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70555 Los(e)/Seite
Los 593
Salvador Dali (Spanish, 1904-1989). Lithograph on paper titled "Joan of Arc," depicting a figure riding a horse while another figure wreathed in red fires upon the leaping steed. Pencil signed along the lower right, numbered 73/175 along the lower left.Sight; height: 28 1/2 in x width: 20 in. Framed; height: 35 in x width: 26 3/4 in.
Los 596
Joan Miro (Spanish (Catalan), 1893-1983). Color lithograph on paper titled "Le delire du couturier - bleu, rouge, vert (Fashion Frenzy - Blue, Red, Green)" depicting abstracted shapes in white against a three-toned gradient background, 1969. Pencil signed along the lower right; numbered 7/30 along the lower left.Spanish artist Joan Miro was one of modern art's pioneers. His search for non-objectivity led him to Fauvism, Surrealism, and Cubism, as he refused to restrict his work to one style or medium. Miro geared all of his work toward breaking with the traditional, whether in his paintings, ceramic pieces, bronze sculptures, or prints. One hallmark of Miro's paintings is the mixing of precisely rendered imaginary objects along with commonplace objects. His prints were, like his paintings, experiments in breaking the conventions of art. While many of his works had a common theme, Miro refused to limit himself in his representation of images. Rather than creating art that totally abstracted reality, Miro pointed the way toward non-representational works. Many artists can trace their inspiration back to Joan Miro paintings.Sight; height: 47 in x width: 31 1/2 in. Framed; height: 57 1/4 in x width: 41 1/2 in.
Los 597
Joan Miro (Spanish (Catalan), 1893-1983). Color lithograph on paper titled "L'oeil de Faucon (The Hawk's Eye)," depicting abstract shapes of black, red, green, yellow, and blue, 1971. Pencil signed along the lower right; numbered 26/50 along the lower left.Spanish artist Joan Miro was one of modern art's pioneers. His search for non-objectivity led him to Fauvism, Surrealism, and Cubism, as he refused to restrict his work to one style or medium. Miro geared all of his work toward breaking with the traditional, whether in his paintings, ceramic pieces, bronze sculptures, or prints. One hallmark of Miro's paintings is the mixing of precisely rendered imaginary objects along with commonplace objects. His prints were, like his paintings, experiments in breaking the conventions of art. While many of his works had a common theme, Miro refused to limit himself in his representation of images. Rather than creating art that totally abstracted reality, Miro pointed the way toward non-representational works. Many artists can trace their inspiration back to Joan Miro paintings.Height: 47 in x width: 30 1/2 in.
Los 161
ALPHONSE MUCHA (CZECH 1860-1939) DOCUMENTS DECORATIFS, 1902 lithographs, framed, one 31cm (12 1/4in) high, 23.5cm (9 1/2in) wide; the others 34.5cm (13 3/4in) high, 23cm (9in) wide and 31cm (12 1/4in) high, 23.5cm (9 1/2in) wide; together with a STUDY OF WOMEN, lithograph, framedProvenance: Provenance: Woolley & Wallis, Salisbury, 9th October 2013, lot 1644. (first three)
Los 166
§ GRAHAM SUTHERLAND O.M. (BRITISH 1903-1980) THE ROCK II, 1972 (VARIANT TO TASSI 127) Lithograph, 70/75, numbered in pencil, with printed signature, image size 59cm (23 1/4in), 49cm (19 1/4in);and another, After Graham Sutherland, Untitled, lithograph, 25/200, bears pencil numbering to margin 37cm (14 1/2in), 27.5cm (10 3/4in)
Los 181
§ DAVID HOCKNEY O.M., C.H., R.A. (BRITISH 1937-) A WEDDING PARTY MENU, 2ND OCTOBER 1993 Lithograph, ed. 25, signed with initials and dated in plateDimensions:41cm (16in), 30cm (12in)Note: Note: The menu was designed by Hockney and privately printed to celebrate the marriage of his friend and lawyer, Desmond Heap's daughter, Jane.
Los 246
§ PAULA REGO R.A. (BRITISH, PORTUGUESE 1935-) JANE EYRE Introduced by Marina Warner.London: Enitharmon Editions, 2003.First edition, deluxe issue, one of 75 numbered copies signed by Paula Rego and Marina Warner, and including an original lithograph of Jane Eyre by Paula Rego, signed and numbered by Rego in pencil. Folio, original pictorial boards, blue cloth backstrip, colour illustrations throughout (one on folding leaf), original lithograph in cream card portfolio, both housed together in original blue cloth slipcaseNote: Note: The deluxe issue also contained 10 copies hors commerce; the regular issue, without a signed lithograph, comprised 275 copies (of which 25 were hors commerce).
