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70553 Los(e)/Seite
Colorful lithograph depicting a surrealist scene of a man in 18thc. style clothing with a long nosed green figure and a large white rabbit head in the background. Signed by artist in pencil on lower right with XXII/L written to lower left. Black matte border with black mount; wood grain frame with beaded inner border. Mihail Chemiakin was born in Moscow in 1943 and was later exiled from Soviet Russia in 1971. Upon his return to post-Soviet Russia, he was commissioned by government officials to create monuments dedicated to Peter the Great, the Victims of Political Repressions, and the Architects and Builders of St. Petersburg. He also has monuments erected in France. Sight size: 14.5"W x 14.5"H; frame: 18"W x 18"H x 1"D. Certificate of Authenticity included. Condition: Age related wear.
Color lithograph on wove paper by French illustrator Raymond Peynet entitled Tous Les Amoureux (All the Lovers.) It depicts a humoristic sight of couples kissing and embracing as pink hearts float around them. Peynet included one large stamp with the lovers and a red heart, and two stamps with his name and the date of Valentine's Day, 14 Fevrier 1985. Signature and edition in pencil on lower center: Peynet, 194/600. Housed in a pink frame and white matting and blue border. Sight size: 17"L x 25"H. Frame size: 22.50"L x 30.60"H x 1.10"W. Artist: Raymond Peynet (French 1908-1999)Issued: c. 1990Edition Number: 194 of 600 Country of Origin: FranceCondition: Age related wear.
Color lithograph entitled Les Oiseaux Blancs (White Birds) on cream Arches wove paper printed before George Braque's 1958 exhibition Sur Quatre Murs at the Galerie Maeght. Housed in an ornate gilt frame with an ecru linen mat. Signature on the stone. From the Edition of 1000 before text. Printed by Mourlot, Paris. Frame size: 31"L x 36"H x 2"W. Artwork dimensions: 18"L x 23.25"H. Certificate of Authenticity included. Artist: George Braque (French, 1882-1963)Issued: 1958Edition Number: From the Edition of 1000 Country of Origin: FranceCondition: Age related wear.
Beautiful color lithograph on paper of Eupeithes from Homer's The Odyssey illustrated by Marc Chagall. Housed in a black frame with a marbleized cream and brown mat. Signed in pencil on lower center: Marc Chagall. Sight size: 11.50"L x 14.75"H. Frame size: 17.50"L x 21.50"H x 1.60"W. Certificate of Authenticity included. Artist: Marc Chagall (Russian/French 1887-1985)Issued: c. 1975Country of Origin: RussiaCondition: Age related wear.
Impressionist style lithograph print on wove paper depicting a vase bursting with vibrant red poppies and sprays of tiny white flowers. Signed by artist in lower right corner with edition number. Wood frame with dark woodgrain veneer finish; double white and black matte border. Sight size: 18.25""W x 18.5""H; frame: 20.75""W x 21""H x 0.75""D. Artist: Michael MilkinEdition Number: 362 of 480 Condition: Age related wear.
Color lithograph on Velin paper from the series Carnaval de St-Petersbourg by nonconformist Russian painter and sculptor Mihail Chemiakin. The politically charged composition represents an Imperial soldier with a plague carnival mask and a rodent tail as he holds a string of sausages on a pole. The red heeled aristocrat walks decisively in a fantastical space from where the sun/moon refuses to shine on him. Signature in pencil on lower right: M. Chemiakin. Numbered on lower left: 71/275. Housed in a gilded frame with a black mat. Sight size: 16""L x 16""H; frame: 26""L x 26""H x 1.10""D. Certificate of Authenticity included. Issued: c. 1996Edition Number: 71 of 275 Condition: Age related wear.
