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70553 Los(e)/Seite
Los 777
Corneille "Herbes IV" lithograph printed in colours - with atelier stamp signed by Natacha van Beverloo dd 2/10/13 || CORNEILLE (1922 - 2010) (1922 - 2010) - atelier van kleurlitho n° 3/3 getiteld "Herbes IV" dd 1972 - 65 x 50 met op verso een atelierstempel met signatuur van Natacha van Beverloo dd 2/10/(20)13 met attest met droogstempel van Schana B. Gallery
Los 766
edition of "Ariel" dd 1966 with original lithograph (printed by Desjobert) n° 214/750, edited on the occasion of an exhibition of recent works by Appel in the Ariel gallery and presented by Berggruen & Pollac || APPEL KAREL (1921 - 2006) uitgave van "Ariel" van 1966 met originele litho (gedrukt bij Desjobert) n° 214/750 uitgegeven ter gelegenheid van een expositie van recente werken van Appel in de galerie Ariel en gepresenteerd door Berggruen & Pollac
Los 710
Sonia Delaunay signed lithograph printed in colours from "Correspondances n°5" dd 1968 printed by L'Imprimerie du Lion - Paris edition by "Editions des Nouvelles Images" || DELAUNAY SONIA (1885 - 1979) kleurlitho (op vélin de Rives) n° 222/450 uit "Correspondances n° 5" dd 1968 met een typische kleurrijke compositie - 16,4 x 13,2 (blad : 32,2 x 24,8) cm gedrukt door L'Imprimerie du Lion - Paris in november van 1968 uitgave van "Editions des Nouvelles Images"
Los 382
Formula One Interest - Dexter Brown (b.1942), "Sir Stirling Moss O.B.E.", signed in pencil in the margin, offset lithograph, 58.8 x 61.5cm; "Williams FW14B, Nigel Mansell 1992 Monaco Grand Prix", signed in the margin, 64.5 x 40cm, and "Ferrari 640, Nigel Mansell 1989 Brazilian Grand Prix", signed and numbered "431/500" in the margin, 44.5 x 62.5cm, all in glazed frames. (3)
Los 172
After Robert Taylor, "Victory over Dunkirk", signed by the pilot, Bob Stanford-Tuck, in the margin, offset lithograph, 39 x 53cm; "Duel of Eagles", signed by Douglas Bader and Adolf Galland, 37.8 x 49.54cm; "Johnnie Johnson Leading 144 Canadian Wing Over The Normandy Beaches", signed by Johnnie Johnson, 37.5 x 51.5cm; "Spitfire", signed by Douglas Bader and Johnnie Johnson, 37.5 x 49cm, and after Gordon Wright, "By Horsa to Normandy, signed, 105/500, 34 x 47.5cm, all in glazed frames, (Spitfire glass a/f). (5)
Los 2803
Karl Dietrich Pirscher(1791 - 1857 Braunschweig)"Die ewig denkwürdige Nacht vom 7ten auf den 8ten September 1830 in Braunschweig". OriginaltitelLithographie/Papier, um 1830. Darstellung ca. 41,5 cm x 55,5 cm. Passepartoutausschnitt 43,5 cm x 55,5 cm. Rahmen.Seltenes Blatt mit historisch bedeutender Darstellung der Braunschweiger Stadtgeschichte: Am 7. September 1830 kam es zur sog. "Braunschweiger Revolution", auf der Bürger der Stadt sich gegen die Verschwendungssucht des Herzogs Karl II. von Braunschweig und Lüneburg auflehnten, indem sie das Alte Schloss plünderten und anschließend in Brand setzten.Lithograph on paper, Brunswick circa 1830.
