). Literatur : WVZ Dorsch 321. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:13 Uhr (CET) WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Die beiden Meister"Lithograph with color plate print. Pencil signature, red stamp "Clan-Presse". [26.9.76]/1981. copy: VIII/XV. Sheet: 64.5 x 53.5 cm. Foxes at chess; 1981 as a poster for a book vernissage of the Bruckmann publishing house Munich (edition of 150 copies). Some creasing, traces of glue at upper margin. German lithographer, draughtsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100 pfennig commemorative stamp with the motif "Publikum" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and see it as my task to visualize and create what moves me, depresses me, fills me with worry or amuses and amuses me. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in images." (Quote: APW, 1967, seen on https://www.weber-museum.de/html). Literature : WVZ Dorsch 321. Aufrufzeit 26. | Oct. 2024 | probably 11:13 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WILDING, Ludwig(1927 Grünstadt - 2010 Buchholz in der Nordheide) Op-ArtWohl Federlithographie. Signiert. (19)65. 4/20. 32 x 25 cm. Gerahmt & hinter Glas : 51 x 40,5 cm. Abstrakte Komposition von schwarzen Linien, in ihrer Gesamtheit einen Kreis ergebend. Maler und Objektkünstler der Op-Art, studierte zunächst Kunstgeschichte und Philosophie in Mainz, dann 1952 bis 1954 an der Kunstakademie Stuttgart. Er hatte von 1967 bis 1992 verschiedene Lehraufträge an der Hochschule für Bildende Künste in Hamburg. Literatur : https://www.skkd-ingolstadt.de/kuenstler/ludwig-wilding/. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:14 Uhr (CET) WILDING, Ludwig(1927 Grünstadt - 2010 Buchholz in der Nordheide) Op-ArtPerhaps pen and ink lithograph. Signed. (19)65. 4/20. 32 x 25 cm. Framed & behind glass : 51 x 40.5 cm. Abstract composition of black lines, forming a circle as a whole. Painter and object artist of Op Art, initially studied art history and philosophy in Mainz, then from 1952 to 1954 at the Stuttgart Art Academy. From 1967 to 1992, he held various teaching positions at the Hochschule für Bildende Künste in Hamburg. Literature : https://www.skkd-ingolstadt.de/kuenstler/ludwig-wilding/. Aufrufzeit 26. | Oct. 2024 | probably 11:14 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

