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Henri Matisse (1869-1954, lithograph in colours on paper, Bal de L’Ecole des Arts Decoratifs 1951, signed in the plate, poster printed by Mourlot Freres Paris 1959, 23cmx 18cm, mounted, framed and glazed. This lithograph is printed by Mourlot, the original printer of the poster. It is an exact reprint of the original 3 colour linocut poster in all but size
NO RESERVE Scandinavia.- [Rothery (Charles William)] "A Yachting Dabbler". Notes on a Yacht Voyage to Hardanger Fjord, tinted lithograph frontispiece, 25 plates, of which 13 tinted lithographs and 1 double-page, folding colour map, short marginal tear to p.99, original cloth, gilt, a little rubbed, slight bumping to corners and extremities, housed in modern slipcase, [1850] § Ross (W. A.) A Yacht Voyage to Norway, Denmark, and Sweden, 2 vol., first edition, lithographed frontispiece, vol. 2 with half-title, spotting and marginal water-staining to frontispiece, trimmed compliments slip of historian and founder of the National Maritime Museum Sir Geoffrey Callender loosely inserted, original cloth, gilt, bumping to corners and extremities, sunned spine, backstrip beginning to split at joints but holding firm, a little rubbed, 1848; 8vo (3)
Ireland.- Merry (Tom) Map of Ireland, Geography Bewitched, The false Ireland & the true Erin strangling the hag of Hawarden, political and allegorical caricature map showing the British prime-minister, William Gladstone, being strangled by Erin who sits atop a masked terrorist, lithograph printed in colours, sheet 540 x 365 mm (21 1/4 x 14 1/4 in), central horizontal fold, a few small marginal splits, handling creases, unframed, [circa 1890]; together with Johannes Blaeu's map of part of Norway, 'Episcopatus Stavangriae pars Borealis', unframed, [1665] (2)
§ Edward Bawden CBE, RA (1903-1989) Cattle Market, Braintree (Greenwood MG.25; Artmonsky p.44)lithograph, after a linocut, printed in colours, 1937, on machine made lithographic cartridge paper, from the proposed edition of approximately 400, printed by Curwen Press Ltd., London, published by Contemporary Lithographs Ltd., London58 x 82cmProvenance:Sale; Bonhams, London Knightsbridge, 18 December 2019, lot 19
§ Feliks Topolski RA (1907-1989) Englandoffset lithograph, unframed116 x 46cmBorn in Warsaw, Poland, in 1907, Feliks Topolski became renowned during his lifetime for his myriad depictions of British pageantry. Initially travelling to London in 1935 to document the state funeral of King George V, Topolski was immediately drawn to bustling city life and in 1958 became a naturalised British citizen.Following a number of Royal commissions, including a large-scale mural produced to celebrate the Queen’s coronation, the present lot, which depicts two guardsmen, was produced in 1977 to celebrate the Silver Jubilee of Queen Elizabeth II. Intended to be part of a window display for Selfridge’s, Topolski produced 500 of these lithographic prints, however, the project was abandoned before exhibition. Fortunately, several prescient employees rescued around 100 of these posters bound for destruction – it is believed that around 25 examples have survived.Some very minor handling creases around the edges, but overall in very nice, clean condition.
§ Jean Dufy (1888-1964) La Promenadesigned 'Jean Dufy' (lower right); numbered 14/225lithograph52 x 66cmNot examined out of the frame, margins obscured by mount so not available for inspection. Perhaps some slight age toning to to the sheet, but this is light and uniform. Some light foxing in the lower left-hand corner, otherwise in nice, clean condition.
HM King Charles III (b.1948) Highgrove House, limited edition lithograph printed in colours, 1999, signed, dated and numbered 28 from the edition of 100 in pencil, printed on St Cuthbert's Mill wove paper at the Curwen Chilford Prints Ltd., with certificate of authenticity, matted and gilt framed and in the original dark blue and gilt leather presentation box, the sheet 16 5/8 x 19½in. (42.25 x 49.6cm.).* Condition: Print: Excellent condition, with no faults. Has always been kept in the case.Case: Good condition, with some surface scratches and tiny indents and marks to the leather.
John Gould (British, 1804-1881) and H. C. Richter hand-coloured ornithological lithograph, 'Pucrasia Xanthospila' (Koklass Pheasant), from The Birds of Asia, c.1836, 15¼ x 22in. (38.75 x 56cm.), mounted, unframed.* Provenance: Old Maps & Prints Co. Ltd., Bangkok, Thailand* Condition: Strong colours. Crease and small tear at upper right corner. Minor losses to other corners and some toning along margins. A few very light fox marks.
Henri Matisse (French, 1869-1954) Tête de Femmelithograph, signed in pencil lower right and numbered in pencil lower left 170/30010 x 7¾in. (25.4 x 19.7cm.)* Condition: The lithograph has not been removed from its frame for examination. There is no toning or foxing to the sheet. No creasing, handling marks or soiling visible. There are tiny darker flecks visible but these are flecks of wood pulp in the wove paper. The corners of the sheet are visible and are crisp. The sheet is edged by a 2mm visible strip of slightly darker, pale buff paper - this appears to be underneath the edge of the sheet, so we are not sure if the lithograph has been laid down or if this is the expected presentation.
