70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Verfeinern Sie Ihre Suche

Jahr

Sortieren nach Preisklasse
  • Liste
  • Galerie
  • 70553 Los(e)
    /Seite

Los 276

Nelson Mandela, The Guard TowerThe Guard Tower, from 'Reflections of Robben Island' Lithograph printed in colours, on wove, signed and numbered 66/350 in pencil, printed by Michaelis School of Fine Art, University of Cape Town, South Africa, published by Touch of Mandela, Cape Town, with the publisher's blindstamp, the full sheet, loose as issued, housed in the original black cloth-covered case together with another print by Grant Warren, 510 x 403mm (20 x 15 7/8in)(SH)

Los 277

Nelson Rolihlahla Mandela (South African, 1918-2013)Hand of Africa (Right Hand), from 'Impressions of Nelson Mandela' Lithograph printed in black, on BFK Rives, signed and numbered 590/1000 in pencil, printed by Michaelis School of Fine Art, University of Cape Town, South Africa, published by Touch of Mandela, Cape Town, with the publisher's blindstamp, the full sheet, loose as issued, housed in the original black cloth-covered slipcase, 660 x 500mm (26 x 19 3/4in)(SH)

Los 279

Hiroshi Sugimoto (Japanese, born 1948)South Pacific Ocean, Maraenui, #328, from 'Time Exposed Series' Offset photo-lithograph, 1990-91, on glossy wove, with embossed title, date and series number, from the edition of 500, published by Kyoto Shoin Intl., Tokyo, the full sheet, 238 x 308mm (9 3/8 x 12 1/8in)(SH)

Los 30

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No.2 (Lynton 3) Lithograph printed in colours, 1965, on wove, signed and dated in black ink, numbered 62/70 in pencil, printed by Curwen Press, London, published by Marlborough Graphics Ltd., London, the full sheet printed to the edges, 585 x 910mm (23 x 35 3/4in)(SH)This lot is subject to the following lot symbols: AR

Los 43

Laurence Stephen Lowry R.A. (British, 1887-1976)Mill Scene Offset lithograph printed in colours, on wove, signed in pencil, from the edition of 750, published by The Sunday Observer, London, with full margins, 305 x 405mm (12 x 16in)(I)This lot is subject to the following lot symbols: AR

Los 44

Laurence Stephen Lowry R.A. (British, 1887-1976)Our Town Offset lithograph printed in colours, on wove, signed and numbered 384/850 in pencil, published by Grove Galleries Ltd., Manchester, with margins, 425 x 614mm (16 3/4 x 24 1/8in)(I)This lot is subject to the following lot symbols: AR

Los 45

Laurence Stephen Lowry R.A. (British, 1887-1976)His family Offset lithograph printed in colours, on wove, signed in pencil, printed by Chorley & Pickersgill Ltd., Leeds, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, with full margins, 530 x 710mm (20 7/8 x 27 7/8in)(I)(unframed)This lot is subject to the following lot symbols: AR

Los 46

Laurence Stephen Lowry R.A. (British, 1887-1976)Station Approach Offset lithograph printed in colours, on wove, signed in pencil, from the edition of 850, printed by Max Jaffe, Vienna, published by Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, with margins, 405 x 508mm (16 x 20in)(I)This lot is subject to the following lot symbols: AR

Los 47

Lowry Market Scene in a Northern townMarket Scene in Northern Town Offset lithograph printed in colours, 1973, on wove, signed in pencil, published by Patrick Seale Prints Ltd., London, with their blindstamp, with margins, 460 x 605mm (18 1/8 x 23 3/4in)(I)

Los 48

Laurence Stephen Lowry R.A. (British, 1887-1976)The Pond Offset lithograph printed in colours, 1974, on wove, signed in pencil, from the edition of 850, printed by Beric Press, London, published by Mainstone Publications, Norwich, with the Fine Art Trade Guild blindstamp, with marginis, 430 x 575mm (17 x 22 5/8in)(I)This lot is subject to the following lot symbols: AR

Los 50

Laurence Stephen Lowry R.A. (British, 1887-1976)Ferry Boats Offset lithograph printed in colours, 1972, on wove, signed in pencil, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp, from the edition of 500, with margins, 305 x 405mm (12 x 16in)(I)This lot is subject to the following lot symbols: AR

Los 51

Laurence Stephen Lowry R.A. (British, 1887-1976)The Harbour Offset lithograph printed in colours, 1972, on wove, signed in pencil, from the edition of 850, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp, with margins, 405 x 555mm (16 x 21 7/8in)(I)This lot is subject to the following lot symbols: AR

