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After Abraham Cooper (British, 1787-1868), 'Plenipotentiary', Limited edition lithograph on paper, Named, titled and numbered '87/350' to Moorland Gallery label verso, 45.5cm x 65.5cm, With two limited edition horseracing lithographs after John Frederick Herring, and two others after John Nost Sartorius, All framed and glazed (5)
Dame Elisabeth Frink CH DBE RA (British, 1930-1993),'Lying Down Horse', Limited edition lithograph on paper published by Christie's Contemporary Art, Signed in pencil, blind stamped and numbered '151/250' to lower margin, Christie's biographical label verso, 55cm x 73.5cm, Framed and glazed CONDITION REPORT:The piece shows a feint stain line across the top edge, most noticeable on the left hand side. The paper shows minor age related darkening, but no obvious foxing. The colour appears strong, but may have faded somewhat over time. The frame appears to be structurally sound.
1968 World Club Championship Lithograph multi hand signed by the Manchester United Team. 15 signatures on the reprinted poster, with noted players of Nobby Stiles, Dennis Law, Bobby Charlton, John Aston Jimmy Ryan, Bill Foulkes, originally sold by The Association of Former Manchester United Players. Well framed and mounted under glass - size #57cm x 78cm
ARR Tom Phillips CBE RA (1937-2022) Samuel Beckett, No Matter, try again, fail again, fail better, 1984, signed lower right, numbered 23/75, lithograph in colours, 49 x 25 cm (i), frame 74 x 49 cm Provenance: Collection of the Restauateur Liam Carson (1954-2005) who supported Damien Hirst and Matthew Freud's Pharmacy Restaurant and bar alongside Johnathan Kennedy as well as Richard Branson's 'Branson's Roof Gardens' amongst other venues. Carson was a friend of Tom Phillips. Thence by descent to the current vendor.
ARR Lewis, David, 1994, Terry Frost, published by Scolar Press, signed by Terry Frost, with original dust jacket. Together with the accompanying limited edition lithograph, signed and dated '94 and numbered 59/180 in pencil by the artist (2)Condition:The book has been housed in its protective sleeve. It has been read- the spine is not crisp- minor evidence for handling to the pages. No obvious missing pages/tears etc. The lithograph is in good condition- sheets are both well preserved, no obvious tears or losses. The colours are still bright and well preserved- has been housed in tissue paper
ARR Beryl Cook (1926-2008) Elvira's Cafe, signed lower right, numbered 33/850 lower left, lithograph, published by Alexander Gallery, 44.4 x 34.4 cm, frame 71 x 58 cmCondition:The print is a work on paper, framed under glazing - not examined external to the frame. The sheet appears in generally good condition, full margins are visible. There is some slight yellowing/ageing visible in the margins. The sheet does not have obvious faults, tears or creases etc. The colours are generally good and well preserved. The print is signed in pencil lower right and numbered to the lower left. Frame has some general wear and tear.
ARR Ceri Richards CBE (1903-1971) Piano, 1958, signed and dated, numbered 47/150, blind stamp with artist initials lower left, lithograph, 64 x 47.5 cm (SH), frame 70 x 53.5 cmCondition:The artwork is a work on paper, framed under glazing - not examined external to the frame. The colours appear bright and well preserved - no obvious deterioration. The sheet appears in good condition - no obvious tears or losses- full edges are visible. The frame has some general wear and tear.
Stik, British b.1979- Holding Hands (orange), 2020; offset lithograph in colours on wove, signed in black marker pen, published in the Hackney Today Newspaper, London, folded twice as issued, sheet: 50 x 50 cm, (unframed) (ARR) Note: Holding Hands (orange) is part of Stik's Holding Hands collection, made in collaboration with Hackney Council.
John Piper CH, British 1903-1992, Courthouse, Long Crendon, Buckinghamshire [Levinson 285], 1978; lithograph in colours on T. H. Saunders waterleaf wove, signed and numbered 57/120 in pencil, printed by Curwen Studio, London, published by Christie's Contemporary Art and The National Trust, with their blind stamp, image: 42 x 58 cm, (framed) (ARR)
Josef Albers, German/American 1888-1976,Homage to the Square (Blue with Grey Square); Homage to the Square (Purple with Pink Square); Homage to the Square (Yellow with Orange Square); each offset lithograph in colours on thick wove, each edition of 250 numbered in pencil on the reverse, each published by the Guggenheim Museum, Artists Rights Society (ARA), New York/ADAGP, Paris, 1979, each sheet: 33 x 33 cm, (framed) (3)Note: together with the catalogue book 'Joseph Albers, Homage to the Square, 1950-1976', published by Hatje Cantz Verlag GmbH, Berlin.
Laurence Stephen Lowry RBA RA, British 1887-1976, Crime Lake, 1971; offset lithograph in colours on wove, signed in pencil, from the edition of 500, printed by Max Jaffe, Austria, published by the Adam Collection in 1971, stamped by the Fine Art Trade Guild, plate: 45.5 x 60.5 cm, (framed) (ARR)
After Andy Warhol, American 1928-1987,The Velvet Underground and Nico;offset lithograph in colours, from an unknown edition, sheet: 93.5 x 67 cm, (unframed) Note: 'The Velvet Underground and Nico' poster design derives from the record cover produced for Verve records in 1967, this was the debut studio album produced by the American rock band. Together with another poster: 'David Roe Hendrix'.

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