Los 1076
After Herbert Thomas Dicksee (1862-1942)"The last furrow""Against the wind and open sky"Etchings, 25cm by 54.5cm, together with J T Willmore after Carmichael, "City of Durham from the observatory fields", black and white engraving, a hunting print, a map of Durham and a lithograph after La Thangue depicting a study of a boy with a calf (6)
![Getulio Alviani (1939-2018) Zonder titel litho, gesign. r.o., 49 x 49 cm. [1] lithograph](https://cdn.globalauctionplatform.com/c983b521-7d9b-461c-a470-b15300b3a965/ccf22493-1658-4a6f-8632-b15400fa016b/468x382.jpg)
![Antonio Saura (1930-1998) Retrato (1984) lithograph, signed lower right, 28/100, 22 x 17 cm. [1]](https://cdn.globalauctionplatform.com/c983b521-7d9b-461c-a470-b15300b3a965/7598cb51-29d3-40f4-979d-b15400f8245a/468x382.jpg)
![Henri-Théodore Fantin-Latour (1836-1904) Venus en Amor litho. gesign. r.o., 33 x 41 cm. lithograph, signed lower right [1]](https://cdn.globalauctionplatform.com/c983b521-7d9b-461c-a470-b15300b3a965/b2cd9e6d-eaad-49da-be24-b15400f2e1e2/468x382.jpg)
Los 92
Damien Hirst (British, born 1965)For the Love of Comic Relief Offset lithograph in colours with glitter and glaze, 2013, on wove paper, signed and numbered 29/50 in white crayon, published by Other Criteria, London, with their and the artist's ink stamp verso, the full sheet, framedSheet 450 x 335mm (17 3/4 x 13 1/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 119
Helen Frankenthaler (American, 1928-2011)Reflections X, from Reflections Series Lithograph in colours, 1995, on Lana White mould-made paper, signed, dated and numbered 22/30 in pencil (there were also ten artist's proofs), printed and published by Tyler Graphics, Mount Kisco, New York, with their blindstamp, the full sheet, framedImage 371 x 298mm (14 5/8 x 11 3/4in)Sheet 483 x 409mm (19 x 16in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 121
Mel Ramos (American, 1935-2018)The Pause that Refreshes (Coca Cola) Screenprint and offset lithograph in colours on enamelled steel, circa 2000-2001, signed and numbered 919/1000 in white inkSheet 399 x 399 x 25mm (15 3/4 x 15 3/4 x 1in)For further information on this lot please visit Bonhams.com
Los 61
David Hockney R.A. (British, born 1937)Olympische Spiele München 1972 (Baggott 25) Lithograph in colours, 1970, on BFK Rives paper, signed, dated and numbered 194/200 in pencil, printed by Matthieu AG, Zürich, published by Editions Olympia, MunichSheet 1020 x 639mm (40 1/8 x 25 1/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 145
Dame Paula Rego R.A. (British, 1935-2022)Après la fête II (Rosenthal 222) Lithograph in colours, 2003, on Somerset wove paper, signed and numbered 36/50 in pencil (the total edition was 75), printed by The Curwen Studio, Cambridge, published by Thames & Hudson Ltd., London, the full sheet, framed; as issued with the accompanying deluxe edition of 'Paula Rego: The Complete Graphic Work', copy number 36, published by T.G. Rosenthal, Thames & Hudson Ltd., London, 2003Image 260 x 200mm (10 1/4 x 7 7/8in)Sheet 280 x 200mm (11 x 7 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 118
John Baldessari (American, 1931-2020)Tree, from 2623 Third Street, Santa Monica (Coplan Hurowitz 112) Lithograph with screenprint in colours, 2000, on Somerset Velvet wove paper, signed, dated and numbered 35/61 on the reverse, co-published by Brooke Alexander Editions, New York and Sabine Knust Maximilian Verlag, Munich, the full sheetSheet 686 x 686mm (27 x 27in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 112
JR (French, born 1983)28 millimètres, Portrait of a Generation, Ladj Ly Offset lithograph in colours, 2006, on laid paper, signed and dated in orange ink, numbered 70/100 in pencil, the full sheet, framedImage 413 x 614mm (16 1/4 x 24 1/8in)Sheet 481 x 681mm (18 7/8 x 26 3/4in)Footnotes:ProvenanceSteve Lazarides Gallery, London.Acquired directly from the above by the present owner.JR is one of the most influential street artists and photographers today. An 'Urban Activist,' he is most famous for his colossal pictures in public spaces, which interact with the cityscape to convey messages of peace, empowerment, and social inclusivity. From Rio de Janeiro to Paris, New York to Ukraine, his work spreads hope for the forgotten ones. '28 millimètres, Portrait of a Generation, Ladj Ly' is part of his first project, set in the Les Bosquets (Montfermeil) residential area in the outskirts of Paris, highly affected by the riots of 2005. In his words: 'This image was my first large-scale pasting using strips created on a large-format printer. We pasted at night and asked kids from the neighbourhood to wait at the bottom of the ladder in order to create a crowd and avoid the police. I was pasting the second strip when we realized we made a mistake. We had to come back the next night! The pasting took eight hours with the help of all the community. Today, a pasting like this would only take us a couple of hours.' The main protagonist of this shot is director and screenwriter Ladj Ly, whose directorial debut film Les Misérables, about life in the Parisian banlieues, became a great box-office success in France in 2019. The film went on to win the Prix du Jury at the Festival de Cannes, and was nominated for the Best Foreign Film at the 2020 Oscars.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 62
