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GREGYNOG PRESS: DYLAN THOMAS ‘DEATHS & ENTRANCES’ limited edition (41/250), dated 1984 - colour illustrations by John Piper, Folio publisher's Morocco backed textured cloth, gilt lettering to spine, includes original slipcase. Edited with an introduction by Walford Davies. Printed on T. H. Saunders pure rag mould made paper and bound under the direction of James Brockman. Colour offset lithograph reproductions of illustrations by Piper by Adrian Lack at the Senecia Press, colour frontis plus seven double page colour platesProvenance:private collection Swansea, consigned via our Cardiff officeCondition Report:surface marks to slip case, sl. browning to papers, overall very good
‡ JOHN PIPER limited edition (89/100) colour lithograph - abstractDimensions: 64 x 45cmsProvenance:estate of Prof. Ritchie Ovendale, Aberystwyth, consigned via our Carmarthen officeCondition Report:framed and glazedThere is foxing on the right edge of the print.There is a small pin-hole bottom centre and there are a few 1cm creases along the left edge of the print.It also looks like it is starting to ripple at the top.Looking at the print it looks dirty under the glass.
‡ PAUL PETER PIECH two colour lithograph - with quote from Bruce Kent, Catholic priest, political activist and campaigner for nuclear disarmament, signed and dated 1987Dimensions: 65 x 46cmsProvenance:private collection, overseas based vendor who met Piech during the 1980sCondition Report:unframed
‡ PAUL PETER PIECH limited edition two colour lithograph - for Amnesty international opposing the detention of prisoners of conscience and political prisoners, signed and dated 1988Dimensions: 75 x 51cmsProvenance:private collection, overseas based vendor who met Piech during the 1980sCondition Report:unframed
Giorgio De Chirico (after) 'The Prodigal Son' offset lithograph in colors, signed bottom right, pencil 'G. De Chirico', numbered bottom left with pencil, limited edition 90/95, bottom center publishing house stamp, cotton paper, sheet size 50 x 70 cm, without additional documentation, sold unframed
Loudon (Jane Webb) The Ladies' Flower-Garden of Ornamental Perennials, 2 vol., 1843-44; The Ladies' Flower-Garden of Ornamental Annuals, 1840, first editions, hand-coloured lithograph plates, some heightened with gum arabic, contemporary half morocco, spines gilt, lightly rubbed at extremities and along joints but overall a very internally clean and bright copy, 4to (3)
Middle East.- Saudi Aramco (publisher) North East Rub Al Khali, pilot's map with pencil annotations, on a scale 1:500,000, offset-lithograph printed in blue ink on fine linen, sheet 970 x 660 mm (38 1/4 x 26 in), stamped in ink on the reverse 'Confidential Material' and 'To R.F. Morris', some toning to old folds, hanlding creases, unframed, Arabian American Oil Co. Exploration Division, 1951 [with revisions to September 1953]
Hockney (David) and Stephen Spender. China Diary, number 132 of 1,000 copies signed by the authors with original folding five-colour lithograph 'Red Square and the Forbidden City' signed and numbered by Hockney, illustrations, some colour, original cloth, lithograph housed in original printed card folder, together in original card slipcase, numbered in pencil, 8vo, 1982.
Gray (George Robert) Descriptions and Figures of some new Lepidopterous Insects chiefly from Nepal, first edition, 14 hand-coloured engraved plates and 2 lithograph plates, a few plates shaved at fore-edge but no loss to imprint or plate number, contemporary roan-backed marbled boards, head of spine chipped, [Nissen ZBI, 1686 (15 plates)], 8vo, 1846.⁂ Rare, with only one auction record (2004). The preface reads "The following figures were selected from General Hardwicke's Collection of Drawings...but the appearance of the work was delayed by the death of General Hardwicke..."
Prisons.- Rules and Regulations for the Government of the Gaol and House of Correction, at Dorchester, 1835, light spotting, modern cloth, Dorchester, [1835] § Symons (Jelinger C.) Tactics for the Times; as regards the Condition and Treatment of the Dangerous Classes, first edition, half-title, tinted lithograph frontispiece,4 hand-coloured lithographed bar charts, 3 folding tables, original blind-stamped cloth, rubbed and faded, rebacked, new endpapers, [Goldsmiths' 36553], 1849 § Hunt (Henry) Investigation at Ilchester Gaol..., first edition, etched frontispiece by George Cruikshank and 5 plates (probably by Robert Cruikshank), with additional portrait of the author mounted & bound in and with both supplementary addresses not always found, foxing and offsetting, later half morocco, uncut, rubbed, [Cohn 421; Goldsmiths' 23262 (but lacking the address to Graham)], 1821 § Campbell (John) Thirty Years' Experience of a Medical Officer in the English Convict Service, first edition, presentation copy from the author inscribed on front free endpaper, 4pp. advertisements at end, original cloth, spine rubbed and faded, 1884; and 4 others on prisons, 8vo (8)⁂ The first is very rare and not listed by Library Hub although it does include an earlier set of rules of 1824 in the British Library.Henry Hunt was a radical politician who had been incarcerated in Ilchester gaol for his involvement in the Peterloo Massacre of 1819. He was released in 1822 and brought a series of complaints against the prison particularly the gaoler, William Bridle, instigating an Inquiry into prison conditions.