Los 56

Henry Moore O.M., C.H. (British, 1898-1986)Six Heads Olympians (Cramer 657) Lithograph printed in colours, 1982, on Rives, signed in pencil, numbered XVI/XXXV, an artist's proof aside from the edition of 50, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, the full sheet, 856 x 595mm (33 3/4 x 23 3/8in)(SH) This lot is subject to the following lot symbols: AR

Los 57

Henry Moore O.M., C.H. (British, 1898-1986)Four Reclining Figures, from 'Omaggio a Michelangelo' (Cramer 333) Lithograph printed in colours, 1974-5, on wove, signed and numbered 12/200 in pencil, printed by Curwen Prints Ltd., London, published by Bruckmann Stiftung, Munich, with full margins, 495 x 594mm (19 1/2 x 23 3/8in)(I)This lot is subject to the following lot symbols: AR

Los 63

Duncan Grant (British, 1885-1978)Interior Lithograph printed in colours, 1973, on T.H. Saunders, signed and numbered 38/90 in pencil, printed by Curwen Studio, Chilford, published by Penwith Galleries Ltd., St Ives as included in the 'Penwith Portfolio', with full margins, 775 x 570mm (30 1/2 x 22 3/8in)(SH)This lot is subject to the following lot symbols: AR

Los 64

Peter Lanyon (British, 1918-1964)Returned Seaman Lithograph printed in colours, 1973, on T.H. Saunders, with the artist's printed signature, numbered 38/90 in pencil, printed by Curwen Studio, Chilford, published by Penwith Galleries Ltd., St Ives as included in the 'Penwith Portfolio', with full margins, 630 x 700mm (24 3/4in x 27 1/2in)(I)This lot is subject to the following lot symbols: AR

Los 67

John Piper (British, 1903-1992)The Annunciation to the Shepherds (Levinson 222) Lithograph printed in colours, 1973, on wove, signed and numbered 38/90 in pencil, printed by Curwen Studio, Chilford, published by Penwith Galleries Ltd., St Ives as included in the 'Penwith Portfolio', with full margins, 580 x 795mm (22 7/8 x 31 1/4in)(SH)This lot is subject to the following lot symbols: AR

Los 79

After Sir Peter BlakeDavid Hockney in a Hollywood/ Spanish Interior Offset lithograph printed in colours, on smooth wove, signed and numbered 194/250 in pencil, with margins, 450 x 370mm (17 3/4 x 10 5/8in)(I)This lot is subject to the following lot symbols: AR

Los 89

Various ArtistsFounders Print Offset lithograph printed in colours, on wove, comprising of 25 postcard size images, signed variously by each contributing artist in black ink or pencil, one of 250 impressions, with full margins, 101 x 725mm (39 3/4 x 28 1/2in)(SH)(unframed)

Los 96

Henri de Toulouse-Lautrec (French, 1864-1901)May Belfort (Delteil 160; Adriani 270; Adhémar 175; Wittrock 252) Lithograph, 1898, on wove, from the total edition of around 400 after 1901; together with Marc Chagall's Plate 70, from Les Ames Mortes etching, 1948, bearing signature in pencil, from the total edition of 368 and Maurice de Vlaminck's Route de village, collotype in colours, signed and numbered 228/250 in pencil, 292 x 245mm (11 1/2 x 9 5/8in)(SH)(3)This lot is subject to the following lot symbols: *

Los 97

Oskar Kokoschka (Austrian, 1886-1980)Oskar Kokoschka (Self-Portrait) Lithograph printed in black, 1967, on wove, signed, dated and dedicated in pencil, aside from the numbered edition of 50, the full sheet, 227 x 192mm (9 x 7 5/8in)(SH)This lot is subject to the following lot symbols: AR

Los 221

AR Richard Bawden (born 1936) "Sezincute House" coloured lithograph, signed, numbered 38/70 and inscribed with title in pencil to margin, 47 x 61cm (a/f)

Los 231

AR After Henry Moore, CHOM (1898-1986) "Prometheus on the rock" coloured lithograph, circa 1950, 32 x 23cm

Los 238

AR John Tennent (born 1926) "Robin in Sycamore" coloured lithograph, signed, dated 1976, numbered 35/90 and inscribed with title in pencil to lower margin, 28 x 19cm

Los 240

AR Sir William Newzam Prior Nicholson Oriel College, Oxford coloured lithograph, signed and numbered 122 in pen to lower margin, 30 x 36cm

Los 248

AR Julian Trevelyan, RA, (1910-1988) "Green Oxen" coloured lithograph, signed, numbered 69/75 and inscribed with title in pencil to lower margin, 38 x 51cm

Los 249

AR Victor Pasmore, CH, CBE (1908-1998) "Points of contact 33" coloured lithograph, signed, dated 79 and numbered 33/70 in pencil to lower margin, 40 x 40cm Provenance: Business Art Galleries, Royal Academy of Arts, Burlington House, Piccadilly, London