Fauvist and Modernist Guy Charon used bold colors to create this vibrant lithograph on paper entitled Red Flowers with Painting. It represents the interior of an artist's studio where a painting on an easel is partially hidden by blooming flowers placed on a coffee table. Signature in pencil on lower right: G. Charon. Numbered on lower left: E.A (Epreuve d'Artiste: Artist Proof). Housed in a hunter green frame with a three tiered white mat, mauve and deep fuchsia borders. Frame size: 33.50"L x 28"H x 1.10"W. Sight size: 26.50"L x 21"H. Artist: Guy Charon (French 1927-2021)Issued: c. 1977Edition Number: Artist Proof Country of Origin: FranceCondition: Age related wear.
Outstanding color lithograph on wove paper by Northern European COBRA group co-founder Karel Appel. This semi-abstraction entitled Oiseau Hurlant (Shouting Bird) represents two birds with light blue, deep red and black broken outlines on a rich yellow background. One of them has a wide open beak with jagged lines to convey the loud sounds that the bird is shouting. Housed in a black frame and mat with a deep red border. Sight size: 21.75"L x 15"H. Housed in a black frame and mate size: 30.60"L x 24"H x 1.50"W. Pencil signature on right: Appel. Edition on lower left: EA (Epreuve d'Artiste). Artist: Christiaan Karel Appel (Dutch 1921-2006)Issued: 1977Edition Number: Artist Proof Country of Origin: NetherlandsCondition: Age related wear.
Pencil drawing after Surrealist artist Salvador Dali's 1973 portfolio lithograph series Les Songes Drolatiques de Pantagruel, inspired by French satirical writer Francois Rabelais' 16th century woodcut picture book, This drawing depicts a phantasmagoric scene of one of Pantagruel's dreams. Housed in a brushed gilded frame with an off-white mat. Frame size: 14.75"L x 18.75"H x 0.75"W. Artwork dimensions: 8.25"L x 11.60"H. Double stamps on verso: Salvador Dali Archives LTD. Artist: Salvador Dali (Spanish 1904-1989)Issued: 20th centuryCountry of Origin: SpainCondition: Age related wear.
Large color lithograph after Wassily Kandinsky's 1919 original painting Picture with Points. It bears the authorizing and authenticating bossed seals of the Russian State Museum in Leningrad (Saint Petersburg) and publisher, Eduard Nakhamkin Ltd. Embossed seal of Atelier Ettinger at bottom left margin. Housed in a black frame with an ecru linen mat. Sight size: 22.30"L x 30"H. Frame size: 35.50"L x 43"H x 1.60"W. Artist: Wassily Kandinsky (Russian, 1866-1944)Issued: 1990Edition Number: 296 of 300 Country of Origin: RussiaCondition: Age related wear.
Bizarre surrealist lithograph on paper depicting a merman in 18th century style clothing and powdered wig above a woman with a feathered hat poking her head out of a bottle. Signed by artist in pencil in lower right corner; edition number written in lower left. Black matte border with gold finished frame. Mihail Chemiakin was born in Moscow in 1943 and was later exiled from Soviet Russia in 1971. Upon his return to post-Soviet Russia, he was commissioned by government officials to create monuments dedicated to Peter the Great, the Victims of Political Repressions, and the Architects and Builders of St. Petersburg. He also had monuments commissioned in France. Sight size: 21.25"W x 21.5"H; 25"W x 25"H x 1.25"D. Certificate of Authenticity included. Edition Number: 93 of 275 Condition: Age related wear.
Large color lithograph entitled Madre y Nino (Mother and Child) by Mexican Impressionist and Social Modernist Alfaro Siqueiros. It depicts a striding worried woman with a young child in her arms. Siquieros painted the scene with painterly brushstrokes of earth tones and soft shades of pink and translucent blues to convey the rushed demeanor of the mother and child. Housed in an ornate gilded frame with an ecru linen mat. Sight size: 17.50""L x 23.50""H. Frame size: 32.50""L x 38.50""H x 2.50""W. Pencil signature on lower right: Siquieros. Numbered on lower left: E. A. (Epreuve d'Artiste). Artist: David Alfaro Siqueiros (Mexican 1896-1974)Issued: c. 1970Edition Number: E.A. Artist's Proof Country of Origin: MexicoCondition: Age related wear.
