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70555 Los(e)/Seite
Los 72
Laurence Stephen Lowry (1887-1976), a signed lithograph titled 'Deal', after the original sketch for the painting 'The Beach' 1947, from a limited edition of 850. Framed and glazed, and signed in plate and in pen with a Fine Art Trade Guild blindstamp to the lower left, published by Venture Prints Ltd. 1973. Unframed
Los 794
ROBERT FREKE GOULD: THE HISTORY OF FREEMASONRY, ITS ANTIQUITIES, SYMBOLS, CONSTITUTIONS, CUSTOMS ETC. Edinburgh, T C & E C Jack, c1880/90. Volume I (of three). Large 4to bound in period half Morocco, title in gilt to the spine. Title and freemasonry gilt stamp to upper boards. Coloured lithograph plates throughout. Spine detached and calf rubbed and heavily marked to upper board
Los 183
'MIRO DER LITHOGRAPH I-VI' WERKSVERZEICHNIS VON JOAN MIRO 6 Bände, erschienen bei Werber Genf (1972-1992), Copyright Maeght Paris. Je 33 x 36 x 4,5 cm. Band I: '1930-1952', mit 12 Original-Lithografien, davon ein Umschlag; Band II: '1953-1963', mit 12 Original-Lithografien, davon ein Umschlag; Band III: '1964-1969', mit 5 Original-Lithografien, Umschlag fehlt; Band IV: '1969-1972', mit 6 Original-Lithografien, davon ein Umschlag; Band V: '1972-1975', reines Verzeichnis; Band VI: 1976-1981', reines Verzeichnis. Mit normalen Gebrauchsspuren, Original-Lithografie-Umschlag von Band III fehlt.
Los 319
Damien Hirst (b.1965) Pharmacy 1997 (silver), Full panel repeat pattern cut from the now destroyed wallpaper from Damien Hirst's 1990's conceptual restaurant "Pharmacy", lithograph, 45 x 53cm, framed.In 1997, for his restaurant called 'The Pharmacy' located at Notting Hill Gate, London, Hirst designed wallpaper (the "wall chart") based on the pharmaceutical giant Merck’s handbook endpapers, showing pills and products and describing them with their pharmaceutical titles. Merck objected and he withdrew it as an artwork of wallpaper, after he had already plastered the restaurant with silver and gold sheets of the material. Initial plans to open further restaurants outside London were quietly dropped and the restaurant itself closed in September, 2003. Sotheby's dispersed its contents in 2004.
Los 405
* Miscellaneous Ephemera, including Certificate of the Freedom of the City of London, for George Glenny Anderson, 12 October 1843, a vellum document granting freedom of the city, admitting George Glenny Anderson of London, Maker of Playing Cards, printed in calligraphic style, with name and dates in brown ink, City of London armorial to the left of text, 7.4 x 39 cm, mounted with a card noting details about George Glenny Anderson, framed and glazed (15.5 x 60 cm), original storage tube mounted on black card and adhered to side of frame, 2 colour lithograph advertisments for sheet music, comprising: Thought Reading on the Brain, and The Scientific Simpleton, together with other playing card related ephemera, including two folders of greetings cards, and related ephemera, circa 1890 and later, including: a complete set of 50 Holloway's Sports Series cards, with card wrapper (worn), Royal Flying Club cards, Xmas 1918 greetings card, programme of music for The Mansion House 1 March 1892, first day issue lottery ticket Sat 19 November 1994, 9 playing card related mounted adverts, instruction and rule booklets, stamps, etc., QTY: (a large carton)NOTE:Provenance: Collection of Dudley Ollis.
