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70553 Los(e)/Seite
Los 11
Paul Nash, British 1889-1946, The Strange Coast, 1920; lithograph on yellow wove, signed, dated, titled and inscribed 'edition 30' in pencil, from the edition of 30, plate: 31.5 x 40.8cm, (framed) Note: This lithograph depicts a coastal scene at Dymchurch, Kent, where Nash moved in 1921, having visited for the first time two years prior. The seawall shown here became a recurring image in Nash's work of this period. Provenance: The Leicester Galleries, London, 1978.
![John Piper CH, British 1903-1992, Nursery Frieze I [Levinson 8], 1936; lithograph in colours on wove, pri](https://cdn.globalauctionplatform.com/f9b4baf8-0b25-4514-a2d9-b1c600c080b7/6c294308-f81c-4cb5-a5bf-b1c600ca4fe3/468x382.jpg)
Los 94
After Pablo Picasso, Spanish 1881-1973, Maurice Toesca, 1953; Les Banderilles (IV), 1961; (i) drypoint etching on wove, from the edition of 225, from the series 'Six Contes Fantasques', sheet: 33 x 25 cm, (ii) lithograph on wove, published for 'A Los Toros Avec Picasso', visible image: 24 x 30.5 cm, (framed)(ARR)(2)
Los 442
Tracey Emin CBE RA, British b.1963- Just Waiting, 2022; lithograph in colours on Somerset Velvet Warm White 400gsm, signed, dated, titled and numbered from the edition of 50 in pencil, printed by Counter Studio, Margate, published by Counter Editions, London, sheet: 65 x 84cm, (unframed) (ARR)
Los 42
Laurence Stephen Lowry RBA RA, British 1887-1976,His Family;lithograph in colours on wove, signed in the plate and dated 55, sheet: 64 x 90 cm, (unframed) (ARR) Provenance: from the Collection of Monty Bloom. This unsigned printer's proof was given to him for approval, as he owned the original painting.
Los 121
El Lissitzky, Russian 1890-1941,“Beat the Whites with the Red Wedge”, c.1919-20;a rare propaganda lithograph and relief print in red and black on off-white laid paper, one of only a few surviving impressions, published by UNOVIS, Vitebsk, sheet: 53 x 71 cm, (framed) Note: the sheet may have been trimmed at some point as sizes of this poster can vary. The drawing itself, the basis for the poster, according to Lissitzky, was lost forever. These posters, printed in various printing houses in Russia, were sent to the Russian front as propaganda. Unfortunately, only a few prints have survived to this day. These posters were used to light stoves as there was a war going on and paper was scarce. The paper of the lithograph corresponds to the paper of that period. There is a typographic error in the text which others have and these prints are often on different sized sheets. UNOVIS was an association of artists, which included Lissitzky and Kazimir Malevich. They designed many of the posters in Vitebsk. Provenance: Acquired in Berlin, where Lissitsky's wife was based | Polish collection
Los 292
After Andy Warhol, American 1928-1987, Statue of Liberty, New York, 1993, The Andy Warhol Museum; offset lithograph in colours on wove, after the original print of 1963, published with the approval of the Andy Warhol Foundation, by te Neues New York and Kempen, printed in Germany, sheet: 127 x 84 cm, (framed)
Los 138
Josef Albers, German/American 1888-1976,Homage to the Square (Blue with Yellow Square); Homage to the Square (Burgundy with Red Square); Homage to the Square (Red with Teal Square); each offset lithograph in colours on thick wove, each edition of 250 numbered in pencil on the reverse, each published by the Guggenheim Museum, Artists Rights Society (ARA), New York/ADAGP, Paris, 1979, each sheet: 33 x 33 cm, (framed) ( ARR) (3)Note: together with the catalogue book 'Joseph Albers, Homage to the Square, 1950-1976', published by Hatje Cantz Verlag GmbH, Berlin.
