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70553 Los(e)/Seite
Los 1029
Wilmot (British 20th century): Scarborough Spa, watercolour signed and dated '99; After Francis Nicholson (British 1753-1844): 'Scarborough', lithograph printed by Charles Joseph Hullmandel (British 1789-1850) pub. Rodwell and Martin, London 1822; and an aerial photograph of Scarborough showing the old outdoor swimming pool, max 30cm x 50cm (3)
Los 12
12. GERMAN ARMORED TRUCK | Attributed to Gustav Giillischewski, brilliant colors and detail to lithograph vehicle, hand painted figure seated in top, keywind toy emulates an armored train with cowcatcher at front and large gold cannon on top. | Provenance: Paul Cole Collection. | 5.5" l. | (Pristine Condition) | $1,000 - $1,500
Los 2338
Henry Alken (1785-1851) Hand coloured equestrian event engraving entitled 'The Run' published by Mess. Brall & Sons. Plus William I. Shayler (1788-1879) equestrian event lithograph entitled 'Taking A Rail' published by I. M. Cormick. Both 19th century examples. Frame sizes, one 22 x 17 1/4 the other 23 x 19 1/2 inches approx (Glazed)
Los 106
Wilkinson (Norman) Come to Britain for Fishing, lithograph printed in colours on wove paper, unlined, sheet 750 x 495 mm (29 1/2 x 19 1/2 in), minor surface dirt and handling creases, unframed, published by the Travel Association of Great Britain and Northern Ireland, printed by W. S. Cowell, [circa 1947]Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 341
Los 27
NO RESERVE Alken (Henry Thomas, 1785-1851).- Gauci (Maxim) Mr Henry Alkin alias Ben Tally O, bust portrait, lithograph with hand-colouring, image 240 x 190 mm (9 1/2 x 7 1/2 in), under glass, minor surface dirt, publication line of Thomas McLean affixed collage-style below lettering, framed, printed by Rowney & Forster, 1823Provenance:Ex-collection of Virginia & Norman Bobins, cat. no. 8 (labels affixed verso)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. p. 84
Los 29
NO RESERVE Scottish Fishing.- Heath (William) Sporting in the Scottish Isles no. III. Salmon Fishing, lithograph with hand-colouring, heightened with gum arabic, 280 x 300 mm (11 x 11 3/4 in), under glass, possibly laid onto support, minor browning and toning, framed, published by Ackermann, 1835; together with an anonymous portrait of a gentleman in tartan suit and bonnet sitting at a table beside three small fish (salmon?), mezzotint with hand-colouring, 260 x 210 mm (10 1/4 x 8 1/4 in), under glass, trimmed, framed, early 19th century (2)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 189 and 213⁂ An early illustration of fishing in the remoteness of the Western Isles.
Los 33
NO RESERVE Daniell (William) Windsor Castle from the North West, aquatint with hand-colouring, 300 x 502 mm (11 3/4 x 19 3/4 in), under glass, trimmed and presented on mount as issued, some spotting and surface dirt, framed, published by Thomas and William Daniell, 1827; together with a good group of 4 further prints of fishermen in landscapes, including Havell's aquatint after Walmesley's 'O'Sullivan's Cascade, Kerry', Duffield Harding's lithograph 'Falls of the Tummel', and J. Giles's lithograph 'A Veteran of the Angle', and another, all under glass, framed, 19th century (5)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. no. 16, 114
Los 36
NO RESERVE River Lea.- Ackermann (Rudolph, publisher) View of the River Lea Bridge and Stratford Viaduct as now constructing for the Eastern Counties Railway Company, after a drawing by George Harley, lithograph by Louis Haghe, with hand-colouring, 340 x 575 mm (13 1/4 x 22 3/4 in), under glass, some spotting and minor surfaced dirt, scratch within the sky, framed, Ackermann, Eclipse Sporting Gallery, 1837Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 126
Los 54
Rolfe (Henry Leonidas) Rolfe's Angling Sketches. 'Not Long Caught', oval lithograph printed in colours by J West Giles, an excellent clean impression finished by hand with body white, sheet 440 x 590 mm (17 1/4 x 23 1/4 in), under glass, minor surface dirt, framed, printed by M & N Hanhart, published by E. Gambert, 1854Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 204⁂ Henry Leonidas Rolfe (1823-1881) was devoted to the depiction of angling subjects and was, unsurprisingly, a keen fisherman himself. Henry Leonidas Rolfe's good friend Alfred Jardine, the great Victorian pike angler, called him simply 'The Fish-Painter'. Another friend, the leading fish biologist of the day, Frank Buckland, described him as 'The Landseer of Fishes', and the artist described himself somewhat self-deprecatingly as 'The Scaly Painter'.