Los 260
§ SIR FRANK BRANGWYN R.A., R.W.S., R.B.A. (BRITISH 1867-1956) GONDOLAS, VENICE, 1924 Etching, signed in pencil (to margin);and another 'The Gondoliers - Venice,' lithograph with hand-colouring, signed in pencil (to margin)Dimensions:image sizes 34.5cm (13 1/2in), 27cm (10 1/2in) and 11cm (4 1/2in), 20cm (8in)
Los 274
J. H. PIERNEEF (SOUTH AFRICAN 1886-1957), AFTER THORNTREE AND HOUSE, SILVERTON Lithograph, signed and inscribed in plate, published by Pierneef Musuem, Pretoria;'Thorntrees, Rustenburg,' Lithograph, signed and inscribed in plate, published by Pierneef Musuem, Pretoria;and another 'Twee Jongegeasellen,' Lithograph, signed and inscribed in plate, published by Pierneef Musuem, PretoriaDimensions:the images 16cm (6 1/4in), 20cm (8in); 20cm (8in), 30cm (12in); and 20.5cm (8in), 25cm (9 3/4in)
![Graimberg (Carl von). 118 lithograph views of landmarks near the Rhine, 2 vols., [Heidelberg?], c.1811-1824, 118 lithograph v](https://cdn.globalauctionplatform.com/2a43871f-d280-4166-9f6c-af8800c0bef7/0a7de720-1c25-4d51-8f2f-af8900a934b3/468x382.jpg)
Los 11
Graimberg (Carl von). 118 lithograph views of landmarks near the Rhine, 2 vols., [Heidelberg?], c.1811-1824, 118 lithograph views by Pierre Langlumé after Graimberg, with captions in French and German to lower margin (some dated to imprint, ranging from 1811-24), some toning and spotting throughout, one volume with occasional damp staining to lower margins, all edges gilt, contemporary straight-grain red morocco, gilt decorated spines entitled ' Ansichten von Heidelberg, Schwetzing, Baden, und vom Rhein', upper board attachment to volume 1 weak, some wear to extremities, oblong 12mo (8.8 x 13.5 cm)QTY: (2)NOTE:Sold as a collection of plates.
Los 136
Pigot & Co.(publishers). Maps of the Counties of Derby, Hereford, Lincoln, Leicester and Rutland, Monmouth, Nottingham, Salop, Stafford, Warwick and Worcester; with a General Map of Wales, [1828],large folding map of Wales, and 10 engraved county maps, all with contemporary outline colouring, each single-page map approximately 375 x 250 mm, minor fraying to sheet edges, map of Worcestershire with two closed tears to left margin, and some light spotting, original printed upper wrapper present, slim folio, together withJohnston (W. & A. K.). Handy Royal Atlas of Modern Geography, Edinburgh and London: 1892, numerous double-page colour lithograph maps, all edges gilt, original publishers red half morocco gilt, rubbed and some light soiling, folio, plusHarwood (J. & F., publishers). Harwood's Scenery of Great Britain, First Series, London: J. & F. Harwood, circa 1840, 50 engraved vignette views, including title, original yellow chalk-glazed endpapers, all edges gilt, original gilt-decorated and blind stamped brown cloth, a little rubbed and some light marks, a little faded to edges, oblong 4toQTY: (3)
Los 34
Schuyler (Eugene). Turkistan, Notes of a Journey in Russian Turkistan, Khokand, Bukhara, and Kuldja, 1st UK edition, 2 volumes, London: Sampson Low, 1876, half-titles, frontispieces, 3 folding maps, wood-engraved illustrations throughout, publisher's advertisements to rear of volume 1, neat later ownership inscription to front free endpapers, hinges cracked, original pictorial red cloth gilt, worn, 8vo, together with:Burton (Richard F). Unexplored Syria, 2 volumes, 1st edition, London: Tinsley Brothers, 1872, half-titles, frontispieces, folding map, 25 lithograph plates (11 folding), Richmond College bookplates to front pastedowns, textblocks detached from backstrips with some leaves loose, toned, original orange cloth gilt, toned & worn, shelf numbers to spine bases, 8vo, withDaniell (William). The Oriental Annual, or Scenes in India, London: Bull and Churton, 1835, engraved frontispiece, engraved title, 20 engraved plates, later ownership inscription to front free endpaper upper margin, lightly spotted & dust-soiled, hinges cracked, original pictorial brown morocco gilt, all edges gilt, rubbed, 8vo, with 8 others relatedQTY: (13)