David Hockney R.A. (British, born 1937)Pool Made with Paper and Blue Ink for Book (M.C.A. Tokyo 234) Lithograph in colours, 1980, on Arches wove paper, signed, dated and numbered 201/1000 in pencil, published by Tyler Graphics Ltd., Mount Kisco, New York, with their blindstamp, framed; together with the accompanying book David Hockney: Paper Pools, within the original card slipcase, both stamp-numbered 201, the book signed in red ink on the justification, published by Thames & Hudson, LondonSheet 267 x 228mm (10 1/2 x 9in)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 83
Tracey Emin (British, born 1963)More of You Lithograph in colours, 2014, on 300gsm Somerset wove paper, signed, titled, dated and numbered 39/100 in pencil, published by Counter Editions, Margate, the full sheet, framedSheet 900 x 705mm (35 3/8 x 27 3/4in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 123
Christo & Jeanne-Claude (American/Bulgarian, 1935-2020; 1935-2009)Package on a Table, Project 1961-1988 (Schellmann 142) Lithograph and screenprint in colours with collage of fabric, twine, staples and pencil additions, 1989, on wove paper mounted on 2-ply grey cardboard, signed and numbered 45/100 in black wax crayon (there were also 25 artist's proofs in Roman numerals), printed and published by La Polígrafa, Barcelona, framedSheet 811 x 605mm (32 x 23 5/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 53
⊕ DIA AL AZZAWI (BRITISH / IRAQI B.1939) AL-JAWAHIRI VERSESsigned, stamped and dated Azzawi 1989 lower right; numbered 71/89 lower lefthand coloured lithograph on Velin Cuve BFK Rives Blanc mould-made 250gsm paper65 x 50cm; 25 1/2 x 19 1/2in73 x 56.7cm; 28 3/4 x 22 1/3in (framed)Property from a Private Collection, LondonProvenanceAcquired from the artist by the present ownerAl-Azzawi began creating art at a young age, drawing illustration reproductions from magazines and scenes from his family life. This natural talent was encouraged and developed in his time at al-Markaziyyah high school from which he graduated in 1958. He then attended the College of Arts, Baghdad, completing his degree in archaeology in 1962. While there, al-Azzawi was encouraged by friends in the al-Marsam al-Hurr group (the Free Studio) to attend night classes at the Institute of Fine Art to continue his art studies, which he completed in 1964. His early work drew from many sources of inspiration, including the Sumerian figurine, visual motifs from popular culture and everyday life, and legends and folklore such as Gilgamesh and Imam Hussain. After Al-Azzawi moved to London in 1976 to expand his practice and escape the increasingly oppressive Ba'thist state, he moved towards exploring the interaction of visuals and the written word through experimentations with poetry, such as the al-qaseedah al-marsumah or 'drawn poem'. In 1979, he continued to create visual representations for poetry using al-qaseedan al-marsumah. After 1983, Al-Azzawi returned to earlier motifs like colour through the form of the Arabic letter and the influences of classic literature such as One Thousand and One Nights but now through the medium of prints. Al-Azzawi continued to explore the convergence of visuals and the written word by producing dafatir, or artists books, which reflected the poetry of the great Arab poets. Beginning in 1989, Al-Azzawi produced over 40 dafati and it became a place for him to reflect on political events such as the start of the Gulf War in 1991.Al-Azzawi's Al-Jawahi verses were based on the poems by Iraqi poet Muhammad Mahdi Al-Jawahiri, born in 1899 in Najaf. Al-Jawahiri's father, 'Abd al-Husayn was a religious scholar among the clergy in Najaf who wanted his son to be a cleric as well. So he dressed him in a cleric's 'Abaya and turban at the age of ten. The origin of Al-Jawahiri goes back to his Najafi, Iraqi family. Since the 11th century Hijri (15th century CE), the most famous people have inhabited Najaf, and individuals named al-Najafi have earned the title 'Bejeweled' (or al-Jawahiri) for their relationship to the book of fiqh values (religious scholarship), which one of his family's ancestors, Shaykh Muhammad Hasan al-Najafi, had written.
