70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Four vintage Marc Chagall (1887-1985) offset lithographs of exhibition posters to include:  Le Chevauchee (Horse ride) Offset Lithograph No text Unframed Measures approx. 69cm x 56cm Le Chevauchee (Horse Ride) Offset Lithograph Titled ' Chagall at Pace / Columbus ' 1974 Columbus, Ohio Unframed Measures approx. 79cm x 56cm. Die Zauberflote (The Magic Flute) Offset Lithograph Created by Chagall for Metropolitan Opera in New York  Unframed Measures approx. 100cm x 66cm. Enlevement de Chole (Abduction of Chloe) Offset Lithograph Titled ' Chagall at Pace / Columbus ' 1977 Columbus, Ohio Edition of 2000 published by Pace Columbus Unframed Measures approx. 100cm x 66cm.

Steve Barraclough (Irish, 1953-1987) - Untitled 1982 - A 20th century artist proof lithograph print on paper. Signed in pencil and A/P to the lower margin. Flowers East gallery label to the verso. Measures approx. 74cm x 83cm.   

Rene Magritte (Belgian, 1898-1967) - A contemporary offset lithograph titled ' La Magie Noire ' (Black Magic). Printed in Belgium. Musee Magritte Museum, Brussels. 2019. Unframed. Measures approx. 70cm x 50cm (27.5" x 20").

David Hockney (British, b. 1937) - A vintage offset lithograph exhibition poster titled ' Louisiana Museum for Moderne Kunst / Museum of Contemporary Art. Humlebaek - Denmark '. Depicting Pool and Steps. Unframed. Measures approx. 84cm x 59cm (3" x 23").

Maurice Savin (1894-1973) - Famille Aux Champs (1968). A 20th century lithograph print on Arches paper. Limited edition signed and numbered 98/100 in pencil. Framed and glazed. Measures approx. 65cm x 48cm (25in x 19in).

Two vintage poster / lithograph for Roy Lichtenstein & Francis Bacon:  Roy Lichtenstein (American, 1923-1997) Reflections on Crash Offset lithograph poster 59cm x 74cm (23" x 29") Unframed, unglazed. Francis Bacon (Irish-British, 1909-1992) Georges a Bicyclette Limited edition of 500 Published by Maeght  Printed by Arte Paris on Stonehenge paper 90cm x 65cm (35.5" x 25.5") Unframed & unglazed

Five vintage 20th century exhibition posters to include George Dokupil, Hans Hoffman, Robert Motherwell, Bruce Nauman & Paul Klee as follow: George Dokupil Fishing Exhibition poster for Leo Castelli's 1985 exhibition Designed by Smatt Florence and Paul Maenz. 89cm x 58.5cm (35" x 23") Unframed Hans Hoffman (German-American, 1880-1966)Landscape Works on PaperOffset lithographEdition of 2000Published by Pace Columbus for the 1980 exhibition63.5cm x 68.5cm (25" x 27") Unframed Robert Motherwell (American, 1915-1991)Art ChicagoLimited edition lithograph, one of 200069cm x 51cm (27" x 20") Unframed Bruce Nauman (American, b.1941)Fifteen Pairs of HandsOffset lithograph original exhibition posterPrinted for the introduction of Nauman's works at Leo Castelli's gallery, 1996.91cm x 63.5cm (36" x 25") Unframed Paul Klee (German, 1879-1940) 1914. 7 Erinnering an einen garten Lithograph on glossy paper Exhibition poster 1987 Dusseldorf  70cm x 60cm (27.5" x 23.5") Unframed

Laurence Stephen Lowry (1887-1976), 'Mill Scene', offset lithograph on paper, from an edition of 750, signed in pencil lower right, 30 cm x 39.5 cm with margins, framed and glazed, the frame 62 cm x 70 cm.Private CollectionSealed in the frame and glazed - not inspected out of the frame. Paper is trimmed and mounted onto black painted board or foam. No blind stamp, signs of previous mount burning around the edge and paper discoloured as a result, colours are a little faded.

Louis Le Brocquy HRHA (1916 - 2012) Head Lithograph, 54.5 x 40.5cm (21½ x 16")Edition 59/75Signed

Arthur Fitzwilliam Tait (American/British, 1819-1905) for Currier and Ives, United States. Hand-colored lithograph on paper titled "Life on the Prairie: The Trappers Defence, 'Fire Fight Fire'" depicting three men racing to battle a raging prairie fire, 1862. One man calms the scared horses while the other two build a backfire.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 3797, page 404.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 18 1/2 in x width: 27 1/8 in. Margins; top: 2 1/8 in x bottom: 3 in x left: 2 1/4 in x right: 2 1/4 in. Sheet; height: 23 3/4 in x width: 31 3/4 in.Condition:The sheet is toned. There are some areas of wear along the extreme edges. Some slight creases and handling marks along the margins. There is an approx. 1-inch long tear along the upper left edge. Small area of skimming along the lower center edge. Along the verso there is toning and foxing throughout. Some tape residue along the upper center edge along the verso. Four pieces of tape affixed to the verso along the upper left and right corners. No signs of restoration when viewed under UV light. The work is not framed.

