Peggy Taub, American/British fl. 1960-1980- "Evening Shower"; etching with aquatint, signed, dated '77 and numbered 3/30 in pencil, 16.5x18.8cm, Provenance: with Crane Arts, London, according to label attached to the reverse. An exhibition booklet 'Peggy Taub', February 13th - March 1st 1980, Crane Arts, London, accompanies this lot: Brian Rice, British b.1936- "Four Hills Wessex"; wood engraving, signed, titled, dated 1976 and numbered Sp.Ed 2/10, bears inscription on the reverse, 14x19.5cm, Provenance: gifted to the poet Christopher Logue by the artist: After Thomas Bewick, British 1753-1828- "Starling"; wood engraving, 8x9cm: John McColl, British, late 20th century- "Oriental Dancer"; drypoint etching, signed, dated '74 and numbered 7/10 in pencil, 7x4.8cm: Hans Tisdall, German/British 1910-1997- "Fisherman's Hut" printed at the Baynard Press fpr School Prints Ltd. London, 1946; lithograph printed in colours, signed within the plate, 75.5x49cm, note: see Tate Gallery, London, museum number: P01723, for example of the same, (5), (part unframed), (may be subject to Droit de Suite)
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After James Clarke Hook, British 1819-1907- "The First Lesson in Navigation, Luff Boy", publ by Gustav W Seitz, Hamurg; lithograph, 55x73cm: John Burnet, British 1784-1868- "The Rabbit on the Wall", after David Wilkie RA, publ July 5th 1821 by Hurst Robinson & Co late Boydell) 90 Cheapside London; engraving, 48.5x36.5cm: together with a mixed folio of 19th century prints , engravings and lithographs by and after different hands, various sizes, (a lot) (unframed)
Beryl Cook, British 1926-2008- "Lady of Marseille";lithograph printed in colours, signed, titled and numbered 189/395 in pencil, 51.5x43.7cm, (unframed), (may be subject to Droit de Suite) CONDITION REPORT: Light yellow toned coloured mark to bottom right hand corner of card Bottom left hand corner is slighty rubbed and darkened (please see extra images) Overall the print is in very good overall condition
Beryl Cook, British 1926-2008- "Dirty Dancing"; publ. by Alexander Gallery Publications Ltd, Bristol, February 2008; offset lithograph, signed and numbered 269/650 in pencil, bears publishers blindstamp in margin, 49x27.5cm, (unframed), (may be subject to Droit de Suite) Note: a certificate of authenticity accompanies this lot
Michael Ayrton, British 1921-1975- "Fisherman"; lithograph, signed in pencil, bears blind stamp, 77x49xm, (may be subject to Droit de Suite) CONDITION REPORT: Framed and glazed in a black frame The frame has chips and scratches exposing the wood underneath It is signed in pencil and bears a label on the reverse recto Ruckling to paper Overall the print is in good condition
Bernard Cohen, British b.1933- "Bonnie", 1965; lithograph printed in colours, signed, dated 1965 and numbered 25/75 in pencil, titled on hand inscribed label attached to the reverse, 55x74.5cm, (may be subject to Droit de Suite) Provenance: from the collection of the Financial Times, London, according to label attached to the reverse
AFTER JOCELY-GALSWORTH "Cricketing scene" limited edition print 72/250, AFTER CHRISTINE HUTCHINSON "Still life of flowers", print 1982, ENGLISH SCHOOL "Desert scene", watercolour, indistinctly signed, INDIAN SCHOOL "Elephant", gouache on fabric, ENGLISH SCHOOL "Still life flowers", watercolour, indistinctly signed, "Rugby School", coloured lithograph, and another of playing fields, "View of Eton College in Buckinghamshire" coloured engraving, and a further coloured engraving
AFTER JOCELY-GALSWORTH "Cricketing scene" limited edition print 72/250, AFTER CHRISTINE HUTCHINSON "Still life of flowers", print 1982, ENGLISH SCHOOL "Desert scene", watercolour, indistinctly signed, INDIAN SCHOOL "Elephant", gouache on fabric, ENGLISH SCHOOL "Still life flowers", watercolour, indistinctly signed, "Rugby School", coloured lithograph, and another of playing fields, "View of Eton College in Buckinghamshire" coloured engraving, and a further coloured engraving
![F.J.Sarjent after J.Wallis Distant View of [Saffron Walden] taken from Wind Mill Hill coloured aquatint published 1811, 47 x](http://lot-images.atgmedia.com/SR/10091/2898149/197-2014106105722_468x382.jpg)
Two 19th Century Irish Patriot Prints: The Execution of Robert Emmet in Thomas Street 20th September 1803. A monochrome lithograph. In oak frame with slip. 33 x 47cm, and another: The Death of Wolfe Tone after W.C. Mills Chromolithograph: a gratis supplement with the Christmas number of the Irish Weekly Independent 1897, 37 x 49cm (2)
A FOLIO OF ASSORTED PRINTS to include a tinted lithograph of `Nelson, New Zealand` by J. Needham, poor condition; a tinted lithograph of `The Little Lucy` by T. G. Dutton; eight wood engravings of `The Drunkard`s Children`after George Cruikshank, signed and dedicated by the artist on the cover, tears; engravings of `Portrait d`Hassan Pacha` and `Aborde de la Ville d`Alexandrette` by Miger after L. F. Cassas; a mezzotint of `Pointers` by W. Ward after J. N. Sartorius [see illus.]; an etching of `The Earl of Crawford and Balcarres` by G. L. Brockhurst, signed; four etchings by or after C. Meryon, M. Lalanne (inscribed), J. B. Jongkind; and a few others (a lot) ++ Very mixed conditionCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
•SIR FRANK WILLIAM BRANGWYN, RA, RWS (1867-1956) THE SCENE AT PADDINGTON (THE FUNERAL OF KING EDWARD VII), 1910 Lithograph, 1910, signed in pencil 37.5 x 45cm. ++ A few old creases; some pale stains Condition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
•JOHN PIPER, CH (1903-1992) ST. JAMES THE LESS, BY G. E. STREET (Levinson 144) Lithograph, 1964, plate XXIII from `A Retrospect of Churches`, printed by Curwen Studio, signed and numbered 32/70 Image 48.5 x 64cm. approx. ++ Scattered pale foxing throughoutCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
•EDWARD ARDIZZONE, CBE, RA (1900-1979) SHELTER SCENE Colour lithograph, published by the National Gallery, 1941, printed by The Baynard Press, scarce, unframed Image 65.5 x 99cm. * A scene at the Tilbury shelter, under the railway arches at Stepney, which was estimated to offer protection to as many as 16,000 people on some nights during the Blitz. ++ Image good; unusually little wear to marginsCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
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