NIEMEYER-HOLSTEIN, Otto(1896 Kiel - 1984 Koserow) Usedomer LandschaftFarblithographie. Bleistiftsignatur unten rechts. (19)65. II(1-60)3. 40 x 57 cm. Gerahmt & hinter Glas : 65,5 x 76 cm. Stilisierte Landschaft mit Bäumen an einem Gewässer, in grün, gelb und blau. Papier schwach wellig. Deutscher Maler und Autodidakt, begann während Lazarettaufenthalten im Ersten Weltkrieg mit dem Zeichnen, später Umkreis von Alexej von Jawlensky, Marianne von Werefkin, Paul Klee und Lyonel Feininger. Literatur : https://atelier-otto-niemeyer-holstein.de/niemeyer-holstein/biografie. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:18 Uhr (CET) NIEMEYER-HOLSTEIN, Otto(1896 Kiel - 1984 Koserow) Usedom landscapeColor lithograph. Pencil signature lower right. (19)65. II(1-60)3. 40 x 57 cm. Framed & behind glass : 65.5 x 76 cm. Stylized landscape with trees by a body of water, in green, yellow and blue. Paper slightly wavy. German painter and autodidact, began drawing while in hospital during the First World War, later surrounded by Alexej von Jawlensky, Marianne von Werefkin, Paul Klee and Lyonel Feininger. Literature : https://atelier-otto-niemeyer-holstein.de/niemeyer-holstein/biografie. Aufrufzeit 26. | Oct. 2024 | probably 11:18 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WUNDERLICH, Paul(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) FrauenbildnisOffsetlithographie. Bleistiftsignatur, rechts unten. 2233/10000. 40 x 30 cm. Gerahmt & hinter Glas : 64 x 54 cm. Komposition aus verschiedenen Grüntönen mit femininem Gesicht im Profil und Seerose. Deutscher Maler, Zeichner, Bildhauer und Grafiker. Wurde als einziger deutscher Künstler in die Pariser "Académie des Beaux Arts" aufgenommen. Literatur : Literatur : https://paulwunderlich.de/. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:19 Uhr (CET) WUNDERLICH, Paul(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) FrauenbildnisOffset lithograph. Pencil signature, lower right. 2233/10000. 40 x 30 cm. Framed & behind glass : 64 x 54 cm. Composition of different shades of green with a feminine face in profile and a water lily. German painter, draughtsman, sculptor and graphic artist. The only German artist to be admitted to the Paris "Académie des Beaux Arts". Literature : Literature : https://paulwunderlich.de/. Aufrufzeit 26. | Oct. 2024 | probably 11:19 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WUNDERLICH, Paul(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) Surrealistische FigurenszeneFarblithographie. Undeutlich, darüber in seitenverkehrter Spiegelschrift "85". (19)85. 565/1000. 63 x 48 cm. Gerahmt & hinter Glas : 70,5 x 55,5 cm. Bildnis einer femininen Figur im Profil, auf ihrem Kopf ein Vogel. im Hintergrund ein umzäuntes Grundstück mit Figur im Mantel. Deutscher Maler, Zeichner, Bildhauer und Grafiker. Obwohl ein Teil seiner Werke 1960 wegen angeblicher "Sittenwidrigkeit" beschlagnahmt wurde, gilt er als einer der wenigen stilbildenden Künstler unserer Zeit und wurde als einziger deutscher Künstler in die Pariser "Académie des Beaux Arts" aufgenommen. Literatur : Literatur : https://paulwunderlich.de/. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:20 Uhr (CET) WUNDERLICH, Paul(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) Surrealist figure sceneColor lithograph. Indistinct, above "85" in mirror writing reversed. (19)85. 565/1000. 63 x 48 cm. Framed & behind glass : 70.5 x 55.5 cm. Portrait of a female figure in profile, a bird on her head. in the background a fenced plot with a figure in a coat. German painter, draughtsman, sculptor and graphic artist. Although some of his works were confiscated in 1960 due to alleged "immorality", he is considered one of the few style-defining artists of our time and was the only German artist to be accepted into the Paris "Académie des Beaux Arts". Literature : Literature : https://paulwunderlich.de/. Aufrufzeit 26. | Oct. 2024 | probably 11:20 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WUNDERLICH, Paul(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) Surrealistischer FrauenaktFarblithographie. Undeutlich mit Bleistift, unten rechts; unten links in seitenverkehrter Spiegelschrift "85". (19)85. 