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70553 Los(e)/Seite
Joan Miro (1893-1983) - Artist’s proof coloured lithograph - “Man and Woman” - Abstract in yellow, green, red and black, 12.5ins x 9.5ins, signed in plate and dated 5-VI-1950, signed in pencil to lower right corner and No. 14/50 to lower left corner, in modern gilt moulded frame and glazed Illustrated
*After Aubrey Beardsley, 1872-1898- 'The Savoy, Complete in Three Volumes', publ. by Leonard Smithers, Royal Arcade, W, printed by C F Kell, 8 Furnival Street, London EC; lithograph in black red and green, monogrammed within the plate, 32.5x25.5cm: together with eight reproduction prints after the same hand from 'Lysistrata', watermark AB, 34.5x25.6cm., (9), (unframed)
Bruce Maclean b.1944- Man with a pipe; lithograph in colours, signed and numbered 2/50 in pencil, 48x65.8cm: After Anne Norfolk 20th century- House in the Woods' 1988, publ by Brandler Galleries, Essex; colour reproduction print, signed and numbered 453/850 in pencil, After Janet R Woolley b.1952- Three figures by a table; colour reproduction print, signed and dated 83 in pen, (3)
Andre Bicat 1909-1996- Statue in a city street; lithograph in colours, signed and numbered 25/30 in pencil, 58.5x79cm: together with one other example of the same print: Edwin Ladell, 1914-1970- lithograph in colours, signed, titled and inscribed 'Artist's Proof' in pencil, 59x77cm: together with a quantity of other 20th century artist's prints by different hands, most signed and numbered, including examples by: Margaret Hunter, b.1948, C M Penny, Hilda Bernstein, Olwen Jones, b.1945, Anthony Bamber, Rupert Shephard, 1909-1992 and E Helmer, (a lot), (unframed)
Day & Sons Lithographers 19th century- 'View of Mansions erected and erecting by Mr William Jackson, at Kensington-Gore...'; two toned lithograph, 42x68cm: Henry Adlard, 19th century- 'The New London Bridge' after Thomas L Walker, publ. by M Taylor, 1 Wellington Street, Strand; hand-coloured engraving, 37x70cm., (2)
Flemish School late 17th century- 'Eerepoort Opde Markt Arc de Triomphe sur le Marche; engraving, 1691, 33x44cm: William Simpson- 'Balaklava, Looking Towards the Sea', publ by Paul & Dominic Colnaghi & Co Jan 15th 1855; hand-coloured lithograph, 29x36cm: together with seven other various decorative 19th century prints, (9)
*Katelhon (Hermann, 1884-1940). 'The Miner', lithograph, signed in pencil, image size approx. 330 x 275 mm (13 x 10.75 ins), with margins (some light foxing), framed and glazed, together with Laske (Oskar, 1874-1951), Noah's Ark, aquatint, signed in pencil, small wormhole to lower right corner, not affecting image, plate size approx. 175 x 175 mm (7 x 7 ins), framed and glazed, plus an early 20th c. German or Austrian colour woodcut of a winter landscape, entitled Winterland, signature indistinct, image size approx. 310 x 450 mm (12 x 17.75 ins), framed and glazed, plus four other German or continental etchings, various (7)
*Mackenzie (James Hamilton, A.R.S.A., A.R.E., 1875-1926). Figures working by a windmill, etching, signed in pencil, plate size approx. 255 x 290 mm (10 x 7.5 ins), some light mount staining, together with Steinlen (Theophile Alexandre, 1851-1923), Calvaire Serbe: Premier Episode, 1916, uncol. lithograph, signed, titled in pencil in another hand, image size approx. 250 x 440 mm (9.75 x 17.25 ins), with margins, some marks, and light foxing, plus Davis (Philip W., 20th c.), Dresden, 1930, uncol. etching showing a stone bridge with paddle steamer and baroque church, signed, titled and dated in pencil, plate size approx. 187 x 340 mm (7.5 x 13.5 ins), mount stained, and other various etchings, mostly continental scenes (11)
*Shannon (Charles Haslewood, 1863-1937). 'Gathering Wood', lithograph printed in blue, approx. 240 x 470 mm (9.5 x 18.5 ins), framed and glazed, together with Sparks (Nathaniel, 1880-1957), Cheddar, Somerset, etching, signed in pencil, plate size approx. 200 x 190 mm (8 x 7.5 ins), with wide margins, mounted, plus other various etchings, lithographs, etc., including Boutet, Legros, two etchings of London street scenes with figures by Charles Laborde, one entitled Preche dans Leicester Street, the other entitled St. Pauls, etc. (10)
