John Bellany CBE, RA (1942-2013) Scottish"Anya and Luke"Signed and inscribed publisher's proof 2/5, with the KG blindstamp, lithograph, 76cm by 66cm (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of BusinessArtist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of BusinessCondition report: The print has a deckled edge. It has been rolled but is otherwise in good overall condition.
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After David Hockney OM, CH, RA (b.1937) "Diver Poster for Olympische Spiele München"Lithograph printed in colours, 1972, printed by Matthieu AG, Zurich, published by Edition Olympia 1972 GmbH, Munich, 99cm by 63cm (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of BusinessCondition report: Very slight time staining to paper with the odd very minor sporadic foxing spot in evidence to the lower margin. Tiny nick centre of bottom edge and tiny crease lower left corner. The print has been rolled and has the odd minor crease due to this. The work is not numbered.
After David Hockney OM, CH, RA (b.1937)Poster for The Australian National Gallery, CanberraOpened by Her Majesty the Queen Elizabeth II, October 12th 1982, lithograph, 79cm by 132cmCondition report: Slight time staining to the paper. Light cockling to the paper. The odd tiny sporadic foxing spot. Not examined out of the frame.
Fernand Léger (1881-1955)"Les Nuages"Numbered 38/180, lithograph, 49cm by 64cmCondition report: The signature is printed.Slight cockling to paper. One small foxing spot to the right of the signature, horizontal crease approximately 2cm above the bottom edge, approximately 10cm in length. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Banksy (b.1974) "Walled off Hotel, Box Set" (2017) Offset lithograph, accompanied with a concrete chunk, together with a selection of chocolates and sweets from the hotel, 21.5cm by 21.5cmSold together with a copy of the receipt from The Walled Off HotelArtist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
ANTES, HORST (1936) "Stilleben mit Kopf", Farblithografie, sig. und bez. "für Fritz 15.5.66", Ex. 125/125, HxB: 50/65,5 cm. Leichte Altersspuren. Provenienz: Privatsammlung des Malers Fritz Genkinger.| ANTES, HORST (1936) "Still Life with Head", Colour lithograph, sig. and inscribed "für Fritz 15.5.66", Ex. 125/125, HxW: 50/65,5 cm. Slight signs of age. Provenance: Private collection of the painter Fritz Genkinger.
FRANK, FRANZ (Kirchheim u.T. 1897-1986 Marburg a.d.L.), "Kirchheim unter Teck", Blick über Häuserdächer auf die Evangelische Martinskirche, kolorierte Lithographie/Papier, in der Platte u.li. monogrammiert und datiert 'F37', u.re. mit Bleistift von Hand signiert 'Frank', HxB: Platte ca. 32x25 cm, Blatt ca. 41x31 cm, Außenmaße Rahmen ca. 45x35 cm. Leicht gebräunt und minim. fleckig. Mit verglastem Rahmen. | FRANK, FRANZ (Kirchheim u.T. 1897-1986 Marburg a.d.L.), "Kirchheim unter Teck", view over the roofs of the Evangelical Martinskirche, colored lithograph / paper, in the plate below left monogrammed and dated 'F37', lower right signed by hand in pencil 'Frank', HxW: plate approx. 32x25 cm, sheet approx. 41x31 cm, external dimensions frame approx. 45x35 cm. Slightly browned and minimal. blotchy. With a glazed frame.
ANTES, HORST (1936) "Figur mit erhobenen Armen" 1961, Lithografie, sig. und dat., HxB: 61,5 /43, 5 cm. Leichte Altersspuren. Provenienz: Privatsammlung des Malers Fritz Genkinger.| ANTES, HORST (1936) "Figure with Arms Raised" 1961, Lithograph, signed and dated, HxW: 61,5 /43, 5 cm. Slight signs of age. Provenance: Private collection of the painter Fritz Genkinger.
WUNDERLICH, PAUL (1927-2010) „Rendez-Vous-Technic I“, 1962, Farblithographie, 25/30, sig. und dat., Verso betitelt, HxB: 58/45 cm, HxB: Blatt: 65,5/50,5 cm. Leichte Altersspuren.Provenienz: Privatsammlung des Malers Fritz Genkinger.WUNDERLICH, PAUL (1927-2010) "Rendez-Vous-Technic I", 1962,Color lithograph, 25/30, signed. and dated, titled on verso, HxW: 58/45 cm, HxW: sheet: 65.5/50.5 cm. Slight signs of age.Provenance: private collection of the painter Fritz Genkinger.
FUCHS, ERNST (1930-2015) Plakat zur Ausstellung Ketterer / Villa Stuck, München, 1967, Farblithografie, 131/200, sig., Verso betitelt: „Das ungleiche Paar“. HxB: 90/63 cm. Altersspuren, Ränder, Ecken teilw. geknickt bzw. rissig.Provenienz: Privatsammlung des Malers Fritz Genkinger.| FUCHS, ERNST (1930-2015) poster for the exhibition Ketterer / Villa Stuck, Munich, 1967, Color lithograph, 131/200, signed, on the reverse titled: “The unequal couple”. HxW: 90/63 cm. Signs of age, edges, corners partly creased or cracked.Provenance: private collection of the painter Fritz Genkinger.
