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70555 Los(e)/Seite
Los 272
§ Sir Peter Markham Scott CH CBE FRS (British, 1909-1989) A portrait drawing of King George VIinscribed 'KG VI'pencil, unframed19.5 x 14cm;together with a framed portrait lithograph of Princess Margeret, exhibited at the Peter Scott Studio exhibition, 26.5 x 21.5cm; and further proof lithographs of Princess Margaret and Queen Elizabeth IIProvenance:The studio collection of Sir Peter Markham Scott (1909-1989)
Los 270
* FRANCES WALKER CBE RSA RSW (SCOTTISH b. 1930) UNTITLED lithograph on papermounted and unframed, together with two unframed reproduction printsthe lithograph 42cm x 62cm overall Note: born in Kirkcaldy in 1930 Frances Walker studied at Edinburgh College of Art and then took up a post as visiting teacher of art for the Hebrides . This experience engendered in her a life-long love of wild and desolate places and since then she has chosen to depict the most remote landscapes, her compositions usually based on coastal reaches, craggy rocks and deserted beaches. Moving to Aberdeen , Walker took up a post at Gray's School of Art where she taught for many years. After retirement she has since divided her time between Aberdeen and the Western Isles, especially Tiree, where she owns a thatched cottage, but more recently has also travelled further afield - her latest inspiration being the even wilder and more desolate landscape of Iceland.
Los 268
* FRANCES WALKER CBE RSA RSW (SCOTTISH b. 1930) SEPTEMBER artist's proof lithograph on paper, signed and inscribed A/Pmounted, framed and under glassimage size 24.5cm x 24.5cm, overall size 43cm x 43cm Note: born in Kirkcaldy in 1930 Frances Walker studied at Edinburgh College of Art and then took up a post as visiting teacher of art for the Hebrides . This experience engendered in her a life-long love of wild and desolate places and since then she has chosen to depict the most remote landscapes, her compositions usually based on coastal reaches, craggy rocks and deserted beaches. Moving to Aberdeen , Walker took up a post at Gray's School of Art where she taught for many years. After retirement she has since divided her time between Aberdeen and the Western Isles, especially Tiree, where she owns a thatched cottage, but more recently has also travelled further afield - her latest inspiration being the even wilder and more desolate landscape of Iceland.
Los 272
* FRANCES WALKER CBE RSA RSW (SCOTTISH b. 1930) BREAKFAST TABLE limited edition lithograph on paper, signed, titled and numbered 25/30mounted, framed and under glassimage size 47cm x 58cm, overall size 68cm x 80cm Note: born in Kirkcaldy in 1930 Frances Walker studied at Edinburgh College of Art and then took up a post as visiting teacher of art for the Hebrides . This experience engendered in her a life-long love of wild and desolate places and since then she has chosen to depict the most remote landscapes, her compositions usually based on coastal reaches, craggy rocks and deserted beaches. Moving to Aberdeen , Walker took up a post at Gray's School of Art where she taught for many years. After retirement she has since divided her time between Aberdeen and the Western Isles, especially Tiree, where she owns a thatched cottage, but more recently has also travelled further afield - her latest inspiration being the even wilder and more desolate landscape of Iceland.Condition of the picture is good overall, with no visible or known issues.
Los 260
* HANNAH FRANK (SCOTTISH 1908 - 2008), GARDEN (1932) lithograph on paper, signed in pencilmounted, framed and under glassimage size 33cm x 28cm, overall size 54cm x 44cm Note: "Garden (1932)" is one of the rarest Hannah Frank signed prints. A previous example of this print was sold (by McTear's) for £650 (lot 526 The Scottish Contemporary Art Auction 27th September 2020). Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
Los 267
* FRANCES WALKER CBE RSA RSW (SCOTTISH b. 1930) BIRSAY SHORE AND BROUGH artist's proof lithograph on paper, signed, titled and inscribed A/Pmounted, framed and under glassimage size 79cm x 58cm, overall size 98cm x 75cm Note: born in Kirkcaldy in 1930 Frances Walker studied at Edinburgh College of Art and then took up a post as visiting teacher of art for the Hebrides . This experience engendered in her a life-long love of wild and desolate places and since then she has chosen to depict the most remote landscapes, her compositions usually based on coastal reaches, craggy rocks and deserted beaches. Moving to Aberdeen , Walker took up a post at Gray's School of Art where she taught for many years. After retirement she has since divided her time between Aberdeen and the Western Isles, especially Tiree, where she owns a thatched cottage, but more recently has also travelled further afield - her latest inspiration being the even wilder and more desolate landscape of Iceland.Condition is good overall, with no visible or known issues.
