70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Darwin (Charles). A Naturalist's Voyage, Journal of Researches into the Natural History and Geology of the Countries visited during the Voyage of H.M.S. 'Beagle' round the World, London: John Murray, 1889, engraved portrait frontispiece, few wood engraved illustrations, 4 pp. publisher's advertisements at rear, original dark green cloth gilt, 8vo, together with:Wallace (Alfred Russel), Darwinism, An Exposition of the Theory of Natural Selection with some of its Applications, reprinted, London: Macmillan and Co., 1889, photogravure portrait frontispiece (spotted), folding colour lithograph map, wood engraved illustrations, original dark green cloth gilt, 8vo,Wallace (Alfred Russel), Island Life or the Phenomena and Causes of Insular Faunas and Floras including a revision and attempted solution of the problem of Geological Climates, 2nd edition, revised, London: Macmillan and Co., 1892, hand-coloured lithograph map frontispiece, wood engraved maps and plans, advertisement at rear, occasional scattered spotting, original green cloth gilt, 8vo, plus Darwin (Francis), The Life and Letters of Charles Darwin, 2 volumes, New York: D. Appleton and Company, 1898, monochrome portrait frontispiece to both volumes, library ink stamp at foot of both titles, modern library cloth, 8vo, and Freeman (R. B.), The Works of Charles Darwin, An Annotated Bibliographical Handlist, 2nd edition, revised and enlarged, Dawson: Archon Books, 1977, original green cloth, 8voQTY: (6)

Holman (James). Travels through Russia, Siberia, Poland, Austria, Saxony, Prussia, Hanover, &c. &c. undertaken during the Years 1822, 1823, and 1824, while suffering from total Blindness, and comprising an account of the Author being conducted a State Prisoner from the Eastern parts of Siberia, 2 volumes, London: Geo. B. Whittaker, 1825, engraved frontispiece to each (offset to title), 8 lithograph plates, contemporary calf, gilt decorated spines with contrasting morocco labels, joints rubbed and slightly cracked, 8vo, together with:[Byron, George Gordon], The Siege of Corinth. A Poem. Parisina. A Poem, 1st edition, London: Printed for John Murray, Albemarle-Street, 1816, half-title, bound with at rear [Croker, John Wilson], The Battle of Talavera, 10th edition, London: John Murray, 1816, half-title, bound with at front Scott (Walter), The Field of Waterloo; A Poem, Edinburgh: Archibald Constable and Co., 1815, occasional spotting, contemporary mottled calf, contrasting morocco labels to spines, joints rubbed, 8vo,Fellowes (William Dorset), A Visit to the Monastery of La Trappe, in 1817: with notes taken during a tour through Le Perche, Normandy, Bretagne, Poitou, Anjou, Le Bocage, Touraine, Orleanois, and the environs of Paris, London: William Stockdale, 1818, 12 hand-coloured aquatint plates, 2 engraved plates, one engraved illustration on India paper, contemporary half calf, gilt decorated spine, rubbed, 8vo,Shaw (Thomas), Travels, or Observations, relating to several parts of Barbary and the Levant, 2 volumes, 3rd edition, corrected, Edinburgh: Printed by J. Ritchie, 1808, 13 engraved maps (10 folding), 21 engraved plates (3 folding), some light toning and occasional spotting, contemporary diced calf, gilt decorated spines, some joints mostly lightly cracked at foot, 8voQTY: (6)

* Vernet (Carle). Three engravings of Mamluk cavalrymen, circa 1815, three uncoloured aquatints of Mamluk cavalrymen, each trimmed to image, each approximately 475 x 580 mm, uniformly framed and glazed in near-contemporary gilt mouldings, together with Ein Arabisehes Pserd. Equs Arabia, circa 1840, an unattributed uncoloured lithograph of an Arabian stallion with its handler, 315 x 430 mm, mounted, framed and glazedQTY: (4)NOTE:A Mamluk was a non-Arab, ethnically diverse (mostly Turkic, Caucasian, Eastern and Southeastern European) enslaved mercenary warrior. These slave soldiers and freed slaves were assigned high-ranking military and administrative duties, serving the ruling Ottoman and Arab dynasties in the Muslim world. Mumluk dynasties persisted from their inception in the 9th century, through to the 19th century in several Middle Eastern countries.