Frank Stella (American, b. 1936). Lithograph on paper titled "Six Mile Bottom" depicting an abstract vertical, rectangular form along the left of the composition, 1970. The form is comprised of several vertical rods that are uniform and curved to form a diamond along the middle. Pencil signed along lower right quadrant, editioned 33/75, and dated.Sight; height: 16 in x width: 22 in. Framed; height: 21 in x width: 29 1/4 in. />Condition: The color are bold and deep. There are no visible tears, losses, or restorations. Very light undulation throughout. The sheet is floated in the frame. Framed under plexiglass; light wear to the frame; not inspected out frame.
Salvador Dali (Spanish, 1904-1989). Lithograph on paper titled "Joker" depicting a surrealist playing card from the "Playing Cards" suite, 1972. Pencil signed along the lower right; numbered 94/150 along the lower left. With a letter of authenticity and provenance from Reese Palley.Provenance: Purchased from the artist by Reese Palley ca. 1972; Private collection.Sight; height: 25 1/4 in x width: 19 1/4 in. Framed; height: 27 3/4 in x width: 21 3/4 in. />Condition: The colors are bold and deep. No tears, losses, or restorations. The sheet is toned. There is matburn along the perimeter of the print. A few small spots of foxing throughout. Light wear along the edges. The sheet is not mounted. Framed under glass; light wear to the frame. The paper backing has been cut along three edges to allow for inspection of the print.
Jim Dine (American, b. 1935). Lithograph and collage on paper titled "Vegetables" depicting a group of vegetables, ca. 1970. Artist proof, number 4 from a suite of 8. Pencil signed and inscribed A/P along the lower right. Produced in collaboration with London based Petersburg Press.Sight; height: 17 1/2 in x width: 16 in. Framed; height: 26 1/2 in x width: 24 3/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Alvar Sunol Munoz-Ramos (Spanish, b. 1935). Lithograph on paper from the "Barcelona Suite" depicting a figure holding a bird and two faces, 1979. Pencil signed along the lower right; numbered 75/185 along the lower left.Sight; height: 19 in x width: 27 in. Image; height: 17 3/4 in x width: 25 1/2 in. Framed; height: 25 1/2 in x width: 33 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Robert Rauschenberg (American, 1925-2008). Lithograph on BFK Rives paper titled "Lawn" depicting Rauschenberg's signature collage style, 1965. Signed, dated, and numbered 41/41 along the lower right. With a Dayton's Gallery 12 along the back.Sight; height: 34 3/4 in x width: 26 1/4 in. Framed; height: 39 1/2 in x width: 29 1/4 in. />Condition: There are no tears, losses, or restorations. there is a small stain along the verso which does not affect the recto. Light wear along the deckled edges. The work is hinged to a paperboard backing along the center, right, and left corners of the upper edge along the recto. The sheet appears to be slightly acidic as it has discolored the paperboard backing. Framed under glass; light wear to the frame.
Jeanette Pasin Sloan (American, b. 1946). Lithograph titled "Blue Cup" depicting silver objects on a colorful striped sheet, 1994. Pencil signed along the lower right; titled along the lower center; numbered 7/60 along the lower left.Sight; height: 15 1/4 in x width: 15 in. Framed; height: 24 in x width: 24 1/4 in. />Condition: The item is in great condition with no visible tears, creases, or losses. No visible sign of restoration under UV light. Framed under plexiglass; not inspected out of frame. Very light wear to the frame.
