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Larry Rivers (American, 1923-2002) 'Parts of the Face: French Vocabulary Lesson' Lithograph 1991, pencil signed and numbered lower right, artist proof #9/25; in a mat behind glass in a lacquered wood frame Property from: a Chicago, Illinois collector Height: 28 1/2 inches, Width: 28 inches (sight, full sheet)Frame Size: 36 inches by 35 1/2 inches Condition: Very Good, no damage to artwork noted Disclaimers: not examined out of frame Category: Fine Art > Prints Estimated Sale Time: 1:04 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3

Robert Kipniss (American, b.1931) 'Interiors & Backyards' Lithograph Suite Set of (4) prints, 1977, each signed lower right margin and #184/250 lower left margin, published by Merrill Chase Galleries, Chicago and printed by George Miller and Sons, New York, including 'Summer II', 'Murie's Window', 'Interior with Balcony' and 'Gateposts and Dusk'; in a green cloth-bound portfolio with a Merill Chase certificate of authenticity Property from: a Chicago, Illinois (Gold Coast) estate Height: 21 1/2 inches, Width: 16 1/2 inches (each sheet) Condition: Very Good, discoloration to title page; pinhole to each lower margin original condition of prints; scuffs, scratches, and bumped corners to portfolio case Category: Fine Art > Prints Estimated Sale Time: 1:11 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8

Salvador Dali (Spanish, 1904-1989) 'Triomphe de l'Amour' Lithograph Suite 1978, each signed lower right margin, each #3/75 lower left margin, on Japon paper, published by Bowle / Hopkins, San Francisco; including 'Le Jugement' depicting a chained female figure in a scene showing a sea serpent and a butterfly and 'Le Triomphe' depicting standing male and female figures in a surrealistic interior; each matted and framed under glass Property from: a Chicago, Illinois (Gold Coast) estate Height: 23 inches, Width: 17 1/2 inches (each image)Frame Size: 37 1/2 inches by 29 inches Condition: Very Good to Good, discoloration to 'Le Triomphe' at center angel shoulder area; fading to both Disclaimers: not examined out of the frames Category: Fine Art > Prints Estimated Sale Time: 1:13 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9

Ger Dekkers (Dutch, b.1929) Offset Lithograph 1973, pencil signed center right, #120/200 center left, depicting a landscape perception dune from four perspectives; framed under glass in a simple wood frame Height: 23 1/4 inches, Width: 34 3/4 inches (sight)Frame Size: 25 inches by 36 1/4 inches Condition: Good, light wear, no damage to art noted; frame showing wear Category: Fine Art > Photographs Estimated Sale Time: 1:46 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Illinois (8%), Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5

ANDY WARHOL 'Judy Garland', 1979, lithograph numbered 90/100, Leo Castelli Gallery, Edited by Georges Israel (blind embossed) on Arches paper, gallery stamped on reverse, 55cm x 38cm framed and glazed.

ANDY WARHOL 'Campbell's Onion Soup', 1968, lithograph, numbered 90/100 Leo Castelli Gallery, Edited by Georges Israel (blind embossed) on Arches paper, gallery stamped on reverse, 55cm x 38cm framed and glazed

ANDY WARHOL, 'Sea Turtle' 1983, from Endangered Species portfolio, lithograph, numbered 22/100 Leo Castelli Gallery, Edited by Georges Israel (blind embossed) on Arches paper, gallery stamped on reverse, 58cm x 38cm framed and glazed

KEITH HARING 'Headache', 1982, lithograph, published by Tony Shafrazi Gallery NY, printing by Fleetwood Press, limited edition of 2000, 22cm x 22cm, box framed.

KEITH HARING 'Snake Man', 1982, lithograph, published by Tony Shafrazi Gallery NY, printing by Fleetwood Press, limited edition of 2000, 22cm x 22cm, box framed.

ANDREAS GURSKY 'Ocean III', 2010, photo-lithograph, edition of 200 + 50 AP, 42cm x 59cm, framed.

RAOUL DUFY 'Quai à Rouen', lithograph, ref. Mourlot, 45cm x 50cm, framed and glazed.

HENRI MOORE 'Reclining Figures', offset lithograph, 45cm x 33cm, in a vintage French frame.

PABLO PICASSO 'Visage', offset lithograph, signed in the plate, 15cm x 22cm, framed and framed.