After Francis Flora (Fanny) Palmer (British, 1812-1886) & James Merritt Ives (American, 1824-1895) 'Low Water in the Mississippi', colour lithograph with hand colouring on wove paper, published by Currier and Ives, New York, 1868, 20¼ x 28¼in. (51.5 x 71.75cm.), bird's eye maple frame.* Provenance:Purchased from the The Old Print Shop, Inc New York in 1976 for $1,750* Condition: Good condition, strong colours. Acidic mount. Small handling crease lower left. no other faults noted. Not examined out of frame.
After Francis Flora (Fanny) Palmer (British, 1812-1886) & H.D Manning (American, 19th century) 'A Midnight Race on the Mississippi', colour lithograph with hand colouring on wove paper, published by Currier and Ives, New York, 1860, 20¼ x 28¼in. (51.5 x 71.75cm.), bird's eye maple frame.* Condition: Good condition with strong colours. Acidic mount - light mount burn visible. Small, faint water spot mark below lower margin. Frame is separating at the joints.
Railway etc Prints - All Framed and Glazed including GWR (x8). Comprising:A coloured lithograph of Malvern Tunnel showing renowned tunnel to adjoining Imperial Hotel circa 1860.2x W. Heath Robinson amusing coloured prints in 1935 by GWR - "The Construction of the Severn Tunnel", "A New Humane Cow Catcher"A coloured print of the Cornish Riviera Express.A coloured print of 1897 engine "Great Britain".2x 1812 era Sawmill machinery.1908 Station timetable.A complete 1968 Exide Batteries Calendar: "British Steam Locomotives".
The Fast Express - G.W.R. Station Coloured Engraving. A coloured lithograph depicting a GWR Station - possibly Bristol or Paddington originally painted by F. Hartwich and published by F. Silber, Berlin Louisen St. 53. Locomotive is of a "North Star" broad gauge type and depicts an animated chaotic platform scene with pick pockets, luggage etc. Overall size 80 cm x 70 cm.
Dominic Rouse (British, b. 1959-) The Gathering (2009) Limited edition, chromogenic print, Signed and numbered 14/250 by the photographer in black ink lower right, printed on Fuji crystal archive paper, with Art and Graft Gallery Editions stamp on verso, rolled, 38 x 30cm; with a COA from Art and Graft Gallery, Signed and numbered by the artist; together with, James Blunt, Some Kind Of Trouble, lithograph, 59.5 x 42cm. (2)Condition Report: both mint condition.
After Pablo Picasso (1881 - 1973) 'Fillette Couronee au Bateau', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 457/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'Circular Grid'', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Fillette Couronee au Bateau" by Pablo Picasso created on June 12, 1939, Approved by the Heirs of Pablo Picasso' and '© National Machine Systems, Inc, 1982', on Arches paper, with certificate of authenticity, Image approximately 57.5cm x 46cm, Overall 75cm x 54.3cmA private estate.
After Pablo Picasso (1881 - 1973) 'Femme au Fauteuil Canne', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 25/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'A Bull', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au fauteuil Canne" by Pablo Picasso created on May 21, 1939, Approved by the Heirs of Pablo Picasso' and '©James E Brown D/B/AJ & J Master Art Works, 1982', on Arches paper, with certificate of authenticity, Image 50cm x 41.5cm, Overall 75.8cm x 55.7cm
After Pablo Picasso (1881 - 1973) 'Paysage', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso', number 143/500, with blindstamps 'A Limited Edition After A Work By Pablo Picasso' & 'Dtamerin', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Paysage" by Pablo Picasso created in 1937, Approved by the Heirs of Pablo Picasso' & '© Stirling Silliphant 1980', on Arches paper, with certificate of authenticity, 73.5cm x 54cmA private estate.Loose. No obvious faults.
After Pablo Picasso (1881 - 1973) 'Femme au Fauteuil Canne', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 20/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'A Bull', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au fauteuil Canne" by Pablo Picasso created on May 21, 1939, Approved by the Heirs of Pablo Picasso' and '©James E Brown D/B/AJ & J Master Art Works, 1982', on Arches paper, with certificate of authenticity, Image 50cm x 41.5cm, Overall 75.8cm x 55.7cmA private estate.
After Pablo Picasso (1881 - 1973) 'Femme au Beret', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 153/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'G', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au Beret" by Pablo Picasso created in 1939, Approved by the Heirs of Pablo Picasso' and 'Artvestors', on Arches paper, with certificate of authenticity, Image approximately 55cm x 37.4cm, Overall 73.4cm x 52.7cmA private estate.
After Pablo Picasso (1881 - 1973) 'Notre Dame', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 232/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & a motif, printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Notre Dame" by Pablo Picasso created October 25, 1954, Approved by the Heirs of Pablo Picasso' and '© Beatrice Dwork 1979', on Arches paper, with certificate of authenticity, Image approximately 60cm x 50cm, Overall 75.5cm x 55.5cmA private estate.
After Pablo Picasso (1881 - 1973) 'Femme Assise', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 6/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'Circular Grid'', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme Assise" by Pablo Picasso created on February 19, 1947, Approved by the Heirs of Pablo Picasso' and '© Aaron Keiter, Betty J Hughes & Dale R Ruckman, 1980', on Arches paper, with certificate of authenticity, Image approximately 58.5cm x 39.5cm, Overall 74.5cm x 53.5cmA private estate.

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