Currier and Ives, United States. Handcolored lithograph titled "Bear Hunting: Close Quarters" depicting a bear attacking a man while surrounded by hunting dogs in the foreground and a hunter taking aim in the background.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0497, page 62.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 8 3/8 in x width: 12 1/2 in. Margins; top: 1 3/4 in x bottom: 1 3/4 in x left: 1 5/8 in x right: 1 5/8 in. Sheet; height: 12 in x width: 15 3/4 in.Condition:The sheet is toned. There is some wear and deeper toning to the edges. There is a small tideline along the upper left corner. Some foxing throughout. Soiling the verso which does not affect the recto. There are four pieces of tape affixed to the verso along the upper right and left corners. No signs of restoration when viewed under UV light. The work is not framed.

Currier and Ives, United States. Hand-colored lithograph titled "Sunrise on Lake Saranac" depicting an idyllic mountain landscape with two deer in a lake and a flock of waterfowl against a beautiful yellow sunrise, 1860.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 6361, page 646.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height; 18 1/2 in x width: 27 1/8 in. Margins; top: 1 1/4 in x bottom: 1 7/8 in x left: 1 3/8 in x right: 1 3/8 in. Sheet; height: 22 in x width: 30 in.Condition:The sheet is toned. There are some uneven discolorations throughout. Some light wear along the edges. Restorations evident under UV light and from the verso along the lower left corner. Toning to the verso. There are two pieces of tape affixed to the verso along the upper left and right corners. The print is not framed.

Louis Maurer (German/American, 1832-1932). for Nathaniel Currier, United States. Hand-colored lithograph titled "American Winter Sports: Deer Shooting 'On the Shattagee' (Northern New York)" depicting a scene of two hunters taking aim at a herd of deer just across a frozen river.Provenance: Distinguished Corporate Collection, Ohio.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0223, page 27.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 17 5/8 in x width: 25 3/4 in. Margins; top: 1 1/4 in x bottom: 2 in x left: 1 1/4 in x right: 1 1/4 in. Sheet; height: 21 in x width: 28 1/4 in.Condition:The sheet is toned. There is a small tear along the lower left corner; it is repaired with tape affixed to the verso. There is a tear along the upper center edge. Some wear along the edges. Uneven toning to the verso. Some areas of soiling. There are two spots of tape affixed to the verso along the upper left and right corners. No signs of restoration when viewed under UV light. The work is not framed.

Jean Carlu (French, 1900-1997). Lithograph poster print titled "Pepa Bonafe" depicting the famous French actress in Art Deco style. Printed by Marcel Picard in 1928, this print became one of Carlu's most famous designs.Sight; height: 21 3/4 in x width: 14 1/2 in. Framed; height: 29 1/2 in x width: 21 1/2 in x depth: 1/2 in.Condition:There are no visible tears or losses. There are a network of creases throughout, in a grid pattern. The sheet is slightly yellowed. There are minute spots of discoloration throughout. There are minute spots of undulation throughout. Framed under glass. Not examined out of frame. No signs of restoration under UV light. Wear to the frame.

Frances "Fanny" Flora Bond Palmer (American, 1812-1876) for Currier and Ives, United States. Hand-colored lithograph titled "The Mississippi in Time of Peace" depicting steamships gathered on the Mississippi River with a bright yellow low-hanging sun, 1865.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 4519, page 461.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 18 1/4 in x width: 27 5/8 in. Margins; top: 1 1/8 in x bottom: 2 1/8 in x left: 1 in x right; 1 in. Sheet; height: 22 in x width: 30 in.Condition:The sheet is toned. There is foxing throughout. There are two tears along the upper left edge; there is a deep crease between the two tears that threatens to break. There is a small loss along the upper right edge. There is a small tear (reinforced with tape along the verso) along the upper center edge. Toning and foxing to the verso. Two pencil inscriptions along the verso: "#23" along the upper right; "Egg" along the lower left. There are five pieces of framer's tape affixed to the upper edge of the verso. No restorations when viewed under UV light. The work is not framed.

Currier and Ives, United States. Hand-colored lithograph titled "George Washington," depicting a three-quarter portrait of the first President of the United States, George Washington. He gestures with one hand towards a map.Provenance: Distinguished Corporate Collection, Ohio.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 2553, page 265.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Sheet; height: 16 in x width: 11 in.Condition:The sheet is toned. There is some soiling along the edges. Some light areas of foxing. Soiling to the verso. Pencil inscription "XO -" along the verso. Two areas of light skimming, likely from a previous framing, along the upper left and right corners along the verso. No evidence of restoration when viewed under UV light. The work is not framed.

Arthur Fitzwilliam Tait (American/British, 1819-1905) for Currier and Ives, United States. Hand-colored lithograph on paper titled "Life on the Prairie: The Buffalo Hunt" depicting a frontier scene of three men on horseback hunting American bison, 1862.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 3796, page 404.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 18 1/4 in x width: 27 1/8 in. Margin; top: 2 in x bottom: 2 5/8 in x left: 2 1/2 in x right: 2 1/2 in. Sheet; height: 23 in x width: 32 in.Condition:The sheet is toned. There is some soiling along the margins. There is a tear and repair along the lower center edge; another tear and repair along the upper left corner. Some light wear along the edges. Toning and soiling to the verso. There are four pieces of tape affixed to the verso along the upper edge.

