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JONAS WOOD (AMERICAN B.1977) LARGE SHELF STILL LIFE - 2017 Off-set lithograph, from the edition of unknown size, published for the 'Shio Kusaka Jonas Wood' exhibition at Voorlinden Museum & Gardens, Wassanaar, the Netherlands, 30 September 2017 - 7 January 2018(58.5cm x 58.5cm (23in x 23in), unframed)
‘Funeral JFK’No. 345 from a limited edition of 500Lithograph Size: 23 x 22.5 cm (Framed and behind glass)NOTE Lithograph produced in collaboration with the Andy Warhol Foundation, by Ronny v.d. Velde & Co. (Antwerp, 1988).Andy Warhol made a series of portraits of Jackie Kennedy, after he was deeply impressed by the media attention of the funeral of John F. Kennedy, in 1964. (Because Andy Warhol works with silver-colored paper here, it is somewhat difficult to show the lithograph properly)(Please refer to department for Condition report. You can find the biography of this artist in our digital catalogue for this sale)
EDWARD BAWDEN RA [1903-1989] Among the Marsh Arabs, 1986. lithograph on wove paper with full margins, edition of 75, published by Hurtwood Press, signed, titled and numbered in pencil. 36.3 x 56.3cm [image size]. Unframed. Literature: Edward Bawden Editioned Prints Greenwood 177. [very good condition]. Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. Artists Resale Rights [ARR] of 4% are payable on the hammer price of all lots selling for the UK £ equivalent of 1000 euros or more. Bidding via The-Saleroom.com incurs a fee of 4.95% + VAT on hammer price. This lot is stored in London and can be collected or shipped from there..
WYNDHAM LEWIS [1882-1957]. James Joyce, 1932. lithograph; edition of 200 [141/200]. The National Portrait Gallery collection includes this print. 35 x 27 cm sheet size - overall including frame 52 x 43 cm. This is the most sought after of this series of prints and has sold for over £2000 at auction in the past in Ireland. [very good condition - some slight damage to the frame - unexamined out of frame]. Buyers premium 20% + vat payable..
WYNDHAM LEWIS [1882-1957]. Noel Coward, 1932; lithograph, edition of 200 [141/200]. 35 x 27 cm sheet size - overall including the frame 52 x 43 cm. The National Portrait Gallery collection includes this print. [very good condition - some slight damage to the frame - unexamined out of frame]. Buyers premium of 20% + VAT is payable..
JEAN LURCAT [1892-1966]. Animalites 1, 1965. lithograph, edition of 150, on arches-rives. signed in pencil. 39 x 56 cm [overall including frame 44 x 62 cm]. br>Major French painter, who was a huge influence on many UK painters in the 1920s/30s, particularly Paul Nash. [very good condition - top right shows photo reflection in glass - vertical soft crease in centre - this is not damage, all of this series have the same crease - unexamined out of frame]. Buyers premium 20% + vat payable.
JEAN LURCAT [1892-1966]. Animalites 111, 1965. lithograph, edition of 150, on arches-rives. signed in pencil. 39 x 56 cm [overall including frame 44 x 62 cm]. Major French painter, who was a huge influence on UK painters in the 1920s/30s, particularly Paul Nash [very good condition - soft vertical crease in centre, this is not damage, all of this edition have the same crease - photo reflection top right - unexamined out of frame]. Buyers premium 20% + vat payable.
GRAHAM SUTHERLAND [1903-80]. The Music, 1976. lithograph, signed; rare variant [standard edition is 50] - Tassi 165 - probably only a few were printed yellow on white background?. 30 x 26 cm sheet size [overall including frame 38 x 33 cm]. [very good condition]. Buyers premium 20% + vat payable..
GRAHAM SUTHERLAND [1903-80]. Beetle, 1968. lithograph on rives, signed in pencil; rare version, not in Tassi - perhaps a trial proof?. 65 x 50 cm - sheet size - framed. [fairly good condition - a few handling creases, mainly at top right corner + small 0.5 cm tear at right edge + slight stain above]. Buyers premium 20% + vat payable..