Los 55
⊕ DIA AL AZZAWI (BRITISH / IRAQI B.1939) AL-JAWAHIRI VERSESsigned, stamped and dated Azzawi 1989 lower right; numbered 71/89 lower lefthand coloured lithograph on Velin Cuve BFK Rives Blanc mould-made 250gsm paper65 x 50cm; 25 1/2 x 19 1/2in73 x 56.7cm; 28 3/4 x 22 1/3in (framed)Property from a Private Collection, LondonProvenanceAcquired from the artist by the present ownerSee note to lot 55.
Los 19
HELEN SEBIDI (SOUTH AFRICAN B.1943) STILL GOING ONsigned, titled and numbered A / P "Still going on" M.M.H.Sebidi lower marginlithograph42.5 x 35cm; 16 3/4 x 13 3/4in79.5 x 68cm; 31 1/4 x 26 3/4in (framed)Property from a Private Collection, LondonProvenanceAcquired from Ellerman House, Cape Town in 1998 by the present ownerBorn in Marapyane, near Hammanskraal, Sebidi is celebrated as one of South Africa’s most influential artists. She developed a life-long love for the designs of traditional arts and craft which she learnt from her grandmother who was a decorative wall and floor painter. She began painting herself after working as a domestic worker in Johannesburg. Coming from a humble family with limited means and little formal education, Sebidi pursued her nascent sense of creativity in her own time, until her work was discovered by her employer, who, astonished by her talent, encouraged her to paint.Sebidi’s works are dense and exuberant; they pulsate with energy. Strange figures, some fantastical and mythological, and some drawn from her own richly storied history, jostle for space on the crowded canvases and prints, at times evoking a sense of celebration and, at other times, of terror and loss. In 1985, she had her first solo show at the influential Federated Union of Black Artists in Newtown. Sebidi has won several awards, including Standard Bank Young Artist of the Year Award, 1989, the Vita Award, 1990, and South Africa’s prestigious Order of Ikhamanga in 2004.
Los 5
Tom & Jerry The Premiere, a framed limited edition Hanna-Barbera original hand painted cel (Number: 9309), hand signed by Bill Hanna & Joe Barbera. The original artwork was transferred onto a cel using a high-quality silk-screening process with a reproduced lithograph background. The cel is autographed in black ink by the co-founders of Hanna-Barbera, William Hanna and Joe Barbera, and this example is hand-numbered #398/400 in the original frame from MGM bought from a Warner Bros. store in 2001
Los 218
Mixed ceramics and glass comprising a boxed Wade shore crab, a hedgehog, tortoise, two 'Lady and the Tramp' dog figures, a Nao figure of a girl with dog, height 19.5cm, two Wedgwood jasperware trinket boxes and small plate, two glass paperweights, a small tin with lithograph printed design of a travel trunk and a hand-painted Poole Pottery modern plate with dragonflies (12).
Los 804
Seven various watercolours and prints relating to the theatre to include a watercolour of characters from 'A Midsummer Night's Dream', and 'The Tempest' both initialled 'RM', dated '94, Sara Dunton engraving, 'Mantelpiece with Doorstop', signed, titled and no. 16/20, Peter S Smith, 'Mr Punch' signed and dated 1987, titled and no. 17/30, watercolour, 'Exit the Stage' initialled EP and dated 1987, and KM Lundsley, artist proof, 'The Theatre Tavern', Peter Forrester, 'Mrs Siddens', colour lithograph no. 09/50, various sizes, all framed and glazed (7).Condition Report: From the estate of actor Dean Sullivan, most known for playing Jimmy Corkhill in the TV series Brookside.
Los 747
Various prints and pictures relating to Liverpool, to include Freida McKitrick, 'Waterfront, Going Home', 13 x19cm, Paul Butler colour lithograph, signed limited edition with personal dedication, 19 x 41cm, pink wash study of Liverpool waterfront, Michael Treanor, watercolour, 'Red Sails Liverpool', 20 x 28cm, three artists' proof studies of Liverpool buildings signed Freida McKitrick 2002, 'Cunard', 'Port of Liverpool', and 'Royal Liver Buildings', 22.5 x 18.5cm, all framed and glazed (7).Condition Report: From the estate of actor Dean Sullivan, most known for playing Jimmy Corkhill in the TV series Brookside.
Los 735
AFTER DAVID ROBERTS RA (1796-1864); a set of seven coloured lithographic prints depicting Eastern scenes and a black and white lithograph of David Roberts, titled to the margin, each 49 x 34cm, also two slightly smaller examples, each 24 x 34cm, all in matching glazed frames and a further unframed example, 27 x 36cm (11).Condition Report: - One of the small pictures and one of the large pictures have broken glass. Otherwise, appear to be in fairly good condition.
