70553 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenFull title: James Ensor (1860-1949): 'Les coquilles', lithograph in colours, [1929]Description: Work: 32,5 x 24,7 cm Frame: 81,1 x 73,1 cm 'Les coquilles' are characters in 'La Gamme d'Amour', a ballet composed in 1907 by James Ensor who was responsible for the text, the music, the costumes and the sets.
A Second World War ''Greece Fights On'' Poster, designed by Edward McKnight Kauffer, depicting the Greek flag backed by the head of a Greek soldier, offset lithograph, approximately 80cm by 60cm, in a glazed oak frame (produced by the Greek Office of Information in 1942 for circulation in the United States to remind Americans of the war being fought in Greece) . Does not appear to have been stuck down, some fold marks and rippling to the paper. Small tears to the upper right edge in the margin.
Richard Caton Woodville (1856 - 1927) "Scotland Yet ! On to Victory ! " (Charge of The Scots Greys & Highlanders at Waterloo) coloured print, another large monochrome Print after Lady Elizabeth Butler "Scotland Forever," another Military coloured Print, a coloured Lithograph "The Charge of the Heavy Cavalry Brigade" after W. Simpson, another "Charge of H. Scots Greys at Waterloo," and 6 other similar Military coloured Prints. (11)
Lawson (John Parker). Scotland Delineated. A series of views of the principal cities and towns, particularly of Edinburgh and its environs; of the cathedrals, abbeys, and other monastic remains; the castles and baronial mansions, the mountains and rivers, sea-coast, and other grand and picturesque scenery, London: Day and Son, [1858], additionsl lithograph title, 71 tinted lithograph plates, small marginal tear to additional title, occasional light spotting, contemporary half calf, upper joint cracking, a little rubbed and scuffed, 4toQty: (1)
* Radclyffe (Charles William). Memorials of Winchester College, D. Nutt, Winchester, 1846, tinted lithographic title page, index page, 23 tint stone lithographic plates and one engraved plate of seals (correct as list), heavily spotted, several marginal closed tears and occasional abrasion to the printed surface, each approximately 270 x 340, disbound, four images framed and glazed, together with Cambridge University. Stadler (J. C. & Bluck J.). Entrance to the Avenue from Clare Hall Piece, Clare Hall, Clare Hall Chapel [and] Elizabeth De Clare, Foundress of Clare Hall Cambridge, R. Ackermann, 1815, 3 aquatints and one mixed method engraving, all with contemporary hand colouring, each approximately 250 x 290 mm, mounted, framed and glazed, with Barraud (F. P.). Winchester Cloisters and View of Winchester from the River, Messrs. Dickinson & Foster, 1899, two hand-coloured etchings, each signed below the image in pencil, by the etcher and the artist, some mount staining, slight surface abrasion, each approximately 385 x 515 mm, mounted, plus Paigent (Richard). South East View of the Commoners Court Winchester College, circa 1860, hand-coloured lithograph, slight spotting, laid on card, 210 x 245 mm, mounted, framed and glazed, with another 35 mostly 20th-century prints of Clare College and Winchester, small format, various sizes, mounted and Gentleman (David). Three prints of Winchester College, late 20th century, 3 colour prints, each approximately 280 x 350 mm, mounted, framed and glazedQty: (70)NOTESSold as a collection of prints, not subject to return.
Scotland. Ordnance Survey, Maps nos. 1 - 131 (complete), bound in 2 volumes, Ordnance Survey Office, circa 1900, tipped in key plate to volume 1, 131 uncoloured photo-lithograph maps on a scale of 1 inch to a mile, occasional marginalia and later crude outline colouring, some dust and finger soiling throughout, key plate to the front pastedown of each volume, some maps trimmed at the base, a few with an Ordnance Survey office blind stamp to the lower right corner, a few maps split along central fold, a few maps with marginal fraying and tears, seven index maps bound at the rear, later endpapers, modern cloth with gilt cloth labels to the upper sidings, a little bumped, large folio, together with Ordnance Survey (publishers). Ordnance Survey Atlas of Scotland, Quarter Inch to the Mile, Southampton, 1924, title, index and table of explanation, 18 colour printed double-page maps, each laid on linen, index bound at rear, later endpapers, modern red quarter morocco gilt over marbled boards with a gilt vellum title label to the upper cover, oblong folio, (355 x 400 mm)Qty: (3)
* Australia. A collection of 14 engraved views, mostly 19th century, fourteen uncoloured engraved topographical views, mostly of Sydney, but including views of Melbourne, Rottnest and Hobart, mostly small format, together with an 18th-century engraving of a 'Van Diemens Land Opossum' and a 19th-century lithograph of an Emu, various sizes and conditionQty: (16)
* Birmingham. Radclyffe (Charles), Birmingham from the Railroad near Saltley, circa 1840, tint stone lithograph by & after Charles Radclyyfe, 240 x 305 mm, mountedQty: (1)NOTESA lithograph showing part of the London & Birmingham Railway, with the city of Birmingham visible in the background, from 'Views in and near Birmingham'.