Louis Maurer (German/American, 1832-1932) for Nathaniel Currier, United States. Lithograph titled "Celebrated Horse Lexington (5 Yrs. Old) by "Boston" Out of "Alice Carneal": Bred by Dr. Warfield, Owned by R. Ten Broeck, Esq. Winner of the Great 4 Mile Match for $20,000 against "LeCompte's" Time of 7:26. Over the Metairie Course. New Orleans, April 2nd 1855. Won in 7:19 3/4!!!" The print depicts a brown racing horse standing in a field, 1855. The margins with further race information.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0979, page 98.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 18 3/4 in x width: 26 1/4 in. Margins; top: 1 1/2 in x bottom: 2 1/4 in x left: 1 3/4 in x right: 1 3/4 in. Sheet; height: 22 3/4 in x width: 30 in.Condition:The sheet is toned. There is a small chip along the right edge. Discoloration and soiling along the lower edge along the recto and verso; the work has possibly been treated along the lower edge. Two pencil inscriptions along the verso: one is illegible, the other reads "6-25-85." The work is not framed.

Nathaniel Currier, United States. Hand-colored lithograph titled "Pointers," depicting four pointers running through a field, 1846. Originally published as a set of four prints consisting of "Fox Hounds," "Setters," and "Stag Hounds," as well as the print offered in this lot.Provenance: Distinguished Corporate Collection, Ohio.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 5223, page 537.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 8 1/2 in x width: 13 in. Margins; top: 5/8 in x bottom: 3/4 in x left: 1/2 in x right: 1/2 in. Sheet; height: 10 in x width: 14 in.Condition:The print is toned. There is some wear and soiling along the edges. There is evidence of moisture exposure along the bottom edge, most evident along the verso. Some undulation to the sheet along the top edge. There are four pieces of framer's tape affixed to the verso along the top right and left corners. Some light foxing along the verso. No evidence of restoration when viewed under UV light. The print is not framed.

Currier and Ives, United States. Hand-colored lithograph titled "Fruit and Flowers: Grapes, Peaches, and Roses," depicting a still life of fruit and flowers in a vase, 1870.Provenance: Distinguished Corporate Collection, Ohio.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 2347, page 237.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 11 7/8 in x width: 8 5/8 in. Margins; top: 1 3/4 in x bottom: 1 7/8 in x left: 1 1/2 in x right: 1 1/2 in. Sheet; height: 15 1/2 in x width: 12 in.Condition:The sheet is toned. There is a small tear along the lower left edge. A few small chips/frits along the edges, mostly contained to the lower edge. Some soiling throughout. Some light wear along the rest of the edges. Soiling to the verso. There are four pieces of tape along the verso along the upper left and right corners. The work is not framed. No signs of restoration when viewed under UV light.

Currier and Ives, United States. Hand-colored lithograph titled "American Homestead Autumn," depicting a scene of figures harvesting fruit outside of a rural cottage in the fall, 1869.Provenance: Distinguished Corporate Collection, Ohio.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0181, page 23.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 7 7/8 in x width: 12 1/2 in. Margins; top: 1 1/2 in x bottom: 2 in x left: 1 5/8 in x right: 1 5/8 in. Sheet; height: 11 1/2 in x width: 15 3/4 in.Condition:The sheet is toned. There is some wear and soiling along the margins. Light foxing throughout. There is a small stain along the lower right edge. There is a small tear along the center right edge. Some soiling to the verso. Ink stamp "A.R.D." along the verso. There are four pieces of tape affixed to the verso along the upper right and left corners. No signs of restoration when viewed under UV light. The work is not framed.

Frances "Fanny" Flora Bond Palmer (American, 1812-1876) for Nathaniel Currier, United States. Hand-colored lithograph titled "Chatham Square, New York," depicting a view of soldiers marching along the streets of a New York City street. Chatham Square was where most print dealers of the 1840s were located in New York.Provenance: Distinguished Corporate Collection, Ohio.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 1118, page 122.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 8 1/8 in x width: 12 5/8 in. Margins; top: 1 3/8 in x bottom: 1 5/8 in x left: 1/2 in x right: 1 1/2 in. Sheet; height: 11 in x width: 14 3/4 in.Condition:The sheet is toned. There is matburn along the perimeter of the image. Foxing throughout, especially along the upper half. Some wear along the edges. There is a tear along the lower left corner; evidence of restoration when viewed under UV light and from the verso. Soiling along the verso. A few light areas of skimming along the verso. Some residual tape affixed to the verso along the upper edge. The work has likely been trimmed, at least along the left edge, as evidenced from an uneven edge and margin measurement discrepancy. The work is not framed.

Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph poster on board titled "Babylone d'Allemagne (The German Babylon)" depicting a parade of figures on horseback, first produced in 1894. Created to advertise the novel by Victor Joze of the same name.Height: 47 1/2 in x width: 34 in x depth: 1/8 in.Condition:The sheet is toned. Small losses to the edge throughout. The work is affixed to a paper board. Wear along all edges. The work is not framed.

Bernard Joseph Steffen (American, 1907-1980). Lithograph on paper titled "Cantankerous Colt" depicting a farmer struggling to pull a young horse, 1940. Pencil signed along the lower right. From an edition of around 200. Steffen was part of the American Regionalism movement and participated in the WPA (Works Progress Administration). Housed in a unique wood frame inset with twine rope.Sight; height: 10 1/2 in x width: 15 1/4 in. Framed; height: 21 in x width: 25 1/2 in x depth: 1 in.Condition:The colors are bold and deep. There is a slight undulation to the sheet. There are no visible tears, creases, or losses. Extreme edges and verso not inspected; not inspected out of frame. Framed under glass; light wear to the frame.