Adolf Dehn (American, 1895-1968). Lithograph on paper titled "Garden of the Gods," depicting a mountainous landscape, 1940. Pencil signed and dated along the lower right; titled along the lower left. Additionally inscribed "60 prints" along the lower left.Sight; height: 13 3/4 in x width: 16 3/4 in. Framed; height: 20 in x width: 23 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Grant Wood (American, 1891-1942). Lithograph on paper titled "Seed Time and Harvest" depicting a farmer unloading a bushel of seeds from his wagon to a barn, 1937. Pencil signed and dated along the lower right. Wood was a key figure in the Regionalist art movement along with fellow artists Thomas H. Benton and John Steuart Curry.With a book about the artist: Wanda M. Corn, "Grant Wood: The Regionalist Vision," New Haven: Yale University Press, 1983. Published for the Minneapolis Institute of Art in conjunction with the exhibition "Grant Wood: The Regionalist Vision."Sight; height: 8 in x width: 12 1/4 in. Framed; height: 14 1/2 in x width: 18 1/2 in. />Condition: The sheet is toned and there is matburn along the perimeter of the image. There are heavy losses and tears in the margins (not visible when framed). There is a tear in the upper left corner that has been repaired with a piece of linen tape along the verso. The sheet is affixed to a non-acidic matboard with two pieces of linen framer's tape along the upper margin of the recto. Framed under glass; light wear to the frame. One of the screws for the framing hardware is loose. The paper backing has been cut along three edges to allow for inspection of the print.
James Rosenquist (1933-2017). Lithograph on handmade Italian Magnani paper titled "Dusting off Roses" depicting six blooming red roses, 1965. Pencil signed and dated along the lower right; numbered 28/35 along the lower center; titled along the lower left.Sight; height: 30 1/2 in x width: 21 1/2 in. Framed; height: 42 in x width: 32 1/2 in. />Condition: The colors are bold and bright and the surface appears stable. No visible rips, losses, creases, or restorations. The artwork is floated in frame. Framed under plexiglass; light wear to the frame; not inspected out of frame.
Andy Warhol (American, 1928-1987). "Andy Warhol's Index Book." New York: A Black Star Book/ Random House, 1967. Printed by Graphics International, Inc., Japan. Artist's book with offset lithograph, pop-ups, fold-outs, collage additions, and one 7" flexi disc.Height: 11 in x width: 8 1/2 in. />Condition: All pages appear to be present. All pieces appear to be present. There is one round pop-up piece that has come disattached. There are two pages in the back of the book that are stuck together, possibly intentionally. Some light toning to the white pages present. Some wear to the cover of the book included a partially removed sticker along the upper right and some dents along the corners. There are also some light scratches and scuffs to the cover.
Peter Max (German/American, b. 1937). Lithograph on paper titled "Sage by Mountain" depicting a seated man and a mountainous landscape in bright colors, 1973. Pencil signed and dated along the lower right; numbered 233/250 along the lower left.Sight; height: 6 in x width: 6 1/2 in. Framed; height: 11 in x width: 11 1/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Doris Lee (American, 1905-1983). Lithograph on paper titled "Country Wedding" depicting a folk art scene of a wedding party on the steps of a small church, 1942. Pencil signed along the lower right; titled along the lower left. From an edition of 250.Sight; height: 8 1/2 in x width: 12 1/4 in. Framed; height: 16 1/2 in x width: 20 1/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Oskar Kokoschka (Austrian, 1886-1980). Color lithograph titled "Die Schalfenden (The Sleepers)" from the series "Die Traumenden Knabe (The Dreaming Boys," depicting figures resting in a forest. Executed 1907-1908, published in 1917. With a label from Ferdinand Roten Galleries along the verso.Sight; height: 9 in x width: 8 1/4 in. Framed; height: 15 in x width: 14 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Steven Sorman (American, b. 1948). Mixed media lithograph titled "Span" depicting an abstract scene in gray-blue with pops of red depicting a handprint and other abstract shapes, 1978. Pencil signed, titled, dated, and numbered 11/79 along the lower center.Sheet; height: 38 1/2 in x width: 20 1/2 in. Mat; height: 40 3/4 in x width: 23 