Los 12
* HANNAH FRANK (SCOTTISH 1908 - 2008), DANCE lithograph on paper, signed in penunframedoverall size 47cm x 30cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
Los 11
* HANNAH FRANK (SCOTTISH 1908 - 2008), DREAM lithograph on paper, signed and numbered 205/250 in pencilunframedoverall size 46cm x 34.5cm Note: Since McTear's first promoted Hannah Frank's spectacular work in 2011, the prices for her ever more rare signed prints have continued to rise with many current prices being more than five times higher than those achieved barely a decade ago. The latest UK auction record figure for a single signed lithograph was most recently achieved (twice) in our auction on 24th October 2021 and now stands at £820 (hammer). Note 2: Hannah Frank was the last living link to the Arts and Crafts and Art Nouveau period. She studied at the Glasgow School of Art and Glasgow University in the 1920`s and her haunting pen and ink drawings have been exhibited at the Royal Academy, Royal Scottish Academy and Royal Glasgow Institute. A series of lithographs of some of her 90 drawings were made in the 1960's and again in the 1980's to satisfy the demand for her work after exhibitions in Edinburgh and Glasgow. Only a relatively few of these prints were hand signed (in pencil) by Hannah and it's understood that only one print was ever editioned (numbered) in a conventional manner. A major exhibition at the Royal Glasgow Institute in 2006 brought her work to a new generation of admirers and received considerable press coverage. Her work toured for five years in the UK and the USA culminating in an exhibition at Glasgow University which opened on her 100th birthday 23rd August 2008. After her death, she was awarded a posthumous Honorary Doctorate at Glasgow University and Glasgow City Council`s Lord Provost`s Award For Art (2009).
Los 269
* FRANCES WALKER CBE RSA RSW (SCOTTISH b. 1930) IONA ABBEY lithograph on paper, signed and titledmounted, framed and under glassimage size 26cm x 41cm, overall size 37cm x 52cmNote: born in Kirkcaldy in 1930 Frances Walker studied at Edinburgh College of Art and then took up a post as visiting teacher of art for the Hebrides . This experience engendered in her a life-long love of wild and desolate places and since then she has chosen to depict the most remote landscapes, her compositions usually based on coastal reaches, craggy rocks and deserted beaches. Moving to Aberdeen , Walker took up a post at Gray's School of Art where she taught for many years. After retirement she has since divided her time between Aberdeen and the Western Isles, especially Tiree, where she owns a thatched cottage, but more recently has also travelled further afield - her latest inspiration being the even wilder and more desolate landscape of Iceland.