Geological Society. Transactions of the Geological Society, Established November 13, 1807, First Series, volumes 1-5 in 7, and Second Series, volumes 1-7, London, 1811-56, together 14 volumes, 479 engraved and lithograph plates, maps and plans including some hand-coloured, (including 113 folding & 28 double-page), few wood engraved illustrations, title pages to text and plates volumes of First Series volume 1 both with ink stamp 'G' surmounted by peer's coronet, occasional scattered spotting, untrimmed fore-edges to series 1 volume 5 parts 1 & 2, 20th-century uniform dark green cloth, 4to, together with:Ormerod (George Wareing), A Classified Index to the Transactions, Proceedings, and Quarterly Journal of The Geological Society of London: including all the Memoirs and Notices to the end of 1855, London: Printed by Taylor and Francis, 1858, original cloth, light wear to joints at head and foot, extremities rubbed, spine faded, 8voQTY: (15)NOTE:A complete run of both series of the this important & pioneering geological publication. During the publication period of 1811 to 1856, the Transactions featured almost 350 papers, many of which have become important classic works. Complete sets rarely appear for sale. For the First Series 'It was decided [by a Special General Committee of the Geological Society] first that there should be printed 750 copies of each volume of the journal, and second "That the ink employed shall be of the best quality". The Society was determined to produce a journal capable of standing comparison with any other of the world's leading periodicals' (Herries Davies, Whatever is under the Earth; the Geological Society of London 1807 to 2007, page 37). Important contributors to the first series include such names as Leonard Horner, Thomas Webster, James Parkinson, William Buckland, Richard Hennah, John Macculloch and J.S. Henslow. The Second Series contains articles by Charles Darwin, Charles Lyell, Buckland, Murchison, Richard Owen, Gideon Mantell, William John Broderip and W.D. Conybeare.

* Menorca. Vista del Puerto de Mahon, 1860, an unattributed lithograph with bright contemporary hand-colouring, large margins, 315 x 445 mm, framed and glazedQTY: (1)

* Italy. A collection of 28 topographical views, 18th & 19th century, engravings and lithographs of Italian topographical views, together with two small engraved views of Malta/Valetta and a coloured lithograph of a Maltese fisherman, various sizes and conditionQTY: (31)

* Marine. Durand-Brager (H.), Le Lendemain de Trafalgar, Capitaine Cosmao Commandant le Pluton poursuit l'escadre victorieuse et reprends plusiers vaisseaux, published by H. Jeannin Paris & the Anaglyphic Company London, 20 August 1844, lithograph with contemporary hand-colouring, publisher's blind stamp to the lower left, slight dust soiling, 355 x 490 mm, mounted, framed and glazed, together with Mayer (A.). Prise a L'Abordage, m. Aumont, Paris, circa 1845, lithograph with contemporary hand-colouring, some staining and dust soiling, some repaired marginal closed tears, 380 x 510 mm, mounted, framed and glazed, with Gaucci (Paul). To Rear Admiral Mundy C. B. This print Representing the Capture of the Fort & Vessels in the Spanish Harbour of Begu by H. M. Ship Hydra, Capt. G. Mundy is Respectfully dedicated..., circa 1845, hand-coloured lithograph after G. Chambers, slight staining, 290 x 315 mm, mounted, framed and glazed, plus Picken (T.). H. M. S. Excellent, circa 1850, hand-coloured lithograph after R. S. Thomas, 280 x 365 mm, mounted, framed and glazedQTY: (4)

Young (George). A History of Whitby, and Streoneshalh Abbey; with a Statistical Survey of the Vicinity to the Distance of Twenty-Five Miles, 2 volumes, Whitby: Printed and sold by Clark and Medd, 1817, uncoloured aquatint frontispiece to volume 1 and folding engraved map frontispiece to volume 2, 15 engraved/etched plates and plans (including 5 folding, some offsetting, few neat repaired closed tears to folding plans), wood engraved illustrations to text, one folding table, subscribers list, occasional spotting, modern cloth hinges to endpapers, contemporary marbled calf, rebacked, 8vo, together with:Bewick (Joseph), Geological Treatise on the District of Cleveland, in North Yorkshire, its Ferruginous Deposits, Lias, and Oolites; with some observations on Ironstone Mining, London: John Weale; Newcastle-on-Tyne: Andrew Reid, 1861, 2 folding colour lithograph sectional plans, 2 double-page colour lithograph mine plans, 2 folding tables and large folding colour lithograph map contained in rear pocket, some toning and occasional spotting, 20th-century cream/fawn half calf, spine darkened and some mottling, 8vo,Tate (Ralph & Blake, John Frederick), The Yorkshire Lias, London: John Van Voorst, 1876, advertisement leaf, half-title, 19 lithograph plates, and loosely inserted hand-coloured engraved map, front endpaper with visitors/calling card of Rev. J. F. Blake of Clifton, York to front pastedown, hinges split, original cloth, joints and extremities worn, 8vo,[Hall, George], The History of Chesterfield; with particulars of the Hamlets contiguous to the Town, and descriptive accounts of Chatsworth, Hardwick, and Bolsover Castle, London: Whittaker and Co.; Chesterfield: T. Ford, 1839, engraved frontispiece, additional title and numerous plates, light toning and occasional spotting, top edge gilt, later half calf by Hatchards, gilt decorated spine, 8voQTY: (5)