565/1000. Fenster: 63,5 x 48 cm. Gerahmt & hinter Glas : 70,5 x 55,5 cm. Bildnis einer femininen Figur im Profil, ein Greifvogel ebenfalls im Profil, zu ihr invertiert auf ihrer erhobenen Hand sitzend. Deutscher Maler, Zeichner, Bildhauer und Grafiker. Obwohl ein Teil seiner Werke 1960 wegen angeblicher "Sittenwidrigkeit" beschlagnahmt wurde, gilt er als einer der wenigen stilbildenden Künstler unserer Zeit und wurde als einziger deutscher Künstler in die Pariser "Académie des Beaux Arts" aufgenommen. Literatur : Literatur : https://paulwunderlich.de/. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:20 Uhr (CET) WUNDERLICH, Paul(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) Surrealist female nudeColor lithograph. Indistinct in pencil, lower right; lower left in mirror writing "85". (19)85. 565/1000. Window: 63.5 x 48 cm. Framed & behind glass : 70.5 x 55.5 cm. Portrait of a female figure in profile, a bird of prey also in profile, inverted towards her, sitting on her raised hand. German painter, draughtsman, sculptor and graphic artist. Although some of his works were confiscated in 1960 due to alleged "immorality", he is considered one of the few style-defining artists of our time and was the only German artist to be accepted into the Paris "Académie des Beaux Arts". Literature : Literature : https://paulwunderlich.de/. Aufrufzeit 26. | Oct. 2024 | probably 11:20 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WUNDERLICH, Paul(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) Surrealistisches PorträtFarblithographie. Undeutlich signiert, darüber in seitenverkehrter Spiegelschrift "10.3.82". (19)82. 565/1000. Fenster: 63,5 x 48 cm. Gerahmt & hinter Glas : 70,5 x 55,5 cm. Bildnis mit femininen Zügen in Frontalansicht, auf ihrer Stirn ein bunter Vogel, ebenfalls frontal, zwei weitere Vögel als Beiwerk auf Schulterhöhe am unteren Bildrand. Deutscher Maler, Zeichner, Bildhauer und Grafiker. Obwohl ein Teil seiner Werke 1960 wegen angeblicher "Sittenwidrigkeit" beschlagnahmt wurde, gilt er als einer der wenigen stilbildenden Künstler unserer Zeit und wurde als einziger deutscher Künstler in die Pariser "Académie des Beaux Arts" aufgenommen. Literatur : Literatur : https://paulwunderlich.de/. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:21 Uhr (CET) WUNDERLICH, Paul(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) Surrealist portraitColor lithograph. Indistinctly signed, above in mirror writing "10.3.82". (19)82. 565/1000. Window: 63.5 x 48 cm. Framed & behind glass : 70.5 x 55.5 cm. Portrait with feminine features in frontal view, on her forehead a colorful bird, also frontal, two further birds as accessories at shoulder height at the lower edge of the picture. German painter, draughtsman, sculptor and graphic artist. Although some of his works were confiscated in 1960 due to alleged "immorality", he is considered one of the few style-defining artists of our time and was the only German artist to be accepted into the Paris "Académie des Beaux Arts". Literature : Literature : https://paulwunderlich.de/. Aufrufzeit 26. | Oct. 2024 | probably 11:21 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KIRKEBY, Per(1938 Kopenhagen - 2018 ebd.) Abstrakte KompositionFarblithographie?. Bleistiftsignatur unten rechts. 1974. 39/100. 49,5 x 55 cm. Gerahmt & hinter Glas : 60,5 x 65 cm. Auf einer Basis von kleinteiligen Zeichnungen aus dünnen Linien gibt es eine zweite Ebene aus pinselstrichartigen Zeichnungen. Vergleiche auch die anderen Werke des Künstlers in dieser Auktion. Dänischer Maler, Bildhauer, Filmkünstler, Architekt und Dichter, studierte Geologie mit abschließender Promotion an der Universität Kopenhagen. Er war ab 1978 Professor an der Staatlichen Akademie der Bildenden Künste Karlsruhe, ab 1989 an der Städelschule in Frankfurt am Main. Literatur : https://www.hallartfoundation.org/de/exhibition/per-kirkeby/information. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:24 Uhr (CET) KIRKEBY, Per(1938 Copenhagen - 2018 ibid.) Abstract compositionColor lithograph? Pencil signature lower right. 1974. 39/100. 49.5 x 55 cm. Framed & behind glass : 60.5 x 65 cm. On a base of small-scale drawings of thin lines, there is a second layer of brushstroke-like drawings. See also the artist's other works in this auction. Danish painter, sculptor, film artist, architect and poet, studied geology, graduating with a doctorate from the University of Copenhagen. From 1978 he was a professor at the State Academy of Fine Arts Karlsruhe, from 1989 at the Städelschule in Frankfurt am Main. Literature : https://www.hallartfoundation.org/de/exhibition/per-kirkeby/information. Aufrufzeit 26. | Oct. 2024 | probably 11:24 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KIRKEBY, Per(1938 Kopenhagen - 2018 ebd.) Abstrakte KompositionFarblithographie. Bleistiftsignatur unten rechts. 1974. 39/100. 49,5 x 55 cm. Gerahmt & hinter Glas : 60,5 x 65 cm. Auf einer Basis von kleinteiligen Zeichnungen aus dünnen Linien gibt es eine zweite Ebene aus pinselstrichartigen Zeichnungen. Vergleiche auch die anderen Werke des Künstlers in dieser Auktion. Dänischer Maler, Bildhauer, Filmkünstler, Architekt und Dichter, studierte Geologie mit abschließender Promotion an der Universität Kopenhagen. Er war ab 1978 Professor an der Staatlichen Akademie der Bildenden Künste Karlsruhe, ab 1989 an der Städelschule in Frankfurt am Main. Literatur : https://www.hallartfoundation.org/de/exhibition/per-kirkeby/information. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 11:25 Uhr (CET) KIRKEBY, Per(1938 Copenhagen - 2018 ibid.) Abstract compositionColor lithograph. Pencil signature lower right. 1974. 39/100. 49.5 x 55 cm. Framed & behind glass : 60.5 x 65 cm. On a base of small-scale drawings of thin lines, there is a second layer of brushstroke-like drawings. See also the artist's other works in this auction. Danish painter, sculptor, film artist, architect and poet, studied geology, graduating with a doctorate from the University of Copenhagen. From 1978 he was a professor at the State Academy of Fine Arts Karlsruhe, from 1989 at the Städelschule in Frankfurt am Main. Literature : https://www.hallartfoundation.org/de/exhibition/per-kirkeby/information. Aufrufzeit 26. | Oct. 2024 | probably 11:25 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DILL, Otto(1884 Neustadt - 1957 Bad Dürkheim) Vor der Parforce-JagdÖl auf Leinwand. Signiert. 11,5 x 17 cm. Gerahmt : 17,5 x 24,5 cm. Passepartout, profilierter Goldrahmen. Dill: Tier-, Genre-, Stillleben- und Landschaftsmaler, Zeichner und Lithograph. Studierte an der Akademie in München, Meisterschüler von Heinrich von Zügel. 1917 Atelier in München. Auf Ausstellungen in München und Wien vertreten, 1924 Professor. Mitglied der Münchner und Wiener Sezession, der Dresdner Kunstgenossenschaft, im Wiener Künstlerhaus, im Reichsverband bildender Künstler Deutschlands * Partnerauktion Bergmann. Literatur : Vollmer (1953-1962), Dressler (1930), Ludwig (1993), Saur (2000), Fuchs (1973). Aufrufzeit 26. | Okt. 2024 | voraussichtlich 14:21 Uhr (CET) DILL, Otto(1884 Neustadt - 1957 Bad Dürkheim) Before the par force huntOil on canvas. Signed. 11.5 x 17 cm. Framed : 17.5 x 24.5 cm. Passe-partout, profiled gold frame. Dill: animal, genre, still life and landscape painter, draughtsman and lithographer. Studied at the academy in Munich, master student of Heinrich von Zügel. 