MICHAEL AYRTON [1921-75]. Acrobats, c.1956. lithograph, 18/25; signed in ink. 64 x 50 cm sheet size [overall including frame 75 x 61 cm]. [image in very good condition - slight stains from previous mount outside image and some creasing at edges of paper, which could easily be covered with a mount - unexamined out of frame]. Buyers premium 20% + vat payable.
BERNARD DUNSTAN RA [1920-2017]. Thes Chess Match, 1986 lithograph on handmade buff textured Japanese paper with full margins, edition of 60, published and printed at Curwen Studio, signed and numbered in pencil. 61.5 x 43.5cm [sheet size]. Unframed. Provenance: acquired directly from the Curwen Archive. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
EDWARD BAWDEN RA [1903-1989] Dunkirk, 1986. lithograph on wove paper with full margins, edition of 75, published by Hurtwood Press, signed, titled and numbered in pencil. 36.3 x 56.2cm [image size]. Unframed. Literature: Edward Bawden Editioned Prints Greenwood 176. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..
JOHN PIPER CH RA [1903-92]. Malmesbury, Wiltshire, 1964. lithograph on Barcham Green paper with full margins, edition of 70, published and printed at Curwen Studio, archive proof, Levinson 129, signed in pencil. 82 x 59.5cm [sheet size]. Unframed. Provenance: publisher's archive. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
PAUL NASH [1889-1946]. Prelude, 1944. Offset lithograph - edition? printed at Waterlow, published by BBC 8.6.1944 [2 days after D-Day, unsigned. 18.5 x 16.5cm [image size]. sheet size 31.6 x 25 cm, framed. Commissioned as front cover of Listener Magazine; the magazine remains intact inside the frame; [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
LEONARD ROSOMAN [1913-2012]. Two Piers in the Sunlight, 1953. lithograph on cream cartridge paper with full margins, edition of 50 [unnumbered], printed at RCA [Coronation Suite], signed in the plate.. 44 x 31 cm [image size]. Unframed. Provenance: publisher's archive. [image in very good condition; some nicks and grubbiness at edges of sheet]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
HAROLD COHEN [1928-2016]. Close Up #3, 1967. lithograph on hot-pressed paper printed to edges, edition of 75, published and printed at Curwen Studio, signed, dated, titled and numbered in pencil. 59.5 x 59.5cm [image and sheet size]. Unframed. Provenance: publisher's archive. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
HAROLD COHEN [1928-2016]. Close Up #4, 1967. lithograph on hot-pressed paper printed to edges, edition of 75, published and printed at Curwen Studio, signed, dated, titled and numbered in pencil. 59.5 x 59.5cm [image and sheet size]. Unframed. Provenance: publisher's archive. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
DUNCAN GRANT [1885-1978]. Washerwoman I, 1975. lithograph on St Cuthbert's mould-made paperwith full margins, edition of 350, printed at Curwen Studio, published by Observer Art, signed, and numbered in pencil. 77.3 x 57.6cm [sheet size]. Unframed. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
JOHN PIPER CH [1903-1992]. Fotheringhay, Northamptonshire, 1964. lithograph on handmade Barcham Green paper with full margins, edition of 70, printed at Curwen Studio, signed in pencil, an archive proof aside from the edition. 48.5 x 68.7cm [image size]. Unframed. Provenance: printer's archive. Literature: The Prints of John Piper Levinson 135. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
STANLEY JONES MBE [b.1933]. Sarn, 1978. lithograph on hot-pressed wove paperprinted to edges, edition of 90, published and printed at Curwen Studio, signed and numbered in pencil. 76.1 x 50.9cm [image and sheet size]. Unframed. This image was reproduced as the front cover of the artist's autobiography Stanley Jones and the Curwen Studio [Herbert Press 2010]. Provenance: publisher's archive. [image in very good condition, some creases to the bottom edge of the sheet]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
JOHN PIPER CH [1903-1992]. Easton, Portland, Dorset, 1964. lithograph on handmade Barcham Green paper with full margins, edition of 70, printed at Curwen Studio, signed in pencil, an archive proof aside from the edition. 63.8 x 50.2cm [image size]. Unframed. Provenance: printer's archive. Literature: The Prints of John Piper Levinson 137. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
JOHN PIPER CH [1903-1992]. Gedney, Lincolnshire, 1964. lithograph on handmade Barcham Green paper with full margins, edition of 70, printed at Curwen Studio, signed in pencil, an archive proof aside from the edition. 77.2 x 51.5cm [image size]. Unframed. Provenance: printer's archive. Literature: The Prints of John Piper Levinson 139. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
WYNDHAM LEWIS [1882-1957]. Self Portrait, 1932. lithograph, edition of 200 [141/200]. 35 x 27 cm [sheet size] - overall with frame 52 x 43 cm. The National Portrait Gallery collection includes this print. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
WYNDHAM LEWIS [1882-1957]. Augustus John, 1932. lithograph, edition of 200 [141/200]. The National Portrait Gallery collection includes this print. 35 x 27 cm [sheet size]. Overall including frame 52 x 43 cm. [very good condition - unexamined out of frame]. Buyers premium of 20 % + VAT is payable..