* Opera. Jullien's Bal Masque, Covent Garden Theatre, circa 1847, chromolithograph print, one or two light marks, 32.5 x 23 cm mount aperture, framed and glazed, frame size 45 x 24.5 cm, together with Strauss's Promenade Quadrille, performed at the Covent Garden Promenade Concerts, circa 1867, colour lithograph by Richard Childs, printed by Childs and Harris, lithographers, a few minor marks, 34 x 25 cm, mounted, framed and glazed, frame size 48.5 x 37 cm, plus The New Covent Garden Quadrille, Composed by V.S. de Dobrowolski, circa 1875, colour lithograph, Stannard & Son, slight marginal toning and small loss at lower right corner, 35 x 25 cm, mounted, framed and glazed, frame size 48.5 x 37 cm, plus others, interior and exterior views of opera houses, including Le Nouvel Opera, Boulevard des Capucines, Paris, by Phillippe Benoist, circa 1870, and Covent Garden Theatre, by Bluck after Pugin & Rowlandson, published by R. Ackermann, 1808 (from Microcosm of London, 1808-10)Qty: (11)
* Railways and Civil Engineering. A good collection of 22 prints, 19th century, engravings, aquatints and lithographs, including Tregoning (E. S. publisher). Penryn, Flushing and Falmouth Harbour (From the Old Helston Road), published in Falmouth, printed by J. Newman & Co., circa 1850, hand-coloured lithograph, trimmed to the neatline, 260 x 345 mm, mounted, together with Maclure (A.). Proposed Viaduct over the Dee at Ruabon on the Proposed Shrewsbury, Oswestry, Coventry & Chester Junction Railway, Henry Robertson Esqr. A. M. Engineer, Maclure, Macdonald & Macgregor, Liverpool, circa 1845, tint stone lithograph, one repaired marginal closed tear, 290 x 375 mm, mounted, with Pyall (H.). Coaches &c. employed on the Railway..., R. Ackermann, 1831, aquatint after T. T. Bury with contemporary hand-colouring, slight fraying to margins, 240 x 285 mm, plus Shaw (J.). Rainhill Bridge [and] Olive Mount, Liverpool, 1831, two uncoloured engravings of early steam engines on India wove, each 185 x 240 mm, and Rosenberg (C.). London and Birmingham Railway. Camden Town Fixed Engine Station. Robert Stephenson Esqr. Engineer, circa 1845, uncoloured aquatint, some mount staining, 430 x 330 mm, with Hawkins (G.). Interior of the Great Western Railway Station Bristol, George Davey, Bristol, circa 1840, tint stone lithograph after S. C. Jones, slight spotting and dust soiling, 240 x 320 mm, plus Mason (T.). Viaduct at Slade Devon, O. Angel, Exeter & R. Indstone, Plymouth, circa 1840, lithograph with a blue watercolour wash, slight creasing, 235 x 315 mm, with another 14 similar, various sizes and condition, some mountedQty: (22)
Mantell (Gideon). The Geology of the South-East of England, 1st edition, London: Longman, Rees, Orme, Brown, Green & Longman, 1833, half-title discarded, lithograph frontispiece, title with wood engraved vignette (both leaves washed), five lithograph plates (including one folding), folding colour geological map (few tears with slight loss, archival tissue-lined to verso), illustrations to text, chapter 10 with few coloured pencil markings to blank margins, occasional light toning, modern half calf, contrasting morocco labels to spine, 8voQty: (1)NOTESChapter 10 refers to Mantell’s discovery of a fossilised dinosaur in the Weald in 1832. It was the first armoured dinosaur discovered and he named it Hylaeosaurus or ''fossil lizard of the Weald'', proving that some dinosaurs at least had dwelt on land.