Astronomy.- Herschel (Sir John F. W.) Results of Astronomical Observations made during the years 1834, 5, 6, 7, 8, at the Cape of Good Hope, first edition, half-title, lithograph frontispiece, 17 engraved or lithographed plates, 4 folding, 2pp. publisher's advertisements at end, without errata slip, original cloth, rebacked retaining original backstrip, bumping to corners and spine extremities, [Norman 1056], 4to, 1847.⁂ A detailed survey of the southern sky, and Herschel's most important astronomical work.
Rosina ROGERS (1918-2011) Landscape with Gold, circa 1960s Oil on board75 x 36cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
Rosina ROGERS (1918-2011) '21' Patterns on White, circa 1960s Oil and found objects on board46 x 61cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
Rosina ROGERS (1918-2011) Lady in Blue Dress Oil on board40 x 25cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artists estate
Rosina ROGERS (1918-2011) The Nine Maidens, Cornwall, 1963 Oil on canvasSigned and dated verso31 x 41cmRosina Rogers was born in Christchurch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
Rosina ROGERS (1918-2011) Hampreston Church, 1952 Oil on canvasSigned and dated35 x 40cmRosina Rogers was born in Christchuch in 1918. During the 1950s and later she regularly attended art classes at Bournemouth Municipal Collage. At summer schools at Urchfont Manor, Wiltshire, she first met artist Patrick Heron, who was one of the tutors and who later became a friend. Her work of the 1950s was varied with portraits, still-life, landscapes and abstracts. in 1957 she exhibited a portrait "Old Harry" and a lithograph "The Bullfight" at the Royal Academy summer exhibition. During the late 1960s, her work was largely abstract influenced by the St Ives artists of this period.The artist's estate
George Braque (French, 1882-1963)The Bird (1949)S.P 27 / colour lithograph, signed on the stone, 76cm x 49.5cm, unframed - from the Schools Prints European Series, printed by W S Cowell Ltd, published by Schools Prints Ltd, London Further details: multiple tears to margin, creases and ripples to upper left section and margin Artist's Resale Right may apply to this lot.
Julian Trevelan (1910-1988)Thames Regatta S.P 33/ colour lithograph, 49.5cm x 76cm, unframed - Distributed by School Prints Ltd, London (A.I.A. 1951 Lithographs)Further details: tear to lower right margin and bottom left margin, creases and ripples, tack marks to each corner Artist's Resale Right may apply to this lot
John Northcote Nash (1883-1977) Window Plants S.P.4 / colour lithograph, signed on the stone, 49.5cm x 76cm, unframed, printed by School Prints Ltd. Further details: creases and old repair to lower right and left corners together with Gerald Cooper (1898-1971) Striped Lily 1946S.P.12 / colour lithograph, signed on the stone, 76cm x 49.5cm , unframed - Printed in England by the Baynard Press for School Prints Ltd, London - Further details: tears and creases to margin (2) ARR may apply
Henry Moore (British 1898-1986)Sculptural Objects (19) 49 S.P 30 / colour lithograph, signed on the stone, 76 x 49.5cm, unframed - from the Schools Prints European Series, printed by W S Cowell Ltd, published by Schools Prints Ltd, London Further details: 5cm tear to top margin left mid section, overall creases to margins Artist's Resale Right may apply to this lot.CONDITION:Towards the end of World War II, Brenda Rawnsley decided to introduce schoolchildren to 'good art' to alleviate the grey gloom of the war and post-war years. Within a few years, Brenda had established School Prints Ltd. to sell original lithographs to schools, and had commissioned many of the most significant artists of the day
Henry Matisse (1869-1954)The Dancer (1949)S.P 29 / colour lithograph, signed on the stone, 49.5cm x 76cm, unframed - from the Schools Prints European Series, printed by W S Cowell Ltd, published by Schools Prints Ltd, London Further details: 10cm tear central lower right section margin with old tape repair to reverse, tear, creases and ripples to margin Artist's Resale Right may apply to this lot

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70555 Los(e)/Seite