70555 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren† PAUL MOUNT (1922-2009); lithograph, untitled, signed in pencil and dated '84 lower left, numbered 7/10 lower right, image 44.5 x 59.5cm, unframed.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
† ZSUZSI ROBOZ (1929-2012); limited edition print 'Closing Day', signed and dated 1975, 7/20, 73.5 x 54cm, framed and glazed and a HEIKE HOCHGREVE (born 1941); lithograph, signed and no.1/75, 53 x 41.5cm, a pair of unattributed limited edition lithographs, and a pair of prints, signed Amyr (6).
(Rigby Graham), Anne Greer: 'Rigby Graham', Newcastle, Brian Mills, 1981, limited edition, number 28 of 150 special copies with a numbered and signed lithograph "Gateway at Staunton Herald" loosely inserted (ill. approx 22 x 17cm), b/w portrait frontis + numerous colour & b/w ills. of various Rigby Graham artworks throughout, large 4to, original cloth gilt, mounted Rigby Graham colour illustration to front cover, publisher's colour illustrated order form loosely inserted
John Piper, fifteen books, booklets & exhibition catalogues by or relating to John Piper and associated contemporary artists, including 'Piper's Places. John Piper in England and Wales', London, Chatto & Windus/Hogarth Press, 1983, 1st edition, original cloth, dust wrapper, 'To John Piper on his Eightieth Birthday', L, The Stourton Press, 1983, 1st edition, limited edition (900), orig. pictorial cloth, Walter de la Mare: 'The Traveller', L, Faber, 1946, 1st edition, 4 colour lithograph plates by Piper as called for, orig. cloth, d/w, Frances Spalding: 'John Piper - Myfanwy Piper: Lives in Art', OUP, 2009, 3rd impression, orig. cloth, d/w, J.M. Richards: 'The Castles on the Ground', L, Architectural Press, 1946, 1st edition, 8 lithograph plates by John Piper as called for, original cloth, d/w by Piper, Myfanwy Piper: 'Sea Poems', L, Muller, 1944, 1st edition, 16 lithograph plates by Mona Moore as called for, orig. pictorial cloth & dust wrapper by Mona Moore, Kenneth Clark: 'Landscape into Art', John Murray, 1949, numerous plates, orig. cloth, pictorial dust wrapper by Graham Sutherland, 'Poetry London X', L, Nicholson & Watson/Editions Poetry London, Dec. 1944, 3 full page colour lithograph plates by Gerald Wilde (of which 1 double page) + 8 b/w plates by Mervyn Peake etc, original cloth gilt, 'Roy Campbell: 'The Gum Trees', ill. David Jones, Ariel Poems No. 30, orig. pictorial wraps (detached but present), 'David Jones', Tate Gallery, 1981, orig. cloth lettered in silver, dust wrapper, 'Unknown Colour - Paintings, Letters, Writings by Winifred Nicholson', 1987, 1st edition, orig. cloth, d/w, 'The Rape of Lucretia - a symposium by Benjamin Britten...John Piper...Angus McBean', L, 1948, 1st edition, 8 colour plates by John Piper (of which 3 folding) + 5 full page ills. from photos by Angus McBean as called for, orig. cloth gilt, d/w, etc etc (21)
Pierre Bonnard (illustrated); Paul Verlaine: 'Parallèlement', Geneva, Edito-Service, 1977, facsimile of the 1900 edition published by Ambroise Vollard and with 109 lithographs printed in pink and 9 drawings by Pierre Bonnard, 2 volumes housed in original folder, lacks slipcase; Aristide Maillol (illustrated); Ovide: 'L'Art d'aimer.', Geneva, Edito-Service, [1974], facsimile of the original freres Gonin 1935 edition, 122pp, many lithograph ills. by Aristide Maillol, 2 volumes housed in original folder, original slipcase; Leon Carré (illustrated); Gustave Michaut: 'Aucassin et Nicolette. Chante-Fable du XIIe siècle', Paris, chez H. Piazza, 1929, limited edition, number 321 of 500 copies on chiffon de Rives, 12 colour plates as called for, original decorative wraps, glassine d/w (3)
