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Los 166

After Sheridan Knowles, a coloured lithograph of children at play, 39 x 49cm, together with a Pears type print of a young girl picking wild roses, a coloured lithograph of Merthyr Tydfil after Orme and other prints including views of Osbourne Castle etc (12)

Los 167

A reproduction lithograph of a prize bull, Sir William, 46 x 61cm together with a print of a beauty, after Philip Boileau, 45 x 29cm, a large lithograph of a badger sett and other prints and engravings (20)

Los 513

Andrew Southall, Untitled composition, lithograph, signed.

Los 56

GREGYNOG PRESS: DYLAN THOMAS ‘DEATHS & ENTRANCES’ limited edition (41/250), dated 1984 - colour illustrations by John Piper, Folio publisher's Morocco backed textured cloth, gilt lettering to spine, includes original slipcase. Edited with an introduction by Walford Davies. Printed on T. H. Saunders pure rag mould made paper and bound under the direction of James Brockman. Colour offset lithograph reproductions of illustrations by Piper by Adrian Lack at the Senecia Press, colour frontis plus seven double page colour platesProvenance:private collection Swansea, consigned via our Cardiff officeCondition Report:surface marks to slip case, sl. browning to papers, overall very good

Los 70

‡ JOHN PIPER limited edition (35/75) lithograph - ‘Beach in Brittany’Dimensions: 46 x 63cms Provenance:estate of Prof. Ritchie Ovendale, Aberystwyth, consigned via our Carmarthen officeCondition Report:framed and glazed

Los 73

‡ JOHN PIPER limited edition (89/100) colour lithograph - abstractDimensions: 64 x 45cmsProvenance:estate of Prof. Ritchie Ovendale, Aberystwyth, consigned via our Carmarthen officeCondition Report:framed and glazedThere is foxing on the right edge of the print.There is a small pin-hole bottom centre and there are a few 1cm creases along the left edge of the print.It also looks like it is starting to ripple at the top.Looking at the print it looks dirty under the glass.

Los 87

‡ JOHN ELWYN lithograph - semi-abstract, entitled 'Savernake', signed and dated '65Dimensions: 58 x 80cmsProvenance:private collection Ceredigion, consigned via our Cardiff officeCondition Report:unframed, discolouration to edges

Los 97

‡ CERI RICHARDS CBE limited edition (32/150) coloured lithograph - entitled 'Piano', signed and dated '58, with artist's blind stamp initials in a circle bottom leftDimensions: 64 x 47cmsProvenance:private collection London, consigned via our Cardiff officeCondition Report:unframed

Los 100

‡ JOHN ELWYN limited edition (188/300) lithograph - Laugharne Estuary from Dylan Thomas' boathouse, signedDimensions: 42 x 60cmsProvenance:private collection Ceredigion, consigned via our Cardiff officeCondition Report:unframed

Los 101

‡ HARRY HOLLAND monochrome lithograph - standing nude, entitled verso 'Counting', signed in pencilDimensions: 23 x 19cmsProvenance:private collection Cardiff, consgined via our Cardiff officeCondition Report:framed and glazed, no problems

Los 112

‡ PAUL PETER PIECH two colour lithograph on grey background - Felis Cattus by Doreen Wallace, English novelist, poet and social campaigner, signed and dated 1987Dimensions: 70 x 50cmsProvenance:private collection, overseas based vendor who met Piech during the 1980sCondition Report:unframed

Los 113

‡ PAUL PETER PIECH two colour lithograph - with quote from Bruce Kent, Catholic priest, political activist and campaigner for nuclear disarmament, signed and dated 1987Dimensions: 65 x 46cmsProvenance:private collection, overseas based vendor who met Piech during the 1980sCondition Report:unframed

Los 115

‡ PAUL PETER PIECH limited edition two colour lithograph - for Amnesty international opposing the detention of prisoners of conscience and political prisoners, signed and dated 1988Dimensions: 75 x 51cmsProvenance:private collection, overseas based vendor who met Piech during the 1980sCondition Report:unframed

Los 1165

Three lithograph plans of Crimea, Alma and Sebastopol battles, and RAF 80th Anniversary edition of 'Aeroplane', April 1998 and a brass plate from Japanese Naval Gun from Kure Naval Yard, dated 1917 no 281.

