Nelson Mandela, The Guard TowerThe Guard Tower, from 'Reflections of Robben Island' Lithograph printed in colours, on wove, signed and numbered 66/350 in pencil, printed by Michaelis School of Fine Art, University of Cape Town, South Africa, published by Touch of Mandela, Cape Town, with the publisher's blindstamp, the full sheet, loose as issued, housed in the original black cloth-covered case together with another print by Grant Warren, 510 x 403mm (20 x 15 7/8in)(SH)
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70553 Los(e)/Seite
Nelson Rolihlahla Mandela (South African, 1918-2013)Hand of Africa (Right Hand), from 'Impressions of Nelson Mandela' Lithograph printed in black, on BFK Rives, signed and numbered 590/1000 in pencil, printed by Michaelis School of Fine Art, University of Cape Town, South Africa, published by Touch of Mandela, Cape Town, with the publisher's blindstamp, the full sheet, loose as issued, housed in the original black cloth-covered slipcase, 660 x 500mm (26 x 19 3/4in)(SH)
Hiroshi Sugimoto (Japanese, born 1948)South Pacific Ocean, Maraenui, #328, from 'Time Exposed Series' Offset photo-lithograph, 1990-91, on glossy wove, with embossed title, date and series number, from the edition of 500, published by Kyoto Shoin Intl., Tokyo, the full sheet, 238 x 308mm (9 3/8 x 12 1/8in)(SH)
Victor Pasmore R.A. (British, 1908-1998)Points of Contact No.2 (Lynton 3) Lithograph printed in colours, 1965, on wove, signed and dated in black ink, numbered 62/70 in pencil, printed by Curwen Press, London, published by Marlborough Graphics Ltd., London, the full sheet printed to the edges, 585 x 910mm (23 x 35 3/4in)(SH)This lot is subject to the following lot symbols: AR
Laurence Stephen Lowry R.A. (British, 1887-1976)His family Offset lithograph printed in colours, on wove, signed in pencil, printed by Chorley & Pickersgill Ltd., Leeds, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, with full margins, 530 x 710mm (20 7/8 x 27 7/8in)(I)(unframed)This lot is subject to the following lot symbols: AR
Laurence Stephen Lowry R.A. (British, 1887-1976)Station Approach Offset lithograph printed in colours, on wove, signed in pencil, from the edition of 850, printed by Max Jaffe, Vienna, published by Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, with margins, 405 x 508mm (16 x 20in)(I)This lot is subject to the following lot symbols: AR
Laurence Stephen Lowry R.A. (British, 1887-1976)The Pond Offset lithograph printed in colours, 1974, on wove, signed in pencil, from the edition of 850, printed by Beric Press, London, published by Mainstone Publications, Norwich, with the Fine Art Trade Guild blindstamp, with marginis, 430 x 575mm (17 x 22 5/8in)(I)This lot is subject to the following lot symbols: AR
Laurence Stephen Lowry R.A. (British, 1887-1976)Ferry Boats Offset lithograph printed in colours, 1972, on wove, signed in pencil, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp, from the edition of 500, with margins, 305 x 405mm (12 x 16in)(I)This lot is subject to the following lot symbols: AR
Laurence Stephen Lowry R.A. (British, 1887-1976)The Harbour Offset lithograph printed in colours, 1972, on wove, signed in pencil, from the edition of 850, published by Venture Prints Ltd., Bristol, with the Fine Art Trade Guild blindstamp, with margins, 405 x 555mm (16 x 21 7/8in)(I)This lot is subject to the following lot symbols: AR
Henry Moore O.M., C.H. (British, 1898-1986)Six Heads Olympians (Cramer 657) Lithograph printed in colours, 1982, on Rives, signed in pencil, numbered XVI/XXXV, an artist's proof aside from the edition of 50, published by Raymond Spencer Company Ltd. for The Henry Moore Foundation, Much Hadham, the full sheet, 856 x 595mm (33 3/4 x 23 3/8in)(SH) This lot is subject to the following lot symbols: AR
Henry Moore O.M., C.H. (British, 1898-1986)Four Reclining Figures, from 'Omaggio a Michelangelo' (Cramer 333) Lithograph printed in colours, 1974-5, on wove, signed and numbered 12/200 in pencil, printed by Curwen Prints Ltd., London, published by Bruckmann Stiftung, Munich, with full margins, 495 x 594mm (19 1/2 x 23 3/8in)(I)This lot is subject to the following lot symbols: AR
Duncan Grant (British, 1885-1978)Interior Lithograph printed in colours, 1973, on T.H. Saunders, signed and numbered 38/90 in pencil, printed by Curwen Studio, Chilford, published by Penwith Galleries Ltd., St Ives as included in the 'Penwith Portfolio', with full margins, 775 x 570mm (30 1/2 x 22 3/8in)(SH)This lot is subject to the following lot symbols: AR
Peter Lanyon (British, 1918-1964)Returned Seaman Lithograph printed in colours, 1973, on T.H. Saunders, with the artist's printed signature, numbered 38/90 in pencil, printed by Curwen Studio, Chilford, published by Penwith Galleries Ltd., St Ives as included in the 'Penwith Portfolio', with full margins, 630 x 700mm (24 3/4in x 27 1/2in)(I)This lot is subject to the following lot symbols: AR