* W. G. Grace. Portrait of W. G. Grace, J. W. Arrowsmith, Bristol, February 11th, 1890, lithograph, signed in pencil to the lower right by Grace, old folds, several repaired closed tears, 700 x 480 mm, mounted, framed and glazed, together with, Walton ( W. L.). The Cricket Match at Tonbridge School, C. Tattershall Dodd, Tonbridge Wells, circa 1855, hand-coloured lithograph after C. T. Dodd, slight surface abrasion, slight spotting, 560 x 860 mm, framed (lacking glass)QTY: (2)

* Bell (Edward). Horatio, Lord Viscount Nelson, Duke of Bronte K.B., Vice Admiral of the White, &c. &c. &c., J. Freeman [1806], mezzotint on wove, after Sir William Beechey, slight staining, one repaired marginal closed tear, 680 x 440 mm, mounted, framed and glazed, together with Bowyer (R. publisher). View from Mont St Jean of The Battle of Waterloo at the Commencement of the Grand Charge made on the French about 7 o'Clock in the Evening of the 18th June 1815, R. Bowyer, 1816, aquatint with contemporary hand-colouring, slight overall toning, 360 x 595 mm, mounted, framed and glazed, with Provost (A.). Entrée des Flottes Anglo-Francaise dans la Mer Noire À La Sortie du Bosphore, R. Lebrasseur, Paris & V. Delarue London, circa 1855, tint stone lithograph, 375 x 495 mm, mounted, framed and glazedQTY: (3)

* Cricket. The Captains of the County Cricket Clubs of England for 1886, designed and printed by Blake & Mackenzie, Fine Art Publishers, Liverpool, 1886, lithograph with contemporary colouring, one small repaired hole in the upper margin, very slight surface abrasion, 540 x 625 mm, mounted, framed and glazedQTY: (1)NOTE:A rare cricket 'souvenir' of English county cricket captains from the late Victorian period.

Dale (Samuel). The History and Antiquities of Harwich and Dovercourt, Topographical, Dynastical and Political. First Collected by Silas Taylor alias Domville, Gent. Keeper of the King's Stores there; and now much Enlarged in all its Parts with Notes and Observations Relating to Natural History, 1730, 14 engraved plates (including 7 folding), 20th-century half calf, 4to, together with Culpeper (Nicholas), Complete Herbal..., to which is now first annexed his English Physician Enlarged..., London: Thomas Kelly, 1831, engraved portrait frontispiece and 40 hand-coloured plates, some plates with repaired closed tears, browning and some marks, endpapers renewed, contemporary calf, rebacked preserving original spine, some wear, 4to, plus Lower (Mark Antony), The Worthies of Sussex..., Printed for Subscribers Only, Lewis: Geo. P. Bacon, 1865, hand-coloured lithograph frontispiece with ink stamp, subscribers list present, 6 uncoloured plates and numerous wood engraved vignette illustrations, ink stamp to verso to title, library bookplate to upper pastedown, 20th-century black buckram with library markings, 4toQTY: (3)