Currier and Ives, United States. Hand-colored lithograph titled "Artists Creek: North Conway," depicting a rural scene of a mill and a creek.Provenance: Distinguished Corporate Collection, Ohio.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0299, page 32.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 10 1/4 in x width: 14 7/8 in. Margins; top: 1 3/8 in x bottom: 1 1/2 in x left: 3/4 in x right: 3/4 in. Sheet; height: 13 in x width: 16 1/2 in.Condition:The sheet is toned. There is matburn along the perimeter. There is a small loss along the lower right corner. There are four repairs along the edges: one along the upper right edge, two along the lower bottom near the right corner, one along the center left edge. The repair along the upper edge is for a long tear measuring approx. 2 inches in length extending downwards from the edge into the image. Some wear along the edges throughout. Some wear and soiling to the verso. There are four pieces of tape affixed along the upper edge of the verso. It seems that the sheet has been slightly trimmed, at least along the bottom, evidenced from an uneven edge and the proximity of the text to the edge of the sheet. The work is not framed.

Saul Raskin (Russian/American, 1878-1966). Lithograph on paper titled "Jerusalem - Mount of Olives" depicting the Dome of the Rock. Pencil signed and signed in print along the lower left; titled along the lower right.Sight; height: 10 in x width: 13 in. Framed; height: 18 3/4 in x width: 21 1/2 in x depth: 1 in.Condition:There are no visible tears, creases, or restorations. The sheet is toned. The work is housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

Currier and Ives, United States. Hand-colored lithograph titled "Celebrated Stallion Trio" depicting a cart pulled by two horses while a jocky on another horse runs behind. Signed in plate along the lower right. Subtitled, "Wamba 1:44 1/2 Running. By Waverly. Bud Crook 2:18 1/4 Packing. By Geo. Wilkes. Black Cloud 2:17 1/4 Trotting. By Ashland Chief. The Pride of Meyer's Lake Side Horse Farm, Canton, Ohio. Property of Ed. J. Meyer." There is a "signature" in print in the margins reading "Compliments of Ed. J. Meyer."Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0989, page 99.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 15 3/4 in x width: 19 7/8 in. Margins; top: 1 7/8 in x bottom: 4 1/8 in x left: 2 7/8 in x right: 2 7/8 in. Sheet; height: 22 in x width: 25 3/4 in.Condition:The sheet is unevenly toned. There are tide lines along the lower left and right corners and the upper left corner. There is a small but deep crease in the lower left corner. There appears to be a loss along the upper left corner along with a repair. Some spots of foxing and soiling throughout. The sheet is laid down to another sheet of paper; as such the verso of the print cannot be inspected. There are two pieces affixed to the verso along the upper left and right. The work is not framed.

Frances "Fanny" Flora Bond Palmer (American, 1812-1876) for Nathaniel Currier, United States. Hand-colored lithograph titled "The Old Homestead," depicting a rural scene of farm animals gathered in front of a yard, 1855.Provenance: Distinguished Corporate Collection, Ohio.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 4948, page 502.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 9 3/4 in x width: 14 7/8 in. Margins; top: 1 3/8 in x bottom: 2 5/8 in x left: 1 3/8 in x right: 1 3/8 in. Sheet; height: 13 7/8 in x width: 17 5/8 in. Mat; height: 16 1/8 in x width: 19 1/2 in. Framed; height: 18 in x width: 21 1/2 in x depth: 1 in.Condition:The sheet is toned. Some soiling and areas of foxing. Some wear along the edges. The sheet is laid down on an acidic matboard; as such, the verso was unable to be inspected. No signs of restorations when viewed under UV light. Light wear to the mat. Some wear and chips to the frame; framed under glass.

Thomas Hart Benton (American, 1889-1975). Lithograph on paper titled "The Farmer's Daughter" depicting a young girl pumping water from a well while her faithful dog watches. Pencil signed along the lower right. Benton was a key figure in the American Regionalist art movement along with fellow artists Grant Wood and John Steuart Curry.Sight; height: 10 1/4 in x width: 13 3/4 in. Framed; height: 16 3/4 in x width: 20 3/4 in x depth: 1/2 in.Condition:There are no major creases, tears, losses or restorations. The sheet is toned and there minute foxing along the lower right edge. The sheet is framed in a non-archival mat. Not examined out of frame. Framed under glass. Wear to the frame.

Currier and Ives, United States. Hand-colored lithograph titled "Blue Fishing" depicting a scene of two sailboats fishing for bluefin tuna.Provenance: Distinguished Corporate Collection, Ohio.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 0645, page 71.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Image; height: 7 7/8 in x width: 12 3/8 in. Margins; top: 1 1/4 in x bottom: 1 3/4 in x left: 1 1/4 in x right: 1 1/4 in. Sheet; height: 11 in x width: 15 in.Condition:No visible tears, creases, or losses. The sheet is toned. A few spots of foxing throughout. Some soiling along the extreme edges. Some foxing/soiling along the verso. The word "Egg" is written in pencil along the verso. The work is not framed. No signs of restoration when viewed under UV light. The work is not framed.