Los 344
Carter (Elizabeth). Select Poems, designed for the Improvement of Young Ladies..., by Miss Carter and Others, Waterford: Printed by Hugh and James Ramsey, Booksellers, on the Quay, 1772, 90 pp., light spotting and toning to some leaves, D1 with tear to margin not affecting printed text, 1 leaf (only) of advertisements to verso, faint juvenile drawings to pastedowns, contemporary full sheep, small areas of loss to spine and corners, small circular repair to upper cover, small oblong 8vo (8.5 x 10 cm), together with: Manuscript. The True Story, Web Spinner, [Howitt, Mary], mid to late 19th-century, calligraphic title, 6 pages of manuscript text and 7 full-page pen, ink and watercolour drawings with manuscript captions, 2-page letter to A. M. Goodrick? from the creator of the manuscript with their initial 'M' tipped-in to rear pastedown, original blue paper wrappers, somewhat rubbed and worn, 8vo (18.5 x 11.5 cm), Cowper (William). Retirement. London: Wright and Albright, 1840, contemporary wrappers with title label to upper cover, rubbed and worn, oblong 24mo (7 x 9 cm), Fenelon (Francois De Salignac De La Mothe). Little Tales by Fenelon, 5th edition, 4 volumes, Guben: F. Fechner, and London: A. & Joseph Myers & Co., circa 1855, blind-stamps to titles, 8 hand-coloured lithograph plates, publisher's patterned silk-covered boards with embossed centrepieces, the whole contained within original decorative box with embossed 'The Lilliputian Library' to lid, soiled and worn with loss of some letters, plus 20 other 19th-century juvenalia, mostly defective, including 3 miniature volumes. QTY: (24)
Los 497
AR * Ardizzone (Edward, 1900-1979). The Village Green, Rodmersham, Kent, watercolour, depicting a busy village street scene with two young figures running around a green, monogramed to lower right, scored grid to paper (perhaps for upscaling),16 x 28 cm, mounted, framed and glazed (32 x 41 cm), artist's name and title to verso of frame in later pencil, together with a Christmas card from Catherine & Edward Ardizzone, lithograph, showing a man driving a car with passengers, a white banner bearing a seasonal message, 14.2 x 19 cm, mount aperture, andArdizzone (Philip, 1931-1978). North East Essex Technical College & School of Art, Monday, pen and ink on Basildon Bond watermarked paper, illustrated thank you note showing two figures with large stomachs walking down steps to get into a car, two figures from a light opened front door wave to them, handwritten note to lower margin and verso 'Dear Jane, Thank you very much for a delicious & very filling meal, but let me hastily add that seeing you again & meeting Joy were an even greater pleasure. yr. obr. svr. Philip', small closed tear to upper right, 22 x 17 cm, mounted together with the christmas card in one frame (58 x 35 cm), cut out to verso to view writingQTY: (3)
Los 492
* Lines (Vincent, 1909-1968). Skating, 1938, colour lithograph on wove paper, signed in pencil (and in the plate), published by Contemporary Lithographs Ltd., London, from the second series, two short closed tears to upper margin (not affecting image), sheet size 67 x 50.5 cm, both unframed, together withGrant (Duncan James Corrowr, 1885-1978). At the Ballet, 1938, colour lithograph on wove paper, printed by Curwen Press, published by Contemporary Lithographs Ltd., London, dust soiling, a few small short closed tears to lower blank margin, sheet size 50.6 x 66 cm, unframedQTY: (2)
Los 376
* Spooner (William, publisher). The Cottage of Content; or, Right Roads and Wrong Ways, Novr. 1st, 1848, hand-coloured lithograph, showing numerous paths leading to a large cottage, in nine sections mounted on linen, previous ownership inscriptions and juvenile scribblings to verso of two sections both in pencil, 56.5 x 42 cm, folded into original cloth boards, inner hinge cracked, with pictorial label on front cover (browned and rubbed with some juvenile scribbling in pencil) and printed rules mounted inside front cover, lacking ties, 8voQTY: (1)
Los 406
* Mont Blanc game. The New Game of the Ascent of Mont Blanc, 2nd edition, circa 1861, A.N. Myers & Co., boxed game, comprising: folding hand-coloured lithograph game sheet, sectionalised on linen, with 50 views arranged in a spiral, with vignettes to each corner, 40.5 x 53.5 cm; red painted bone teetotum; 20 page instruction booklet in original printed wrappers (toned and some marks, spine rubbed), printed label with 'London: A.N. Myers & Co., 15, Berners Street, Oxford Street', partially laid down over original printing to title-page 'London, Joseph, Myers & Co., 1861', advertisment for List of Drawing-Room Toys from Joseph Myers and Co. to outer rear wrapper, plus two 19 page advertising booklets from Asser and Sherwin in original printed wrappers, small slim 8vo; 134 bone counters, and approximately 89 'spielmarke' metal counters in a small cardboard box with printed 'Counters' label to lid; all contained in original paper-lined green cloth-covered box, with gilt titled morocco label to lid, some marks and extremities rubbed, lid detached, (original hook and eye closure present), 5 x 23 x 15.5 cmQTY: (1)NOTE:Provenance: Collection of Dudley Ollis.