Los 366
Alibert (Jean-Louis). Clinique de l'Hôpital Saint-Louis, ou traité complet des maladies de la peau, 2nd revised and enlarged edition, Paris: Cormon et Blanc, 1833, half-title, 63 hand-coloured lithograph plates, some spotting and offsetting from text to plates throughout, plate numbers and running title heads occasionally trimmed with loss, small ink library stamp to front pastedown, modern cloth, slightly lifting and some corner wear, large folio (530 x 340 mm), together with together with a first edition of the same work,Description des maladies de la peau observées a l'Hôpital Saint-Louis…, 1st edition, Text volume only, Paris: Barrois l'ainé et fils, 1806, half-title, several ink library stamps, spotting throughout, some dust-soiling and a few marginal closed tears, untrimmed, later half calf over marbled boards with new endpapers, heavily rubbed, folio (545 x 370 mm)QTY: (2)NOTE:The first plate of the second edition shows a 'family tree' of dermatoses.'Alibert studied for the priesthood with intentions of becoming a teacher. However, this career was ended by the Revolution when all religious orders were disbanded. Influenced by friends in Paris, Alibert turned to the study of medicine and completed his degree with a highly acclaimed thesis on pernicious intermittent fevers. Soon after graduation he was appointed to the staff of the Hôpital St. Louis where his brilliant work brought the hospital to pre-eminence in the treatment of skin diseases and earned him an historic role as the founder of French dermatology. He developed a classification of skin diseases using Linnaean concepts but it proved to be impractical compared to Willan's classification and was eventually abandoned. Nevertheless, Alibert made important contributions with his descriptions of lupus vulgaris, keloid, dermatolysis, mycosis fungoides, and cutaneous leishmaniasis. Among the terms he coined that remain in use today are: dermatolysis, syphilid, keloid, and dermatosis... Along with Willan, Alibert was a pioneer in illustrating skin diseases and the hand-colored plates in this work are notable from both the medical and artistic standpoint' (Heirs of Hippocrates). Garrison Morton 3986. Heirs of Hippocrates 1219 (both citing first editions).
Los 393
Middleton (Charles). Designs for Gates and Rails suitable to Parks, Pleasure Grounds, Balconys &c. also some Designs for Trellis Work on 27 Plates, London: published by J. Taylor, at the Architectural Library, [1805?], 27 engraved plates, including title, ownership signature of Trophimus Fulljames, dated 16 January 1817 to front pastedown, some light scattered spotting, single publishers advertisement leaf and 6pp publishers catalogue at end (the latter dated May 1816), original plain pale blue wrappers, rubbed and marked with some wear, 8vo, together with Robinson (Peter Fredrick). Rural Architecture, or a series of designs for Ornamental Cottages, 1st edition, London: Rodwell and Martin, 1823, 96 lithograph plates, some spotting throughout mainly to margins, contemporary half calf, rubbed and some wear with joints partly cracked, 4toQTY: (2)NOTE:Provenance: Trophimus Fulljames (1778-1864) worked with his brother Thomas Fulljames surveying the states, roads, rivers, enclosures, and public works in Gloucestershire, and between 1813 and 1820 was in partnership with William Womack of Gloucester.
Los 400
Rutter (John). Delineations of Fonthill and its Abbey, 1st edition, Shaftsbury: published by the author, 1823, half title, 14 plates, including 3 hand-coloured aquatints and folding lithograph plan of the estate, 3 genealogical tables, bound without the list of subscribers, occasional minor spotting, contemporary bookseller's ticket of F. William, Liverpool to front pastedown, original boards, title with vignette to upper cover, rubbed, modern mmorocco spine and corners, folio 35.5 x 29.5 cm QTY: (1)NOTE:Abbey Scenery 418.