Los 251A

AR Arthur Boyd, (1920-1999) "St Francis finds Gold in the Woods" coloured lithograph, signed and numbered 21/100 in pencil to lower margin, 72 x 49cm

Los 251B

AR JOHN PIPER CH (1903-1992) "Long Melford Church" lithograph, signed and numbered 221/275 in pencil to lower margin, 46 x 62cm

Los 255

AR David Gentleman (born 1930) "Bedfordbury (Peabody & Chandos Place)" lithograph, signed and number 20/120 in pencil to lower margin, 47 x 67cm

Los 354

AR Ethel Gabain (1883-1950) "An Italian garden" black and white lithograph, signed in pencil to lower margin, 21 x 16cm, unframed

Los 358

AR Charles Hazlewood Shannon, RA (1863-1937) "Flying Cupid" coloured lithograph, signed and inscribed No 39 in pencil to lower margin, 37 x 24cm, unframed

Los 359

AR Ethel Gabain (1883-1950) "Notre Vielliesse" black and white lithograph, signed in pencil to lower margin, 38 x 26cm, mounted but unframed

Los 366

AR John Copley (1875-1950) "Storm clouds" black and white lithograph, signed in pencil to lower centre margin, 28 x 35cm, unframed

Los 367

AR John Copley (1875-1950) "A preacher against the sin of science 1912" black and white lithograph, signed and inscribed with title in pencil to lower margin, 55 x 45cm, unframed

Los 392

AR Ron Bolt (born 1938) "Late breaker" coloured lithograph, signed, dated 86, numbered 115/150 and inscribed with title in pencil to lower margin, 63 x 70cm

Los 414

AR Norman Stevens, ARA, (1937-1988) "Fallen tree, Kensington Garden" coloured lithograph, signed, dated 1988, numbered 26/100 and inscribed with title in pencil to lower margin, 57 x 79cm, unframed

Los 197

AR Hans Erni (1909-2015) "Le Cheval (The Horse)" lithograph, circa 1953, 33 x 25cm Provenance: Goldmark Gallery, Uppingham, Rutland

Los 201

AR Elton Bennett (1911-1974) "The Indian Coast" lithograph, signed and inscribed with title in pencil to lower margin, 40 x 57cm

Los 204

AR Michael Reynolds (1933-2008) "The Wedding" lithograph, signed, numbered 106/200 and inscribed with title in pencil to lower margin, 40 x 38cm

Los 205

AR Leiko Ikemura (born 1951) "Snail" lithograph, signed and numbered 74/75 in pencil to lower margin, 57 x 44cm

Los 404

After E Walker, engraved by J C Rowland, coloured lithograph published by T Catherall circa 1860, "Jenny Jones", 29 x 19cm

Los 424

After Richard Suter, sepia lithograph, St Peter's Hospital, 28 x 50cm

Los 508

A Victorian lithograph, Uppingham from the South West, arched 24cm x 32cm.

Los 534

A Victorian hand-coloured lithograph, The Parish Church, Market Harborough, 35cm x 24cm; and a pair of bird's eye maple wood picture frames. (3)

Los 101

Joan Miró (1893-1983)El Tapis de Tarragona (M. 686), 1970Lithograph in colors on Guarro paper, with the artist's monogram, numbered 166/200 in pencil, published/printed by Sala Gaspar/Publicaciones reunidas, Barcelona, the full sheet, framed.sheet 29 1/2 x 21 3/4in (74.3 x 55.2cm)

Los 103

Joan Miró (1893-1983)Fotoscop (M. 939), 1974Lithograph in colors on Japon paper, signed in pencil and numbered V/XL, from the edition of 40 (aside from the edition of 100 on Guarro paper), published by Galerie Börjeson, Malmo, printed by La Polígrafa, S.A., Barcelona, with full margins, framed.8 5/8 x 15 3/8in (22 x 39cm)sheet 13 1/2 x 20 1/4in (35 x 52cm)

Los 110

Robert Motherwell (1915-1991)Nocturne 1, from Three Poems by Octavio Paz (E. & B. 419; B. 358), 1988Lithograph and chine-collé of Japanese paper on Arches paper, initialed in pencil and numbered 16/50 (there were also 10 artist's proofs), with the artist's copyright inkstamp verso, published/printed by The Limited Editions Club, New York/Trestle Editions Limited, New York, with full margins.13 1/2 x 10 1/2in (34.2 x 26.6cm)sheet 25 1/2 x 21 1/4in (64.7 x 53.9cm)