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Walasse Ting (Chinese/American, 1929-2010). Lithograph on paper depicting a simple line drawing depicting one woman whispering into the other's ear, 1977. Pencil signed and dated along the lower right; editioned "Artist Proof" along the lower left. Possibly inspired by the works of Henri Matisse during one of the artist's trip to Paris.Lot Essay:Walasse Ting was a painter and a poet, a powerhouse in the mid-20th century art and intellectual scene. His work was fluorescent and shocking, intended to confront the viewer and force them to pause their worldly cares to focus on beauty. Born Ding Xiongquan in Wuxi, Jiangsu province in 1929, Ting had little formal artistic education. After a brief stint at the Shanghai Art Academy, he left for Paris, arriving in 1949. He quickly fell in with the CoBrA group, an avant-garde collective of artists known for their spontaneous way of painting and rebellion against the artistic establishment. Their emphasis on Outsider Art had a profound effect on Ting, especially since he had little art training and tended to see himself as an outsider in the art world.In 1959, he left Paris for New York City, where he was influenced by Pop Art and Abstract Expressionism. He became friends with many artists working in these styles, including greats such as Andy Warhol, with whom he once put on a joint exhibition. His work was influenced by these connections, pulling ideas from both movements and fluctuating between abstraction and figural works with a unique ease. He also began finding inspiration in more traditional sources, using bold strokes inspired by the calligraphy of his native China. In addition to art, he began publishing poetry during this period, both original poems and translations of classical Chinese poems. He published thirteen books, many of which contained illustrations by himself and his artistic contemporaries.In 1970, he won the Guggenheim Fellowship Award for Drawing. His career continued to flourish, and he split his time between New York and Amsterdam, painting, writing, and displaying his works. He additionally made many trips to Paris to exhibit at the Salon de Mai and traveled to Tahiti to explore the tropical landscapes and colors.During his long and varied career, he had over 60 solo exhibitions of his paintings, as well as making forays into theater direction and teaching. In all his endeavors, he tried to use art to bring beauty into the lives of as many people as possible, because, in his words, “[w]ithout beauty, life makes no sense."Sight; height: 27 3/4 in x width: 39 3/4 in. Framed; height: 30 1/4 in x width: 42 in. Condition: The sheet is toned. There are stains and foxing throughout, visible in the lot listing. No visible tears, creases, or losses. Light wear to the frame; framed under plexiglass; not inspected out of frame. The paper backing has been cut along three sides to see if the print could be rolled for shipping. The print can be rolled for shipping.
Jim Dine (American, b. 1935). Lithograph and collage on paper titled "Vegetables" depicting a group of vegetables, ca. 1970. Artist proof, number 7 from a suite of 8. Pencil signed and inscribed A/P along the upper right. Produced in collaboration with London based Petersburg Press.Sight; height: 17 1/2 in x width: 16 in. Framed; height: 26 1/4 in x width: 25 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Alvar Sunol Munoz-Ramos (Spanish, b. 1935). Lithograph on paper from the "Barcelona Suite" depicting a figure playing instruments, 1979. Pencil signed along the lower right; numbered 75/185 along the lower left.Sight; height: 20 3/4 in x width: 26 in. Framed; height: 27 in x width: 32 1/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Antique lithograph depicting a man in water. A crocodile or alligator attacks him from the water while a tiger leaps from above. Signed "Gilbert" in plate along the lower right.Sight; height: 6 1/4 in x width: 5 1/2 in. Framed: 8 1/2 in x width: 6 3/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Saul Steinberg (American, 1919-1999). Cut and pasted color lithograph on enameled steel titled "Steinberg Records" depicting a spinning vinyl record, 1966. Signed, numbered 4/25, and dated along the center.Diameter: 15 1/2 in. />Condition: The colors are bold and bright. There are several small chips along the extreme edges along the underside. Light wear throughout including a few accretions and surface marks. The work is not framed.