Los 286
Andy Warhol, American 1928-1987,Tattooed Woman Holding a Rose, circa 1955 (Not in F. and S.);offset lithograph printed in orange on green watermarked onion skin paper, bears the blue stamps of the Andy Warhol foundation and the Estate of Andy Warhol, with number PM15.0119 (a copy on the reverse) sheet: 24 x 78 cm, (framed)Note: This work is from the early part of Warhol's career, and was used as a calling card for his services as it has his telephone number and address 'Murray Hill' across the woman's waist. It is not known how many of these prints were produced, but they are becoming increasingly rare. Provenance: Halcyon Gallery London | UK Private Collection
Los 214
Sir Peter Blake CBE RDI RA, British b.1932- Party (Sing Song), 1996; lithograph and screenprint in colours wove, signed and dedicated 'To Tara' in pencil, from The Royal College of Art Centenary Year Portfolio of Prints, published by the Printmaking Course of the Royal College of Art, sheet: 76 x 55 cm, (framed) (ARR)
Los 88
Pablo Picasso, Spanish 1881-1973,La Comedie Humaine, 1954;lithograph in colours on wove, signed in pencil and numbered 13/75, dated 30.1.54 in the plate, Editions Verve, with their blind stamp, sheet: 28 x 37 cm, (framed) (ARR)Provenance: Renaissance Fine Arts, Baltimore, Maryland, USA | Halcyon Gallery London | Private UK Collection
Los 22
William Scott CBE RA, British 1913-1989,Composition from 35 artists, 1981;lithograph in colours on Whatman wove, signed and inscribed HC in pencil (an Hors Commerce print outside the edition of 50), published by the Royal College of Art, London, sheet: 50 x 65 cm, (unframed) (ARR)Note: There is a print from this edition in the collection of The V and A, London.
Los 285
Andy Warhol, American 1928-1987,Gee Merrie shoes;monochrome lithograph, signed in the plate and numbered PM 16.0183 with initials TJH (Tim Hunt) and stamped with the blue Warhol Foundation marks on the reverse, image 22.8 x 19.4 cm (framed)Provenance:Halcyon Gallery, LondonUk Private Collection
Los 96
After Pablo Picasso, Spanish 1881-1973, Le Cocu Magnifique, Plate 10, 1968; lithograph in colours on wove, signed and dated 8.12.66 within the plate, image: 28 x 37 cm, (framed) Note: this work is after plate ten from the Illustrated book entitled 'Le Cocu Magnifque', with twelve etchings (five with aquatint, one with drypoint), the plates executed in 1966, and the book published and printed by Crommelynck, Paris, in 1968, in the edition of 200 (30 numbered 1-30 with supplementary suite; 150 numbered 31-180; 18 printers' copies numbered I-XVIII; 2 H.C. deposit copies marked 0 and 00) see MOMA.
Los 680
Louis Haghe (Belgian 1806-1855) after David Roberts RA (1796-1864)View of Kalabshee, formerly Talmis, Nubia; Grand Portico of the Temple of Philae, Nubia; DenderaThree, each lithograph with hand-colouring, Kalabshee from the Royal Subscription Edition, Philae from the Standard Edition, Dendera possibly from the Standard Edition41.5 x 60.7cm; 16¼ x 24in (mount); 42.9 x 60.7cm; 17 x 24in (sheet); 43.1 x 59.4cm; 17 x 23½in (sheet)Unframed (3)
Los 81
ARR William Gear RA (Scottish 1915-1997) Cobra Heads, artist proof numbered 4/XX, signed lower right, lithograph, 26.5 x 42 cm (i), 50 x 69.5 cm (SH)Condition:The sheet appears in generally good condition, no obvious rips, tears or creases. There are some mild handling marks around the edges. Some faint and sparsly distributed spots of foxing are visible- please see additional photographs added to the website. The colours appear well preserved and stable.
Los 187
Salvador Dalí (1904-1989)A Moment in History, from Aliyah (Field 68-1O; M&L 1207)Lithograph printed in colours, 1968, signed in pencil, numbered from the edition of 250, printed by Wolfensberger, Zurich and Mourlot, Paris, published by Shorewood Press, New York, on Arches paper, with full margins, sheet 645 x 497mm (25 3/8 x 19 1/2in)With the Dali Trade authentication inscription and signature in pencil verso (dated 8/14/23).
Los 25
Takashi Murakami (b.1962)Inside the Rainbow's HeartOffset lithograph printed in colours with cold stamp and high gloss varnishing, 2022, signed in silver marker, numbered from the edition of 300, published by Kaikai Kiki Co. Ltd., Tokyo, on wove paper, the full sheet printed to the edge, sheet diameter 710mm (28in)
Los 209
Salvador Dalí (1904-1989) From Les Songes Drôlatiques de Pantagruel (Field 73-7P; M&L 1406d)Lithograph, 1973, signed in pencil, numbered from the edition of 50, printed by Grapholith, published by Carpentier, Paris, on Japon nacré paper, the sheet printed to near the edges, 755 x 525mm (29 3/4 x 20 5/8in) With the Dali Trade authentication inscription and signature in pencil verso (dated 8/14/23)
Los 88
David Hockney (b.1937)Olympische Spiele München, 1972 (Baggott 34)Lithograph printed in colours, 1972, from the third edition of circa 10,000, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, on thin wove paper, with full margins, sheet 1010 x 640mm (39 7/8 x 25 1/8in)
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70553 Los(e)/Seite