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70555 Los(e)/Seite
Los 2242
Maurice De Vlaminck (French, 1876-1958), "Themericourt, le Clocher dans les Arbres (1926)," lithograph, on wove paper, pencil signed lower right, signed in plate upper right, second state of two (unnumbered), printed by Landell Maison Duchatel, published by Galerie des Peintres-Graveurs (Paris), sight: 10.25"h x 14.25"w, overall (with frame): 19"h x 23"w
Los 2266
Georges Dorival (French, 1879–1968), "Rome, Par la Voie du Mont- Cenis, color lithograph and offset poster, print signed in plate lower left center, published by Affiches Photographiques Robaudy - Cannes, France, sight (image): 40.75"h x 29.25"w, overall (with frame): 53.5"h x 41.5"w. Provenance: Estate of Frank J. Caufield (San Francisco, CA). Mr. Caufield was one of the founding partners of the venture capital firm Kleiner, Perkins Caufield, and Byers
Los 1017
Group of eight (8) equestrian related items, including Lou Burke and Fred Stone prints, books. 1st-4th items: Four (4) Lou Burk (American/Illinois, 1845-1914) horse lithographs depicting Percheron horses, 3 signed in the plate. All housed in matching silvered wood frames. Sights ranging in size from 12 5/8" H x 18" W to 13 3/8" H x 23" W. Frames ranging in size from 20 3/4" H x 26 1/2" W to 21 1/2" H x 24 1/2" W. Note: Lou Burk was born in Kentucky in 1845. He grew up on a farm in Illinois and went on to a career painting cattle, horses and other animals for catalog illustrations for livestock farmers and breeders. Late 19th-early 20th century. 5th item: Fred Stone (American, b. 1930) Artist Proof color gravure print titled "'Secretariat' Ron Turcotte Up!" depicting a collage of Ronald Joseph Morel "Ronnie" Turcotte, a Canadian thoroughbred race horse jockey, and Secretariat, winner of the U.S. Triple Crown in 1973. Signed "Fred Stone (copyright)" lower left in the stone, signed "Fred Stone:" in pencil, lower left, titled in pencil lower center, with "AP" in pencil, lower right. Housed and matted with a wooden liner under glass in a wooden frame. Sight - 20 3/4" H x 18 1/4" W. Framed - 34 1/2" H x 32" W. Late 20th century. 6th item: LEGENDS: THE ART OF RICHARD STONE REEVES, as told to Edward L. Bowen, First Edition, published by Oxmoor House, Inc., 1989. Oblong quarto, 143 pages including color illustrations, one quarter brown leather with off white cloth sides, front cover with blindstamp image of a horse and rider gilt lettering to spine, brown end paper with text. Includes original dust jacket and advertisement for Paddock Room Galleries, Ocala, FL. 12 1/4" H x 15 3/4" W x 1" D. 7th item: THE PERCHERON HORSE, illustrated, translated from the original French text by Charles Du Hays, printed by W. T. Walters, Baltimore, 1886. Quarto, 128 pages including 33 photographic reproductions on tissue paper, hardbound off white paper sides with gilt blindstamping and red lettering to front cover. Includes original rag paper dust jacket. 12 3/4" H x 10" W x 1" D. 8th item: Reproduction color gravure print titled "The Winning Post" by W. Summer after a painting by Henry Alken Jr. (English, 1810-1894), originally published by J. McQueen, London, 1871. Depicts a race horse and jockey pulling away from the group before a large stadium full of spectators. Title and publication below image. Housed and double matted under glass in a gilt wood frame. Sight - 18" H x 28 1/2" W. Framed - 26 3/4" H x 36 1/2" W. 20th century. CONDITION: 1st-4th items: Largest lithograph with some toning, one crease and losses to the perimeter. Two with some very light toning. One overall good condition. 5th item: Overall very good condition. Not examined outside of frame. 6th item: Light wear to dust jacket, spine, and corners. Dust jacket has been price clipped, retail sticker to top of front flap. 7th item: Overall good condition with some toning/acid burning. Illustrations appear to be collated. Some pages are uncut. Front end paper possibly cut down. 8th item: Overall very good condition. Not examined outside of frame.