ANDRÉ BRETON (1896-1966)Ensemble de 4 livres La Lampe dans l'horlogeEdition originale, tirage de tête, un des 350 exemplaires sur vélin d'Arches no 243, avec la seconde épreuve du frontispice en mauve et signé dans la planche.Illustrée d'une lithographie non signée de TOYEN en frontispice et d'une photographie d'André Breton dans le parc du château de la Coste.Edition non coupéeParis, Edition Robert Marin, 1948, collection L'Age d'homme.First edition, first printing, one of 350 copies on Arches vellum no 243, with the second proof of the frontispiece in mauve and signed in the plate.Illustrated with an unsigned lithograph by TOYEN as frontispiece and a photograph of André Breton in the park of the Château de la Coste.Unopened editionParis, Edition Robert Marin, 1948, collection L'Age d'homme.Ode A Charles FourierEdition originale, sur vélin, non numérotéeIllustrée de 21 compositions de Frederick Kiesler, dont deux en couvertureAchevé d'imprimer du 1er février 1947Paris, Éditions de la Revue Fontaine, collection « L'Age d'or », 1947First edition, on vellum, not numberedIllustrated with 21 compositions by Frederick Kiesler, including two on the coverApproved for printing on 1st February 1947Paris, Éditions de la Revue Fontaine, 'L'Age d'or' collection, 1947Notes Sur La PoésieEdition originale, non numérotéeIllustrée d'un dessin de Salvador Dali en reproductionParis, Editions GLM, 1936First edition, not numberedIllustrated with a reproduction drawing by Salvador DaliParis, Editions GLM, 1936ANDRÉ BRETON et PAUL ELUARD Les Vases CommunicantsEdition originale non numérotée, couverture illustrée par Max ErnstAchevé d'imprimer du 26 novembre 1932Paris, Edition des Cahiers Libres, 1932Unnumbered first edition, cover illustrated by Max ErnstApproved for printing on 26 November 1932Paris, Edition des Cahiers Libres, 1932Footnotes:ProvenanceCollection particulière, Paris.Collection particulière, Paris (par descendance).This lot is subject to the following lot symbols: ## A reduced TVA rate of 5.5% will be charged on Buyer's Premium. This is subject to government change and the rate payable will be the rate in force on the date of the sale.Pour les livres, la commission acheteur est soumise à un taux de TVA réduit de 5,5 %. Ce taux est susceptible à être modifié par les autorités françaises et le taux à payer sera celui en vigueur à la date de la vente.For further information on this lot please visit Bonhams.com

ANDRÉ BRETON (1896-1966)Flagrant Délit : Rimbaud devant la conjuration de l'imposture et du truquage Edition originale, un des 100 exemplaires sur papier vergé de Hollande, tous signés par l'auteur (n°60)Avec une reproduction d'une lithographie d'Henri Rousseau, « La guerre », parue dans l'Ymagier en 1895Exemplaire non coupéEditions Thésée, Paris, 1949First edition, one of 100 copies on Hollande laid paper, all signed by the author (n° 60)With a reproduction of a lithograph by Henri Rousseau, 'La guerre', published in l'Ymagier in 1895UnopenedEditions Thésée, Paris, 1949Footnotes:ProvenanceCollection particulière, Paris.Collection particulière, Paris (par descendance).This lot is subject to the following lot symbols: ## A reduced TVA rate of 5.5% will be charged on Buyer's Premium. This is subject to government change and the rate payable will be the rate in force on the date of the sale.Pour les livres, la commission acheteur est soumise à un taux de TVA réduit de 5,5 %. Ce taux est susceptible à être modifié par les autorités françaises et le taux à payer sera celui en vigueur à la date de la vente.For further information on this lot please visit Bonhams.com

RENÉ MAGRITTE (1898-1967)Salon de mai, 1965 (Kaplan & Baum, 4)signé, daté 'Magritte 1965' (en bas à gauche) et numéroté '58/107' (en bas à droite)lithographie en couleurs sur vélin d'Arches marouflée sur cartonEditée par le Musée de la ville de Paris, ParisImprimé par Mourlot, Parissigned, dated 'Magritte 1965' (lower left) and numbered '58/107' (lower right)Colour lithograph on Arches vellum paper mounted on cardboardPublished by the Musée de la ville de Paris, ParisPrinted by Mourlot, Paris59 x 49 cm. 23 1/4 x 19 5/16 in.Footnotes:ProvenanceCollection particulière, Paris.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Klatte [(Carl)] Vorschule der Soldaten-Reiterei oder wahres Reiter-Exercitium zu Fuss, 17 hand-coloured lithograph plates, 3 with some oxidisation, contemporary straight-grain black morocco, elaborately stamped in gilt, covers with decorative borders round a central crown with laurel wreath and 'starburst' design, spine gilt, g.e., pale yellow embossed floral silk endpapers, head of spine and joints slightly rubbed, [Lipperheide 2164; Bobins 363], 8vo, Berlin, [Privately Printed], 1825. *** A beautiful copy of a rare work on instructions for cavalry before mounting the horse. 

Marta (Luigi) Costumi della data da S. Maesta il di 20 Feb. 1854. Nella Reggia di Napoli, first edition, tinted lithograph pictorial title incorporating numerous coats-of-arms, lithograph dedication leaf (heavily foxed and browned), 31 hand-coloured lithograph plates, one leaf of letterpress (also foxed), some other mostly marginal foxing and soiling, one plate with repaired tear, contemporary half morocco over marbled boards, rubbed and scuffed, [Colas 1994; Lipperheide 2781; Bobins 589], oblong folio, Paris, 1854. *** A scarce work on Neapolitan costumes dedicated to the Infante di Spagna D. Sebastiano Gabriele.  