WYNDHAM LEWIS [1882-1957]. Wing Commander Orlebar, 1932. lithograph, edition of 200 [141/200]. The National Portrait Gallery collection includes this print. 35 x 27 cm [sheet size]. Overall including frame 52 x 43 cm. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
WYNDHAM LEWIS [1882-1957]. J B Priestley, 1932. lithograph, edition of 200 [141/200]. The National Portrait Gallery collection includes this print. 35 x 27 cm [sheet size]. Overall including frame 52 x 43 cm. [very good condition - some slight damage to the frame - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
WYNDHAM LEWIS [1882-1957]. Dame Edith Evans, 1932. lithograph, edition of 200 [141/200]. The National Portrait Gallery collection includes this print. 35 x 27 cm [sheet size]. Overall including frame 52 x 43 cm. [very good condition - some slight damage to the frame - unexamined out of frame]. Buyers premium of 20% + VAT is payable..
WYNDHAM LEWIS [1882-1957]. Constant Lambert, 1932. lithograph, edition of 200 [141/200]. 35 x 27 cm sheet size. Overall including frame 52 x 43 cm. The National Portrait Gallery collection includes this print. [very good condition - some slight damage to the frame - unexamined out of frame]. Buyers premium of 20% + VAT is payable. ARR at 4%.
WILLIAM JOHNSTONE [1897-1981]. Abstract [When the Trees Grow Bare], 1981. Lithograph, 22/50; signed in pencil. Inspired by Edwin Muir poetry. 33 x 51 cm - unframed. The Tate Gallery collection includes this print. [very good condition - vertical crease down the centre - not damaged, in common with all of this series]. Buyers premium of 20% + VAT is payable..
WILLIAM JOHNSTONE [1897-1981]. Abstract [The Conqueror], 1981. lithograph, 22/50. Inspired by Edwin Muir poetry. Signed in pencil. 33 x 51cm - unframed. The Tate Gallery collection includes this print. [very good condition - vertical crease in centre - not damage, all of this series have the same crease]. Buyers premium of 20% + VAT is payable.
WILLIAM JOHNSTONE [1897-1981]. Abstract [The Gate], 1981. lithograph, 22/50. Signed in pencil. Inspired by Edwin Muir poetry. 33 x 51 cm - unframed. The Tate Gallery collection includes this print. [very good condition - vertical crease in centre - not damage, all of this series have the same crease]. Buyers premium of 20% + VAT is payable.
WILLIAM JOHNSTONE [1897-1981]. Abstract [The Confirmation], 1981. lithograph, 22/50. Signed in pencil. Inspired by Edwin Muir poetry. 33 x 55 cm - unframed. The Tate Gallery collection includes this print. [very good condition - vertical crease in the centre - not damage, all of this series have the same crease]. Buyers premium of 20% + VAT is payable.
WILLIAM JOHNSTONE [1897-1981]. Abstract [Sunset], 1981, lithograph, 22/50. Signed in pencil. Inspired by Edwin Muir poetry. 33 x 51 cm - unframed. The Tate Gallery collection includes this print. [very good condition - vertical crease in centre - not damage, all of this series have the same crease]. Buyers premium of 20% + VAT is payable..

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70555 Los(e)/Seite