Graham (Rigby). Rigby Graham, by Anne Greer, Newcastle: Brian Mills, 1981, colour and monochrome illustrations, original cloth, upper cover with mounted colour illustration, 4to, limited signed edition 93/150, with a colour lithograph 'Gateway at Staunton Harold' numbered and signed by the artist loosely inserted, together with Erni (Hans). Werkverzeichnis der Lithographien, Zurich: ABC-Verlag, 1993, numerous illustrations, original cloth, dust jacket, with an original drawing by the artist to half-title and inscribed "In all friendship to Rigby Graham, 22.2.93", plus Tew (David). The Oakham Canal, Wymondham: Brewhouse Press, 1968, illustrations by Rigby Graham, original cloth gilt, 4to, limited edition of 450, this copy out-of-series, with others related including Hans Erni's Gestaltend a l'Oeuvre at Work, 1996 (with an original drawing by the artist to Rigby Graham), Rigby Graham, Wymondham Art Gallery, Leicestershire, 1979, limited edition, 99/200, A Broken String of Beads, 1980, limited edition of 200, August Stramm's Twenty Two Poems, Brewhouse Press, 1969, limited edition of 200, The Topper's Rant, by John Clare, Brewhouse Press, 1974, copy VII/46, and other private press pamphlets and publications etc QTY: (42)

Robert Martin, British, fl.1770s-1838- Long View of London from Bankside, after Wenceslaus Hollar; lithograph on four conjoined sheets, 46 x 235.5 cm. (VAT charged on the hammer price). Provenance: with Clarendon Gallery, London. Note: The present work was published in 1832, after the original 1647 etching by Wenceslaus Hollar (1607-1677) which was published by Cornelius Danckerts (1603-1656). The striking panoramic view is continuous from Westminster at the left to the Tower of London at the right. It is notable for its depiction of a lost London, destroyed less than twenty years later by the Great Fire of 1666. Hollar's approach in this print is unusual, as it is based from a single viewpoint, the Tower of St Saviour in Southwark, now Southwark Cathedral, from where Hollar made all of his drawings. 

AMENDMENT: Please note the revised medium for this lot. Konstantin Ivanovich Gorbatov, Russian 1876-1945- Old city, Jerusalem; lithograph with handcolouring, signed and dated in Latin 'C. Gorbatoff / 1935' (lower right), 39 x 48.8 cm. Provenance: Private Collection, UK. Note: Gorbatov was a post-Impressionist painter, although he was also associated with the realist Peredvizhniki, or 'Itinerant', movement which developed in late 19th-century Russia. After leaving Russia in 1922, he moved to Europe, first to Capri, and then settled in Berlin in 1926. He continued to travel widely throughout Europe, and visited the Middle East in 1934 and 1935, an experience which inspired his drawings and paintings of Jerusalem. The muted colour palette and medium of the present work are typical of those produced during these travels. 

Dame Paula Rego (Portuguese, 1935-2022) 'Come to me; Jane Eyre' lithograph, signed in pencil lower right, edition 32/35, framed image size 885 x 590mm, framed size 105 x 73cmCondition: The item is in very good overall condition, and has not been examined out of the frame. This lot is not glazed and base of the frame is broken. 

Victor Pasmore (British, 1908-1998) 'Blue Mandela', lithograph, artist monogram in pencil beneath image, dated "'78", edition 72/90, framed plate size 513 x 529mm, framed size 73 x 102cmCondition:

Neapolitan School, 19th Century'A View of Mount Vesuvius', gouache, mounted and framed together with Milanese School, 19th century 'Genoa', lithograph and gouache, mounted and framed (2) the first within mount 6 x 8.6cm, framed size 25.6 x 27.6cm, the second within mount 16.6 x 23cm, framed size 27.5 x 33.2cmCondition: Both in good overall condition.

Edward Stodart (1841-1914) after John Hoppner'The Frankland Sisters' a coloured stipple engraving, signed in pencil lower margin right, together with a hand coloured mid 19th century lithograph of a lady c.1850, birdseye maple frame with gilt slip, (2)first overall 67.5 x 58cm.Condition: First good condition, losses to gilt frame. Second with foxing and spotting, frame with minor veneer losses to corners

Illustrated Books and other works comprising Rubaiyat of Omar Khayyam translated by Edward Fiztgerald and illustrated by Gilbert James 1909, de cloth, The Rubaiyat of Omar Khayyam illustrated by Mabel Eardley-Wilmot with 38 tipped in black and white pictures from photographs, 1912, dec cloth, Shakespeare's Comedy of the Tempest illustrated by Edmund Dulac with tipped colour plates, Hans Andersen's Fairy Tales illustrated by W Heath Robinson, together with Markham, Shooting in the Himalayas, 1854, first edition, lithograph frontis and six plates, folding map, wood cut engraved illustrations, red half morocco with marbled boards and Goldsmith, A History of the Earth and, 1858, 2 Volshalf morocco and embossed cloth etc., (qty)variousCondition: First with some soiling to cloth, fraying to front hinge, spine worn top and bottom, some marks to contents. Second some soiling rubbing to cloth contents cleanDulac illustrated Tempest with spotting and foxing Shooting in the Himalayas, defective lacking one plate, foxing to frontis and other plates. binding cracking