Seymour (Robert) The School Master Abroad, lithograph pictorial title and 9 plates, all hand-coloured, 2 with repaired tears, 2 text leaves also with repaired tears, occasional foxing and soiling, original pictorial printed wrappers, early cloth reback, covers chipped and with some repairs, preserved in modern cloth folder, worn, [Bobins 897], oblong folio, Thomas McLean, 1834. *** Rare at auction, particularly so coloured and in the original wrappers. The first plate depicts the protagonist travelling through a town square on a three-wheeled vehicle, a form of motorised tricycle. Provenance: William Hartmann Woodin (bookplate). 

D[ubuisson] (E.) Sketches of Character, The Mufflechop Family, 12 fine hand-coloured lithograph plates, some minor marginal soiling and creasing, original wrappers with lithograph vignette to upper cover, covers soiled and repaired, preserved in modern cloth drop-back box, [Bobins 853], T. Pewtress & Ackermann & Co., [c.1830]. *** Scarce in the original wrappers. 

Cuciniello (Domenico) and Lorenzo Bianchi, publishers. Raccolta di Costumi Napolitani [Siciliens], lithograph title (corrected in ink) and 27 hand-coloured plates, some spotting, publisher's embossed stamp in lower margin of a few plates, later cloth-backed marbled boards, a little rubbed and bumped, 4to, Naples, 1829. *** A group of Sicilian costume plates with a title-page supplied from another work and corrected in French.  

Aure (Antoine Cartier d') Traite d'Equitation, first edition, half-title, lithograph frontispiece and 26 plates by Frey after Ledieu, all hand-coloured, wood-engraved illustrations, errata leaf at end, colour in a few plates oxidised, repairs to a few text leaves at end, some light foxing and offsetting, contemporary brown half roan, rubbed, head of spine nicked, [Bobins 1391; Nissen, ZBI 165], 4to, Paris, 1834. *** Rare work by the riding master at the Ecole de Versailles and, later, Saumur. Provenance: Gaston Guitton (1825-91, sculptor, his small ink stamp on title)  

Herrliberger (David) Zuercherische Ausruff-Bilder, 3 parts in 1, 156 hand-coloured lithograph illustrations, occasional foxing, original cloth-backed glazed boards, [cf. Colas 1435 and Lipperheide 918 for 1748-51 edition; Bobins 1565 erroneously describes this as the original edition], oblong 8vo, Zurich, J.J. Siegfried, Vater, [c.1850]. 

Lange (Edouard) and Wilhelm Frenzel. Das Hoffest zu Ferrara, in den Saelen des Koeniglichen Schlosses zu Berlin, first edition, 42 hand-coloured lithograph plates, heightened with gum arabic, some trimmed a little short, some foxed, contemporary half roan, rubbed, upper cover worn and stained at top, [Colas 1758; Lipperheide 2545; Bobins 585], folio, Berlin, C.G. Luederitz, 1846. *** Rare, no copy traced at auction. "The plates herein represent fancy-dress costumes for this 1843 recreation of a celebration at the Court of Ferrara, bedecked in Renaissance splendour." (Bobins).  

Planché (J.R.) Souvenir of the Bal Costumé, given by Her Most Gracious Majesty Queen Victoria, at Buckingham Palace, May 12, 1842, first edition, additional chromolithograph title, 52 fine hand-coloured lithograph plates after Coke Smyth, each with decorative floral border printed in gold, text printed in blue, occasional foxing (including to plate of Prince Albert), upper hinge broken and front endpaper torn, contemporary half morocco, rubbed, [Colas 2403; Bobins 899], folio, Colnaghi and Co., 1843. *** The fine plates depict the elaborate costumes designed for and worn by the hosts and guests, royalty and aristocracy, at the fancy-dress ball given by Queen Victoria in May 1842.  

Alken (Samuel) [Epsom Race Course], hand-coloured lithograph panorama, on 4 sheets (joined), c.210 x 2210 mm, one or two short marginal tears, 2 tears into the image, the longest being 70mm., slight creasing at joins, on boxwood spindle with free edge trimmed in green cloth, scattered spotting, housed in cylindrical calf case by Sangorski & Sutcliffe, title and (erroneous) date in gilt to lid, [Abbey Life 600; Bobins IV, 1301; Dixon 99; Siltzer p.62], Ackermann, 18[5]4; together with original ?title and plan of the course pasted onto matching green cloth (2). *** Provenance: Lot 111 from the Le Vivier Library sale, held at Christie's, South Kensington on 30 October 2012.The date is printed somewhat unclearly in regard to the third digit. Siltzer and Dixon both date the work 1834. Abbey more correctly dates it 1854, three years after Henry Alken senior's death.

