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Max Ernst (German,1891-1976), colour lithograph, Masques. Signed in pencil lower left and numbered 179/200 lower right, corner of blind stamp at lower left corner, 34.5cm x 51cm, framed and glazed. Max Ernst was a painter, printmaker and sculptor and a leading pioneer of the Dada movement and Surrealism in Europe in the early 20th century.
A German Block Puzzle, Late 19th Century, - "The New Zoological Garden in Blocks for Children", 11ins x 7ins x 1.37ins overall Antelope - loss to lithograph design. Bullfinch - scratch running horizontally through bullfinch's chestCow - upper part of lithograph missingDonkey - some elements of lithograph missing from upper and left sidesElephant - some staining to the upper edge and minor loss to lithograph to all four edgesFoxhound - loss of lithograph to left edge and upper left cornerGoat - reasonably good conditionHippopotamus - minor loss to lithograph at upper edge Indian dove - loss to lithograph along upper edge and left edgeJackal - reasonably good condition Kangaroo - reasonably good conditionLambs Vulture - some minor loss to lithograph upper and left edgesMistlethrush - some loss to lithograph upper left and lower edgesNutpecker - small area of loss to lithograph on left edgeOwl - Minor loss to lithograph left edgePigs - reasonable conditionQuagga - minor loss to lithograph on edgesRed breast - minor loss to lithograph lower right and upper right edges and cornersSheep - damage to face and loss to lithograph on lower left cornerTurkey - loss of lithograph to lower right corner Viper - loss of lithograph to lower right and left cornersWhale - approximately 50% lithograph missingYellow star - minor loss to lithograph design on all four sidesZebra - perhap 1/3 of lithograph missing. Lithograph to top of box shows scattered scratching and wear, as well as some loss along top and right edges. Small area of timber lost from top edge towards right. The inside of the lid and the underside of the base has some crayon/chalk marks. There is no evidence of historic woodworm.
Original lithograph on Arches paper entitled Welcome by illustrator and painter Norman Rockwell, originally commissioned for publication the American Family Life Series for Mass Mutual Insurance Co. Signature in pencil on lower right: Norman Rockwell. Number on lower left: 165/200. Artist: Norman Rockwell (American, 1894-1978)Edition Number: 165 of 200 Country of Origin: United States
Set of ten hand-colored etchings on Arches paper by painter and printmaker Ira Moskowitz, reputed for his Judaica religious subjects. Moskowitz applied touches of yellow, blue and white and rich colors to enliven his etchings that depict men and boys in payer and synagogue settings. This folio box includes the title and descriptive pages. Each lithograph is signed in pencil on the lower right: Ira Moskowitz. Numbered on lower left: 110/120. Each artwork dimension: 20.25"L x 29.75"H. Box dimensions: 23.25"L x 31"H x 1"W. This item has its original box. Artist: Ira Moskowitz (Polish/American, 1912-2001)Edition Number: 110 of 120 Country of Origin: Poland/United States
Beautiful color lithograph on watermarked Somerset paper stamped with the royal blindstamp. Created by His Majesty King Charles III, then HRH Charles, The Prince of Wales, it represents an intimate view of Wensleydale from Moorcock, North Yorkshire, England. His Majesty King Charles III used subtle washes of ochre, greens and brown, with powdery pink and light blue-greys for the expanding sky. This lithograph set include the original correspondence and blue folio. The proceeds of the sales benefited The Prince Charles Trust for charity. Signature in pencil on lower right: C. 90. Title in lower center: Wensleydale from Moorcock. Numbered on lower left side: 54/295. Housed in a blue folder. Artwork size: 23.50"L x 18"H. Folio size: 25.50"L x 18.50"H x 0.75"W. Artist: King Charles III (British b. 1948)Issued: 1990Edition Number: 54 of 295 Country of Origin: EnglandCondition: Age related wear.
Harbor Scene in a Folk Art style made by Steven Klein who combines realistic elements with non-Academic perspectives. Made with bright colors, this lithograph follows the Americana genre paintings. Signature in pen on lower right: Steven Klein. Title in center: Harbor Light. Numbered lower left: 185/350. Housed in an off white wooden frame with a sky blue mat. Sight size: 5.10"L x 6.75"H. Frame size: 10"L x 12"H x 1.20"W. Artist: Steven Klein (American, 20th/21st century)Issued: c. 1980Edition Number: 185 of 350 Country of Origin: United StatesCondition: Age related wear.
Beautiful impression of an original WWI American chromolithograph poster entitled Save Your Child-Buy War Saving Stamps by illustrator Herbert Paus who is reputed for his outstanding use of color combinations. The United States Printing & Lithograph Co., New York published this poster in 1918 for The United States Treasury Department. Signed in plate on lower left: Herbert Paus. Marked S-4 in lower left. Housed in a protective see-through cover. Artwork dimensions: 20"L x 30"H. Cover size: 22.50"L x 34"H x 0.10"W. Artist: Herbert Paus (American 1860-1844)Issued: 1918Country of Origin: United StatesCondition: Age related wear. Small tear on upper left and right side of border.