PABLO PICASSO 'Femme se Coiffant', 1954, offset lithograph, 16cm x 22cm, framed and glazed.

HENRI MATISSE 'Narcissus et Pommes', offset lithograph, signed in the plate, 20cm x 18cm, framed and glazed.

DAVID HOCKNEY 'Pembroke Studio with Blue Chairs and Lamp', colour lithograph, printed in 1986, 45cm x 53cm, in painted frame.

Original vintage lithograph poster Potato Field issued by the Empire Marketing Board - EMB to promote produce of dominions of Great Britain. Moody image of peasants gathering potatoes in the field by Anthony Raine-Barker. This poster is missing the text at the bottom of the poster. Anthony Raine (A.R.) Barker (1880–1963) was a British artist. He attended Framlingham College, Suffolk. He initially trained as an architect, winning, in 1909, the RIBA Soane Medallion for design and, in 1910, the RIBA Certificate of Honourable mention. A.R. Barker became a painter in the traditional school of English watercolour as well as an engraver, lithographer and etcher. He exhibited over many years at the Royal Academy and examples of his work are owned by the Victoria and Albert Museum, the British Museum and the Walker Art Gallery in Liverpool. In the 1920s he was a leading member of the Senefelder Club. He published two children's books illustrated with his own wood-cuts, The Fairyland Express (1925) and Hidden Gold (1926). he Empire Marketing Board was formed in May 1926 by the Colonial Secretary Leo Amery to promote intra-Empire trade and to persuade consumers to 'Buy Empire'. It was established as a substitute for tariff reform and protectionist legislation and this is why it was eventually abolished in 1933, as a system of imperial preference replaced free trade. During its brief existence, the Empire Marketing Board was unsuccessful in raising Britain's imports of products from the Empire. Acceptable condition, trimmed on margins, restored tears and creasing, light staining. Country of issue: UK, designer: Anthony Raine Barker, size (cm): 99x150, year of printing: 1930s.

Original vintage stone lithograph advertising poster for gentleman's hats Mossant. Fun design by Leonetto Cappiello showing a row of elegantly claded arms holding out Mossant hats in greeting on a bright yellow background. Leonetto Cappiello (9 April 1875 – 2 February 1942) was an Italian and French poster art designer and painter, who mainly lived and worked in Paris. He is now often called 'the father of modern advertising' because of his innovation in poster design. The early advertising poster was characterized by a painterly quality as evidenced by early poster artists Jules Cheret, Alfred Choubrac and Hugo D'Alesi. Cappiello, like other young artists, worked in a way that was almost the opposite of his predecessors. He was the first poster artist to use bold figures popping out of black backgrounds, a startling contrast to the posters early norm. Acceptable condition, water staining on top right corner, tear and punched dents, creasing, backed on old linen. Country of issue: France, designer: Leonetto Cappiello, size (cm): 159x117.5, year of printing: 1938.

Pierre Marchal-signed, Geo Ham Lithograph "24 Heures du Mans 1954".Lithographic print entitled '24 Heures du Mans1954' by Geo Ham (1910-1972) signed on the plate by the artist and depicting the winning Gonzales/ Trintignant Ferrari 375 overtaking the 'Index of Performance' winning Bonnet/ Bayol DB-Panhard opposite the pits during darkness. The caption also pays tribute to the car's headlights, fog lights and spark plugs, all the products of the legendary Pierre Marchal who signed the mount on 27/10/54. Sketched caricatures of the four drivers and their signatures appear in the margin. The print is framed under glass (possibly the original frame) and is in good clean condition with good colour. The visible image size is 54 x 47cm, framed 64 x 57cm.Click here for more details and images

A box of unframed prints including a large Victorian photograph, hand coloured William Simpson lithograph of a Crimean war scene etc