Los 128
Joseph Beuys (1921-1986)The Scottish Symphony (Celtic Kinlock Rannoch) (Schellmann 268)Offset lithograph with six dry-mounted photographs, 1980, signed in pencil, numbered from the edition of 200, published by Richard Demarco Gallery, Edinburgh, on wove paper, the full sheet printed to near the edges, sheet 1400 x 315mm (55 1/8 x 12 3/8in)
Los 138
Jim Dine (b.1935) Untitled, from the New York Collection for Stockholm Portfolio Lithograph, 1973, signed in pencil, numbered from the edition of 300, printed by Styria Studio, Inc., with their inkstamp verso, published by Experiments in Art and Tehcnology, New York, on wove paper, the full sheet printed to the edges, sheet 240 x 316mm (9 1/8 x 12 1/8in)
Los 319
Salvador Dalí (1909-1989)Andrew, from The Twelve Apostles (Field 72-14C; M&L 1504)Lithograph printed in colours, 1977, signed in pencil, inscribed 'EA', one of 50 artist's proofs, printed by published by Wajntrob, Moore, Lancel & Carpentier, on Arches paper, with full margins, sheet 648 x 477mm (25 1/2 x 18 3/4in)
Los 337
Salvador Dalí (1904-1989)New York, Central Park, Winter (Field 71-5A; M&L 1349a) Lithograph printed in colours with collage, 1971, signed in pencil, numbered from the edition of 250, as included in 'Currier & Ives as interpreted by Salvador Dalí', published by Phyillis Lucas, New York, on BFK Rives paper, the full sheet printed to the edges, sheet 547 x 758mm (21 1/2 x 29 3/4in)
Los 286
Henry Moore (1898-1986)The Three Marys (Cramer 627) Lithograph printed in colours, 1981, signed and inscribed 'e.a.' in pencil, aside from the edition of 50, printed by Curwen Prints Ltd., London, published by Raymond Spencer Company Ltd. for the Henry Moore Foundation, Much Hadham, on T.H. Saunders wove paper, with full margins, sheet 407 x 445mm (16 x 17 1/2in)
Los 285
Henry Moore (1898-1986)Petals, from La Poésie (Cramer 319) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 40, printed by Curwen Prints Ltd., London, published by Art et Poésie, Paris, on Japon nacré paper, with full margins sheet 763 x 566mm (30 x 22 1/4in)
Los 342
Salvador Dalí (1904-1989)Raphael 'Le Marriage La De Vierge', from Changes in Great Masterpieces (Field 74-2C; M&L 1477)Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 900 x 560mm (35 1/2 x 22in)With the Dali Trade authentication inscription and signature in pencil verso (dated 6/21/24)
Los 295
John Piper (1903-1992)Oxburgh Hall, Norfolk (Levinson 266)Lithograph printed in colours, 1977, signed in pencil, numbered from the edition of 120, printed by Curwen Studio, co-published by Christie's Contemporary Art and the National Trust, London, and with the accompanying certificate of authenticity, on TH Saunders paper, with full margins, sheet 610 x 480mm (24 x 18 1/2in)
Los 65
Invader (b.1969)Invasion Planette MarseilleOffset lithograph printed in colours, 2020, signed and dated in black pen, from the edition of unknown size, published by the artist, Paris, in conjunction with his exhibition at MOMA, Marseille, on wove paper, with the original folds as issued, the full sheet printed to the edges, sheet 420 x 600mm (16 1/2 x 23 5/8in) (framed)This map shows the location of 96 street mosaics by Invader in the French city, Marseille.
Los 108
Takashi Murakami (b.1962)Time Bokan - Black and Moss GreenOffset lithograph printed in colours, 2006, signed in silver ink, numbered from the edition of 300, published by Kaikai Kiki co., Tokyo, on smooth wove paper, the full sheet printed to the edges, sheet 500 x 500mm (19 5/8 x 19 5/8in) (framed)
Los 347
Salvador Dalí (1904-1989)Untitled, from Les Songes drolatiques de Pantagruel (Field 73-7-C; M&L 1411d)Lithograph, 1973, signed and numbered from the edition of 50 in pencil, on Japon nacré paper, printed by Grapholith, published by Carpentier, Geneva, with margins, sheet 760 x 535mm (30 x 21in) With the Dali Trade authentication and signature in pencil verso (dated 14/08/23)
Los 20
