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70553 Los(e)/Seite
Los 465
Banner, Wallis and Manners, Ltd - Meredith & Drew Ltd - an Edwardian rounded rectangular novelty biscuit tin, in the form of a Boule work casket, the cover and sides printed with anthemions and `brass` scrolls on a faux tortoiseshell ground, 8.5cm high, 21cm wide, 10.5cm deep, lithograph mark, c.1960
Los 501
Midland Railway - an early 20th century novelty biscuit tin, the cover and and print with lithograph prints, St Pancras Going North for the Holidays, To Scotland by the Midland To The Isle of Man by Midland Steamer, A Midland Country Station (Matlock Bath), Tea on a Midland Express, 15cm x 11cm
Los 523
Co-operative Society - an Art Nouveau rectangular tin, bowed sides, the cover with lithograph print of Burton on Trent Co-Operative Society building, the interior with scroll inscribed Souvenir of the Burton on Trent Co-operative Society`s Coming of Age, February 24th 1911, the sides embossed with flowerheads and sinuous lines, 20cm wide, c.1911
Los 524
Co-operative Society - an Art Nouveau rectangular tin, bowed sides, the cover with lithograph print of Burton on Trent Co-Operative Society building, the interior with scroll inscribed Souvenir of the Burton on Trent Co-operative Society`s Coming of Age, February 24th 1911, the sides embossed with flowerheads and sinuous lines, 20cm wide, c.1911
Los 539
Rowntree and Co Limited, a round rectangular confectionary tin, the cover embossed and printed with portrait ovals, Royal Cipher and crest, inscribed Coronation Souvenir, 1937, 12th May, 1937, Great Yarmouth, on a gold ground, lithograph mark, 2.5cm high, 17.5cm wide, 9cm deep, c.1937; Vinolia Company Limited - a canted rectangular tin, Coronation Souvenir, May 12th 1937, printed in polychrome with three-quarter length portraits, Royal Standards and devices, 13cm high, 14cm wide, 10.5cm deep, c.1937 (2)
Los 470
A group of assorted pictures and prints, including three 20th century watercolours, a hand coloured lithograph of `The Wonderful Mare Maud S.`, hand coloured engravings of Guildford and Goodrich Court and Castle, a reproduction map of Shropshire and two reproductions after David Roberts, (quantity).
Los 433
* The Graphic, Publ., early 20th century- "The Graphic Parliamentary Map"; lithograph in colours, 82x58.8cm: Ewings General Atlas, W & D Lizars, Edinburgh, Publ., early 19th century- "Europe", 18x22cm: Dutch School, 18th century- "Situation de la Ville d`Amsterdam, telle qu`elle se trouvait environ l`an 1300"; engraving, 30x18.5cm: together with two hand drawn maps by Vetta P Westley, early 20th century, (a lot) (unframed)
Los 483
* Malcolm Morley b.1931- Landscape; aquatint printed in colours, published by Novak Graphics, Toronto, Ontario, with blind stamp(s) signed and numbered 59/63 on Fabriano cream wove paper, with margins, together with three further examples numbered 56/58/60 from the edition of 63, all in very good condition, (multiple) 70x90cm, ea: After David Hockney CH RA b.1937- "Oh Bombay.."; published 1977, off-set lithograph/poster for British Airways, (5) (unframed) (may be subject to Droit de Suite)
Los 562
William Woollett 1735-1785 & Benjamin Thomas Pouncy d.1799- Wild boar hunt in a classical landscape; published by R Sayer, 1779, London, engraving, after Richard Wilson 1714-1782 & John Mortimer 1741-1799, 46x57cm: Friedrich Wilhelm Gmelin 1760-c.1821- "Il Temporale del Pussino"; published Rome 1813, engraving after Caspard Dughet 1615-1675: Gabriel Lory 1763-1840- "Vue de L`extremite du Lac de Geneve"; aquatint printed in colours and touched by hand, (A/F): Benjamin Thomas Pouncy d.1799- "Minster Church Isle of Thanet"; published 1800, engraving: After Canaletto 1697-1768- Venetian canal scene; hand-coloured engraving: David Octavius Hill 1802-1870- "No.1 Parkhill, on the River Don, near Aberdeen"; lithograph: G. Hawkins Jnr, fl.mid 19th century- "View of Candacraig, from the South East"; lithograph: David Roberts RA 1796-1864- "Melrose Abbey from the South(multiple); Melrose Abbey from the East, 1846; Kelso Abbey"; published 1852, lithograph and others, mostly landscapes condition(s) variable (a lot) (unframed)
Los 575
Circle of Peter De Wint OWS 1784-1849- Study of a windmill with Ely Cathedral in the distance; pencil and coloured chalk on buff paper, 13x17cm: Circle of George Cruikshank I 1792-1878- "Wedding Procession"; pencil and watercolour wash, bears signature in pencil, 13x11cm: After Tsuguharu Foujita 1886-1968- Study of a cat; lithograph, signed within the plate: A vellum and gilt tooled folio containing early 20th century reproductions after Rembrandt Van Rijn, loose as issued, (4/ part folio)
Los 581
D Antoniou, Greek mid-late 20th century- Moored vessels off a mountainous coast; oil on canvas, signed, 30x61cm: After Tassos, Greek mid 20th century- "Maison Athénienne 1 Rue du Pirée"; lithograph printed in colours, signed and dated 55 within the plate, 32x35.5cm: Frixos Papantoniou, Greek/British b.1971- "Abstract 1 (red/yellow)"; acrylic on canvas laid down on board, signed and dated on the reverse, 50x50cm., (3) (may be subject to Droit de Suite)
Los 186
Dickinson (Patric editor) Soldiers` Verse illustrated by William Scott 1945 § Betjeman (J.) & Geoffrey Taylor editors. English Scottish and Welsh Landscape 1700-c.1860 illustrated by John Piper lacking front free endpaper 1944 § Grigson (G. editor) Visionary Poems and Passages or The Poet`s Eye illustrated by John Craxton 1944 § Piper (M. editor) Sea Poems illustrated by Mona Moore 1944 § Pool (P. editor) Poems of Death illustrated by Michael Ayrton 1945 § Lloyd Thomas (M.G. editor) Travellers` Verse illustrated by Edward Bawden 1946 § Stewart (C. editor) Poems of Sleep and Dream illustrated by Robert Colquhoun 1947 first editions all with colour lithograph plates ownership signature on front free endpaper original pictorial cloth the first two and the last with dust-jackets (the last laminated) all a little rubbed and soiled the first and last with slight spotting the third with tape marks to pastedowns 8vo(7) ***A complete set of the New Excursions into English Poetry series..