William Callow RWS (1812-1908)"Rue de la Grosse Horloge, Rouen - Morning"Signed and dated 1857, watercolour, 53cm by 74.5cmExhibited: The Old Watercolour Society / Royal Society of Painters in Watercolours, 1857Private Collection, UKFootnote: William Callow arrived in Paris in 1829, the year after Richard Parkes Bonington's death. He quickly came to know Thomas Shotter Boys and other important members of Bonington's circle - and remained an influential admirer of Bonington's work. This exhibition piece from 1857, evocatively capturing Rouen's ancient buildings and the bustling market stalls, recalls Bonington's depiction of the same view, published as a lithograph in 1824.Condition report: Some general staining to the sheet although it is possible that the artist has used a certain amount of tinting for atmospheric effect. There is a subtle demi-loon-shaped minor crease that looks to have been tended to, top edge centre approximately 2cm in width. Odd sporadic and tiny sized foxing spot evident within the sky. Other further odd tiny dint within sheet again evident within the sky for example above the left-hand side finial of left-hand side gate of the arch. The blue of sed gateway is somewhat rubbed particularly within the upper reach. Colour depth in general down, blue and greens in particular. When viewed at an angle there is a slightly opaque sheen to some of the elements of architecture, upper elements of architecture painted using terracotta tones, no evidence of cockling. Not examined out of the frame.

After George Morland (British, 18th Century) 'Playing at Domino's.'. Coloured lithograph. 19x23.5ins.

Thomas Cane (British/New Zealand, 19th Century), A pair of limited edition prints of Pigeon Bay and River Ashburton, Alford Forest. Lithograph, Canterbury Museum, 1978, No. 149/1000 (x2). 12x17ins

Tessa Beaver, 'Plain Tree', signed, titled and numbered 55/125, lithograph, 60.5 x 52cm; together with another limited edition print. (2)

J E Rome (early 20th Century, Carlisle) "The Old Port", Port Carlisle, offset lithograph, pencil signed, in later card mount and parcel gilt framer under glass, 20 cm x 25 cm overall. [Rome was a trained artist who worked in the studios of the Hudson Scott / Metal Box company.]

Barrie A F Clark, 'Spitfire', a Vickers Supermarine Spitfire Vb of 243 Squadron, offset lithograph, in black pencil frame under glass, 51 cm x 93.5 cm overall.

Maggi Hambling, b1945, Max Wall, lithograph, signed to the mount by the artist, unframed, 50 x 36cm

HAMISH MACDONALD (1935-2008) Cadmium and Blue Lithograph 58/600 Signed 28 x 37cm Together with four other works

Ronald Searle, CBE, RDI, 1920-2011, Specialite Du Chef, limited edition lithograph, signed and pencil by the artist and numbered 4/150, Michel Casse Litho Paris, edition RS blindstamps, 66 x 50cm

Maggi Hambling, b1945, Max Wall, lithograph, signed to the mount by the artist, 50 x 36cm, unframed

John Brunsden, ARCA, 1933-2014, valley in the hills, limited edition lithograph, 115/150, together with pastoral scene, 24/150, 38 x 44cm, each signed by the artist in pencil (2)

* DOROTHY BLACK (SCOTTISH b. 1963), REDHEADlithograph on paper, signed, titled and numbered 8/20image size 80cm x 60cm, overall size 106cm x 83cmFramed and under glass.

dating: 19th Century provenance: Paris, Coloured lithograph depicting the crucial moment of the battle. Marked at the bottom 'Paris, V. TURGIS editeur, 10 Rue Serpente' and 'Casse Freres a St. Gaudens'. In an old wooden frame decorated with metal friezes and under glass. dimensions 61,5 x 47 cm.

Yoshitomo Nara (born 1959)Marching on a Butterbur Leaf, 2019 offset lithograph printed in colours61.0 x 45.7cm (24 x 18in).This work is from the edition of 1,000, published by Dallas Contemporary, Texas.For further information on this lot please visit Bonhams.com