Los 56
NO RESERVE Rolfe (Henry Leonidas) No.2. Pike, Perch, and Roach from the River Loddon, from 'Studies of Fresh-Water Fish', oval lithograph printed in colours by J West Giles, a good impression with full margins, finished with hand-colouring, image approx. 430 x 560 mm (17 x 22 in), sheet 525 x 650 mm (20 3/4 x 25 3/4 in), under glass, sheet with old repairs to loss, surface dirt and browning, framed, printed by M & N Hanhart, published by William Tegg, 1856Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 206⁂ Henry Leonidas Rolfe (1823-1881) was devoted to the depiction of angling subjects and was, unsurprisingly, a keen fisherman himself. Henry Leonidas Rolfe's good friend Alfred Jardine, the great Victorian pike angler, called him simply 'The Fish-Painter'. Another friend, the leading fish biologist of the day, Frank Buckland, described him as 'The Landseer of Fishes', and the artist described himself somewhat self-deprecatingly as 'The Scaly Painter'.
Los 57
Scottish Fisherman.- Frain (Robert), After. Rob 'O The Trows, Fisherman, lithograph by Charles Couzens, sheet 575 x 400 mm (22 3/4 x 15 3/4 in), under glass, appears to be laid onto support, creases and repairs, mainly marginal, surface dirt and browning, framed, printed by M. & N. Hanhart, [circa 1842]; together with a mezzotint printed in colours after Sir Henry Raeburn's 'Lt. Col. Bryce McMurdo', 550 x 350 mm (21 3/4 x 13 3/4 in), under glass, framed, published by Arthur Greatorex, [1931] (2)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 215-216⁂ "Rob o' the Trows" was the well known Tweed professional, Rob Kerss (possibly Kerse), who was fisherman to Lieut.-General Sir Thomas Brisbane of Makersta (now Makerstoun) on the River Tweed, above Kelso. He was called 'Rob o' the Trows' after a stretch of the river on the Makerstoun water that was also the name of a small village where he probably lived. He is said to have been well known to everyone who fished the middle Tweed in the early-to-middle 19th century. He was born about 1770 and died age 79 in 1849. Thomas Tod Stoddart recalls him in the autobiographical sketch he wrote for Songs of the Seasons, Kelso, 1881.
Los 74
Salmon Fishing.- Farquharson (Joseph) Salmon Fishing on the Dee, engraving by Herbert Sedcole, printed in colours, signed by artist and engraver, Printseller's Association blindstamp lower left, 600 x 840 mm (23 3/4 x 33 in), under glass, some spotting and light browning, framed, published by Frost & Reed, 1903 ; together with 3 others, including the mixed-method engraving by Simmons after Richard Ansdell's 'Gaffing (or Landing) a Salmon', and the lithograph by Harring of John Frederick Tayler's 'Salmon Fishing', and a pirated slightly reduced edition of the same, all large framed prints, [19th century] (4) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 190, 191, and 194
Los 90
Crawhall II (Joseph), After. A Coquet Trout, lithograph printed in colours, sheet 265 x 455 mm (10 1/2 x 17 7/8 in), under glass, minor surface dirt, framed, reproduced and published by Andrew Reid Sons & Co., 1889Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 319
![NO RESERVE Edwards (Lionel), After. [Autumn], colour print, 200 x 275 mm (7 7/8 x 10 3/4 in), under glass, framed, [circa 193](https://cdn.globalauctionplatform.com/0f22525d-6734-4a1c-ab87-ad1900af7337/cd839edc-b355-4702-b53d-ad1900b2d462/468x382.jpg)
Los 94
NO RESERVE Edwards (Lionel), After. [Autumn], colour print, 200 x 275 mm (7 7/8 x 10 3/4 in), under glass, framed, [circa 1930-1950]; together with 5 others, including 4 colour prints of fishing scenes by Lionel Edwards, and a colour print after William Nicholson's fishing lithograph 'May', all but 3 framed, [early 20th century] (6)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 222, 327-331
Los 95
Payne (Charles "Snaffles" Johnson) I Would Bring Such Fishes Back (Kingsley), offset lithograph printed in colours, signed in pencil with blindstamp, total sheet 505 x 535 mm (19 7/8 x 21 in), under glass, minor surface dirt, framed, [circa 1934]Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 332
![Wilkinson (Norman) [Trout Fishing on the Garry], offset lithograph, signed in pencil by the artist, with blindstamp lower lef](https://cdn.globalauctionplatform.com/0f22525d-6734-4a1c-ab87-ad1900af7337/1e9194cf-88a1-4269-9a68-ad1900b2c3e6/468x382.jpg)
Los 99
Wilkinson (Norman) [Trout Fishing on the Garry], offset lithograph, signed in pencil by the artist, with blindstamp lower left, image 425 x 570 mm (16 3/4 x 22 1/2 in), under glass, framed, published by Frost & Reed, 1950Provenance:Gifted to Reginald HusbandsLiterature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 342
Los 48
John Hoyland R.A. (British 1934-2011) Untitled, 1978, signed, dated and numbered 46/50 in pencil in the margin, produced for the 150th Anniversary of the Slade School of Art, lithograph.63.5cm x 47cm (25in x 18.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and scratches commensurate with age.