1917 Studio in Munich. Represented at exhibitions in Munich and Vienna, professor in 1924. Member of the Munich and Vienna Secession, the Dresdner Kunstgenossenschaft, the Vienna Künstlerhaus, the Reichsverband bildender Künstler Deutschlands * Partner auction Bergmann. Literature : Vollmer (1953-1962), Dressler (1930), Ludwig (1993), Saur (2000), Fuchs (1973). Aufrufzeit 26. | Oct. 2024 | probably 14:21 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GARRIDO, Louis Edouard(1893 La Varenne-Saint-Maur - 1982 Caen) Heuernte in der NormandieÖl auf Leinwand. Signiert. 27 x 41 cm. Gerahmt : 36 x 50 cm. Rückseitig alte Klebezettel, Pariser Stempel Couleurs Fines G(ds) M(ins) du Louvre. Vergoldeter Stuckrahmen. Rückseitig unten zwei kleine Flicken. Garrido: Maler, Zeichner, Lithograph spanischer Abstammung, Sohn von Edouardo Leon. Studierte an der Akademie in Paris, 1921 Lehramt in Caen. 1936 Präsident der Société des Artistes bas-normands. Stellt häufig in deren Salon aus, seit 1951 in La Varenne-Saint-Maur ansässig * Partnerauktion Bergmann. Literatur : Benezit (2006), Saur (2006). Aufrufzeit 26. | Okt. 2024 | voraussichtlich 14:26 Uhr (CET) GARRIDO, Louis Edouard(1893 La Varenne-Saint-Maur - 1982 Caen) Hay harvest in NormandyOil on canvas. Signed. 27 x 41 cm. Framed : 36 x 50 cm. Old adhesive label on the reverse, Parisian stamp Couleurs Fines G(ds) M(ins) du Louvre. Gilt stucco frame. Two small patches on the reverse at the bottom. Garrido: painter, draughtsman, lithographer of Spanish descent, son of Edouardo Leon. Studied at the Academy in Paris, 1921 teaching post in Caen. 1936 president of the Société des Artistes bas-normands. Frequently exhibited in their salon, based in La Varenne-Saint-Maur since 1951 * Partner auction Bergmann. Literature : Benezit (2006), Saur (2006). Aufrufzeit 26. | Oct. 2024 | probably 14:26 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SÖRENSEN, Jacobus Lorenz(1812 Amsterdam - 1857 Amsterdam) Romantische FlusslandschaftÖl auf Leinwand. Signiert. 62 x 76 cm. Gerahmt : 70 x 85 cm. Fein gemalter spätsommerlicher Landschaftsausschnitt mit tiefem Horizont, Figuren- und Bootstaffage. Originaler Keilrahmen, neuwertiger profilierter Goldrahmen. Rückseitig vier kleinere Flicken, im Himmel minimaler Farbabplatzer. Sörensen: Landschaftsmaler und Lithograph, studierte an der Akademie in Amsterdam, nähere Lebensdaten unbekannt * Partnerauktion Bergmann. Literatur : Scheen (1970). Aufrufzeit 26. | Okt. 2024 | voraussichtlich 17:48 Uhr (CET) SÖRENSEN, Jacobus Lorenz(1812 Amsterdam - 1857 Amsterdam) Romantic river landscapeOil on canvas. Signed. 62 x 76 cm. Framed : 70 x 85 cm. Finely painted late summer landscape with low horizon, figures and boat staffage. Original stretcher, as new profiled gold frame. Four smaller patches on the reverse, minimal loss of color in the sky. Sörensen: landscape painter and lithographer, studied at the Academy in Amsterdam, further life data unknown * Partner auction Bergmann. Literature : Scheen (1970). Call time 26 | Oct. 2024 | probably 17:48 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Dekorativer Fächer in verglastem Schaukasten. Anfang 20. Jh., jüngere Rahmung. Beinstäbe, kolorierte Lithografie wohl auf Papier mit goldfarbener Prägung, Spiegelglas. Verglaster Rahmen mit Polimentvergoldung. L Fächer 27 cm, Rahmen 35 x 59 cm. Aus einzelnen, mit Federn bekränzten Segmenten bestehendes Blatt: Galante höfische Gesellschaft in goldstaffierter Ornamentrahmung. 3 Stäbe repariert, sonst minimale Alters-/Gebrauchsspuren. Aufrufzeit 23. | Okt. 2024 | voraussichtlich 18:05 Uhr (CET)Decorative fan in glazed display case. Early 20th century, more recent framing. Legs, colored lithograph probably on paper with gold-colored embossing, mirror glass. Glazed frame with poliment gilding. L fan 27 cm, frame 35 x 59 cm. Sheet consisting of individual segments adorned with feathers: gallant courtly society in a gold-trimmed ornamental frame. 3 sticks repaired, otherwise minimal traces of age/use. Call time 23 Oct 2024 | probably 18:05 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