Roy Lichtenstein (1923-1997)WHAAM!, 1967 signed in pencil recto and numbered 21 verso on the right paneloffset lithograph in colours on two sheets of wove paper 63.4 x 74.4cm (25 x 29 1/4in)(each panel)published by the Tate Gallery, London, 1988Footnotes:ProvenanceOld Master, Modern and Cotemporary prints, Christie's London, lot 574.Acquired from the above sale by the present owner.LiteratureMary Lee Corlett, The Prints of Roy Lichtenstein, Hudson Hills Press, New York, 1994, no. C.App.7, p325The Tate Gallery published several editions of this lithograph between 1967 and 1988, reproducing the original painting in their collection and this is from the edition of 3000 published in 1988 (copy 3M488). This impression is one of 25 produced to raise funds for the American Indian Program and is inscribed signed in support of the Artists for American Indian Programs, Princess Pale Moon, American Indian Heritage Foundation in pencil on the reverse of the right panel.WHAAM! is the quintessential work of Pop Art, an arresting and instantly recognizable image by one of the major exponents of the genre, taking inspiration from popular and commercial culture and challenging the artistic conventions of the 1960s by elevating the humble disposable comic strip to the status of a serious work of art.Lichtenstein appreciated comic strips for 'their strength, aggressiveness and energy'. For WHAAM!, he adapted an illustration in the 1962 comic book All-American Men of War, which showed an American fighter jet destroying an enemy plane. Lichtenstein's interpretation is simplified with bold primary colours outlined in black and economical use of narrative, with the onomatopoeic lettering WHAAM! placed for maximum impact. The artist also employed his trademark Ben-day dots which are carefully spaced and overlapped to simulate colour variations and create form, emulating the process by which comic books are printed. The original composition was conceived as one panel. However, Lichtenstein decided that the work would have more impact as a diptych, separating the action from its explosive consequence, whilst maintaining a visual connection via the smoke trail.Lichtenstein's military service during World War II and the looming spectre of the Vietnam war influenced his choice of subject, which could be regarded as a comment on the folly of war. He later remarked 'At that time I was interested in anything I could use as a subject that was emotionally strong – usually love, war, or something that was highly-charged and emotional subject matter'. The translation of a mass-produced commercial comic book image into the main subject for an artwork was considered a bold move, but for Lichtenstein the cartoon style was the perfect vehicle to challenge traditional opinions on what constitutes art and to confound the expectations of the viewer. Although the comic strip was perhaps a lowly-regarded genre, it had a place in popular culture, expressing and influencing the American dream, and WHAAM! sits firmly within this tradition.For further information on this lot please visit Bonhams.com

James Rosenquist (1933-2017)Zone, 1972 signed, titled, dated and numbered 57/66 in pencillithograph printed in colours78.6 x 76.5cm (30 15/16 x 30 1/8in).printed by Maurice Sanchez, published by Petersburg Press, London, with the printer's blindstampFootnotes:LiteratureConstance W. Glenn, James Rosenquist: Time Dust, Complete Graphics 1962-1992, Rizzoli, New York, 1993, no.53This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Allen Jones (born 1937)Thrill Me, 1969 signed, dated and numbered 64/120 in pencil, counter-signed in pencil by James Wedgeoffset lithograph printed in colours69.5 x 102.5cm (27 3/8 x 40 3/8in).printed by E. Matthieu, Zurich, published by Editions Alecto, LondonFootnotes:LiteratureMarco Livingstone & Richard Lloyd, Allen Jones Prints, Prestel-Verlag, Munich & New York, 1995, no.50, p.119This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Yoshitomo Nara (born 1959)Banging the Drum, 2020 offset lithograph printed in colours68.7 x 43.2cm (27 1/16 x 17in).This work is from an open edition, published by Dallas Contemporary, Texas.Footnotes:'From a personal perspective, I remember quite vividly when I saw Yoshitomo Nara's work for the first time. It really was love at first sight. I love the sweet nature of the characters he depicts and the strong energy and emotion that they give off. I feel that they are relatable as characters.' - Camille WalalaFor further information on this lot please visit Bonhams.com

Keith Haring (1958-1990)Untitled 3 from Free South Africa, 1985 signed, numbered and dated '60/60 K. Haring 85 +' in pencillithograph in colours100 x 80.8cm (39 3/8 x 31 13/16in).Published by Edition Schellmann, New YorkFootnotes:ProvenanceFoundation De 11 Lijnen, Belgium, acquired in 1987.Acquired directly from the above by the present owner.LiteratureKlaus Littmann, Keith Haring, Editions on Paper 1982-1990, Stuttgart 1993, p.42This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Allen Jones (born 1937)Sugar, 1970 signed, dated and inscribed 'Artist Proof' in pencil, a proof aside from the edition of 75lithograph in colours89.7 x 51.5cm (35 5/16 x 20 1/4in).published by Petersburg Press, LondonFootnotes:LiteratureMarco Livingstone & Richard Lloyd, Allen Jones Prints, Prestel-Verlag, Munich & New York, 1995, no.51, p.119This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Rosenquist (1933-2017)1-2-3 Outside, 1972 signed, titled, dated and numbered 57/70 in pencillithograph printed in colours with embossing and debossing102.1 x 77cm (40 3/16 x 30 5/16in).printed by Maurice Sanchez, published by Petersburg Press, London, with the printer's blindstampFootnotes:LiteratureConstance W. Glenn, James Rosenquist: Time Dust, Complete Graphics 1962-1992, Rizzoli, New York, 1993, no.49This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