Yoshitomo Nara (Japanese, b. 1959). Offset lithograph on paper titled "Real One" depicting a young girl with a teddy bear holding a pair of scissors aloft, 2020. With a copyright from Dallas Contemporary along the lower right. Nara's works have often been compared to manga he would have seen growing up as well as the punk rock music of his youth. His works have been housed at the Museum of Modern Art (MoMA) and the Los Angeles County Museum of Art (LACMA).Height: 15 in x width: 17 in.Condition: The item is in excellent condition with no visible tears, creases, or losses. The color is bold and bright. No visible restoration under UV light. Along the verso, there is minute black accretions to the center; however, it does not affect the recto. There is a slight undulation to the sheet from being rolled.

A French beer poster,1910, 'Bière Holderer, St Yrieix Hte. Vienne, Médaille d'or Grande Exposition Universelle de Bruxelles 1910', lithograph in colours, printed by 'IMP Lang, 3 rue du Platre, Paris', signed 'Rob', linen-backed,158 x 117cmCondition ReportWith some creases and stains. Some minor losses to the centre of the poster, around where it has previously been folded. Some foxing to the edges.

Brendan Neiland (British b. 1941) lithograph print- Cityscape, 70/125, signed and dated 1981, in glazed frame measuring 65.5cm x 95.5cm overall

Norman Wade, lithograph - Bamburgh Castle, signed and dated '74, numbered 69/120, unframed

After Louis William Wain (British, 1860-1939), 'The Naughty Puss', lithograph in colours, 45 x 68cm, framed and glazed and another The Good Puss, a pair

A. Schieferdecker after Louis de Carmontelle aka Louis Carrogis (1717-1806). Hand-coloured lithograph, depicting Mozart as a child, 24 x 19cm, glazed frame

Continental school lithograph, fishermen, indistinctly signed, glazed frame

[Charles Williams]. Satirical Caricature. Going on a Circuit as recommended in Sherry's Plan of Economy, hand-coloured etching, London: S. W. Fores, 6 June 1803, 25.5cm by 37.5cm, framed & glazed. Together with a hand-coloured lithograph by "HB" [John Doyle], a chromolithographic Pears cartoon, a late-18th/early-19thC watercolour of two figures at a waterfall, and two photographic portraits of men seated at their desks, various sizes, all framed & glazed (6) 

Henry Moore (English, 1898-1986). Two Standing Figures, signed & dated l.r., 1970, limited edition numbered 31/50 l.l., intaglio print & lithograph on paper, 35.5cm by 28cm, framed & glazedArtist's Resale Rights may apply

An original USSR travel poster for SZD railways, colour lithograph, 90.5cm by 55.5cm, lacking corner section as found

William Scott (British, 1913-1989). Still Life with Lemon, signed l.r., numbered 9/100 & dated 1988 l.l., colour lithograph, 59cm by 78cm, framed & glazedArtist's Resale Rights may apply

Two contemporary late 20th century hand coloured lithograph & printed pictures. The lot to include 'Seaside Cottages' by Sue Lewington, limited edition 43/100 and signed to bottom right hand corner, together with a 'Causeway' by Michael A Richecoeur, limited edition 2/125 and signed to bottom right hand corner. Both framed & glazed. Largest (Richecoeur) measures 82cm x 63cm. 

LL Product London - Vintage Paint Tins / Pallets. A selection of Two vintage 1950/60/70's era, lithographed water colour tin paint sets appearing in Excellent condition with light scuffs and signs of rust appearing. Manufactured by LL Product, a British maker of quality paint boxes with fine lithograph colours. No lithographer is identified though I suspect it to be EVA. Much like Page London, MAP paint sets typically depict children painting a scene of whatever they are observing at the time and display "Childhood memories" or hot topics. Lot consists of: Wonderland Super Pain Box, TOTP Paint Box Jury. Both Measure: 234mm x 500mm x 18mm. (This does not constitute a guarantee).