Los 39

"Fishhawk" - watercolour study of a Temmincks Stint plus four others,  KJ Wood study of a robin, Fishhawk study of a sparrowhawk,  a lithograph of Benjamin Disraeli and a large reproduction framed beer advertising poster. 

Los 3013

ALLEN JONES RA (BRITISH b.1937) GUEST APPEARANCE Lithograph, signed lower right (in pencil), numbered 10/25, 20.5 x 13.5cm (8 x 5.25") Condition Report:The picture presents in good condition. Not examined out of frame.

Los 971

Bernard Buffet '65Framed lithograph/watercolor ''Harbour In Brittany''.[64x75cm]

Los 953

Barbara RobertsonFramed lithograph titled ''Tall Poppy'' Signed.Print 14/14[86x40cm]

Los 103

Henri Toulouse-Lautrec (1864-1901) lithograph "Lassitude", woman lying on her back, from the "Elles" album, c. 1896, monogram and blind stamp for "Toulouse Lautrec Circle", 15" x 20.5" (39cm x 52cm), unframed

Los 189

After Salvador Dali - A retro 20th Century framed and glazed lithograph entitled 'The Taming Of The Shrew'. Signed in plate. Measures approx. 62cm x 51cm. 

Los 109

Pablo Picasso (after) from 347 Suite, lithograph print, limited edition of 200, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 79/200, wove paper with Pablo Picasso Museum embossing, without additional documentation, sold unframed

Los 25

Mel Ramos (after) 'Young Girl Before a Mirror' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 20/500, without additional documentation, sold unframed

Los 140

Mel Ramos (after) 'Have a Havana' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 336/500, without additional documentation, sold unframed

Los 43

Mario Schifano (after) 'Tree Of Life' offset lithograph in colors, signed bottom right, pencil, numbered bottom left with pencil, limited edition 18/125, bottom center publishing house stamp, cotton paper, sheet size 50 x 70 cm, without additional documentation, sold unframed

Los 110

Pablo Picasso (after) 'Bacchanal With Minotaur' lithograph print, limited edition of 200, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 161/200, wove paper with Pablo Picasso Museum embossing, without additional documentation, sold unframed

Los 136

Marc Chagall (after) 'The Acrobat' offset lithograph, signed bottom right, numbered with pencil bottom left, limited edition 38/300, bottom left embossing stamp 'SPADEM Paris' heavy cotton paper, sheet size 50 x 70 cm, without additional documentation, sold unframed

Los 30

Marc Chagall (after) 'Trumpet' offset lithograph, signed bottom right, numbered with pencil bottom left, limited edition 27/300, bottom left embossing stamp 'SPADEM Paris' heavy cotton paper, sheet size 50 x 70 cm, without additional documentation, sold unframed

Los 10

Pablo Picasso (after) 'The Bull' lithograph print, limited edition of 200, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 150/200, wove paper with Pablo Picasso Museum embossing, without additional documentation, sold unframed

Los 39

Giorgio De Chirico (after) 'The Prodigal Son' offset lithograph in colors, signed bottom right, pencil 'G. De Chirico', numbered bottom left with pencil, limited edition 90/95, bottom center publishing house stamp, cotton paper, sheet size 50 x 70 cm, without additional documentation, sold unframed

Los 80

Mel Ramos (after) 'A.C. Annie' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 189/500, without additional documentation, sold unframed

Los 137

Marc Chagall (after) 'View From The Window' offset lithograph, signed bottom right, numbered with pencil bottom left, limited edition 96/300, bottom left embossing stamp 'SPADEM Paris' heavy cotton paper, sheet size 50 x 70 cm, without additional documentation, sold unframed

Los 31

Marc Chagall (after) 'Bouquet Of Flowers' offset lithograph, signed bottom right, numbered with pencil bottom left, limited edition 16/300, bottom left embossing stamp 'SPADEM Paris' heavy cotton paper, sheet size 50 x 70 cm, without additional documentation, sold unframed

Los 775

ORPHEUS AT THE SEASIDE, an 1895 hand-coloured lithograph frame size 43x33cm, on original watercolour of a clown playing the banjo signed M Child frame measure 48x38cm and a separate playing the banjo frame size46x39cmApprox 3 pieces