JAMES ROSENQUIST (1933-2017)Mastaba, 1971 signed, titled, dated and numbered 41/70 in white pencillithograph printed in colours with vacuum formed plastic hourglass81.3 x 61cm (32 x 24in).published by Graphicstudio/U.S.F., Tampa, with their blindstampsFootnotes:LiteratureConstance W. Glenn, James Rosenquist: Time Dust, Complete Graphics 1962-1992, Rizzoli, New York, 1993, no.44This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Beryl Cook (1926-2008) 'Dining In Paris', signed limited edition lithograph print 443/650, published 2001, 45.5x41cm

Framed Lithograph - Battle of Alma 1854

DAME ELISABETH FRINK, RA (1930-1993) - 'Lying Down Horse', lithograph, signed in pencil and numbered 61/100, framed, 60.5cm x 79cm, frame size 62cm x 82cm. Provenance - Purchased by the present vendor in 1981 from The Royal Academy Graphics Collection. Bears Certificate of Authenticity signed by Frederick Gore.

Norman Wilkinson - 'North Wales for Holidays The Conway Estuary' (L.M.S. Railway Travel Poster), lithograph, printed by Stafford & Co, circa 1930, 101.5cm x 63.5cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Paul Henry - 'L.M.S. London Midland & Scottish Railway, Lough Derg, Ireland This Year' (Travel Poster), lithograph, published by the London Lithographic Co, circa 1926, 101.5cm x 63.5cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Frank Newbould - 'Cornwall' (G.W.R. Railway Travel Poster), lithograph, printed by Jordison & Co, circa 1930s, 101cm x 63.5cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Gregory Brown - 'Come see and admire Lewes' (Southern Railway Travel Poster), lithograph, printed by Waterlow & Son, circa 1930s, 100.5cm x 63cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Herbert Alker Tripp - 'Deal' (Southern Railway Travel Poster), lithograph, printed by McCorquodale & Co, circa 1935, 101cm x 63.5cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Norman Wilkinson - 'North Wales for Holidays, The Pass of Aberglaslyn' (L.M.S. Railway Travel Poster), lithograph, printed by John Horn Limited, circa 1930, 101.5cm x 63.5cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Richard Bawden - 'Stealing Grapes', colour lithograph, artist's proof, signed, titled and inscribed 'A.P' in pencil, 47cm x 68cm, within a stained wood frame.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Michel Douay - 'Sunny Worthing, Britains Sunshine Record Town', (Railway Travel Poster), lithograph published by Repro Arts, 75cm x 50.5cm, together with five other posters.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Millie Timms - 'Necochea' (Argentina Travel Poster), lithograph, printed by E.G.A., Buenos Aires, circa 1930s, 109.5cm x 73cm, together with another Argentine poster, 'Golf Y Playa, Miramar', and a Spanish travel poster.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Herbert Alker Tripp - 'Aberystwyth' (G.W.R. Railway Travel Poster), lithograph, printed by The Dangerfield Printing Company Ltd, circa 1930s, 101cm x 63.5cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Hans Feibusch - Self Portrait, 20th century pastel with chalk, signed with initials and dated 18.2.66, 27cm x 19cm, within a painted wood and hessian frame, together with a lithograph by the same hand.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Christo - 'The Gates Project for Central Park, New York City', offset lithograph, signed in pencil, published by Kunstverlag Schumacher, Düsseldorf, circa 2002, 59.5cm x 50cm, together with a related fabric rectangle (not applied).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

John Mace - 'North Wales for Holidays, Dolbadarn Castle, Llanberis' (L.M.S. Railway Travel Poster), lithograph, printed by Beck & Inchbold Ltd, circa 1935, 101.5cm x 63.5cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Chinese School - 'American Invaders Will Be Defeated' (Korean War Propaganda Poster), colour lithograph circa 1951, 77.5cm x 52.5cm, within an ebonized frame, together with three further posters, one framed.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.

Ernest Coffin - 'London Paddington Station' (G.W.R. Railway Travel Poster), lithograph, published circa 1936, 101.5cm x 63cm.Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.