Beautiful impression of an original WWI American chromolithograph poster entitled Joan of Arc Saved France by painter and illustrator William Haskell Coffin. The United States Printing & Lithograph Co., New York published this poster in 1918 for the WSS program of The United States Treasury Department. Signed in plate on lower left: Haskell Coffin. Marked S-2 in lower left. Housed in a protective see-through cover. Artwork dimensions: 20"L x 30"H. Cover size: 22.50"L x 34"H x 0.10"W. Artist: William Haskell Coffin (American 1878-1941)Issued: 1918Condition: Age related wear.
Limited edition color lithograph depicting a bustling mid-century French streetscape as people tour the city. Housed in a distressed wood frame. Artist signed and numbered. Sight size: 11.75"L x 7.5"H. Frame size: 21.5"L x 16.5"H x 1.75"D. Artist: Charles BlondinEdition Number: 495 of 500 Country of Origin: FranceCondition: Age related wear.
Title: Signals From Little Round Top. Full-color lithograph featuring Union soldiers seated on a boulder signaling with a white and red flag. Printed text on top border reads, "Capt. Peter A. Taylor, Cpt. James S. Hall, Sgt. John Chemberland, Sgt. Lucien H. Goodnough." Bottom border text reads, "Signals From Little Round Top, The Union Signal Corps Discovers Longstreet's Flank March at Gettysburg, July 2nd 1863." Signed by artist in pencil in the lower left corner. Edition written in pencil on lower right corner. Wood frame with brass corners and matte-finished glass glazing; purple and cream colored matboard borders. Certificate of Authenticity on verso. Sight size: 31.5"W x 23"H; frame: 35.75"W x 27.25"H x 1.5"D. Artist: Don StiversEdition Number: 43 of 500 Condition: Age related wear.
Original lithograph on Arches paper entitled Fido's Dog House by illustrator and painter Norman Rockwell, originally commissioned for publication the American Family Life Series for Mass Mutual Insurance Co. Signature in pencil on lower right: Norman Rockwell. Number on lower left: 165/200. Includes the title page Fido's House in blue lettering on a separate sheet of paper. Artist: Norman Rockwell (American, 1894-1978)Edition Number: 165 of 200 Country of Origin: United States
Beautiful suite of seven color lithographs on stamped Rives paper from the limited edition by Norman Rockwell entitled Poor Richard's Almanack inspired by Benjamin Franklin's Poor Richard's Almanack. Four lithographs including Ben's Belles, The Golden Age, Ben Franklin's Philadelphia, and Drunkard are set in gilded wood frame with off-white mats. The three remaining lithographs, The Village Smithy, Olde Print Shoppe, and The Royal Crown are inside the portfolio with the title pages. Paris. Each lithograph is signed in pencil on the lower right: Norman Rockwell. Numbered on lower left: 11/200. The lithographs were pulled at Atelier Mourlot, Each frame size: 23"L x 27.10"H x 0.60"W. Sight size: 16"L x 19"H. Lithographs sizes: 20"L x 25.50"H. Box dimensions: 21"L x 27"H x 1.50"W. This item has its original box. Artist: Norman Rockwell (American, 1894-1978)Edition Number: 11 of 200 Country of Origin: United States
This color lithograph of a German Certificate of Communion for Bernhard Sietmann is enhanced with gold leaf and includes lunettes with God, angels, and Catholic Saints. Written in Gothic style. On lower right: Weber & Decker Lith. Co. Sight size: 6"L x 9"H. Frame size: 9.50"L x 11.40"H x 1.20"W. Issued: 1867Country of Origin: GermanyCondition: Age related wear.
Original WWI color lithographic poster for American Savings Stamps entitled Help him Win by Saving and Serving - Buy War Saving Stamps. Printed in 1918 by the American Lithograph Co. Housed in a protective see-through cover. Artwork dimensions: 20"L x 30"H. Cover size: 22.50"L x 34"H x 0.10"W. Issued: 1918Country of Origin: United StatesCondition: Age related wear. Small tear on upper center.
Color lithograph on paper by Bolivian artist Graciela Rodo Boulanger of a young girl riding a tricycle. Made in her signature style of stylized and tubular children, her signature is inscribed in the plate on lower right: Graciela Rodo Boulanger. Housed in a gold wooden frame with cream color matting. Frame size: 22"L x 24"H x 1.25"W. Artwork dimensions: 9"L x 12"H. Artist: Graciela Rodo Boulanger (Bolivian b. 1935)Issued: c. 1980Country of Origin: BoliviaCondition: Age related wear.
Original color lithograph entitled Le Bal du 14 Juillet (Bastille Day) in a Naif style by French artist Michel Delacroix. He has represented an outside popular Bal where dancers and strollers enjoy the evening of the national day. Signature on lower right: Michel Delacroix. On lower left: Lithographie originale. Housed in a navy blue frame and a white mat with a blue border. Sight size: 16"L x 11.50"H. Frame size: 25"L x 20"H x 1.10"W. Artist: Michel Delacroix (French, b. 1933)Issued: c. 1970Country of Origin: FranceCondition: Age related wear.