Jim Dine (American, b. 1935). Lithograph and collage on paper titled "Vegetables" depicting a group of vegetables, ca. 1970. Artist proof, number 1 from a suite of 8. Pencil signed and inscribed A/P along the upper right. Produced in collaboration with London based Petersburg Press.Sight; height: 17 3/4 in x width: 15 3/4 in. Framed; height: 26 1/4 in x width: 24 3/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
James McNeill Whistler (American, 1834-1903). Transfer lithograph titled "Stephane Mallarme" depicting the portrait of a well-dressed gentleman, 1892. From "Vers et Prose." Signed in plate along the lower right.Sight; height: 4 1/4 in x width: 2 3/4 in. Framed; height: 9 1/4 in x width: 6 3/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Jasper Johns (American, b. 1930). Sealed set. Offset lithograph with paints and paintbrush titled "Target" depicting a 'blank' target. Signed in print along the lower left; the second line in the artist section has been left to allow the purchaser to paint the target themselves and sign their own name. Along the the catalog "Technics and Creativity" published by Gemini G.E.L., Los Angeles, in conjunction with the Museum of Modern Art, New York, 1970-71. Contained in a white plastic case with plastic shrinkwrap; unopened.Case; height: 10 3/4 in x width: 9 in x depth: 1 1/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Jim Dine (American, b. 1935). Lithograph and collage on paper titled "Vegetables" depicting a group of vegetables, ca. 1970. Artist proof, number 6 from a suite of 8. Pencil signed and inscribed A/P along the upper right. Produced in collaboration with London based Petersburg Press.Sight; height: 17 1/2 in x width: 15 3/4 in. Framed; height: 26 1/2 in x width: 24 3/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Fernand Leger (French, 1881-1955). Lithograph with pochoir titled "Bonne pensee du matin (Good Thoughts of Morning)" from the illustrated book "Les Illuminations," a book of poems by Arthur Rimbaud, 1949. The work depicts two blooming red flowers and a fence with a loose rope. This work was plate/page 19 of the book. Initials in plate along the lower right.Sight; height: 10 3/4 in x width: 8 3/4 in. Framed; height: 16 3/4 in x width: 14 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Pictures and prints - L. S. Lowry, after, Industrial Landscape, lithograph, 55cm x 73cm; Frank McCarthy, ‘After the council’, print on canvas, 52cm x 93cm; Steven Townsend, by and after, Collie, signed in pencil, ltd. Ed. No. 48/450; continental school, oil on board, Feeding the horses, 46cm x 38.5cm; etc, (8).
Conybeare (William Daniel & William Phillips). Outlines of the Geology of England and Wales, with an introductory compendium of the general principles of that science, and comparative views of the structure of foreign countries, part I [all published], 1822, folding hand-coloured map, linen-backed colour folding section, lacking one plate, bound without advertisement plate of instruments, a little light soiling, later half calf, spine a little faded, together with: Lyell (Charles). Elements of Geology or the Ancient Changes of the Earth and its Inhabitants as illustrated by Geological Monuments, by Sir Charles Lyell, 6th edition, 1865, illustrations, a few spots, front hinge broken, original cloth gilt, tear at head of lower joint, 8vo,Wood (Searles). A Monograph of the Crag Mollusca, or, Descriptions of Shells from the middle and upper tertiaries of the east of England, 2 parts, London: Palaeontographical Society, 1848-50, numerous engraved plates, occasional damp staining mostly to margins, original cloth-backed boards, printed paper labels to spines lifting, 4to, Morris (John and Lycett, John). A Monograph of the Mollusca from the Great Oolite, chiefly from Minchinhampton and the coast of Yorkshire, 2 parts in one, London: Palaeontographical Society, 1850-53, numerous lithograph plates, some damp cockling, original cloth-backed boards, worn, 4to, with others related including Charles Lyell's The Student's Elements of Geology, 1871 and a facsimile reprint of James Hutton's Theory of the Earth, 2 volumes, 1972QTY: (21)
