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70555 Los(e)/Seite
GEORGES DE FEURE (1868-1943) POSTER: 'PARIS - ALMANACH', 1896 lithograph, printed signature lower left DE FEURE, framed, 79cm x 59.5cm; together with a ' BAL BANAL' ORIGINAL PROGRAMME COVER, 1924, AFTER PABLO PICASSO, 35cm x 27cm (Qty: 2)Footnote: Note : The Almanach was a guide to Paris published by Ed. Sagot. This is a rare version of the design before the addition of sales and printer's text.
Nash (John).- Spenser (Edmund) The Shepheardes Calender, number 94 of 350 copies on paper, additional pochoir illustrated title and pochoir illustrations by John Nash, prospectus loosely inserted, original vellum-backed cream silk, t.e.g., others uncut, board slip-case (rubbed), Cresset Press, 1930 § White (Gilbert) The Natural History of Selborne, limited edition signed by the artist, colour lithograph plates and plain illustrations by John Nash, original roan-backed patterned-paper boards, board slip-case (a little rubbed at edges), Ipswich, for members of the Limited Editions Club, 1972, small folio & 4to (2)
Officina Bodoni.- Mansfield (Katherine) The Garden Party and other stories, limited edition, colour lithograph illustrations by Marie Laurencin, some full-page, original patterned cloth, uncut, with the dust-jacket, spine slightly browned but a very good copy, small 4to, printed at the Officina Bodoni of Verona, 1939.
Rego (Paula) Jane Eyre, introduced by Marina Warner, number 31 of 85 deluxe copies with an original lithograph and signed by the artist & Warner, from an edition limited to 400, full-page illustrations by Rego, some colour, one folding, prospectus loosely inserted, original cloth-backed pictorial boards, original lithograph numbered & signed in pencil, loose in folder, together in original cloth slip-case, folio, Enitharmon Press, 2003.
Sale and collection catalogues.- Hamilton (Duke of) [Hamilton Palace collection, Sale catalogue] Catalogue of the Collection of Pictures, Works of Art, and Decorative Objects, 5 parts in 1, carbon print photographic plates by James Annan (son of Thomas Annan), a few prices in pencil, upper hinge weak, original cloth, head of spine chipped, Christie, Manson & Woods, 1882 § Denison (Christopher Beckett) [Sale catalogue] Catalogue of the Valuable Collection of Pictures, Works of Art, and Decorative Objects, 2 parts in 1, photographic plates, ruled in red and with prices throughout and most buyers' names, contemporary half morocco, Christie, Manson & Woods, 1885 § Forster (Henry Rumsey) The Stowe Catalogue Priced and Annotated, title in red and black with wood-engraved vignette, later half morocco, 1848 § Walpole (Horace) [Sale Catalogue] A Catalogue of the Classic Contents of Strawberry Hill, additional wood-engraved title, lithograph portrait frontispiece, contemporary cloth, George Robins, 1842; and 31 others, auction and collection catalogues including The Palace Collections of Egypt (lacking Stamps), 4to and 8vo (35)
NO RESERVE Birmingham.- Hutton (William) An History of Birmingham, second edition, 20 engraved plates and maps, some folding, contemporary tree calf, rebacked, Birmingham, by and for Pearson and Rollason, 1783 § Riots at Birmingham (The), reprint of original 1792 edition, 8 tinted lithograph plates, one text leaf torn, library morocco-backed cloth, Birmingham, 1863 § Morfitt (J.) An Abstract of all the Acts of Parliament that relate to the Town of Birmingham, and Hamlet of Deritend, contemporary sheep, worn, Birmingham, Printed by E. Jones, 1791 § Curtis (Rev. Charles) A Sequel to the Printed Paper lately circulated in Warwickshire, 1792; bound with [Parr (Samuel)] A Letter from Irenopolis...to the Dissenters of Birmingham, half-title, Birmingham, 1792; and [Cumberland (Richard)] Curtius rescued from the Gulph..., half-title, 1792, together 3 works in 1, contemporary calf-backed boards with vellum corners, joints split, rubbed § Jobbins (J.R.) Birmingham and its Environs, engraved map, folding in sections and mounted on linen, partial hand-colouring, folding into original cloth covers, but one cover detached, 557 x 695mm., 1838; and 26 others, Birmingham, v.s. (31)
Real Museo Borbonico, 16 vol., engraved and a few lithograph plates, some folding, a few in final vol. colour, foxed, original green half morocco, gilt, over marbled boards, g.e., 4to, Naples, Stamperia Reale, 1824-57.⁂ A handsome set of this impressive work on the Museo Borbonico in Naples, which was nationalised in 1860.