Osterwald (Georg) Abbildungen des Koeniglich-Hannoverschen Militairs in characteristischen Gruppen dargestellt, first edition, 24 superb hand-coloured lithograph plates tipped into ruled and captioned mounts, mounts on paper guards and some with short tears at foot of guards, publisher's embossed stamp in lower margin of mount, original grey printed wrappers bound in, upper wrapper slightly creased, later morocco-backed marbled boards by Lemardeley, extremities rubbed, [Colas 2257; Bobins 378], large 4to, Hannover, Schrader, [1840]. *** Rare work with exceptionally fine illustrations of men from the Royal Hannoverian Army, including infantry, cavalry, artillery, engineers and bandsmen. Provenance: Unidentified armorial bookplate engraved by Agry, Paris; Marquess of Cambridge (ownership stamp on right hand corner of each mount); N.M. (ownership stamp on verso of each mount). 

Turner (F.C.) A Set of Fox-Huntings, descriptive of the poem of Billesdon Coplow, title with mounted hand-coloured engraved vignette, 12 hand-coloured lithograph plates, title slightly browned and stained, original pictorial wrappers with edges defective, laid down and with tape marks near spine, preserved in modern half morocco drop-back box, [Schwerdt II, 1833; Bobins 788 erroneously stating "22 hand-coloured aquatint plates"], large 8vo, T. Gosden, 1833. 

Russia.- Owen (Major Charles Henry) Sketches in the Crimea, lithograph title and 6 tinted lithographs with hand-colouring, one folding, title with short marginal tear and neat repair, occasional light spotting, contemporary morocco-backed boards, rebacked retaining original backstrip, bumping to corners and spine extremities, [Bobins I, 207], oblong folio, Paul and Dominic Colnaghi, 1856.

Moro (C., editor) Episodios de la Guerra de Africa 1859-1860, first edition, 2 lithograph vignette titles, one printed in sepia, the other in blue, 24 tinted lithograph plates, extra-illustrated with 4 lithograph portraits, one with marginal repair, all leaves guarded, modern half morocco over marbled boards, [Bobins 1587], oblong folio, Madrid, C. Moro, [1860]. *** Rare pictorial account of the war between Spain and Morocco, which culminated with victory for the Spanish at Tetuan. Several artists and lithographers were involved in the production of this "patriotic and propagandistic work" (Bobins): Carlos Mugica, Vicente Urrabieta, Eusebio Zarza, Jose Villegas and Bernardo Blanco. 

[Hauslab (Franz von)] Darstellung der K.K. Oesterreichischen Armee mit allen Chargen in XXXVI Heften, 2 vol., lithograph title with hand-coloured vignette, 205 hand-coloured lithographs, each trimmed and pasted to blue paper with printed military decorations, scattered spotting, damp-staining at end vol. 1 (not affecting images), bookplate, near contemporary green morocco, g.e., publisher's printed wrappers pasted to boards, richly gilt spines, a little rubbed, [Bobins V, 1578], 4to, Vienna, Joseph Trentsensky, [1823]. *** The work was issued in thirty-six parts and features lithography by Franz von Hauslab, a major innovator of chromolithography in cartography and the printing of topographic maps. Some copies also include a separately numbered 24-plate folio supplement that is not present here.

[Pettenkoffer (August) & Josef Anton Strassgschwandtner]. Die k. k. Österreich‘sche Armée nach der neuesten Adjustirung, lithograph title and 36 hand-coloured lithographs, heightened with gum arabic, scattered spotting, one or two faint abrasion marks, modern cloth, slight rubbing to corners and extremities, slight chipping to spine, [Bobins II, 381; Colas 2337; De Ridder 60; Hale p.705; Lipperheide Qc 21 (illustrated); Vinet 2172], folio, Vienna, Verlag der Kunsthandlung Alois Leykum, [n.d. but c.1854]. *** Complete with the rare lithograph title. Karl August von Pettenkofen became a student at the Viennese Akademie der bildenden Kunste in 1834. A decade later he joined the military and served in the Dragon Regiment of Louis I of Bavaria. During this time the artist found inspiration in the uniforms of the Austrian army and dedicated the following two decades to producing watercolours and lithographs of military garb. Anton Strassgschwandtner equally was a student of the Viennese Art Academy (1843-5). In a similar fashion to his collaborator, his main artistic focus was depicting military and hunting scenes.

Dura (Gaetano) Napoli e Contorni Album, tinted lithograph title lettered in gilt and within gilt architectural border, 40 hand-coloured lithograph plates, occasional finger-soiling, hinges weak, contemporary cloth-backed boards with black morocco label to upper cover, spine worn, covers rubbed and soiled, [Colas 918 (28 plates); Lipperheide 1298; Bobins 1220], 4to, Naples, Gatti e Dura, [c.1840]. *** Includes a money-changer, puppeteer, macaroni eater, pasta maker, washerwoman, sailor, and vendors of corn-on-the-cob, water, pizza, fish, muslin, sobet and eggs. 

[Dibdin (Thomas Colman)] [Scenery of Torquay and Babbicombe], 6 hand-coloured lithograph plates by William Gauci after Dibdin and Edward Vivian, tissue guards, foxing, lacks title, original roan-backed limp cloth, lettered in gilt "Environs of Torquay" on upper cover, spine splitting, preserved in modern cloth drop-back box with black morocco label to upper cover, [cf. Abbey, Scenery 332; Bobins 1427], oblong folio, Torquay and London, Cockrem, Eliot & Barrett, and Ackermann & Co., [c.1841]. *** Rare, with only one copy at auction (2016) listed on RBH. Abbey calls for 5 plates only; our copy has "Torquay, from the summit of Park Hill" by Day & Haghe after E. Vivian bound as plate 5.  