KÜNSTLER 20. Jh., "Abstrakte Komposition", Farblithographie/Papier, unten mittig mit Bleistift num. 25/25, undeutlich signiert und datiert (19)67, HxB: Platte ca. 34x47 cm, Blatt ca. 73x57 cm, Außenmaße Rahmen ca. 82x64,5 cm. Gebräunt, Knicke, Einrisse und Flecken an den Blatträndern. Mit verglastem Rahmen.| ARTIST 20th century, "Abstract Composition", color lithograph / paper, bottom center with pencil num. 25/25, indistinctly signed and dated (19) 67, HxW: plate approx. 34 x 47 cm, sheet approx. 73 x 57 cm, external dimensions of frame approx. 82 x 64.5 cm. Browned, creases, tears and spots on the sheet margins. With a glazed frame.
WUNDERLICH, PAUL (1927-2010) „Lolita“, Lithographie, X/X, sig., Verso betitelt, HxB: 46/61 cm, HxB: Blatt: 50/65 cm. Leichte Altersspuren, Bleistiftstriche im rechten Randbereich.Provenienz: Privatsammlung des Malers Fritz Genkinger.| WUNDERLICH, PAUL (1927-2010) "Lolita",Lithograph, X/X, signed, titled on reverse, HxW: 46/61 cm, HxW: sheet: 50/65 cm. Slight signs of age, pencil marks in the right margin area.
ANTES, HORST (1936) "Figur König", Lithografie, sig., HxB: 61/43,5 cm. Leichte Altersspuren, auf der linken Seite ein kleiner RissProvenienz: Privatsammlung des Malers Fritz Genkinger.| ANTES, HORST (1936) "Figure King".Lithograph, signed, HxW: 61/43,5 cm. Slight signs of age, a small tear on the left side.Provenance: Private collection of the painter Fritz Genkinger.
ANTES, HORST (1936) "Kopffüssler in viel Feldern", Farblithographie, sig. und bez. "Für Fritz Genkinger 14.12.66", HxB: 42/59,5 cm. Leichte Altersspuren.Provenienz: Privatsammlung des Malers Fritz Genkinger.| ANTES, HORST (1936) "Kopffüssler in viel Feldern". Colour lithograph, sig. and inscribed "Für Fritz Genkinger 14.12.66", HxW: 42/59,5 cm. Slight signs of age.Provenance: Private collection of the painter Fritz Genkinger.
ANTES, HORST (1936) "Die Braut", Lithografie, sig., Ex. 30/23, HxB: 62,5/46 cm. Leichte Altersspuren. Provenienz: Privatsammlung des Malers Fritz Genkinger.| ANTES, HORST (1936) "The Bride", Lithograph, sig., ex. 30/23, HxW: 62,5/46 cm. Slight signs of age. Provenance: Private collection of the painter Fritz Genkinger.
WUNDERLICH, PAUL (1927-2010) (2) Grafiken „Adam“ & "Eva I", Adam: Lithographie, 80/100, sig., HxB: 65,5/50,5 cm, Leichte Altersspuren, dunkler Fleck im linken Bereich.Eva I: Farblithographie, 99/120, sig. und dat (1965)., HxB: 66,5/50,5 cm, HxB: Blatt: 76/56 cm. Leichte Altersspuren.Provenienz: Privatsammlung des Malers Fritz Genkinger.| WUNDERLICH, PAUL (1927-2010) (2) graphics "Adam" & "Eva I",Adam: lithograph, 80/100, signed, HxW: 65.5/50.5 cm, slight signs of age, dark spot on the left.Eva I: color lithograph, 99/120, signed. and dated (1965), HxW: 66.5/50.5 cm, HxW: sheet: 76/56 cm. Slight signs of age.Provenance: private collection of the painter Fritz Genkinger.
ANTES, HORST (1936) "Die Braut", Farblithografie, sig., HxB: 61/43 cm. Leichte Altersspuren. Provenienz: Privatsammlung des Malers Fritz Genkinger.| ANTES, HORST (1936) "The Bride".Colour lithograph, signed, HxW: 61/43 cm. Slight signs of age. Provenance: Private collection of the painter Fritz Genkinger.
ANTES, HORST (1936) "Kopffüssler", Lithografie, sig., Ex. 30/18, HxB: 62,5/46 cm. Leichte Altersspuren, den oberen Rand abgeschnitten.Provenienz: Privatsammlung des Malers Fritz Genkinger.| ANTES, HORST (1936) "Kopffüssler" Lithograph, sig., ex. 30/18, HxW: 62,5/46 cm. Slight signs of age, upper margin cut off.Provenance: Private collection of the painter Fritz Genkinger.