Los 141
Carroll Cloar (Tennessee, 1913-1993) signed lithograph on paper titled "Group of Myselves," depicting a self-portrait of the artist at various stages of life, set against the background of a rural town. Signed in pencil lower right and titled lower left. Housed under glass in an ebonized and molded giltwood frame with black mat. Sight - 16" H x 12" W. Framed - 22" H x 18" W. Circa 1939. Note: This is considered one of Cloar's most important, and scarce, lithographs. One is in the collection of the Philadelphia Museum of Art and another was exhibited in the 2014 exhibit of Cloar Lithographs at the Georgia Museum of Art. It is the first work (and one of the few lithographs) set to poetry in the book "Second Sight: Poems for Paintings by Carroll Cloar" by Dabney Stuart (University Of Missouri Press, 1996, ref. p.3). Biography: Carroll Cloar was known for incorporating nostalgic images from his Southern childhood, often merged with dreamlike motifs, into powerful magic realist scene, and noted that literature, particularly by Southern Gothic writers such as William Faulkner or Eudora Welty, influenced his artistic approach. Cloar graduated from Southwestern College (now Rhodes College) in Memphis, Tennessee, and went on to study at the Memphis Academy of Arts under the artist George Oberteuffer. In 1936, he moved to New York to attend the Art Students League. There, Cloar's achievements earned him a McDowell fellowship which he used to travel across the American Southwest, West Coast and Mexico. Cloar served with the Army Air Corps during World War II and upon his return, he was awarded a Guggenheim traveling scholarship to fund an extended sojourn to Central and South America. Two years later, several of his images were featured in a Life Magazine article titled Backwoods Boyhood, and Cloar's career went on to receive additional national acclaim. By the mid 1950s, Cloar had settled permanently in Memphis, where he produced paintings, often executed in casein tempera and acrylic paints. His works are in the collections of the Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Museum of Modern Art, Brooks Museum of Art, and Library of Congress. In 1993, Cloar's painting, Faculty and Honor Students, Lewis Schoolhouse, was one of six paintings by American artists selected to commemorate the inauguration of President Clinton. (Source: The Johnson Collection/Memphis Brooks Museum of Art). Provenance: Private West Tennessee Collection. CONDITION: Small line of discoloration lower left margin, very light toning, a few light thumbdings, overall excellent condition. Not examined out of frame.
Los 288
George Schreiber (Belgian/American, 1904-1977) lithograph on paper titled "In Tennessee," published by the Association of American Artists, edition of 250, circa 1945. Depicts a rural landscape featuring two farm workers in a mule-drawn hay wagon, with fence and wildflowers in the foreground. Signed in pencil "G. Shreiber" lower right margin. Unframed. Accompanied by a cut out printed biography of the artist. Image - 9" H x 13" W. Sheet - 12" H x 15 7/8" W. Mid 20th century. Provenance: Private West Tennessee Collection. CONDITION: Framer's tape remnants at upper corners, otherwise excellent condition.
Los 310
Painting and print after the Napoleon I, Emperor of France (1769-1821) at Fontainebleau portrait painting by Paul Delaroche (1769-1821), 2 items total. 1st item: Lithograph after the painting by Delaroche. Matted and housed under glass in ebonized frame with gilt rabbet edge. Sight - 12" H x 9" W. Framed - 22" H x 19 1/2" W. Last half 19th century. 2nd item: Continental School, late 19th-early 20th century, oil on board portrait of Napoleon I at Fontainebleau, likely painted from the lithograph after Delaroche's portrait. Housed in an antique giltwood molded frame. Sight - 10 1/2" H x 8" W. Framed - 15" H x 12" W. Provenance: the estate of Dr. Howard T. DeHaven, Columbia, TN. CONDITION: 1st item: Not examined out of frame. Toning and light foxing, overall good condition. A few small spots of wear to frame. 2nd item: Painting in very good condition. Frame has several abrasions and small losses, probable repair upper right corner.