[Pettenkoffer (August von) & Josef Anton Strassgschwandtner]. Die k. k. Österreich‘sche Armée nach der neuesten Adjustirung, the Donaueschingen copy with their library stamp, 36 hand-coloured lithographs, heightened with gum arabic, loose as issued, lacking printed title, faint marginal spotting to first plate, original lithograph wrapper loosely inserted, original printed paper wrappers, scattered spotting, rubbed, housed in later cloth-backed box with ties, [Bobins II, 381; Colas 2337; De Ridder 60; Hale p.705; Lipperheide Qc 21 (illustrated); Vinet 2172], folio, Vienna, Verlag der Kunsthandlung Alois Leykum, 1854. *** Provenance: Hofbibliothek Donaueschingen (library stamp on glazed paper wrapper).

Horn (Wilhelm) Maehrens ausgezeichnete Volkstrachten, first edition, title printed in various colours, 30 hand-coloured lithograph plates heightened with gum arabic, one plate a little smaller than rest, contemporary half sheep over marbled boards, upper cover a little wormed and abraded, extremities rubbed, [Bobins 1043; not in Colas or Lipperheide], folio, Bruenn, R. Rohrer, 1837. *** Striking costume plates of the different regions of Austria. 

Sir Terry Frost R.A. (British, 1915-2003)Five in the Afternoon signed and dated 'Terry Frost 76' (lower right), also signed and dated 'Terry Frost 76' (lower centre), inscribed 'At five in the afternoon./It was exactly/five in the afternoon./Un niño trajo la/blanca sábana/a las cinco de la/tarde.' (left centre)watercolour, gouache, collage and charcoal on two sheets of paper58.5 x 85cm (23 1/16 x 33 7/16in).Footnotes:ProvenanceWith Sims Gallery, St Ives, where acquired by the present owner, circa 1990-1995Private Collection, U.K.LiteratureD. Lewis, Terry Frost, Scholar Press, Aldershot, 1994, illustrated in reversed layoutThe right hand side of the present lot is the original work for the etching and lithograph, Black For Lorca, 1991.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Prints W R Bigg R A, After, The Truants, coloured lithograph, 45cm x 55cm. ornate ebonised and gilt frame, 68cm x 78cm overall; J Nash, hand coloured lithograph, The Hall, Speke, Lancashire, dated 1849 etc (4)

Shane Warne & Muttiah Muralitharan signed Limited Edition Lithograph with COA This absolutely stunning item of signed Cricket Memorabilia a striking action lithograph that takes you on a photographic and factual journey through Shane Warne and Muttiah Muralitharan's continuing battle to become the world's greatest wicket taker. Personally signed by both spinners and independently authenticated and certified by the major chartered accounting firm PricewaterhouseCoopers, 'Record Pursuit' is available in a strictly limited edition of 350Officially licensed by Cricket Australia and Sri Lanka Cricket, each are individually numbered and measure in at a large and impressive 650mm by 450mmRivals, friends, headline-makers and two of the world's greatest bowlers, Shane Warne and Muttiah Muralitharan will remember 2004 as a watershed in their colourful careers, with both spinners passing 500 Test wickets and continuing their 'battle' to become the world's greatest-ever wicket taker Their race to be the first spin bowler to take 500 wickets was a classic ' cat and mouse' struggle during Australia's 3-Test series in Sri Lanka in March 2004. After a well-publicised and determined duel, Warne was victorious, taking wicket number 500 on March 12, during the 1st Test in Galle. By the end of the tour, the ledger read: Warne 517 wickets, Muralitharan 513 - with West Indian great Courtney Walsh's world record of 519 wickets ready to be broken It was Muralitharan who first claimed that illustrious 'crown', passing Walsh's record during Sri Lanka's Test series against Zimbabwe in May 2004. The champion off-spinner set a new world record when he captured his 520th wicket in the 1st Test in Harare on May 8. Muralitharan then dismissed a further seven Zimbabwean batsmen in the series to take his tally to 527. Shane Warne's quest to overhaul Muralitharan in the world wicket-taking began in the two-Test series against Sri Lanka in Darwin and Cairns in July. Warne took 3 wickets in the 1st Test in Darwin to move within reach of Muralitharan, before equalling his world record mark with a sensational haul of 7 wickets in the 2nd Test in Cairns! Warne held the record until it was broken by Muralitharan on December 3, 2007A superb item of Cricket Memorabilia to celebrate the two statistically greatest Bowlers of all time! Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99 worldwide.

Banksy (b.1974) 'Di-Faced tenner', offset lithograph, 14cm x 7.5cm The note itself is in good condition. The frame with unidentifiable foreign objects behind the glass. The frame with subtle signs of wear consistent with age and use.

Pierre Alechinsky (1927): 'Arles', lithograph in colours, ed. 37/120, (1990)Work: 60 x 45,3 cm Frame: 77 x 62,4 cm

Felix Labisse (1905-1982): 'Viviane', lithograph in colours, ed. E.A., [1973]Work: 65,5 x 42,5 cm Paper: 73 x 49 cm Frame: 94 x 70,5 cm Provenance: - Ex-collection Point and Line Art Gallery, Blankenberge, Belgium, 1 September 1976, no. 22.

Fernand Leger (1881-1955): The Swan Lake, lithograph in colours, ed. 139/180Work: 66 x 50 cm Frame: 103 x 87,5 cm