A bound folio volume of assorted mid 19th Century piano forte and similar music, approx. 30 works in one volume, each with separate engraved/litho. title pages, including 'The Sultan's Polka' & 'The Express Galop', each by Chas. D'Albert, each with full page pictorial colour lithograph title page; 'The Soldier's Song', with hand coloured half page pictorial title page, the aforementioned all pub. London, Chappell, others with copper plate engraved title pages etc, folio, contemporary half calf gilt
Allen Jones RA, British b. 1937- Question time (Lloyd 89), 1982;lithograph in colours on Fabriano Tiepolo paper, signed and dated in pencil, aside from the numbered edition of 50, as included in the 'Thirty-Five Artists' portfolio, printed and published by the Royal College of Art, London, sheet: 64.8 x 50 cm, (framed)(ARR)
Andy Warhol, American 1928-1987, The Velvet Underground and Nico; offset lithograph in colours, from an unknown edition, sheet: 93.5 x 67 cm, (unframed) Note: this poster design derives from the record cover produced for Verve records in 1967, this was the debut studio album produced by the American rock band.
Andy Warhol, American 1928-1987, Tattooed Woman Holding a Rose, circa 1955 (Not in F. and S.); offset lithograph printed in orange on green watermarked onion skin paper, with the Estate of Andy Warhol and the Andy Warhol Foundation for the visual arts ink stamps, annotated 'PM15.OH26 15H,' sheet: 24 x 78 cm, (framed)Note: This work is from the early part of Warhol's career, and was used as a calling card for his services as it has his telephone number and address 'Murray Hill' across the woman's waist. It is not known how many of these prints were produced, but they are becoming increasingly rare.
Andy Warhol, American 1928-1987, The Tate Gallery exhibition poster, 1971, featuring Marilyn of 1964;offset lithograph in colours, signed in black marker pen, printed by the Curwen Press, published by Tate Gallery publications, sheet: 76 x 50.5 cm, (unframed)Note: the work is accompanied by a letter from the Heritage club London, confirming the work has been signed by the artist.
Josef Albers,German/American 1888-1976, Homage to the Square (Red with Green square); offset lithograph in colours on thick wove,each edition of 250 numbered in pencil on the reverse,published by the Guggenheim Museum, Artists Rights Society (ARA), New York/ADAGP, Paris, 1979,each image: 26.5 x 26.3 cm,(framed)Note: together with the book 'Josef Albers: Small Paintings', 2004, printed by PJ Print, London, and published by Waddington Galleries.
Josef Albers,German/American 1888-1976, Homage to the Square, (Blue);offset lithograph in colours on thick wove,each edition of 250 numbered in pencil on the reverse,published by the Guggenheim Museum, Artists Rights Society (ARA), New York/ADAGP, Paris, 1979,each image: 26.5 x 26.3 cm,(framed)Note: together with the book 'Josef Albers: Small Paintings', 2009, published by Waddington Galleries.
Josef Albers, German/American 1888-1976, Homage to the Square, (Red with Orange square); offset lithograph in colours on thick wove, each edition of 250 numbered in pencil on the reverse, published by the Guggenheim Museum, Artists Rights Society (ARA), New York/ADAGP, Paris, 1979, each image: 26.5 x 26.3 cm, (framed)Note: together with the book 'Josef Albers: Small Paintings', 2009, published by Waddington Galleries.
Agnes Martin, American/Canadian 1912-2004, Innocent love; Innocence; Happiness - glee; Happy holiday, 2000; each lithograph on vellum, each published by Pace Wildenstein, each image: 25 x 25 cm, (unframed) (4)Note: together with a book: Arne Glimcher, Agnes Martin: Paintings, Writings, Remembrances, (Phaidon Press Ltd: London, 2021). These extremely delicate prints were published by the artist's New York Gallery (Pace Wildenstein) on Martin's preferred material of translucent vellum, for the year of 2000 show. Martin said of her work: “These prints express innocence of mind. If you can go with them and hold your mind as empty and tranquil as they are and recognise your feelings at the same time, you will realise your full response to them”.