Los 787
Henry Spencer Moore RA, OM, CH, FBA (1898-1986) "Red and Blue Standing Figures" Signed in pencil, bearing the artist`s name within the plate, coloured lithographic print, 29.5cm by 21.5cm; together with a book "Heads, Figures and Ideas" With a comment by Geoffrey Grigson and published by George Rainbird, London 1958, also published by the New York Graphic Society - Greenwich, Connecticut, compiled and designed by the artist in collaboration with George Rainbird using the auto-lithograph method printed on handmade paper. It was drawn by Henry Moore in 1958 and published by Rainbird in the same year (2)
Los 34
Hamley (Lieut-Col. E. Bruce). The Story of the Campaign of Sebastopol, Written in the Camp, 1st ed., 1855, folding map and nine chromolithograph or tinted lithograph plates, some occ. light foxing, orig. blindstamped red cloth gilt, rubbed and spine somewhat dulled, one or two small chips to rear joint, together with Russell (W. H.), The British Expedition to the Crimea, revised edition, with numerous emendations and additions, 1858, numerous folding maps and plans, etc., port. frontis. with some spotting, modern qtr. calf, gilt label to spine (rubbed), both 8vo (2)
Los 250
* Dutton (Thomas Goldsworth). The Naval Review at Spithead, 23rd. April 1856, lithograph after P.J.Ouless, original hand colouring, several repaired closed tears, slight staining, cracking and abrasion to print surface, 475 x 660mm, mounted, framed and glazed, together with, Canot (P. O.), To the Honourable Sir Edward Hawke, Admiral of the Blue....., This Representation of the Glorious Defeat of the French Fleet......, off Belle Isle on the 20th November 1759, uncoloured etching after R.Paton, trimmed to image, stained and rubbed, some surface abrasion and occ. closed tears, later printed title attached to mount below image, 380 x 620mm, mounted, framed and glazed, with, [H.M.S.Victory], Untitled etching, n.d., c.1920, hand coloured etching, old folds, some surface dirt, 305 x 480mm, mounted framed and glazed, together with three others similar (6)
Los 294
* Prints and engravings. A mixed collection of engravings and prints, mostly 18th & 19th century, including, Scott (James), His Grace The Duke of Wellington, K.G. &c. &c., pub. Thomas Boys, 1837, mezzotint after John Lilley, some surface abrasion, occ. closed tears, 500 x 340mm, mounted, framed and glazed, together with, Stadler (J.C.), View of Lambeth from Millbank, pub. J. & J. Boydell, 1795, aquatint engraving with orig. hand colouring after J.Farington, 220 x 325mm, mounted, framed and glazed, with, Maurer (J.), [New Bond Street], pub. John Bowles, n.d., c.1780, hand coloured engraving, 210 x 400mm, mounted, framed and glazed, plus, Needlepoint of The Duke of Wellington, later 19th century, large needle work portrait of The Duke of Wellington on Horseback, slight staining, 595 x 550mm, framed and glazed, with, Radclyffe (C.W.), The Library, Rugby School, c.1845, lithograph with orig. hand colouring, 285 x 205mm, mounted, framed and glazed, together with another five similar, all framed and glazed (10)
Los 982
1930 WORLD CUP Uruguay v Peru, extremely rare paper lithograph match poster designed by Guillermo Laborde, the creator of the official poster, 100 cm x 70cm for the inauguration of the Centenary Stadium, Montevideo, played on 18 July 1930. The stadium was built as the main host stadium for the 1930 World Cup, primarily to host the first ever World Cup Final, but also to commemorate the centennial of Uruguay`s first constitution. The stadium hosted every team in the competition, in total ten matches were played there during the Finals. Uruguay won the match 1-0 with the winning goal coming from Hector Castro who was nicknamed "El Mancos" (The one-armed), he accidentally amputated his right forearm while using an electric saw at the age of 13. Only a couple of specimens are known to exist, not many survived as they were pasted to advertising boards throughout the City of Montevideo during July 1930 to promote the first World Cup. Good
Los 142
John Copley (1875-1950). Palma de Mallorca. Etching on Van Gelder Zonen laid paper. 21 x 31cm (8 1/4 x 12 1/4 in). Signed and inscribed, imp, in pencil, lower middle, [Cooke 52], [1932]. With an Ethel Gabain, Pierrot, lithograph on japan paper, 35 x 20.5cm., signed in pencil, lower right, c.1930 (2)
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70553 Los(e)/Seite