MAP - Metra - Vintage Paint Tins / Pallets. A selection of Two vintage 1950/60/70's era, lithographed water colour tin paint sets appearing in Excellent condition with light scuffs and signs of rust appearing. Manufactured by MAP/Metra, British makers of quality paint boxes with fine lithograph colours. The MAP/Metra logo is depicted on the lid. No lithographer is identified. "Made in England" is printed on the paint tray insert inside. Much like Page London, MAP paint sets typically depict children painting a scene of whatever they are observing at the time and display "Childhood memories" or hot topics. Lot consists of: The Big Ben Supreme Colour Box and Wagon Trail Paint Box. Both Measure: 236mm x 518mm x 18mm. (This does not constitute a guarantee).

Page London - Vintage Paint Tins / Pallets. A selection of Two vintage /70's era, lithographed water colour tin paint sets appearing in Excellent condition with light scuffs and signs of rust appearing. Manufactured by Page, London, a British maker of quality paint boxes with fine lithograph colours. Lithographer is unidentified. Page London paint sets, typically depict children painting a scene of whatever they are observing at the time and display "Childhood memories" or hot topic scenes. Lot consists of: Moon mission with 'alive' lander. Western Paint box. Both measure: 236mm x 516mm x 18mm. (This does not constitute a guarantee).

LL Product London - Vintage Paint Tins / Pallets. A selection of Two vintage 1960's era, lithographed water colour tin paint sets appearing in Excellent condition with light scuffs and signs of rust appearing. Manufactured by LL Product, London, a British maker of quality paint boxes with fine lithograph colours. LL Product Logo is featured on the lid along with Made In England. Lithographer is identified as 'EVA'. LL Product, much like Page London paint sets, typically depict children painting a scene of whatever they are observing at the time and display "Childhood memories". Lot consists of: Treasure Trove Paint Box and The Supreme Paint Box. Both measure: 236mm x 506mm x 18mm. (This does not constitute a guarantee).

° ° Atkinson, George Francklin - ‘’Curry & Rice’’, on forty plates; or The Ingredients of Social Life at ‘’Our Station’’ in India, 1st edition, 4to, original gilt-decorated orange-brown cloth, 40 tinted lithograph plates, tissue guard to each plate, all edges gilt, spotting to title and margins, binding somewhat dulled and marked, Day & Son, London. [1859]

C. Darby Esq (19th C.), hand coloured lithograph, 'Brighton 1839', published for the benefit of the Sussex County Hospital. Sold By W.H.Mason & H. Hering, 9 Newman St, London, conjoined 24 x 82cm

Lavater, Warja - Cendrillon [Cinderella], Panorama of coloured lithograph images, Paris, 1976

A Tull Graphics Limited 'Mariner's Chart' lithograph poster, framed and mounted, 68cm x 118cm overall

Lithograph of A. F. Mettel original etching of "Venetian Phantasies", representing Venice's most famous monuments. On the lower right: Mettel. On verso: "Venetian Phantasies from an original etching by A. F. Mettel. A romantic description of the Venetian sites that Mettel represented is also included. Print size: 5.60"L x 7.50"H. Frame size: 10"L x 12"H x 0.50"W. Artist: A.F. MettelIssued: c.1960Condition: Age related wear.

MARC CHAGALL, Femme, numbered lithograph, edition of 250, rare suite: Les Ateliers de Chagall 1976, 33cm x 27.5cm. (Subject to ARR - see Buyers Conditions)

YVES BRAYER, Provence lithograph, singed in the plate, vintage French frame, 47.5cm x 36cm. (Subject to ARR - see Buyers Conditions)

HENRI MATISSE (1869-1954), 'Fleur de Neige', offset lithograph, published by Editions de Nouvelled, Lombreuil, 1988, 119cm x 62cm.

JULIAN TREVELYAN, Thames Regatta lithograph, 1951 for the festival of Britain, 48.5cm x 72.5cm.

HENRI MATISSE, "Le Lagoon I", lithograph - 2004, Spadem Mourlot, 38.5 x 59.5 cm, Framed.

Yoshitomo Nara (B.1959), Lithograph Signed (lower right) Dimensions: 11 3/8 x 8 1/4 inches (29cm x 21cm) Yoshitomo Nara (b. 1959) is a Japanese artist. He lives and works in Nasushiobara, Tochigi Prefecture, though his artwork has been exhibited worldwide. Nara has had nearly 40 solo exhibitions since 1984. His art work has been housed at the MoMA and the Museum of Contemporary Art, Los Angeles (LACMA). His most well-known and repeated subject is a young girl with piercing eyes. WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE.