Los 510
Joan Miro (Spanish, 1893-1983) lithograph on paper, "Escultor, Portugal," 1974, limited edition in black and white with applied gilt highlights. Pencil signed "Miro" lower right and numbered "H.C." lower left. Float mounted on a white mat and housed under glass in a plain black frame. Sheet - 13 3/4" H x 20 3/8" W. Framed - 24" H x 30" W. Provenance: Private Middle Tennessee collection. CONDITION: Excellent condition. Not examined out of frame.
Los 578
Five (5) 19th century lithographs, including one (1) Donaldson Sign Company "The Great Steamboat Race" Race, three (3) History of the Indian Tribes of North America, and one (1) later Currier & Ives "Midnight Race of the Mississippi". 1st item: Chromolithograph titled "The Great Steamboat Race", published by the Donaldson Sign Company, Cincinnati, circa 1880-1890. Depicts a steamboat race that occured between the Natchez and the Robert E. Lee on the Mississippi River between New Orleans and St. Louis in 1870. Publication information lower right. Hinge mounted to a double mat. Sight - 19 5/8" H x 29 3/4" W. Sheet - 21 1/2" H x 33" W. Mat - 28" H x 38" W. 2nd-4th items: Three (3) Native American lithographs from The History of the Indian Tribes of North America, by Thomas McKenney and James Hall, published by F. W. Greenough, Philadelphia, 1836-38, including "Push-Ma-Ta-Ha: A Choctaw Warrior" depicting a bust portrait of Pushmataha (1764-1824) also spelled Pooshawattaha, Pooshamallaha, or Poosha Matthaw), the "Indian General" and one of the three regional chiefs of the major divisions of the Choctaw in the 19th century, in a navy blue and red military uniform with gold shoulder epaulets. Title and publication information, lower center under image. Housed in a pink mat. Sight - 15 1/8" H x 11 1/8" W. Mat - 20 1/8" H x 16 1/8" W; "Wa-Em-Boesh-Kaa. A Chippeway Chief" depicting a bust portrait of Chief Waemboeshkaa wearing a headdress, collar, and wrist cuffs, and smoking a pipe with feathers and a bowl shaped like an eagle's head. Title and publication information, lower center under image. 21 1/2" H x 15 3/8" W; lithograph titled "War Dance of The Sauks and Foxes" depicting a group of Native Americans from the Sac and Fox Nation dressed in ceremonial garb and engaged in a "War Dance". Title and publication information, lower center under image. 15 1/2" H x 21 3/4" W. 5th item: Lithograph with hand-coloring titled "Midnight Race of the Mississippi", published by Currier and Ives, New York, 1875. Depicts a steamboat race that occured between the Memphis and the James Howard on the Mississippi River. Signed "M" in the stone, lower left. Publication information, lower center under image. Housed under glass in a wooden frame with gilt wood rabbet edge. Image - 9" H x 13 1/4" W. Sight - 12 3/4" H x 15 5/8" W. Framed - 16 5/8" H x 19 1/2" W. CONDITION: 1st item: Wrinkles/creases and toning to sheet. Tears, largest 4" to edges of sheet. 2nd-4th items: Overall good condition with toning, acid burn, minute foxing spots, surface scuffs, etc. Push-Ma-Ta-Ha with areas of dampstaining, largest 5", extending under mat. Wa-Em-Boesh-Kaa with areas of loss, largest 3/8" to edges of sheet. War Dance with minor creases, tears, areas of loss, largest 1/4", edges of sheet. 5th item: Toning, areas of acid burn, largest 12 3/4". Not examined outside of frame.