Los 415
A quantity of mixed pictures, tiles, artwork, studies, unframed prints, artwork reliefs, octagonal framed studies from Pompeii; Oriental painted tiles, black and white unframed Hogarth Lithograph prints, in original packing from gallery, large Bird silk works, and a study of Billingsgate marlet. sogmed Tereme Dalley March '68. All as found, local house clearance , Collector.
Los 64
ROBERT RAUSCHENBERG (1925-2008)SLING-SHOTS LIT #3From Sling-Shots Lit Series (Gemini G.E.L. 1175) 1985Signature incisée, titre et date sur une plaque de métal apposée sur le côté gauche.Lithographie et sérigraphie en couleurs sur feuilles de mylar et toile à voile, placées dans un caisson en bois avec lumière fluorescente et stores amovibles.Tirée à 25 exemplaires (sept épreuves d'artiste), publiée par Gemini G.E.L., Los Angeles.Ingekrast met handtekening, titel en datum op een metalen plaatje aan de linkerzijdeLithografie en zeefdruk in kleur op mylar vellen en zeildoek, geplaatst in een houten lichtbak met fluorescerend licht en beweegbare vensterluikenUit een oplage van 25 (er waren ook zeven proefdrukken), uitgegeven door Gemini G.E.L., Los Angeles.Incised with signature, titled and dated on a metal plaque affixed to the left sideLithograph and screenprint in colours on mylar sheets and sailcloth, set into a wooden lightbox with fluorescent light and moveable window shadesFrom the edition of 25 (there were also seven artist's proofs), published by Gemini G.E.L., Los Angeles214,6 x 129,5 x 31,1 cmFootnotes:Provenance / HerkomstGuy Pieters Gallery, KnokkeCollection privée / Privécollectie, Belgique Depuis 1962, Robert Rauschenberg expérimente avec des images photographiques sérigraphiées, qu'il applique à des toiles tendues ou non, à des panneaux de plexiglas coulissants et à des disques rotatifs motorisés. Une variation sur ce thème est la série des 'Sling Shots'. Chacune consiste en un cadre rectangulaire en bois magnifiquement travaillé, comme une fenêtre, mais avec des images photographiques imprimées sur du Mylar (film en polyester) et recouvertes de toile à voile à l'endroit où le verre devrait se trouver. Deux couches supplémentaires de Mylar transparent sont suspendues devant ce cadre, avec d'autres images sérigraphiées et lithographiées, certaines en noir et blanc, d'autres dans des tons électriques de bleu, de vert, d'orange et de rouge. L'ensemble est éclairé par l'arrière par des ampoules fluorescentes, donnant l'effet d'une boîte à lumière surdimensionnée, et les feuilles de Mylar suspendues peuvent être levées ou abaissées, comme des stores, en tirant sur le cordon situé sur l'un des côtés de la boîte.Les éléments individuels de chaque 'Sling Shot' - médias mixtes, imagerie de style pop et participation du public - constituent la base de l'art révolutionnaire de Rauschenberg depuis plusieurs décennies. Mais ici, l'artiste va plus loin, utilisant les ombres mobiles non pas comme un gadget, mais comme un moyen de réaffirmer son engagement envers le hasard et le changement dans son propre art.Bien qu'elles n'aient pas le contenu ouvertement politique de certaines Å“uvres antérieures de Rauschenberg, les 'Sling Shots Lit' démontrent toujours son flair pour la satire sociale et sa capacité à trouver des juxtapositions visuelles surprenantes, souvent pleines d'esprit.Nancy G. Heller, Shades of Pop Art at B. R. Kornblatt, Robert Rauschenberg's Sling Shots, Washington Post, 28 mars 1985.For further information on this lot please visit Bonhams.com
Los 65
ROBERT RAUSCHENBERG (1925-2008)SLING-SHOTS LIT # 6 RR84-1112From 'Sling-Shots Lit Series' 1985Signature incisée, titrée, datée et numérotée 25/25 sur une plaque de métal apposée sur le côté gaucheLithographie et sérigraphie en couleurs sur feuilles de mylar et toile à voile, placées dans un caisson lumineux en bois avec lumière fluorescente et stores amoviblesPublié par Gemini G.E.L., Los AngelesIngekrast met handtekening, getiteld, gedateerd en genummerd 25/25 op een metalen plaatje aan de linkerzijde.Litho en zeefdruk in kleuren op mylar vellen en zeildoek, gevat in een houten lichtbak met fluorescerend licht en beweegbare