Los 415

Loudon (Jane Webb) The Ladies' Flower-Garden of Ornamental Perennials, 2 vol., 1843-44; The Ladies' Flower-Garden of Ornamental Annuals, 1840, first editions, hand-coloured lithograph plates, some heightened with gum arabic, contemporary half morocco, spines gilt, lightly rubbed at extremities and along joints but overall a very internally clean and bright copy, 4to (3)

Los 389

Middle East.- Saudi Aramco (publisher) North East Rub Al Khali, pilot's map with pencil annotations, on a scale 1:500,000, offset-lithograph printed in blue ink on fine linen, sheet 970 x 660 mm (38 1/4 x 26 in), stamped in ink on the reverse 'Confidential Material' and 'To R.F. Morris', some toning to old folds, hanlding creases, unframed, Arabian American Oil Co. Exploration Division, 1951 [with revisions to September 1953]

Los 460

Hockney (David) and Stephen Spender. China Diary, number 132 of 1,000 copies signed by the authors with original folding five-colour lithograph 'Red Square and the Forbidden City' signed and numbered by Hockney, illustrations, some colour, original cloth, lithograph housed in original printed card folder, together in original card slipcase, numbered in pencil, 8vo, 1982.

Los 409

Gray (George Robert) Descriptions and Figures of some new Lepidopterous Insects chiefly from Nepal, first edition, 14 hand-coloured engraved plates and 2 lithograph plates, a few plates shaved at fore-edge but no loss to imprint or plate number, contemporary roan-backed marbled boards, head of spine chipped, [Nissen ZBI, 1686 (15 plates)], 8vo, 1846.⁂ Rare, with only one auction record (2004). The preface reads "The following figures were selected from General Hardwicke's Collection of Drawings...but the appearance of the work was delayed by the death of General Hardwicke..."

Los 140

Prisons.- Rules and Regulations for the Government of the Gaol and House of Correction, at Dorchester, 1835, light spotting, modern cloth, Dorchester, [1835] § Symons (Jelinger C.) Tactics for the Times; as regards the Condition and Treatment of the Dangerous Classes, first edition, half-title, tinted lithograph frontispiece,4 hand-coloured lithographed bar charts, 3 folding tables, original blind-stamped cloth, rubbed and faded, rebacked, new endpapers, [Goldsmiths' 36553], 1849 § Hunt (Henry) Investigation at Ilchester Gaol..., first edition, etched frontispiece by George Cruikshank and 5 plates (probably by Robert Cruikshank), with additional portrait of the author mounted & bound in and with both supplementary addresses not always found, foxing and offsetting, later half morocco, uncut, rubbed, [Cohn 421; Goldsmiths' 23262 (but lacking the address to Graham)], 1821 § Campbell (John) Thirty Years' Experience of a Medical Officer in the English Convict Service, first edition, presentation copy from the author inscribed on front free endpaper, 4pp. advertisements at end, original cloth, spine rubbed and faded, 1884; and 4 others on prisons, 8vo (8)⁂ The first is very rare and not listed by Library Hub although it does include an earlier set of rules of 1824 in the British Library.Henry Hunt was a radical politician who had been incarcerated in Ilchester gaol for his involvement in the Peterloo Massacre of 1819. He was released in 1822 and brought a series of complaints against the prison particularly the gaoler, William Bridle, instigating an Inquiry into prison conditions.

Los 424

Astronomy.- Herschel (Sir John F. W.) Results of Astronomical Observations made during the years 1834, 5, 6, 7, 8, at the Cape of Good Hope, first edition, half-title, lithograph frontispiece, 17 engraved or lithographed plates, 4 folding, 2pp. publisher's advertisements at end, without errata slip, original cloth, rebacked retaining original backstrip, bumping to corners and spine extremities, [Norman 1056], 4to, 1847.⁂ A detailed survey of the southern sky, and Herschel's most important astronomical work.

Los 82

Rosina ROGERS (1918-2011) Landscape with Gold, circa 1960s Oil on board75 x 36cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate

Los 584

Henri MATISSE (1869-1954) Fruit Lithograph printed 1965 for Redfern Gallery by Mourlot 19x13.2cm sight size

Los 242

Rosina ROGERS (1918-2011) '21' Patterns on White, circa 1960s  Oil and found objects on board46 x 61cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate

Los 146

Rosina ROGERS (1918-2011) Lady in Blue Dress  Oil on board40 x 25cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artists estate

Los 633

Victor VASARELY (1906-1997) Geometric Lithograph, signed and numbered 34/50, 39x29.5cm sight size

Los 638

Victor VASARELY (1906-1997) Geometrical Structure 4 1973 Lithograph, signed and numbered 12/60, 57x57cm sight sizeThis is in good condition but for three faint foxing spots. The frame is in good condition and is fitted with WaterWhite anti-reflective glass.