After Charlie Johnson Payne (Snaffles)'Great Banks there was below in the Fields', no. 342/850, lithograph, 51 x 70cm

John Copley (1875-1950)Bearers, lithograph, signed in pencil to the margin, 17.5 x 23cm (im); and an etching by the same hand - 'Trees at Noon', signed in pencil to the margin, 15 x 21cm, both unframed (2)

After Llano FlorezFabric Design 1919, lithograph with hand-colouring, 20.5 x 20cm; and after Ford Madox Brown - Cartoon for Zachariah, print, 30.5 x 15cm (2)

Gennady Naumovich Glickman (1921 - 1991)Frans Kafka, lithograph, signed with initials and dated 1966, also inscribed with title, 49 x 33cm, mounted but unframed Provenance: From the estate of the late Francis and Larissa Haskell

After Charlie Johnson Payne (Snaffles)'The Game of Sahibs and Rajahs', pencil signed to the margin, lithograph with hand-colouring, 49 x 71cm

After James Baker PyneWindsor Castle - The Quadrangle looking east, lithograph, 32.5 x 47cmProvenance: from the Estate of Francis and Larissa Haskell.

A 19th century chromo-lithograph printed with cat and two kittens in the manner of Henrietta Ronner-Knip, 38 x 53cm

Isaac Cruikshank the elder after WoodwardA sailor at a Quaker's funeral, lithograph with hand-colouring, 23 x 33cm

After Charlie Johnson Payne (Snaffles)'Carpet Beaters V Bobbery Wallahs', lithograph with hand-colouring with further vignettes to the margin, 43 x 68cm

Italian School, 19th centuryAn Italian peasant girl drinking from a well head, chromo-lithograph in gilt frame, 26.5 x 20cm; a pair of circular stipple engravings representing Spring and Summer; and F. Bartalozzi after Rev. W. Peters – “The Apotheosis of a Beautiful Female", stipple engraving in colours 70cm x 50cm (4)

Paul HogarthBack Street Cinema, lithograph, 22.5 x 29.5cm; together with a portrait of John Henry Newman after George Richmond (2)

Allan Schmidt (Danish 1923-1989)Abstract, pencil signed in the margin and dated '66, lithograph, 35 x 48cm

A mixed lot of lighting and other items to include a 20th century brass effect lamp with cranberry glass shade, a painted and giltwood lamp, brass Dutch style candleholder with drip pan on stepped conical base and pottery Brandy barrel converted to a lamp base A/F, along with a framed and glazed lithograph commemorating The Wedding of King Edward VII to Queen Alexandra, printed for The Sphere Magazine Coronation number, and a modern porcelain Monteith flour jardiniere Location:If there is no condition report shown, please request

Michael David Barnfather (British, b.1934), after, A group of three - Lakeside Cottage, signed in pencil lower right, limited edition number 467/850, blind stamp lower left, lithograph, 37cm x 71cm; the other two, each signed, and with blind stamps, lithographs, 29cm x 37cm, (3).

Arthur Delaney (1927-1987), after, Oxford Street, Manchester, signed, limited edition edition number 566/650, signed in pencil lower right, lithograph, 34cm x 26cm.

Pollyanna Pickering (1942 - 2018), by and after, ‘Halcyon Days’, signed in pencil, limited edition number 147/250, lithograph, 43.5cm circular.

William Russell Flint, (1880-1969), by and after, ‘Balance’, signed in pencil lower right margin, blind stamp lower left, lithograph, 43cm x 59cm; another, The Three Graces, signed in pencil lower right, blind stamp lower left, 52cm x 69cm, (2).

L. S. Lowry, by and after, ‘Sunday Afternoon, 1957’, lithograph, 53cm x 72cm.

Rex N. Preston (British, bn. 1948), after, Calton Lees, Chatsworth, limited edition lithograph, signed in pencil lower right margin, number 783/850, 40cm x 76cm; Michael Barnfather (bn. 1934), after, Finishing Touches, limited edition lithograph, signed in pencil lower right margin, blind stamp lower left, 33cm x 63cm, (2).