Los 54
Peter Blake C.B.E., R.D.I., R.A. (British 1932-) "Bobbie Rainbow", 2001, signed and numbered 1540/2000, from the edition of 2000, lithograph on tin.66cm x 44cm (26in x 17.25in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. The print is unframed.
Los 65
David Hockney R.A. (British 1937-) “Little Boodge”, signed in pen by the artist, 1993, published by 1853 Gallery, Salts Mill, Saltaire, Yorkshire, offset lithograph on wove paper.sheet size 28cm x 42cm (11in x 16.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition. There is some very light time staining and yellowing around the edges of the print and one or two minor bumps to the edges of the sheet. The print is unframed.
Los 66
David Hockney R.A. (British 1937-) "New Drawings", black and white dogs exhibition poster, offset lithograph on gloss paper, signed in ink by the artist, published by Salts Mill for the exhibition 'David Hockney - New Drawings - 1994'.sheet size 70cm x 83.5cm (27.5in x 33in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The poster is in very good, original condition. There is some very light time staining and yellowing around the edges of the print and one or two minor bumps to the edges of the sheet. The poster is unframed and rolled.
Los 88
Pablo Picasso (Spanish 1881-1973) "Congres National du Mouvement de la Paix", 1962, signed in purple crayon, lithographic poster.98cm x 63cm (38.5in x 24.75in)Footnote:* This rare lithographic poster is steeped in history. in 1949, author Louis Aragon (1897-1982) chose Picasso's lithograph "La Colombe" (The Dove) for posters commemorating the first peace conference in Paris. A dove was appropriate, already a symbol of tranquility, and Picasso's unique take on the bird was joyfully received. Picasso's dove caught on and in the years that followed the artist agreed to provide more for peace conferences across Europe, including this 1962 edition.Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The poster is in very good, original condition. There is some cockling, creasing and stains across the surface of the paper. The poster is framed and glazed.
Los 578
* Imperial Airways. London - Egypt in 57 Hours Imperial Airways The British Air Line, circa 1930, colour lithograph poster, printed at the Baynard Press (1A/X/62), sheet size 97 x 63cm, together with Dickson (Charles), KLM, See As Much Of Europe In Half The Time, 1928, colour lithograph poster, printed by I. Van Leer & Co, Amsterdam, sheet size 100 x 63cm plus a Royal Netherlands Indian Airways (KNILM) colour poster, sheet size 60 x 39.5cm, all three posters are in extremely poor condition and unrestorable, therefore not subject to any returnsQty: (3)
Los 302
* Military Prints. Dighton (Richard, 1795-1880). Triumph of the British Flag over the French Eagles & Colours, taken by our brave soldiers in different actions, as they appear'd in the park, May 18th, 1811, hand-coloured etching, published by Deighton, Spring Gardens, May 1811, plate size 20.5 x 28 cm (8 x 11 ins), with margins, framed and glazed, together with 12 other various early 19th century hand-coloured engravings of military costume, including: Cornet of the Horse Guards, circa 1820, hand-coloured copper engraving (sold at Suffolk St., Dublin), plate size 14.5 x 9.5 cm (5.75 x 3.75 ins) with margins, gilt frame, glazed; 5 hand-coloured prints by G. E. Madeley (1798-1858): Fifth Foot 1688, Sixteenth Regiment of Foot, Twenty Second Regiment, Royal Regiment of Horse Guards, 1828 & Eighth or King's Regiment of Foot; H. Ridley, 5th Dragoon Guards, hand-coloured aquatint, circa 1825; E. Howell, Royal Artillery Officers, circa 1830, hand-coloured lithograph; 14th Light Dragoons, hand-coloured wood engraving, circa 1860s; and two others, similar sizes, all framed and glazedQty: (13)
Los 214
NO RESERVE Bates (H.E.) My Uncle Silas, 1939 § Nesbit (E.) Long Ago When I Was Young, 1966 § Trevor (Meriol) Sun Slower Sun Faster, 1955 § Brand (Christianna) Nurse Matilda, 1964, illustrations by Ardizzone, first editions, third with ink ownership name to endpapers, original cloth, dust-jackets, light bumping and chipping to corners, first with small portion missing to spine head, tail frayed, others in excellent condition, 4to & 8vo; and a large framed lithograph poster of Ardizzone's 'Shelter Scene' from 1941, published by the National Gallery, 665 x 990mm (5)