Los 542
* Baxter (Glen, b.1944). ‘Lord Clive se glissa en douce dans pézenas avec une petite selection de patés’, artists proof, no date, lithograph on off-white card, artist's signed pencil inscription to lower margin ‘A/P for Bryan & Julia, much love, Carole & Glen B’, 64 x 49.5cm, together with ‘He was still trying desperately to attract her attention’, colour lithographic cartoon on thick off-white paper, signed dedicated inscription in black ink by the artist to lower margin, ‘for Bryan & Julia at T’Pottery Aller-glen’, a little spotting and marginal creasing, 61 x 40.5cm plus ‘An English Grotto’, 1974, colour lithographic cartoon on thick off-white paper, some overall spotting and tear with loss to blank left margin, signed presentation inscription from the artist in black ink to lower margin, ‘for Bryan & Julia, September 1974, Glen’, 82 x 59 cmQTY: (3)
Los 196
Niki de Saint Phalle (1920-2002)Nana - Pomme de TerreLithograph printed in colours, 1975, signed in pencil, numbered from the edition of 99, published by Editions Michel Vokaer Bruxelles, Brussels, on wove paper, the full sheet printed to near the edges, sheet 510 x 670mm (20 1/8 x 26 3/8in)
Los 85
Takashi Murakami (b.1962)FireballOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Los 152
Salvador Dalí (1904-1989)Nu Endormi, from Nudes (Field 70-8F; M&L 1380a)Lithograph, 1970/2, signed in pencil, numbered from the edition of 120, printed by Atelier Desjobert, published by E.G.I., Paris, on BFK Rives paper, the full sheet printed to the edges, sheet 582 x 757mm (22 7/8 x 29 3/4in)With the Dali Trade authentication and signature in pencil verso (dated 9/24/21)
Los 164
Salvador Dalí (1904-1989) Plate 10, from Les Songes drolatiques de Pantagruel (Field 73-7J; M&L 1401) Lithograph printed in colours, 1973, signed in pencil, numbered from the edition of 250, printed by Grapholith, published by Carpentier, Paris, on Japan paper, with full margins, sheet 760 x 540mm (29 7/8 x 21 1/4in) With the Dali Trade authentication and signature in pencil verso
Los 131
Jean-Michel Basquiat (1960-1988) & Andy Warhol (1928-1987) after.Warhol Basquiat 1985 Limited Edition Poster (30th Anniversary Edition)Offset lithograph printed in colours, 2016, signed by the publisher Tony Shafrazi in black ink, numbered from the edition of 300, published by Tony Shafrazi Gallery, New York, on wove paper, the full sheet printed to the edges, sheet 480 x 300mm (18 7/8 x 11 3/4in)
Los 150
Marc Chagall (1887-1985) after.Couple dans les Mimosas, from Nice et la Côte d'Azur (Mourlot. Charles Sorlier 32)Lithograph printed in colours, 1967, signed in pencil, numbered from the edition of 150, printed by Mourlot, Paris, on Arches paper, with margins, sheet 740 x 525mm (29 1/8 x 20 5/8in)
Los 147
Marc Chagall (1887-1985)The Wine Harvest, from Daphnis & Chloé (Mourlot 322; Cramer 46)Lithograph printed in colours, 1961, from the edition of 250, printed by Mourlot, published by Tériade Éditeur, Paris, on Arches paper, the full sheet printed to the edges, sheet 420 x 320 mm (16 1/2 x 12 1/2in)
Los 94
Dan Flavin (1933-1996)(to Don Judd, colorist) 3 (Gemini 1317)Lithograph printed in yellow, 1986, signed, dated, and numbered from the edition of 30 in pencil, published by Gemini G.E.L., Los Angeles, with their blindstamp and rubber stamp verso, on HMP Koller handmade green paper, the full sheet printed to the edges, sheet 749 x 1022mm (29 1/2 x 40 1/4in)
Los 86
Takashi Murakami (b.1962)Flowers of GratitudeOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
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70555 Los(e)/Seite