Agnes Martin, American/Canadian 1912-2004, Children Playing; Lovely Life; Everyday happiness; Love; I love love; Infant response to love; each lithograph on vellum, each published by Pace Wildenstein, each image: 25 x 25 cm, (unframed) (6)Note: together with the introduction page, and the book: Arne Glimcher, Agnes Martin: Paintings, Writings, Remembrances, (Phaidon Press Ltd: London, 2021). These extremely delicate prints were published by the artist's New York Gallery (Pace Wildenstein) on Martin's preferred material of translucent vellum, for the year of 2000 show. Martin said of her work: “These prints express innocence of mind. If you can go with them and hold your mind as empty and tranquil as they are and recognise your feelings at the same time, you will realise your full response to them”.
Sir Howard Hodgkin CH CBE, British 1932-2017,Swimming (Olympic Games Poster), 2012;offset lithograph in colours on smooth wove, published by the London Organizing Committee for the Olympic Games, edition of 50000, image: 80 x 59.7 cm, (framed) (ARR)Note: this is one of twelve posters by contemporary leading artists commissioned for the London 2012 Olympic and Paralympic Games. Since 1912, each host city has commissioned posters to celebrate the Games, and over the last century the posters have become part of the Games' identity. The commissioned artists for London 2012 were Bridget Riley, Fiona Banner, Michael Craig-Martin, Martin Creed, Tracey Emin, Anthea Hamilton, Howard Hodgkin, Gary Hume, Sarah Hume, Sarah Morris, Chris Ofili, Bob and Roberta Smith and Rachel Whiteread.
Graham Sutherland OM, British 1903-1980, Roses, 1972-73;lithograph in colours on wove,signed, dated, inscribed 'Artist's Proof' and 'For A.G. from 'G.S' in pencil, printed at Mourlot studio, Paris, issued in the series 'Three Lithographs' by Theodorani, Milan, 1974, sheet: 72.5 x 51.5 cm, (framed)(ARR)Provenance: Collection of Lord Goodman (a gift from the artist), who was chairman of the UK Arts Council (1965-1972).
Chloe Cheese,British b.1952- A sack of potatoes, a box of beans (The Eagle), 1994; Early at the Eagle; (i) monoprint in colours on wove, signed, dated, titled and inscribed '2nd of 2 stages' in pencil, sheet: 91 x 63.5 cm, (ii) lithograph in colours on wove, signed, titled and numbered 4/100 in pencil, sheet: 26.9 x 24.7 cm, (framed)(ARR)(2)
David Bowie,British 1947-2016,Reality, 2003;lithograph in colours on Somerset wove,signed and dated in pencil and numbered 371/1500 (verso),sheet: 47 x 46 cm, (unframed)(ARR)Provenance: Rokeby Gallery, London. Note: this work is a limited edition work for Bowie's 26th studio album Reality. The artwork was designed by Rex Ray in collaboration with Jonathan Barnbrook and hand signed by Bowie.
Maurice de Vlaminck, French 1896-1932, Le Sausseron, 1921; lithograph in colours on Chine volant, signed and numbered '44' (from an edition of 100) in pencil, printed at Atelier Charlot Frères, Paris, published by Galerie Simon, Paris, image: 46.5 x 63 cm, (framed) Provenance: with a label from William Weston Gallery to the reverse.
James Cauty, British b.1956- Bomber bunny 3 from the Patriot series, 2007; and the Rise and fall of Portslade Massif 2007; offset lithograph in colour on wove, numbered 6/20 in pencil, 38.5 x 30.5 cm, three together; and screenprint in colours, signed in pencil and numbered 16/50, 70 x 50 cm, (unframed) (ARR) (4)
Loading...