Los 588
L.B. Folger and C. Kallenback: MEMPHIS - BIRD'S EYE VIEW - SUPPLEMENT TO THE APPEAL. Scarce lithograph on paper aerial view of Memphis, Tennessee, as it appeared circa 1890 or earlier, showing the Mississippi River front with cotton bales being loaded onto steamboats, the U.S. Customs House, and horses and carriages traversing numerous downtown streets. Notably absent is the Cossitt Library at Front Street and Monroe, completed in 1893. Matted and housed under glass in a narrow black contemporary frame. Sight - 20 1/2" H x 31" W. Framed - 24" H x 36" W. Circa 1888. Note: the Memphis Appeal newspaper was founded in 1841 and merged in 1890 with the Memphis Avalanche to become the short-lived Memphis Appeal Avalanche, a forerunner of the current day Memphis Commercial Appeal. Provenance: Private West Tennessee Collection. CONDITION: Overall very good condition. Separations and losses up to 1/4" at fold lines; possible tape backing to fold lines. Scattered light creasing. Not examined out of frame.
Los 663
Two (2) Arthur Prince Spear (Massachusetts/California/District Of Columbia, 1879-1959) offset prints, including one (1) after his oil painting titled "Sunrise", 1921, depicting three water nymphs surrounded by fish lifting the sun from the water towards the early morning horizon. Signed "Arthur Spear" in pencil, lower right under image. Second lithograph is after Spear's pastel drawing titled "The Swing", 1921, depicting a young woman in a flowing dress on a swing against a naturalistic background. Inscribed and signed "To Alice Arthur Spear" in pencil, lower right in the image. Ink stamp with date "Sept 8 1953" with framing gallery label, en verso. Both housed under glass in black wooden frames. Sights ranging in size from 14 5/8" H x 19 3/8" W to 26 3/4" H x 20" W. Frames range in size from 20 1/2" H x 25" W to 28 1/2" H x 22" W. Mid 20th century. Provenance: The items included in this lot and Lot 664 are believed to have been gifts from Spear to family members of Ruth Norton White, daughter of Edward Little, subject of the painting in Lot 133. Note: "Sunrise" is featured as the cover art of the book "Arthur Spear 1879-1959", published by the Warren Historical Society, 1981. CONDITION: Overall good condition with toning. Not examined outside of frames.
Los 670
Two (2) pencil-signed works on paper by John Edward Costigan and Adolf Arthur Dehn. 1st item: John Edward Costigan (Rhode Island/New York, 1888-1972) etching on paper titled "Workers in the Field", published by Associated American Artists, New York. Great Depression era scene depicting a family in a desolate field, foreground, a worker and a horse, left middle ground with a farmhouse and a plain in the background. Signed "J. E. Costigan" lower left in the plate, signed "J. E. Costigan N. M. - S. M. E." in pencil, lower right margin. Includes original brown paper frame backing with artist's label indicating that this image was the winner of the 1934 Shaw Prize. Retains original mat. Plate - 8 1/2" H x 12 7/8" W. Sight - 9" H x 13 1/8" W. Mat - 14 5/8" H x 18 3/4" W. 2nd item: Adolf Arthur Dehn (New York/Minnesota, 1895-1968) limited edition lithograph on paper titled "Threshing", published by Associated American Artists, New York. Landscape scene depicting cattle and chickens in an enclosed pen to the right of two buildings, foreground, several men participating in the threshing process, middle ground, a line of trees below a cloudy sky, background. Signed "Adolph Dehn" in pencil, lower right under image. Includes original brown paper frame backing with artist's label. Retains original mat. Sight - 9 3/4" H x 12 7/8" W. Mat - 15" H x 18 1/8" W. Both items American, second quarter 20th century. CONDITION: Overall good condition with toning/acid at matte edges. Hinge mounted to mat. 1st item also has a few minute foxing spots.
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70555 Los(e)/Seite