*Nevinson (Christopher Richard Wynne, (1889-1946)). Cornish Landscape, 1917, lithograph, signed and inscribed 'To Grant [Richards] & Madeline ... Xmas 1923' to lower margin, image size approx. 290 x 375 mm, framed and glazed, with early label of A. J. Mucklow & Son, Leicester Square, to verso (1)
*Nevinson (Christopher Richard Wynne, (1889-1946)). Place du Tertre, Montmartre, lithograph, signed, titled and inscribed 'On her wedding to darling little Hélène from Kathleen & C. R. W. Nevinson' to lower margin, image size approx. 405 x 460 mm (16 x 18 ins), framed and glazed, with early label of A. J. Mucklow & Son, Leicester Square, to verso (1)
*Blake (Peter, 1932-). Babe Rainbow, 1968, coloured lithograph on tin, a few minor marks, approx. 66 x 44 cm, together with a copy of the Tate Gallery Catalogue of the Peter Blake Exhibition, 1983,num. col. and b & w illusts., orig. stiff wrappers, square 4to, with a souvenir col. print 'The Owl & the Pussycat', signed by the artist, contained in orig. envelope, plus a copy of the Robert Fraser Gallery Catalogue of the Peter Blake Exhibition, 1965 (3)
*Buffet (Bernard, 1928-1999). Mon Cirque, Galerie de Cannes, 2 Mai au 31 Mai 1969, colour lithograph poster, printed by Mourlot, some marks and soiling to margins, with marginal repair to top edge, together with Les Lilas, lithographies originales, et livres, Librairie - Galerie Paul Maurel, Antibes, 18 Decembre 1970-17 Janvier 1971, colour litho. poster, printed by Charles Sorlier for Mourlot, approx. 755 x 550 mm (29.75 x 21.5 ins) and sl. smaller (2)
*Dunstan (Bernard, born 1920). Albergo Stella, colour lithograph of a female nude at a handbasin, printed at the Curwen Studio, signed and numbered 33/240 in pencil, image size approx. 310 x 305 mm (12.5 x 12 ins), framed and glazed With Royal Academy certificate of authenticity, signed by Roger de Grey. (1)
*Grant (Duncan James Corrour, 1885-1978). A set of four colour lithograph posters for the G.P.O., c. 1940s, together four colour lithographs entitled 20,011 Telephonists, 41,271 Engineering Workmen, 79,242 Postmen & 7,681 Telegraph Messengers, the first print with a few minor marginal tears, repaired to lower margin, sheet size approx. 510 x 635 mm (20 x 25 ins) (4)
*Kokoschka (Oskar, 1886-1980). Golda Meir, published for The Jerusalem Foundation by Marlborough Graphics/Weidenfeld & Nicolson, 1973, lithograph, printed in light brown on hand-made paper, signed in pencil, and numbered 8/150, approx. 650 x 500 mm, contained in orig. pubs. tube and protective cardboard packaging (1)
Moore (Henry). Heads Figures and Ideas, with a comment by Geoffrey Grigson, pub. George Rainbird, 1958, orig. col. lithograph (sheet size approx. 460 x 310 mm), tipped-in at front of vol., some colour and numerous b&w reprods., decorated endpapers, orig. cloth-backed boards, rubbed and some surface marks, folio (1)
*Hoytema (Theodoor van, 1863-1917). Apes in the Zoo, 1900, lithograph on toned card, signed in pencil, image size approx. 420 x 510 mm (16.5 x 20 ins), some surface marks, together with Célos (Julien, 1884-1953), Dutch village scene in the evening, colour etching, signed in pencil, plate size approx. 450 x 585 mm (17.75 x 23 ins), some surface marks, plus Honoré (Paul, 1885-1956), Gentleman on horseback, distributing largesse, tinted woodcut, on japan, signed and inscribed 'To Hugh Walpole whose gifts are extended as greatly as this chap's', image size approx. 190 x 190 mm (7.5 x 7.5 ins) with margins, some marks, and two early 20th c. etchings (a landscape by Gertrude Martin Hodges, and a group of urchins with London in the distance, by Doris A. Davis, dated 1918), and a wood engraving of flowers and butterflies, entitled 'The Net', by B. Moray Williams, signed, titled and dated '34 (6)

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70553 Los(e)/Seite