λ &nbspJOHN PIPER (BRITISH 1903-1992) THORNTON ABBEY GATEWAY (GATEHOUSE) Watercolour, ink, pencil, oil and coloured crayon Signed, titled Thornhill Priory [sic] and dated 17 VII 83 (lower left) 37 x 56cm (14½ x 22 in.)The lithograph depicting Thornton Abbey was published in 1987. Condition Report: The sheet is stacked down with tape at the far left and right upper corners. The reverse of the sheet is inscribed C/9 85/9 (later inscription). There are four additional pieces of tape stuck on the reverse of the sheet to all four corners. There is some slight undulation to the sheet, some areas of cracking and loss to the oil pigments but otherwise, the work appears to be in good original condition. Condition Report Disclaimer

Poster: "An Tostal, Ireland at Home, 5th - 26th April 1953," coloured lithograph, with central harp and silhouette images of various sport figures and flags, approx. 99cms x 61cms (39" x 24 1/2"). (1)

Tom Carr, A.R.H.A. (1909-1999) "Hold Hard, Please," cold. lithograph, signed Limited Edition, No 21/751, approx. 27cms x 36cms (10 1/2" x 14"). (1)

Salvador Dali (Spanish, 1904-1989) 'Romantic', from the Four Dreams of Paradise suite 1973 Coloured lithograph on Arches 49/1000, hand signed and numbered in pencil Printed by Grapholith, Paris, with a letter of authenticity from Grapholith attached verso Dimensions: (Frame) 28.75 in. (H) x 21.25 in. (W) (Paper) 27.25 in. (H) x 20 in. (W)

Shane Warne & Muttiah Muralitharan signed Limited Edition Lithograph with COA This absolutely stunning item of signed Cricket Memorabilia a striking action lithograph that takes you on a photographic and factual journey through Shane Warne and Muttiah Muralitharan's continuing battle to become the world's greatest wicket taker. Personally signed by both spinners and independently authenticated and certified by the major chartered accounting firm PricewaterhouseCoopers, 'Record Pursuit' is available in a strictly limited edition of 350Officially licensed by Cricket Australia and Sri Lanka Cricket, each are individually numbered and measure in at a large and impressive 650mm by 450mmRivals, friends, headline-makers and two of the world's greatest bowlers, Shane Warne and Muttiah Muralitharan will remember 2004 as a watershed in their colourful careers, with both spinners passing 500 Test wickets and continuing their 'battle' to become the world's greatest-ever wicket taker Their race to be the first spin bowler to take 500 wickets was a classic ' cat and mouse' struggle during Australia's 3-Test series in Sri Lanka in March 2004. After a well-publicised and determined duel, Warne was victorious, taking wicket number 500 on March 12, during the 1st Test in Galle. By the end of the tour, the ledger read: Warne 517 wickets, Muralitharan 513 - with West Indian great Courtney Walsh's world record of 519 wickets ready to be broken It was Muralitharan who first claimed that illustrious 'crown', passing Walsh's record during Sri Lanka's Test series against Zimbabwe in May 2004. The champion off-spinner set a new world record when he captured his 520th wicket in the 1st Test in Harare on May 8. Muralitharan then dismissed a further seven Zimbabwean batsmen in the series to take his tally to 527. Shane Warne's quest to overhaul Muralitharan in the world wicket-taking began in the two-Test series against Sri Lanka in Darwin and Cairns in July. Warne took 3 wickets in the 1st Test in Darwin to move within reach of Muralitharan, before equalling his world record mark with a sensational haul of 7 wickets in the 2nd Test in Cairns! Warne held the record until it was broken by Muralitharan on December 3, 2007A superb item of Cricket Memorabilia to celebrate the two statistically greatest Bowlers of all time! Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

After Pierre Bonnard (1867-1947) Female Figure, Lithograph from Daphnis and Chloé, 15.5 x 14 cm (i), 32.5 x 25.5 cm (SH), together with three further unframed lithographs (4)

ARR James Hart Dyke (British b.1966) Figures Discussing Plans, 2011, signed lower right, numbered 334/350, lithograph, 20 x 28cm, 42 x 59.5cm (SH) Note: This print is part of the artist's project and exhibition 'A Year with MI6'. As 2009 was marking the centenary of MI6, the British Secret Intelligence Service, James Hart Dyke was invited behind their very closed doors and documented the secret world of espionage through a series of paintings and drawings.