Los 681

James Abbot McNeill WHISTLER (1834-1903) Seated figure Lithograph for The Studio 24x17cmThis work has not been examined out of the frame but it appears to be in good condition without foxing, stains, creases or restoration

Los 616

Julian OPIE (1958) Anya with Cocktail Dress Lithograph, 34x25cm image size

Los 571

William NICHOLSON (1872-1949) Persimmon Lithograph, 18.2x19cm sight sizeThis piece is in excellent condition with no areas of concern.

Los 91

Rosina ROGERS (1918-2011) The Nine Maidens, Cornwall, 1963 Oil on canvasSigned and dated verso31 x 41cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate

Los 25

Rosina ROGERS (1918-2011) Hampreston Church, 1952 Oil on canvasSigned and dated35 x 40cmRosina Rogers was born in Christchuch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate

Los 655

FOUGASSE (1887-1965) Careless Talk Costs Lives Lithograph, 32 x 20.5cm.

Los 649

Robert COTTINGHAM (1935) An American Alphabet F Lithograph, signed, Printers Proof no.1, 66x47cm sight size

Los 398

George Braque (French, 1882-1963)The Bird (1949)S.P 27 / colour lithograph, signed on the stone, 76cm x 49.5cm, unframed - from the Schools Prints European Series, printed by W S Cowell Ltd, published by Schools Prints Ltd, London Further details: multiple tears to margin, creases and ripples to upper left section and margin Artist's Resale Right may apply to this lot.

Los 403

Julian Trevelan (1910-1988)Thames Regatta S.P 33/ colour lithograph, 49.5cm x 76cm, unframed - Distributed by School Prints Ltd, London (A.I.A. 1951 Lithographs)Further details: tear to lower right margin and bottom left margin, creases and ripples, tack marks to each corner Artist's Resale Right may apply to this lot

Los 413

Charles Mozley (1915-1991)The Ballet S.P.10 / colour lithograph, signed on the stone, 49.5cm x 76cm, unframed - Printed in England by the Baynard Press for School Prints Ltd, LondonFurther details: some creases to margin ARR may apply 

Los 412

John Northcote Nash (1883-1977) Window Plants S.P.4 / colour lithograph, signed on the stone,  49.5cm x 76cm, unframed, printed by School Prints Ltd. Further details: creases and old repair to lower right and left corners together with Gerald Cooper (1898-1971) Striped Lily 1946S.P.12 / colour lithograph, signed on the stone, 76cm  x 49.5cm , unframed - Printed in England by the Baynard Press for School Prints Ltd, London - Further details: tears and creases to margin (2) ARR may apply 

Los 396

Henry Moore (British 1898-1986)Sculptural Objects (19) 49 S.P 30 / colour lithograph, signed on the stone, 76 x 49.5cm, unframed - from the Schools Prints European Series, printed by W S Cowell Ltd, published by Schools Prints Ltd, London Further details: 5cm tear to top margin left mid section, overall creases to margins Artist's Resale Right may apply to this lot.CONDITION:Towards the end of World War II, Brenda Rawnsley decided to introduce schoolchildren to 'good art' to alleviate the grey gloom of the war and post-war years. Within a few years, Brenda had established School Prints Ltd. to sell original lithographs to schools, and had commissioned many of the most significant artists of the day

Los 401

Henry Matisse (1869-1954)The Dancer (1949)S.P 29 / colour lithograph, signed on the stone, 49.5cm x 76cm, unframed - from the Schools Prints European Series, printed by W S Cowell Ltd, published by Schools Prints Ltd, London Further details: 10cm tear central lower right section margin with old tape repair to reverse, tear, creases and ripples to margin Artist's Resale Right may apply to this lot

Los 415

Anthony Gross (1905-1984)Louisiana Landscape (Fleming Plantation Lafitte LA)colour lithograph/ 49.5 x 76cm, titled on the stone, Third Series No. 2, designed and lithographed by Anthony Gross. Published by J Lyons & Co Ltd London  (School Series) 

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