MARJORIE CLINTON (1931-2005), West Register House, Charlotte Square, Edinburgh, Proof for G.P.O. Poster, c.1961, lithograph, signed in pencil, stamped Curwen Studio proof to reverse, image size, 20" x 29 1/2", framed (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)A copy of this edition is held by the Tate GalleryGood bar slight rubbing, mild creasing along lower edge
ETCHEVERRY, HUBERT-DENISBayonne 1867 - 1950 "Le Vertige" (Originaltitel). Farblitho mit Aquarell. Signiert und datiert 1903. Verso auf Galerieetikett betitelt und datiert. 44x58cm, Ra. Rahmen besch. ETCHEVERRY, HUBERT-DENIS Bayonne 1867 - 1950 Le Vertige (original title). Colouredlithograph with watercolour. Signed and dated 1903. Titled and dated on gallery's label verso. 44 x 58 cm, framed. Damage to frame. Keywords: lithography, images, art, artworks, pictures, France, French, Francais
Cambridge. A Victorian photograph album, 1887, of approximately 35, mainly half plate, mounted photographs (albumen prints) of colleges, including interiors and the grounds and amusing pen and ink drawings on linen hinged leaves, pictorial pen and ink title with arms, date and signature Edith A Claye, and a lithograph of King's College by J W King, signed (2) Photographs and album internally clean. Lithograph exposure stained
A QUANTITY OF BOXED AND UNBOXED 0 GAUGE MODEL RAILWAY ROLLING STOCK AND TRACK, to include Hornby No 1 Private Owner Van Carr's Biscuits (type 3 base), No 1 Milk Traffic Van, blue with red base and white roof, type 3 base, two No 1 Suburban Passenger coaches in G.W.R livery, Metropolitan Railway 1st class Suburban Bogie coach (version with lights), No 2 Pullman Car, Leeds Model Company NER Luggage/Brake coach, R.F Stedman & Co Ltd L.M.S 3rd class coach, all are in playworn condition with damage and/or missing items, paint loss, marking and wear, LMC & Stedman coaches are wooden bodied with lithographed paper sides and tinplate roof, LMC coach is missing lithograph from solebar, Stedman coach marked Stedman to both ends, quantity of track etc (two boxes)
Original vintage advertising poster for a drawing and watercolour exhibition: XXe Salon du Dessin et de la Peinture a l’Eau at the Salles d’Exposition Wilson. The design features a lithograph by Andre Planson (1898-1981), showing a nude woman with black hair wearing an unbuttoned white blouse, reclining on a pink chair and eating a yellow fruit. Text is below the image in orange, red and black. The Salon du Dessin et de la Peinture a l’Eau was founded in 1949 and held annual exhibitions in Paris, featuring works in a variety of paper-based medium including pencil, charcoal, pastel, ink, watercolour and gouache. Good condition, staining, tears, creasing. Country of issue: France, designer: Andre Planson, size (cm): 64x50, year of printing: 1969
Original vintage travel poster for Nord Express. Dynamic Art Deco design by the notable poster artist A.M. Cassandre (1901-1968), featuring a steam train locomotive advancing past the viewer. Nord Express, Londres, Bruxelles, Paris, Liege, Berlin, Riga, Varsovie. Official lithograph re-issue from 1927 by the grandson of the artist, Henri Mouron, Studio Editions. Printed in France by Bedos, Paris. Fair condition, creasing, repaired tears. Country of issue: France, designer: Adolphe Mouron Cassandre, size (cm): 102.5x70, year of printing: 1980
Hey Diddle Diddle, 20th century gouache unsigned; After Ernest Howard Shepard (1879-1976): 'Lines and Squares', colour print; After Samuel Thomas Gill (1818-1880): 'Hunting Emus', lithograph; PJ Kealey: 'The End of the Century Spurn Point', print; together with approx eighteen modern prints after lithographs of wildcats and two after WE Webster (unframed), max 55cm x 36cm (qty)
Loading...![Full title: James Ensor (1860-1949): 'Les coquilles', lithograph in colours, [1929]Description: Work: 32,5 x 24,7 cm Frame:](https://cdn.globalauctionplatform.com/d2917a61-980a-499b-9fb5-ad9301516679/d77e88cb-f210-4f79-bb47-ad94009b2f67/468x382.jpg)