Coquereau (l'abbé Félix). Souvenirs du voyage à Sainte-Hélène, 1st edition, Paris: H. L. Delloye, 1841, half-title, lithograph portrait frontispiece of Napoleon in his coffin at the exhumation, 4 other lithograph plates and plans, some toning, light dust-soiling and spotting, occasional light damp staining, 20th-century calf-backed cloth, 8vo, together with:[Home, George]. Memoirs of an aristocrat, and reminiscences of the Emperor Napoleon, by a midshipman of the Bellerophon, London: Whittaker & Co.; Edinburgh: Bell & Bradfute, 1838, late 19th-century half calf, gilt decorated spine, 8vo,Santini (Noe?l). Napole?on a? Sainte-He?le?ne, ou Tableau des vexations et des souffrances sans nombre que Hudson Lowe..., Paris: Philippe, Libraire, 1829, half-title, lithograph frontispiece, final leaf torn to upper outer corners with repairs, spotting throughout, modern black morocco-backed boards, 12mo,Marchand (Louis Joseph N. comte, editor). Précis des guerres de César, écrit par m. Marchand sous la dictée de l'empereur, Suivi de plusieurs fragmens inédits, Paris: Goselin, half-title, editor's signature to verso of title, toning and scattered spotting, late 19th-century black half sheep, lower joint split, covers marked and light wear, 8vo,Monkhouse (Jean). Les six dernie?res semaines de Napole?on Bonaparte, Relation ecrite a Sainte-He?le?ne et traduit de l'anglais, Paris: Cosson, 1821, 24 pp., half-title, light scattered spotting, modern wrappers, slim 8vo,Grey (Charles Grey, Earl). A Letter to the Right Hon. Earl Grey on the subject of the late arrest and removal of General Gourgaud, London: James Ridgway, [2], 36 pp., modern wrappers, slim 8vo QTY: (6)
* Black (G. B.). To the Lords and Gentlemen of the Jockey Club, This print of the Principal Jockies of the South of England is by permission most respectfully dedicated..., circa 1850, lithograph after Anson A. Martin, contemporary hand-colouring. 400 x 510 mm, mounted, framed and glazedQTY: (1)
Ball (John). The Modern Practice of Physic: or, a method of judiciously treating the several disorders incident to the human body, 2 volumes, 2nd edition, London: A. Millar, 1762, occasional ink stamps, sewing partly broken in volume 1 and contents shaken, later endpapers, contemporary calf, crudely rebacked and corners repaired, 8vo, together with:Buchan (William). Domestic Medicine; or, a treatise on the prevention and cure of diseases..., London: W. Lewis, 1822, contemporary calf, joints cracked, 8vo, Veitch (James Herbert). A Traveller's Notes or Notes of a Tour through India, Malaysia, Japan, Corea, the Australian Colonies and New Zealand during the years 1891-1893, 1st edition, Chelsea: James Veitch & Sons, Royal Exotic Nursery (for private circulation only), 1896, folding colour lithograph map, 9 photogravure plates with tissue guards, illustrations to text, original pictorial cloth, rubbed, spine browned and a little worn at ends, 4to, Spencer (Herbert). The Principles of Psychology, London: Longman, Brown, Green, and Longmans, 1855, contemporary half morocco, gilt decorated spine, joints split, 8vo,Miles (Henry Downes). Pugilistica: Being one hundred and forty-four years of the history of British Boxing, 3 volumes, London: Weldon & Co., [1880-81], wood engraved frontispieces, plates and illustrations, original brown cloth, blocked in gilt and black, extremities rubbed, 8vo, plus other antiquarian and 20th-century miscellaneous, including French language works by the poet Charles Péguy etc.QTY: (3 cartons)
Berkshire. Speed (John), Barkshire Described, John Sudbury & George Humble [1627], hand-coloured engraved map, the upper margin decorated with a panorama of Windsor Castle, some water staining, small holes to the central fold, short split at the base of the central fold, partial adhesion of old backing paper to verso, 380 x 505 mm, English text on verso, together with Blaeu (Johannes). Rutlandia Comitatus Rutland Shire, Amsterdam circa 1645, engraved map with contemporary hand colouring, large decorative cartouche and mileage scale, 380 x 500 mm, French text on verso, with Jansson (Jan). Scotia Regnum, Amsterdam, circa 1650, engraved map with contemporary hand colouring, inset map of the Orkney Islands, slight spotting and staining, some creasing, closed marginal tear crudely repaired on verso and recto, some abrasion to the central fold, 380 x 500 mm, French text on verso, plus Wyld (James). The Crimea, September 26th 1854, lithograph with contemporary outline colouring, inset maps of the Town & Harbour of Sevastopol and of the Black Sea, several marginal closed tears, 485 x 680 mm, and another 36 British and foreign maps, including examples by or after Morden, Archer and Blackie & Son, various sizes and condition QTY: (40)
