70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
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70553 Los(e)/Seite
Los 6
After David Gentleman - `Garrick Street and New Row from the corner of King Street`, 20th Century lithograph, signed and editioned 48/120 in pencil recto, titled label verso, sheet size approx 56cm x 76cm, together with two further lithographs after Gentleman, `Seven Dials` and `Bedfordbury (Peabody)`.
Los 48
Paul-Adolphe Rajon (1843-1888) after Sir Lawrence Alma-Tadema OM RA (1836-1912) A garland maker, etching, signed by both artist and engraver, published May 1876 by Edward S. Palmer, unframed, plate 14 x 25.5 cm (5 1/2 x 10 in) together with the same engraver`s portrait of Alma-Tadema and a lithograph by Alma-Tadema
Los 51
Achille Isidore Gilbert (1828-1899) after Sir Frederic (later Lord) Leighton PRA, `The Athlete Wresting with a Python`, etching, published 1881 by The British and Foreign Artists` Association, unframed, plate 30.5 x 22 cm (12 x 8 1/2 in) together with `The Arts of War` by and after the same hands, an etching of `Widdop as Siegfried` by E. H. Lacey, one after Albert Moore and a lithograph of Paganini by Walter Crane
Los 331
ATTRIBUTED TO JACQUES FROMANGER "Nude by the window" ink on paper, unsigned 11 1/2" x 10" together with a limited edition print by Humbert, signed in pencil in the margin and numbered 13/65 15 1/2" x 12", a limited edition lithograph by L. Willis signed in pencil in the margin and numbered 1/6 20" square, together with further contemporary pictures and prints
Los 425
A N Blackman, British 20th/21st Century- `Gravesend Reach, Gravesend Kent`; lithograph with hand-colouring/drawing, printed signature and dated 79, 17.7x23.5cm: After William Lionel Wylie NEA RA RBA RE RI, British 1851-1931- `Gravesend Reach`; collotype, bears pencil signature, 22.5x33.5cm: After Harry Rountree, British 1878-1950- `Old Grumpy`, `How She Blows`, `Snow Coming`, `Serious Trouble`; collotype, printed signature, 22.5x16cm (max) (4): 20th Century- Two botantical studies; reproduction prints, 29x17cm., ea., (a lot) (may be subject to Droit de Suite)
Los 516
Rosalind Forster, British b.1948- "Wattamalla"; lithograph printed in colours, signed, titled and numbered 31/100, 59.5x79.5cm: together with three other lithographs printed in colours by the same artist entitled, "Alembee", "Possum", "Beerwash", all signed, titled and numbered, ea. 59.5x79.5cm: After John McNulty, Irish b.1949- "Lahinch, Old Course"; reproduction printed in colours, 51x70cm: together with seven further reproduction prints of Irish golf courses, 51x70cm.,ea., (12) (unframed) (may be subject to Droit de Suite)
Los 567
Alfred Concanen, Irish 1835-1886- "G W Moore`s Great Song Dress`d in a Dolly Varden"; song sheet cover and full score, lithograph printed in colours, signed within the plate, 30.2x22cm: Murray, mid 20th century- Cartoon portrait of a man; gouache, original artwork for illustration, signed, 28.5x22.5cm: Catherine A Eggar Banks, British, exh 1886-1907- "Richmond Park"; watercolour, signed and titled, 21.5x32.5cm: After George Hillyard Swinstead RBA, British 1860- 1926- "The White Comrade"; colour reproduction print, in an ebonised frame, 36x25.5cm: together with an early 20th century photograph of a lady mounted in an oak frame, (5) (may be subject to Droit de Suite)
Los 611
After Maurice de Vlaminck, French 1876-1958- "Montigny sur Avre"; hand-coloured lithograph, signed within the plate, bears facsimile signature in ink and number 108/200 in pencil, bears Redfern Gallery label to the reverse, 34x47cm: Bryan Brooke, British 1915-1998- "View from the Studio of Cedric Morris, River Brett, Hadleigh, Suffolk"; watercolour, signed and dated 1974, 53.5x44.5cm: together with documentation noting Brooke`s connections to Morris: Michael Oelman, British b.1941- "The Imperial Ack-Ack"; etching and aquatint printed in colours, signed, titled and inscribed `T/P` in pencil, 26x22.5cm: together with a silk picture of a bird, 32.5x45cm., (4) (may be subject to Droit de Suite)
Los 443
A Victorian mahogany writing slope, 38 by 25 by 13.5cm; a mahogany writing slope with brass trap work and escutcheons, fitted interior with inkwell, 30 by 22 by 14cm; a Victorian rosewood sewing box of sarcophagus form with ivory inlaid decoration, 23.5 by 19 by 7.5cm; a papier-mache box with lacquered decoration; and a Victorian box, the lid decorated with a coloured lithograph of The Royal Mews, Brighton. (5)
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70553 Los(e)/Seite