Keith Haring (1958-1990)International Volunteer Day (Littmann p.93)Lithograph printed in colours, 1988, signed numbered from the edition of 1000 in pencil, on wove paper, published by the World Federation of United Nations Associations, the full sheet printed to the edges, 215 x 280mm (8 ½ x 11 1/4in) (unframed)
δ Keith Haring (1958-1990) (after)Crack Down! (Prestel 47)Offset lithograph printed in colours, 1986, from the edition of an unknown size, on wove paper, the full sheet, 560 x 434mm (22 x 17 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Roy Lichtenstein (1923-1997)Pyramids (Corlett 87)Lithograph printed in colours, 1969, a fine, fresh impression, signed and dated in pencil, the edition was 101, on Arches paper, printed at Atelier Mourlot, published by the artist for the Print Collectors of the Friends of Art, Kansas City, Missouri, with full margins, sheet 419 x 988mm (16 ½ x 38 7/8in) (unframed)
Sam Francis (1923-1994)Untitled (Lembark 263)Lithograph printed in colours, 1984, signed in pencil, numbered from the edition of 250, on BFK Rives paper, as included in the portfolio Eight by Eight to Celebrate the Temporary Contemporary, published by the Museum of Contemporary Art, Los Angeles, the full sheet printed to the edges, sheet 1066 x 731mm (42 x 27 7/8in) (unframed)
John Chamberlain (1927-2011)UntitledLithograph printed in colours, 1973, signed and numbered from the edition of 300 in black ink, on acetate, printed by Styria Studios, published by Experiments in Art and Technology Inc., New York, with the printer's inkstamp verso, with full margins, sheet 225 x 225mm (8 3/4 x 8 3/4in) (unframed)
Richard Stankiewicz (1922-1983)UntitledLithograph printed in colours, 1973, signed and numbered from the edition of 300 in pencil, on wove paper, printed by Styria Studios, published by Experiments in Art and Technology Inc., New York, with the printer's inkstamp verso, with full margins, sheet 305 x 229mm (12 x 9in) (unframed)
Cy Twombly (1928-2001)Untitled (Bastian 38)Lithograph with screenprint in colours, 1973, a proof aside from the edition of 300, on wove paper, as included in the portfolio The New York Collection for Stockholm, printed by Styria Studios, with their rubber stamp verso, published by Experiments in Art and Technology Inc., New York, the full sheet printed to the edges, sheet 305 x 229mm (12 x 9in) (framed)
Robert Morris (1931-2018)UntitledLithograph printed in colours, 1973, signed and numbered from the edition of 300 in pencil, on wove paper, printed by Styria Studios, published by Experiments in Art and Technology Inc., New York, with the printer's inkstamp verso, with full margins, sheet 229 x 305mm (9 x 12in) (unframed)
** Takashi Murakami (b.1962)If I Could Only Do This, If I Could Only Do ThatOffset lithograph printed in colours, 2002, signed, dated, doodled on and numbered from the edition of 200 in black ink, on wove paper, published by Kaikai Kiki, Tokyo, sheet 399 x 399mm (15 3/4 x 15 3/4in) (framed)** This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the European Union, this duty can be refunded.
δ Christo & Jeanne Claude (b.1935; 1935-2009)Wall of Oil Barrels- The Iron Curtain, Rue Visconti, Paris, 1961-62 (Schellmann 151)Offset lithograph printed in colours, 1990, signed and numbered from the edition of 150 in pencil, on Fabriano wove paper, printed by Richard Larsen, published by Edition Blondal, Copenhagen, with full margins, sheet 890 x 610mm (35 x 24in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
NO RESERVE δ Invader (b.1969)Invasion von Wein (Vienna)Offset lithograph printed in colours, 2006, signed and numbered from the edition of 50 in pencil, on stiff wove paper, the full sheet printed to the edges, sheet 420 x 595mm (16 ½ x 23 ½ in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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