Los 406
Ardizzone (Edward, illustrator). The Local, Lithographs by Edward Ardizzone, Text by Maurice Gorham, 1st edition, London: Cassell & Co., 1939, 15 colour lithograph plates, including one double-page, contents in very clean condition, contemporary gift inscription to front endpaper dated Christmas 1939, original pictorial printed grey boards, 8vo, generally VG QTY: (1)
Los 434
Scottish topography. Wilson (George Washington, photographer), An album containing 20 photograph views of the Orkneys, c.1870s/80s, 20 mounted photographs with caption to image, including street views of Kirkwall, Earl's Palace, St. Magnus Cathedral, The Stones of St. Ennis, Stromness, Old Man of Hoy, The Dwarfie Stone, Maeshowe, & Yesnabie Castle etc., all edges gilt, original red sheep, worn, oblong 4to, together with Ferguson (Malcolm), Ferguson's Tourists' Guide to Callander, The Trosachs, Loch Katrine, Loch Lomond, Strathyre, Balquhidder, Killin, Loch Tay..., Glasgow: Thomas Murray & Son, 1890, folding lithograph map with closed tear, verso of front free endpaper inscribed 'To Alexander Smith Esq. with the Author's kind regards and best wishes 9th July 1890' and with ink stamp of Alexander Smith, Stockbroker of Glasgow, original cloth gilt, head & foot of spine slightly frayed, 8vo, and Semple (David), Saint Mirin: An historical account of old houses, old families, and olden times, in Paisley..., Paisley: J. & J. Cook, 1872, frontispiece plan, bound with Supplement to Saint Mirin..., Paisley: J. & J. Cook, 1873, contemporary half calf, rubbed, 4to, and Ramsay (John), Poems, Edinburgh: Stirling & Kenney, 1836, engraved frontispiece, inscription to upper blank margin of title, original cloth, few marks, 12mo, plus other Scottish topography & ephemera relatedQTY: (a carton)
Los 44
Wilkins (Henry St Clair). Reconnoitring in Abyssinia: A Narrative of the Proceedings of the Reconnoitring Party, prior to the arrival of the main body of the expeditionary field force, 1st edition, London: Smith, Elder & Co, 1870, tinted lithograph frontispiece after A Rolfe, 9 further tinted lithograph plates, linen-backed colour folding map to rear, prize bookplate and ownership ticket to front pastedown, hinges cracked, preliminary leaves spotted, original red cloth gilt, spotted & rubbed, 8vo, together with:Baker (Samuel W). Ismailia. A Narrative of the Expedition to Central Africa for the Suppression of the Slave Trade, organized by Ismail, Khedive of Egypt, 2 volumes, 1st edition, London: Macmillan and Co., 1874, 2 maps (1 folding), 51 plates, publisher's catalogue to rear of volume I, spotting, folding map with tape repairs to folds, original pictorial green cloth gilt, recased with endpapers renewed, rubbed & marked, 8vo, withEast (D.J). Western Africa: Its Condition, and Christianity the means of its recovery, 1st edition, London: Houlston and Stoneman, 1844, lightly toned, hinges cracked, original maroon blindstamped cloth gilt, worn, 8vo, with 7 others on Africa including Boyd Alexander's From the Niger to the Nile (1907), Mounteney-Jephson's Emin Pasha and the rebellion at the Equator (1890) & Henry Baker Tristram's The Great Sahara (1860)QTY: (11)
Los 76
Medical Botany. Medical Botany: or, the History of Plants in the Materia Medica of the London, Edinburgh, and Dublin Pharmacopoeias. Arranged according to the Linnaean System, 2 volumes, London: printed for E. Cox, 1819-21, engraved portrait frontispiece of Linnaeus to volume I, 138 hand-coloured engraved plates, occasional light spotting and offsetting, presentation inscription to front pastedowns, contemporary half calf, joints cracking, a little rubbed, 8vo, together with Webber (C.W.) Wild Scenes and Song-Birds, New York & London: 1854, 25 hand-coloured lithograph plates, some light offsetting, previous owner inscription, original blindstamped cloth, spine faded, a little rubbed, 8vo, plus James Maddock's The Florist's Directory... new edition, improved with notes... by Samuel Curtis, 1822 (covers detached)QTY: (4)
Los 359
Kizette de Lempicka-Foxhall (Russian, 1916-2001) after Tamara de Lempicka (Polish, 1898-1980). Lithograph titled "Lady in Lace," depicting an Art Deco figure of a woman in a lacy white dress surrounded by skyscrapers. Pencil signed along the lower right; titled along the lower center; numbered 212/300 along the lower left.Sight; height: 27 1/2 in x width: 16 1/2 in. Framed; height: 38 in x width: 25 in.
Los 342
Marx for Walt Disney Entertainment: A clockwork lithograph decorated tin plate toy model of Pinocchio, circa 1939, 22cms high; a cast lead and cold painted model of Pinocchio, 7.5cms high; a Collins book, Walt Disney's version of Pinocchio; Walt Disney's Pinocchio souvenir programme; Chad Valley Race Game, boxed. (5)
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70555 Los(e)/Seite