Collection of 7 x prints, Georges Braque lithograph Galerie Maeght Exposition Circa 1950's (Mourlot), Marc Chagall lithograph Salon De La Lumiere Circa 1950's (Mourlot), Henri Matisse lithograph Galerie Maeght Circa 1950's (Mourlot), Pablo Picasso print Vollard suite Circa 1956, Henry Moore Shelter sketch print circa 1940's, Eric Gill engraving from 25 Nudes Circa 1938, Elisabeth Frink lithograph Circa 1975. All mounted but unframed, approx overall sizes 16 x 12 inches. Cellophane wrapped.
λ Elizabeth Violet Blackadder (Scottish 1931-2021) Still Life with Indian Toy Lithograph printed in colours on Japanese and Arches paper, 1982 Signed in pencil and numbered 29/75 Image 45.7 x 58.5cm (17 x 23 in.) Provenance: Mercury Gallery, Edinburgh Poole-Warren Designs (purchased from the above in August 1982)
δ Ardizzone (Edward) The Wreck, lithograph printed in colours, 480 x 745 mm (18 7/8 x 29 1/4 in), under glass, minor surface dirt, framed, printed by The Banyard Press for the School Print series, 1951Exhibited:Middlesbrough Borough Council Museums and Art Gallery, Ardizzone by the Sea, no. 69 [label on the reverse] δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Ardizzone (Edward).- Gorham (Maurice) The Local, 15 lithograph plates by Ardizzone (of which 1 double page), light browning to endpapers, original pictorial paper boards, spine head rubbed, original glassine dust-jacket with paper flaps as issued, portion lacking at lower panel lower edge, a few chips, flaps creased, 1939; Back to the Local, illustrations by Ardizzone, original cloth, dust-jacket, spine sunned and toned, tear to lower joint head, small tear upper fold foot, light surface soiling, 1949, first editions, 8vo (2)
δ Ardizzone (Edward) Nicholas Nickleby, Ealing Studios, door panel poster, lithograph printed in colours, sheet approx. 1520 x 490 mm (59 7/8 x 19 1/4 in), light surface dirt, minor nicks and handling creases, unframed, rolled, 1947⁂ Original poster by Edward Ardizzone for a British production of Dickens's famous novel, directed by Alberto Cavalcanti.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Ardizzone (Edward) Shelter Scene, lithograph printed in colours, on wove paper, 650 x 980 mm (25 1/2 x 38 3/4 in), a few nicks and surface dirt, handling creases and old folds, printed by Baynard Press, published by the National Gallery, unframed, [circa 1941]; together with seven further duplicate impressions, some with losses, and six Ardizzone related exhibitions posters, including five copies of the Middlesbrough 'Ardizzone by the Sea' exhibition poster, and one poster the Ardizzone exhibition at the MacRobert Arts Centre Gallery, various sizes, all rolled, 20th century (15)
§ Robert MacBryde (Scottish 1913-1966) Still life with fig and watermelonsigned 'Robert MacBryde' (lower right); numbered 1/25lithograph, unframed79.5 x 56.5cmCondition report: Surface toned and discoloured throughout, as pictured, this toning is not even throughout with deeper discolouration at the perimeters, and some paler areas including a vertical section approximately 11cm wide and running the length of the sheet from around 1cm from the right hand edge, there is a further more bleached section on the left hand side, of rectangular form and around 15cm long and 3cm wide. Along the right hand edge there is a small tear around half way up the edge, a further, small tear 21cm from the lower edge, and a very small tear to the top edge. The left hand corner has some dog ear creases and there is general staining throughout, this is mostly confined to the margins, though there are some marks on the main image. The reverse of the sheet shows multiple brown stains and marks.
Eric Ravilious (British 1903-1942) Coach Builder - Hooper & Co., lithograph from the 1938 'High Street' series published by The Curwen Press; together with two further lithographs from the same series, 'Hams' and 'Model Ships and Railways - Bassett-Lowke'22.5 x 14.5cmProvenance:With Sally Hunter Fine Art Ltd.
§ Lynn Chadwick CBE, RA (British 1914-2003) Hammachersigned and dated 'Chadwick 71' (lower right)lithograph, published by Erke Presse, St Gallen, unframed76.5 x 56cmCondition report: The lower right hand corner with two creases of around 6cm, the lower edge with a very shallow crease of around 10cm and the left hand corner with two very shallow diagonal creases of around 12cm. Some other typical light handling creases visible under raking light and some light shell mark creases, the most significant of which is in the green section of the print, but overall in good clean condition.
§ David Hockney RA (British 1937-) David Hockney: Paper Pools, lacking the loose lithographthe blue linen-covered book contained within the original card slipcase, both stamp-numbered 520 from an edition of 1000; the justification page signed 'David Hockney'published by Thames & Hudson, London, 198028 x 24cm
§ Peter Blake CBE, RDI, RA (British 1932-) Dead as a Dodo, from Ghosts of Gone Birdssigned 'Peter Blake' (lower right); numbered 2/100lithograph, unframed49 x 41cmCondition report: Loosely stuck down to cardboard backing at the centre of the top and bottom edges. In good, clean condition. Has never been framed.

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