Outstanding lithograph on paper entitled Barbershop Quartet, made in black & white with a single shade of red on the barber's scarf. Painter and illustrator Norman Rockwell's original illustration based on his painting was published in the September 26, 1936 cover of the Saturday Evening Post. The four figures are rehearsing their tunes in a barbershop where the barber holds a straight edge razor and the seated client holds a copy of the Police Gazette, a newspaper published for male readers. Signature in pencil on lower right: Norman Rockwell. Numbered on lower left: 45/200. Housed in a solid wood frame with a black linen mat. Sight size: 23.75"W x 30"H. Frame size: 28"L x 34"H x 1"W. Artist: Norman Rockwell (American, 1894-1978)Issued: c. 1936Edition Number: 45 of 200 Country of Origin: United StatesCondition: Age related wear.
Ben NICHOLSON (1894-1982) Abstract Composition (1973) Lithograph, 66 x 79cm, 70 x 83cm framed.Part of The Penwith Portfolio, 1973, published by Penwith Galleries Ltd, St Ives. The portfolio included works by Barbara Hepworth, Peter Lanyon, Bernard Leach, Robert Adams, Alan Davie, Merlyn Evans, Duncan Grant, Ben Nicholson, John Piper, Michael Rothenstein, F. E. McWilliam and Henry Moore. This lithograph has not been examined out of it's frame, yet there are signs of yellowing to it's perimeter (please see additional images). To the right hand side of the sheet there appears to be a rather large water mark, this does not spread on to the lithograph itself (please see additional images).
1 large early 20th century colorful ladies head button.This design in the Art Nouveau style is a colorful lithograph under a tight celluloid shield and set in a more ornate bordered brass mounting. Very fine detail. From the collection of the late Shirley Case. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and above
Malcolm (John). The Political History of India from 1784 to 1823, 2 volumes, 1st edition, London: John Murray, 1826, errata leaf at end of vol. I, light spotting front and rear, irst volume with ownership signature John Stracey 1827 to pastedown, edges untrimmed, original cloth-backed boards, printed paper title label to spines of each volume, spines and joints worn, 8vo, together with: Barrow (George). Ceylon: Past and Present, London: John Murray, 1857, folding engraved map, 32 pp. publisher's adverts at rear, original cloth gilt, extremities lightly rubbed, 8vo, plus Radclyffe (Charles W.). Memorials of Eton College, 1st edition, Eton: T. Ingalton & Son, 1844, tinted lithograph title and 23 plates, foxing and some damp staining, contemporary red half morocco, gilt decorated spine, some wear and marks, folio, plus Peel (Lawrence). Horæ Nauseæ, London: Printed by Bradbury and Evans, 1841, contemporary manuscript note to verso of front free endpaper; 'Edwards Anson, From the Author, Laurence Peel, Jun 12, 1879(?)', light spotting, publisher's original cloth binding, 4to, plus 14 other volumes and 3 folding maps (Switzerland, India, The North of England and part of Scotland), various sizes and condition QTY: (22)
* Jones (Barbara Mildred, 1912-1978). Fairground, 1946, colour lithograph, printed by The Baynard Press for School Prints Ltd., London (S.P. 2), Independent Arts Review article from 4 July 2000 featuring image of Fairground to verso of frame, sheet size 49.5 x 76 cm (19.5 x 30 ins), together with Tisdall (Hans, 1910-1997). Fisherman's Huts, 1946, colour lithograph, printed by The Baynard Press for School Prints Ltd., London (S.P. 14), sheet size 49.5 x 76 cm (19.5 x 30 ins), both tipped onto backing board at top and bottom of sheet with tape, each uniformly framed and glazed (72 x 102.5 cm)QTY: (2)
Burges (William). The Architectural Designs of William Burges, A.R.A., edited by Richard Popplewell Pullan, London: 15, Buckingham Street, Strand, 1883, 75 lithograph plates and plans (including frontispiece), some folding, list of author's works to lower pastedown, some spotting affecting a few plates, late 19th-century bookplate of 'Thomas Brooke F.S.A., Armitage Bridge' and modern bookplate of 'Mark Girouard' to front pastedown, gutta-percha perished and contents loose, original cloth with ornate gilt-blocked design to upper board, some fading mostly to spine, small folioQTY: (1)
* Freedman (Barnett, 1901-1958). Music, Still Life, 1951, colour lithograph, signed in the plate, from the Lyons Lithographs (2nd series, No. 4), published by J. Lyons & Co. Ltd, some undulations to the sheet lower left, mount aperture 72 x 100 cm, framed and glazed (85 x 112.5 cm)QTY: (1)NOTE:R. Artmonsky, Tea & A Slice of Art, The Lyons Lithographs 1946-55, page 112.
* Lear (Edward). Cinereus Vulture from Gould's Birds of Europe, 1832-37, printed by C. Hullmandel, lithograph with contemporary hand-colouring, printed by C. Hullmandel, 525 x 340 mm, together with Gould (J & E). Bearded Vulture or Loemmer Geyer [and] Griffon Vulture [1832 - 37], two lithographs with contemporary hand-colouring, slight dust-soiling, slight spotting to the Bearded Vulture, each approximately 510 x 340 mmQTY: (3)

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