Andy Warhol (1928-1987)Marilyn, The Tate Gallery Poster, 1971Offset lithograph printed in colours, 1971, from the edition of unknown size, printed by The Curwen Press, published by The Tate Gallery Publications, London, on wove paper, the full sheet printed to near the edges, sheet 759 x 506mm (29 7/8 x 19 7/8in)
Los 258
Norman Ackroyd (b.1938)Cartmell Fell, from Twelve Artists: The Royal College of Art Centenary Portfolio 1996Screenprint and lithograph, 1996, signed, titled and dated in pencil, numbered from the edition of 100, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on wove paper, the full sheet printed to the edges, sheet 760 x 560mm (29 7/8 x 22 1/2in)
Los 290
Eduardo Paolozzi (1924-2005)Untitled, from The Royal Academy of Arts Members Portfolio 2000Offset lithograph printed in colours, 2000, signed and dated in pencil, numbered from the edition of 100, published by the Royal Academy of Arts, London, on wove paper, with full margins, sheet 510 x 635mm (20 1/8 x 25in)
Los 327
Salvador Dalí (1904-1989)Révérence du Groseillier, from FlorDalí (Field 69-11J; M&L 353c)Etching and lithograph printed in colours, 1969, signed in pencil, numbered from the edition of 200, printed by Ateliers Rigal & Matthieu, Paris, published by Werbungs- und Commerz Union Anstalt, on BFK Rives paper, with full margins, sheet 748 x 550mm (29 3/8 x 21 5/8in)With the Dali Trade authentication and signature in pencil verso (dated 12/10/23)
Los 283
Henry Moore (1898-1986)Eight Reclining Figures (Cramer 97)Lithograph printed in colours, 1967, signed and dated in pencil, aside from the edition of 125, printed by J E Wolfensberger, Zurich, published by Philadelphia Museum of Art, Philadelphia, on Japan paper, with full margins, sheet 765 x 565mm (30 1/8 x 22 1/4in)
Los 21
Richard Hamilton (1922-2011)Poster for The Beatles 'White Album'Offset lithograph printed in colours, 1968, signed in black ink, with the printed lyrics verso, on wove paper, the full sheet printed to the edges, with the original vertical and horizontal folds as published, sheet 855 x 570mm (33 3/4 x 22 1/2in)
Los 338
Salvador Dalí (1904-1989) Velasquez 'La Reddition de Breda', from Changes in Great Masterpieces (Field 74-2B; M&L 1473) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 745 x 785mm (29 1/4 x 30 7/8in) With the Dali Trade authentication and signature in pencil verso (dated 06/21/24)
Los 246
Eileen Cooper (b.1953)Sunset, from Royal College of Art, Printmaking Portfolio 1994Etching, lithograph, woodcut and chine collé printed in colours, 1994, signed, titled and dated in pencil, numbered from the edition of 50, published by The Royal College of Art, London, on Somerset wove paper, with full margins, sheet 275 x 275mm (10 7/8 x 10 7/8in)
Los 376
Pablo Picasso (1881-1973) after.172 Dessins Récents: Galerie Louise Leiris (Czwiklitzer p.446)Lithograph printed in colours, 1972, from the edition of 5250, printed by Mourlot, Paris, with the Atelier Mourlot Collection rubber stamp verso, on wove paper, with full margins, sheet 718 x 481mm (28 1/4 x 19in)
Los 291
John Piper (1930-1992)Long Melford Church (Levinson 336)Lithograph printed in colours, 1982, signed in pencil, numbered from the edition of 275, printed by Curwen Studio, published by the Cannon Rubber Co., London, on wove paper, with full margins, sheet 557 x 772mm (22 x 30 3/8in)Provenance:Edward Atkin, Director of the Cannon Rubber Manufacturers LtdExhibited:'Chris Beetles Summer Show', Chris Beetles Gallery, 2018, No 154
Los 125
Karel Appel (1921-2006)About a Cat, from the Cats PortfolioLithograph printed in colours, 1978, signed in pencil, numbered from the edition of 65 in Roman Numerals, printed by Arts Litho-Paris, published by London Arts, Inc., Detroit, on Japan paper, with full margins, sheet 630 x 815mm (24 3/4 x 32 1/8in)
Los 366
Joan Miró (1893-1983) after. Lithograph, from Joan Miró un Katalonien (Maeght 667; Cramer 131)Lithograph printed in colours, 1969, from the unsigned edition of 8,750, published by Orangerie Verlag, Cologne, with the Atelier Mourlot Collection rubber stamp verso, on Arches paper, the full sheet, sheet 500 x 654mm (19 5/8 x 25 3/4in)
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70555 Los(e)/Seite