Helen Bradley (1900-1979) We Met in the Park, signed lower right, blind stamp lower left, offset lithograph, 30 x 50 cm, frame 54 x 74 cm, together with two further signed prints by the same hand, and a copy of the publication And Miss Carter Wore Pink, (4)

ARR Barbara Jones (1912-1978) Pineapple at Dunmore, signed lower right, numbered 56/70 lower left, lithograph, 77.5 x 57 cm (SH)

ARR James Hart Dyke (British b.1966) Waiting in the Hotel Room, 2011, signed lower right, numbered 334/350, lithograph, 25.5 x 25.5cm, 42 x 59.5cm (SH) Note: This print is part of the artist's project and exhibition 'A Year with MI6'. As 2009 was marking the centenary of MI6, the British Secret Intelligence Service, James Hart Dyke was invited behind their very closed doors and documented the secret world of espionage through a series of paintings and drawings. Condition:The print is a lithograph, unframed. The margins are present. The sheet is in very good condition, the edges crisp and it is free of tears, creasing or losses. There are some faint, minor and sparsly distributed spots of foxing to the verso, but do not appear to be visible to the front of the sheet. The colours of the print are well preserved and stable

David Hockney RA (b.1937) Saltaire Mill's Salts Diner Menu, lithograph, 43 x 30 cm (SH)

ARR James Hart Dyke (British b.1966) Battersea Power Station, 2011, signed lower right, numbered 334/350, lithograph, 25.5 x 34.5cm, 42 x 59.5cm (SH)Note: This print is part of the artist's project and exhibition 'A Year with MI6'. As 2009 was marking the centenary of MI6, the British Secret Intelligence Service, James Hart Dyke was invited behind their very closed doors and documented the secret world of espionage through a series of paintings and drawings. Condition:The print is a lithograph, unframed. The sheet is in very good condition, the edges are crisp and it is free from tears, creases or losses. There is one tiny dark spot to the lower left in the margin. The print colours are well preserved, bright and stable

Felix Kelly (1914-1994) Drifter and Steamers, circa 1940s, lithograph, from The School Prints Series, published by the Baynard Press, 41.5 x 68 cm (i), frame 68.5 x 94 cmProvenance: private collection, purchased from the Goldmark Gallery - label to verso

ARR David Gentleman (b.1930) Dundas Aquaduct, signed lower right, artist proof, lithograph,blind stamped lower left, 63.5 x 51 cm (SH), together with 'Gainard - Bennett House' signed lithograph, numbered 84/100 by the same hand (2)From The Bath Suite series 1974

ARR Salvador Dali (1904-1989) The Frozen Watches of Space Time, from The Conquest of the Cosmos I, 1974, signed lower right, numbered 41/95 lower left, etching and lithograph, 75 x 55 cm (PL), frame 108 x 82 cmProvenance: private collection, purchased from The Soden Collection - label to verso

ARR James Hart Dyke (British b.1966) Early Morning Kabul, 2011, signed lower right, numbered 334/350, lithograph, 25.5 x 35.5cm, 42 x 59.5cm (SH)Note: This print is part of the artist's project and exhibition 'A Year with MI6'. As 2009 was marking the centenary of MI6, the British Secret Intelligence Service, James Hart Dyke was invited behind their very closed doors and documented the secret world of espionage through a series of paintings and drawings. Condition:The print is a lithograph, unframed. The full margins are present. The sheet is in very good condition, free from tears, losses or creases. There are some very faint and sparsly distributed spots of foxing to the upper left edge in the margin, not extending into the print image. The colours are well preserved and stable, crisp.

ARR James Hart Dyke (British b.1966) Toy Duck, 2011, signed lower right, numbered 334/350, lithograph, 25.5 x 25.8 cm, 42 x 59.5 cm (SH)Note: This print is part of the artist's project and exhibition 'A Year with MI6'. As 2009 was marking the centenary of MI6, the British Secret Intelligence Service, James Hart Dyke was invited behind their very closed doors and documented the secret world of espionage through a series of paintings and drawings. Condition:The print is a lithograph, unframed. The full margins are present. The sheet is in excellent condition, edges are crisp and it is free from tears, losses or creases. The print colours are well preserved and stable.