H Tairiet: A French Art Nouveau Advertising Poster, GRIFFITHS CYCLES AND ACCESSOIRES, The John Griffiths Cycle Corporation Limited, Paris - 45 Avenue, De La Grande Armée, lithograph in colour129cm by 91cm

A pair and a single:1. after NORMAN THELWELL -  a pair of limited edition fishing prints, 'The Salmon Leap' and 'Down by the River' (broken pane). Both signed in pencil and numbered (174 of 850) in pencil (26 x 33 cm). (Frames 39 x 36 cm). 2. after CHRISTINE GROVES - two teddy bears, lithograph. (Carved wooden frame 34 x 38.5 cm).

Three pieces:1. 'The Hunting 'If'', handwritten poem by Angela Shortt with two painted vignettes of hounds initialled F.C.W. (16 x 20.5 cm). (Parcel-gilt and bird's-eye maple frame 27.5 x 32 cm);2. After SIR LESLIE WARD - 'Tom Firr', 1884 Vanity Fair lithograph. (Cut down to fit frame). (Parcel-gilt bird's-eye maple frame 26 x 20 cm); 3. a Sally Mitchell Fine Art limited edition lithograph (104 of 850), signed in pencil by the artist. (Frame size 48 x 65 cm).

Currier & Ives, A New England Home, hand coloured lithograph,20cm x 31.4cm, together with three other small framed antiquarian prints including New-York, Van Weehawken Te Zien, 9.5cm x 15.7cm and San Fransisco, and a 19thC watercolour, rural scene, indistinctly signed, framed (5)

Railwayana; Butterworth (Edwin); 'Views on the Manchester & Leeds Railway, Drawn from Nature, and on Stone, by A.F. Tait, with a descriptive history by Edwin Butterworth', pub for A.F. Tait, by Bradshaw and Blacklock, 1845, first edition folio, lithograph title and with 19 lithograph plates as called for, plates and text loose but appears complete, foxing and some water staining.

Early to mid C20th postcard album, well filled with Gibson girls, Louis Wain anthropomorphic cats. GB and European topographicals, lithograph cartoons etc (approx. 190)

2 reiche Skizzen- / Freundschafts-Alben des Friedrich Schrickel & der Amelie Schrickel, Carlsruhe um 1850Dr. Johann Friedrich Schrickel, 1778 - Carlsruhe - 1846, Großherzogl. Badischer Geheimer Rath und erster Leibarzt (lithograph. Porträt in einem der Alben), zwei Alben dessen Kinder Amelie & Friedrich Schrickel um 1850, reich gefüllt mit Radierungen, Aquatinten, Zeichnungen usw. von Verwandten, befreundeten Künstlern usw., 28 bzw. 55 S.

Duchamp (Marcel) and Andre Breton. Boite Alerte: Missives Lascives, one of 200 copies, comprising a collection of letters, catalogues, objects, postcards and original signed and numbered graphic works (lacking the lithograph by Joan Miró (Mourlot 195)), housed within the original green paper covered cardboard box designed to look like a French post-box (a little rubbed), limitation number stamped on inside of lid, overall size 278 x 190 x 70mm., n.p., 1959.⁂ The present lot contains the following items:i) catalogue for the exhibition.ii) 8 Missives Lascives by Micheline Bounoure, Alain Joubert, Joyce Mansour, Robert Benayoum, Octavio Paz, André Pieyre, Mimi Parent (a black silk stocking in an envelope with transparent window), and one anonymous.iii) a telegram on pink paper by Marcel Duchamp writing as Rrose Sélavy to André Bretoniv) a vinyl 45 rpm two-sided record with recordings of poems by Joyce Mansour and Benjamin Peretv) 6 colour postcards of works by Bellmer, Dali, Gorky, Miro, Svanberg, and Clovis Trouille.vi) 3 original signed and numbered lithographs by Adrien Dax, Marie Toyen, Max Walter Svanbergvii) an original signed and a numbered etching by Jacques Le Marechal.

Buckingham (James Silk) Travels in Mesopotamia. Including a Journey from Aleppo to Bagdad, by the route of Beer, Orfah, Diarbekr, Mardin, & Mousul, 2 vol., first octavo edition, folding engraved map, 2 double-page lithograph plates, 27 wood-engraved plates, contemporary half calf, rubbed, vol.1 upper cover detached, 8vo, 1827.⁂ The Cyrus Ghani copy with ink inscriptions dated 1951 to front free endpaper vol.1. Also bookplate and inscription of Anthony MacTier of Durris.