Los 231
NO RESERVE Ehrenbaum-Degele (Hans) & others. Das neue Pathos, vol.1 only (of 3), Edition B, one of 250 copies on Holland paper, plates and illustrations including original woodcuts by Felix Meseck, Erich Heckel, Jacob Steinhardt & E.R.Weiss and a lithograph by Waldemar Rösler, tissue guards, title and colophon browned, original cloth, uncut, Berlin, 1914 § Kley (Heinrich) The Drawings..., Introduction by George Grosz, vol.1 (of 2), colour frontispiece, original cloth, Los Angeles, 1947 § Thoma (Dr. Ludwig, editor) Der Burenkrieg..., illustrations, some printed in black and colours, original pictorial cloth, Munich, 1900 § Fuchs (Eduard) Die Frau in der Karikatur, plates and illustrations, original pictorial cloth,spotted, Munich, 1907, a little rubbed; and 7 others on illustration, mostly German, v.s. (11)⁂ The first is a German Expressionist periodical with literary contributions by Émile Verhaeren, Paul Zech and others.
Los 239
NO RESERVE Wadsworth (Edward) The Black Country, with an Introduction by Arnold Bennett, illustration from a woodcut, original cloth, spine ends worn and frayed, Ovid Press, 1920 § Huddart (Frideswith) The Hound of Heaven, plates mounted on thick paper, tissue guards, text booklet in pocket at beginning, browning to half-title, original cloth-backed boards, 1914 § Ziegler (W.) Judith the Widow of Bethulia, one of 700 copies, original pictorial boards, 1946 § Revelation of Saint John the Divine (The), one of 150 copies signed by the artist, colour lithograph plates by Hans Feibusch, original vellum, slip-case (defective), n.d. § Aristophanes. Lysistrata, illustrations by Norman Lindsay, original cloth, lower corners damp-stained, New York, n.d. § Lancaster (Osbert) Draynefleete Revealed, illustrations by the author, original cloth, price-clipped dust-jacket, 1949, plates and illustrations, all rubbed, some worn; and c.35 others, illustrated, v.s. (c.40)
Los 148
NO RESERVE First World War poster.- (James Kealey) Edgar, after. First World War Recruitment Poster, lithograph, small pin holes to corners, short repaired tears, poster measuring c.730 x 480mm, Hill, Siffken & co., 1914.⁂ While many expected the First World War to be 'over by Christmas', the Secretary of State for War, Field Marshal Lord Kitchener, realised the conflict would be long and on an unprecedented scale. He realised that Britain would have to create a mass army for the first time and appealed for volunteers for his 'New Armies' in August 1914. Recruitment officers were sent to towns, cities, factories and clubs. Propaganda posters were placed all over the country to persuade men to sign up.
Los 170
MATHEWS GREGORY MACALISTER. The Birds of Australia. 13 vols. bound from original parts with orig. upper wrappers bound in (some wrappers inscribed, mainly "Bedford"), comprising vols. 1 to 12 plus 13th vol. with the 5 supplements. Ltd. ed. no. 10 of only 225. 600 hand col. lithograph plates by J.G. Keulemans, H. Gronvold, R. Green, H. Goodchild & G.E. Lodge, & a portrait plate. Folio, 14" x 10". A fine set in quarter blue morocco with red spine labels to backs, Witherby & Co., 1910 - 1927. The most comprehensive study of Australian birds and the most important since Gould`s Avifauna; includes about 100 species not covered by Gould. One of the last significant ornithological works to have hand coloured plates.
Los 175
SCLATER PHILIP LUTLEY & OLDFIELD THOMAS. The Book of Antelopes. 4 vols. 100 hand col. lithograph plates after Smit, Wolf & others, & wood eng. text illus. Quarto. Orig. brown cloth gilt, some wear & mkg., creasing to backs, one or two plates loose or tending loose in vol. 4. 1894-1900. The plates were prepared under the supervision of Sir Victor Alexander Brooke by Joseph Wolf, who provided many of the drawings.
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70553 Los(e)/Seite