vensterluiken. Uitgegeven door Gemini G.E.L., Los AngelesIncised with signature, titled, dated and numbered 25/25 on a metal plaque affixed to the left sideLithograph and screenprint in colours on mylar sheets and sailcloth, set into a wooden lightbox with fluorescent light and moveable window shadesPublished by Gemini G.E.L., Los Angeles214,6 x 142,6 x 31,4 cmFootnotes:Provenance / HerkomstGuy Pieters Gallery; KnokkeCollection privée / privécollectie, Belgique Bibliographie / BibliografieRobert Rauschenberg and Gemini G.E.L, Gemini G.E.L Online Catalogue Raisonné, New York, no. 1175Les deux Å“uvres de Robert Rauschenberg que nous présentons dans la vente du 30 avril 2024 à Bruxelles sont des assemblages de boîtes lumineuses avec lithographie et sérigraphie sur des panneaux de Mylar et de toile à voile ; ils ont été publiés par Gemini G.E.L., Los Angeles.Ecoutons le galeriste Leo Castelli parler de l'Å“uvre de Robert Rauschenberg au réalisateur, acteur et collectionneur Claude Berri. Ensuite, Nancy Heller, auteur et professeur d'histoire de l'art, nous parle des Sling-Shots en particulier.« Je l'ai découvert comme cela, par hasard, en cherchant des artistes pour l'exposition de la 9ème rue. J'ai tout de suite vu qu'il n'était que peu influencé par les « grands », qu'il était nettement différent. Il y avait dans son travail des éléments d'une audace extraordinaire, la recherche de quelque chose de nouveau qui n'était pas la continuation de ce que de Kooning et Pollock avaient amorcé. Il y avait chez lui des éléments que l'on connaissait, son emploi du collage par exemple. Picasso et tant d'autres après lui l'avaient employé, mais l'usage qu'en faisait Rauschenberg était plus grandiose, plus surprenant, davantage fondé sur les choses qu'il trouvait dans la rue. Cela rappelait un peu Schwitters, mais chez Schwitters, tout était menu alors que Rauschenberg, pour sa part, allait jusqu'à employer des aigles empaillés et mêmes des chèvres empaillées. Il allait infiniment plus loin que tous les autres avant lui dans l'emploi d'éléments étrangers à la peinture. C'est un grand précurseur qui a eu, je crois, une influence énorme sur les générations suivantes. »Rauschenberg regardait autour de lui, la vie, son quartier, les bas-fonds de Manhattan, la misère et les détritus, et c'est cela qu'il voulait montrer : la vie telle qu'elle est. Robert Rauschenberg a cette idée que le monde en guerre doit être réformé par l'art. Il s'est donné pour mission de montrer partout son art constitué d'images multiples sorties de magazines d'actualité ou qu'il photographie lui-même.Claude Berri rencontre Leo Castelli, Paris, 1990, pp. 28, 35 et 69.For further information on this lot please visit Bonhams.com
Los 576
‡ LAURENCE STEPHEN LOWRY RA (1887-1976) offset lithograph printed in colours - 'Industrial Scene', published in 1974 by Venture Prints Ltd, Bristol, signed in pencil, Fine Art Trade Guild blindstamp, 34 x 24cmsProvenance: private collection Swansea since purchase in the 1970'sComments: framed and glazed, a few chips to lower frame
Los 575
‡ LAURENCE STEPHEN LOWRY RA (1887-1976) limited edition (850) offset lithograph printed in colours - 'Peel Park' (Salford), Fine Art Trade Guild blindstamp, published by Venture Prints 1975, signed in pencil, 41.5 x 78.5cmsProvenance: private collection PowysComments: framed and glazed with conservation glass, colours are fresh, ready to hang
Los 184
Ernst Plank Magic Lantern & Cinematograph, German, c.1900, with embossed plaque to the front for EP (Ernst Plank), wooden base with tin plate lamp housing and projection mechanism, with wooden crank handle in original case with paper-edged glass slides, box with the original lithograph label to top
Los 173
including a set of cards in a case marked 'Stereoscopic Charts for Squinters by Dr. Emil Hegg' with cards and instructions, a cased set of lithograph cards titled 'Krolls Stereoscopical Pictures for the use of Squint-eyed People' in a blue case with cards and instructions, an unusual set of Swann-Cole Orthoptic Training Cards, and a few loose cards ( a lot)
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70553 Los(e)/Seite