Los 116

Chris Ofili (born 1968)Afro Harlem Muses, 2005Lithograph in colors with embossing on wove paper, signed in pencil, titled, dated and numbered PP 2/4 (a printer's proof aside from edition of 60), with full margins.12 5/8 x 20in (32 x 50.8cm)sheet 21 x 27 3/8in (53.3 x 69.5cm)This lot is subject to the following lot symbols: ¤

Los 121

Elizabeth Peyton (born 1965)Thursday (Tony), 2000Lithograph and screenprint in colors on cream Somerset Velvet paper, signed in pencil, dated and numbered WKSHP 2/2 (a proof aside from the edition of 300), published/printed by Derriere L'Etoile Studios, New York, the full sheet.sheet 19 1/2 x 24 3/4in (49.5 x 62.8cm)This lot is subject to the following lot symbols: ¤

Los 123

After Pablo Picasso (1881-1973)One plate, from Les Portraits Imaginaires, 1969Lithograph in colors on wove paper, numbered in pencil F-6/250, published by Harry N. Abrams, Inc., New York, with the blindstamp of the printer, Marcel Salinas, New York, verso, the full sheet.sheet 25 3/4 x 19 5/8in (65.3 x 49.8cm)

Los 124

After Pablo Picasso (1881-1973)One plate; from Les Portraits Imaginaires, 1969Lithograph in colors on Arches paper, with printed signature as issued, numbered F23/250, from the French edition (there was also an American edition), published/printed by Éditions Cercle D'art, Paris/Marcel Salinas, the full sheet. sheet 25 1/2 x 19 3/4in (64.7 x 50.1cm)

Los 129

Martin Puryear (born 1941)Navy Pier, 1985Lithograph in colors on wove paper, signed in pencil and numbered 35/100, published by Chicago Art fair, with the printer's blindstamp and inkstamp on verso, Four Brothers Press, Chicago, Illinois. 32 x 27in (81.2 x 68.5cm)sheet 35 1/4 x 27in (89.5 x 68.5cm)

Los 133

Robert Rauschenberg (1925-2008)Untitled (Ship Captain Faces Charge In Oil Spill), 1970Lithograph in colors on wove paper, signed in colored pencil, dated and numbered AP 8/10 (an artist's proof aside from the edition of 175), with full margins, framed.24 1/4 x 21in (61.5 x 53.3cm)sheet 26 x 21in (66 x 53.3cm)

Los 143

Pierre-Auguste Renoir (1841-1919)Maternité, Grand Planche (D. 50), c. 1912Lithograph in brownish-black on Arches laid paper, second state (of 2), signed in the stone, from the edition of 100.19 3/4 x 19 1/8in (50 x 48.5cm)sheet 25 7/8 x 19 3/4in (65.5 x 50cm)

Los 145

Pierre-Auguste Renoir (1841-1919)Une Mère et Deux Enfants (D., S. 54), c. 1912Lithograph on MBM Ingres laid paper, unsigned as issued, from the edition of approximately 50, with full margins.14 x 17 1/2in (33.5 x 44.2cm)sheet 18 5/8 x 24 5/8in (47.3 x 62.5cm)

Los 147

Norman Rockwell (1894-1978)Extra Good Boys and Girls, 1976Lithograph in colors on Arches paper, signed in pencil and numbered 87/200, with full margins. 26 x 20in (66 x 50.7cm)sheet 31 1/4 x 24in (79.3 x 60.9cm)

Los 148

Norman Rockwell (1894-1978)Jazz It Up, c. 1976Lithograph in colors on wove paper, signed in pencil and numbered 90/200, with the blindstamps of the publisher Eleanor Ettinger, Inc., New York, with full margins, framed.23 3/4 x 17 1/8in (60.3 x 43.5cm)sheet 28 3/4 x 21 1/8in (73 x 53.6cm)

Los 167

Rufino Tamayo (1899-1991)Salome, from the Metropolitan Opera Series II, 1984Lithograph in colors on Japon paper, signed in white crayon and numbered XVII/XXV (an artist's proof, aside from the edition of 250), with the inkstamp of the publisher, verso, and the blindstamp of the printer, the full sheet. sheet 30 1/2 x 22 1/4in (77.4 x 56.5cm)

Los 168

Dorothea Tanning (1910-2012)Portfolio, 1993Offset lithograph in colors with collage, fabric and hand-coloring on Somerset soft white paper adhered to museum board, signed in pencil and annotated 'PP' (a printer's proof aside from the edition of 25), printed by Derriere L'Etoile Studios, New York, the full sheet.sheet closed: 37 3/4 x 23 3/4in (95.8 x 60.3cm) open: 48 x 23 3/4in (121 x 60.3cm)This lot is subject to the following lot symbols: ¤ 

Loading...Loading...
  • 70553 Los(e)
    /Seite

Kürzlich aufgerufene Lose