Burnes (Lt. Alexander) Travels into Bokhara; being the Account of a Journey from India to Cabool, Tartary, and Persia, 3 vol., first edition, half-titles, 5 engraved and 3 lithograph plates, one folding (spotted in margins), modern half calf over marbled boards, uncut, spines faded, [Yakushi B302a; Ghani p.60], 8vo, 1834.⁂ The Peter Hopkirk copy. Following a successful expedition up the Indus at the age of 26, Burnes found favour with the Governor-General of India, Lord William Bentinck, and obtained permission for an expedition to Kabul and Bokhara. They were little-known places and he was fortunate to apply at a time when the British government was becoming increasingly concerned to assess Russian encroachment in the area. Thus in 1832 he travelled to Kabul, ruled by Dost Mohammed, and passed over the Hindu Kush to Balkh, where he found the graves of Trebeck, Moorcroft and Guthrie. By way of the Oxus, and the desert crossing he finally reached Bokhara where he received a welcome from the vizier Koosh Begee (though not the Emir). After one month there he returned by way of Merv, to the Persian Gulf and finally Bombay.

Rich (Claudius James) Narrative of a Residence in Koordistan, and on the Site of Ancient Nineveh, 2 vol., first edition, 2 folding engraved maps, one folding lithograph plan, 10 lithograph plates by Hullmandel after Walton, 3 double-page, some spotting, lacking advertisement leaves at end of vol.1, contemporary calf, gilt, [Atabey 1040; Wilson p.189], 8vo, 1836.⁂ The Burrell copy of this important work with detailed geographical and archaeological accounts of the region. A talented linguist, Rich travelled widely in Asia Minor. Posted to Egypt during the early part of his career, he travelled from there, in Mamaluk disguise, to Syria, Palestine, Damascus, Baghdad and Basra. In 1810, he was appointed East India Company's resident at Baghdad. Provenance: R.M. Burrell (bookplate).

Darwin (Charles) On the Origin of Species by Means of Natural Selection, second edition, second issue with "fifth thousand on title", half-title, folding lithograph diagram, 32pp. publisher's catalogue dated January 1860 at end, a few pencil marks to margins, occasional light corner creasing, some cracking to gutter but holding firm, upper joint cracked but firm, original blind-stamped cloth, spine gilt, slight bumping to spine tips and corners, light rubbing to joints, some faint spotting, but still overall a sharp, near-fine copy, [Freeman 376], 8vo, 1860.⁂ This second edition was considered by Darwin as "little more than a reprint of the first edition". Rare in this condition.

Chess.- Friedmann (David) Koepfe beruehmter Schachmeister, one of 50 copies, 12 lithograph portraits only (of 14), each signed in pencil by the artist and within mounts as issued, lithograph vignette title (browned and chipped), limitation leaf and text leaf, all loose as issued in original portfolio, some mounts worn, one badly stained, but portraits generally clean, original vellum-backed decorative boards with title label to upper cover, folio, [?Berlin], c.1923.⁂ It is believed that only 6 sets, including this one, of the original 50 copies survive, at least 2 of which are incomplete and 3 of which are in institutional collections. Friedmann (1893-1980) studied painting with Lovis Corinth and graphic arts with Hermann Struck. He served as a war artist for the Austro-Hungarian army in WW1 and afterwards became a successful portraitist. In 1938 he fled to Prague with his wife and young daughter leaving behind his art collection but in 1941 the family were deported to the Lodz Ghetto in Poland. The gestapo confiscated over 2000 of his drawings, watercolours and oils in Berlin and Prague. He was separated from his family in August 1944, deported to Auschwitz-Birkenau and other concentration camps, survived but tragically his family did not. He became an American citizen in 1960, dropping the second 'n' in his surname and continued producing art and portraits. The subjects of this portfolio are Lasker, Rubinstein, Selesnieff, Bernstein, Tarrasch, Tartakower, Gruenfeld, Bogoljubow, Wolf, Reti, Spielmann and Teichmann, The portraits of Euwe and Walter are missing. Teichmann and Bernstein (whose names are on slips pasted over 2 other original names in the contents list) were not participants in the 1923 Ostrava international tournament on which the idea for the portfolio was first based. Various print-outs of articles and references to the portfolio, including letters from Friedmann's daughter about other copies, are included in the lot.