John Piper (British, 1903-1992)The Annunciation to the Shepherds (Levinson 222) Lithograph printed in colours, 1973, on wove, signed and numbered 38/90 in pencil, printed by Curwen Studio, Chilford, published by Penwith Galleries Ltd., St Ives as included in the 'Penwith Portfolio', with full margins, 580 x 795mm (22 7/8 x 31 1/4in)(SH)This lot is subject to the following lot symbols: AR
Henri de Toulouse-Lautrec (French, 1864-1901)May Belfort (Delteil 160; Adriani 270; Adhémar 175; Wittrock 252) Lithograph, 1898, on wove, from the total edition of around 400 after 1901; together with Marc Chagall's Plate 70, from Les Ames Mortes etching, 1948, bearing signature in pencil, from the total edition of 368 and Maurice de Vlaminck's Route de village, collotype in colours, signed and numbered 228/250 in pencil, 292 x 245mm (11 1/2 x 9 5/8in)(SH)(3)This lot is subject to the following lot symbols: *
Joan Miró (1893-1983)Fotoscop (M. 939), 1974Lithograph in colors on Japon paper, signed in pencil and numbered V/XL, from the edition of 40 (aside from the edition of 100 on Guarro paper), published by Galerie Börjeson, Malmo, printed by La Polígrafa, S.A., Barcelona, with full margins, framed.8 5/8 x 15 3/8in (22 x 39cm)sheet 13 1/2 x 20 1/4in (35 x 52cm)
Robert Motherwell (1915-1991)Nocturne 1, from Three Poems by Octavio Paz (E. & B. 419; B. 358), 1988Lithograph and chine-collé of Japanese paper on Arches paper, initialed in pencil and numbered 16/50 (there were also 10 artist's proofs), with the artist's copyright inkstamp verso, published/printed by The Limited Editions Club, New York/Trestle Editions Limited, New York, with full margins.13 1/2 x 10 1/2in (34.2 x 26.6cm)sheet 25 1/2 x 21 1/4in (64.7 x 53.9cm)
Chris Ofili (born 1968)Afro Harlem Muses, 2005Lithograph in colors with embossing on wove paper, signed in pencil, titled, dated and numbered PP 2/4 (a printer's proof aside from edition of 60), with full margins.12 5/8 x 20in (32 x 50.8cm)sheet 21 x 27 3/8in (53.3 x 69.5cm)This lot is subject to the following lot symbols: ¤
Elizabeth Peyton (born 1965)Thursday (Tony), 2000Lithograph and screenprint in colors on cream Somerset Velvet paper, signed in pencil, dated and numbered WKSHP 2/2 (a proof aside from the edition of 300), published/printed by Derriere L'Etoile Studios, New York, the full sheet.sheet 19 1/2 x 24 3/4in (49.5 x 62.8cm)This lot is subject to the following lot symbols: ¤
After Pablo Picasso (1881-1973)One plate, from Les Portraits Imaginaires, 1969Lithograph in colors on wove paper, numbered in pencil F-6/250, published by Harry N. Abrams, Inc., New York, with the blindstamp of the printer, Marcel Salinas, New York, verso, the full sheet.sheet 25 3/4 x 19 5/8in (65.3 x 49.8cm)
After Pablo Picasso (1881-1973)One plate; from Les Portraits Imaginaires, 1969Lithograph in colors on Arches paper, with printed signature as issued, numbered F23/250, from the French edition (there was also an American edition), published/printed by Éditions Cercle D'art, Paris/Marcel Salinas, the full sheet. sheet 25 1/2 x 19 3/4in (64.7 x 50.1cm)
Martin Puryear (born 1941)Navy Pier, 1985Lithograph in colors on wove paper, signed in pencil and numbered 35/100, published by Chicago Art fair, with the printer's blindstamp and inkstamp on verso, Four Brothers Press, Chicago, Illinois. 32 x 27in (81.2 x 68.5cm)sheet 35 1/4 x 27in (89.5 x 68.5cm)
Robert Rauschenberg (1925-2008)Untitled (Ship Captain Faces Charge In Oil Spill), 1970Lithograph in colors on wove paper, signed in colored pencil, dated and numbered AP 8/10 (an artist's proof aside from the edition of 175), with full margins, framed.24 1/4 x 21in (61.5 x 53.3cm)sheet 26 x 21in (66 x 53.3cm)
Rufino Tamayo (1899-1991)Salome, from the Metropolitan Opera Series II, 1984Lithograph in colors on Japon paper, signed in white crayon and numbered XVII/XXV (an artist's proof, aside from the edition of 250), with the inkstamp of the publisher, verso, and the blindstamp of the printer, the full sheet. sheet 30 1/2 x 22 1/4in (77.4 x 56.5cm)
Dorothea Tanning (1910-2012)Portfolio, 1993Offset lithograph in colors with collage, fabric and hand-coloring on Somerset soft white paper adhered to museum board, signed in pencil and annotated 'PP' (a printer's proof aside from the edition of 25), printed by Derriere L'Etoile Studios, New York, the full sheet.sheet closed: 37 3/4 x 23 3/4in (95.8 x 60.3cm) open: 48 x 23 3/4in (121 x 60.3cm)This lot is subject to the following lot symbols: ¤

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70553 Los(e)/Seite