Murchison (Roderick Impey). Siluria. The History of the Oldest known Rocks containing Organic Remains, with a Brief Sketch of the Distribution of Gold over the Earth, 1st edition, London: John Murray, 1854, hand-coloured folding engraved map and folding uncoloured lithograph map, 37 lithograph plates (three folding), wood engraved illustrations, some scattered spotting, front free endpaper creased, original cloth gilt, spine worn with loss and brown with adhesive residue, 8vo, together with three other editions of the same work, comprising 3rd edition, 1859, in original cloth, worn, 4th edition, 1867, 20th-century cloth and 5th edition, 2 volumes (text & plates), 1872, original cloth, all 8vo, together with:Hunter (Joseph). Hallamshire. The History and Topography of the Parish of Sheffield in the County of York, new and enlarged edition by the Rev. Alfred Gatty, London: Virtue and Company, 1875, engraved frontispiece and 12 engraved plates, occasional light spotting, bookplate of William Clarke Vincent to upper pastedown, top edge gilt, remainder untrimmed, contemporary half morocco, joints cracked, rubbed, folioQTY: (6)
Napoleon I. Documens pour servir a? l'histoire de la captivite? de Napole?on Bonaparte a? Sainte-He?le?ne; ou, Recueil de faits curieux sur la vie qu'il y menait, sur sa maladie, et sur sa mort, Paris: Pillet Aine?, 1821, half-title, 3 hand-coloured aquatints (including frontispiece), hand-coloured engraved portrait plate and folding uncoloured lithograph plate, some spotting, toning and occasional marginal damp stains, modern light brown morocco-backed boards, red morocco title label to spine, 8vo, together with:Napoleon I. Carnet d'un Voyageur, ou recueil de notes curieuses sur la vie, les occupations, les habitudes de Buonaparte a Longwood, Paris: Pillet Ainé, 1819, half-title, 3 hand-coloured aquatints (including frontispiece), advertisement leaf at front, occasional spotting and few ink stains to margins (not affecting text), edges untrimmed, modern wrappers, 8vo,Cockburn (George). Buonaparte's voyage to St. Helena; comprising the diary of Rear Admiral Sir George Cockburn, during his passage from England to St. Helena, in 1815. From the original manuscript, in the handwriting of his private secretary, Boston: Lilly, Wait, Colman and Holden, 1833, half-title, 8 pp. publisher's catalogue at rear, original cloth, printed paper label to spine, worn at head and foot of spine, covers discoloured, 8vo,Napoleon I. Ma?rkwa?rdiga handlingar ho?rande till historien om Napoleon Bonapartes fangenskap, sjukdom, sista stunder, do?d och begrafning pa St. Helena ... Fran franska autentika ka?llor, Stockholm: F.B. Nestius, 1822, lithograph portrait frontispiece (cropped to fore-edge with slight loss), some browning and damp staining, 20th-century half cloth, small 8vo,Gourgaud (Gaspard). Discours de Napole?on sur les ve?rite?s et les sentiments qu'il importe le plus d'inculquer aux hommes pour leur bonheur, Brussels: Grignon, 1826, half-title, scattered spotting throughout, edges untrimmed, original printed wrappers, 8vo, plus two others related including Warden (William). Letters written on board His Majesty's ship the Northumberland, and Saint Helena; in which the conduct and conversations of Napoleon Buonaparte, and his suite... are faithfully described and related, 3rd edition, London: Published for the author, by R. Ackermann, 1816, half-title, engraved portrait frontispiece, 4 pp. publisher's adverts at rear, some spotting and few marks, edges untrimmed, original boards, rebacked, board corners worn, 8vo, and Cockburn (George). Extract from a Diary of Rear-Admiral Sir George Cockburn, with particular reference to Gen. Napoleon Buonaparte, on passage from England to St. Helena, in 1815..., London: Simpkin, Marshall & Co., 1888, original green cloth gilt, 8voQTY: (7)

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