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Preisdatenbank abonnierenJohn 'HB' Doyle (British 1797-1868) 'The Rival Mount O'Bankes or The Dorsetshire Juggler', lithograph with hand colour; George Murgatroyd Woodward (British 1765-1809): 'An Irish Leap, or a Pat reply to a plain Question', etching with hand colour, togerther with a large quantity of further 19th century unframed engravings (qty)
Hawkins (Thomas). Memoirs of Ichthyosauri and Plesiosauri, Extinct Monsters of the Ancient Earth, 1st ed., 1834, 28 monochrome lithographed plates of 28, including frontispiece, and one folding. book with original cloth binding, in very worn condition with damage to cover, binding and severe staining, foxing to book and all of the monochrome lithograph plates. together also with quantity of Fossils of the Large Ichthyosaurous to include section of Jaw fossil and jaw fossil of small Ichyosaurous and quantity of vertebrae fossils (quant)
A group of five Contemporary lithographs and screenprints, including Alan Cox, Bottle, signed ; Joan Williams, Kairouan, signed ; An unsigned lithograph of standing figures; a lithograph of The Roman Forum signed with monogram and dated '97, and a colour lithograph of a crab. (5) Unframed Condition Report: Various: some foxing/spotting, some need cleaning.
§ John Piper (British 1903-1992). Elizabethan Dance, colour lithograph, published by J. Lyons & Co Ltd, 73 x 98cm. Framed and glazed. Please note that artist resale right maybe payable on top of the hammer price for this lot in addition to premium, where the hammer price is above the threshold, up to a maximum of 4% of the hammer price. Visit www.dac.org for more information. Condition Report: Repair to margin lower centre, paper discoloured, a few minor peripheral tears.
§ Le Corbusier (Swiss 1887-1965), L'Invention, colour lithograph, inscribed on label verso for the Redfern Gallery, 70 x 52cm. Framed and glazed. Provenance: The Redfern Gallery Please note that artist resale right maybe payable on top of the hammer price for this lot in addition to premium, where the hammer price is above the threshold, up to a maximum of 4% of the hammer price. Visit www.dac.org for more information. Condition Report: § Under glass, paper very slightly off white with minor crease beneath figure.
George Baxter engr. (1804-1867) after Fanny Corbaux (1812-1883), lithograph in colours, The Day before Marriage (1854), with George Baxter patent stamp dated 1 March 1854, 37cm x 26cm, glazed and framed. Provenance – from the collection of the artist and Professor of Art at Nottingham Trent University, Derek Carruthers
Africa.- Baker (Sir Samuel White) The Albert N'Yanza, Great Basin of the Nile, and Explorations of the Nile Sources, 2 vol., first edition, engraved portrait and tinted lithograph frontispieces, 12 plates, illustrations, 2 maps (1 folding with tear and neat tape repair verso), bookplate, occasional faint marginal finger-soiling, original pictorial cloth, bumping to corners and spine extremities, [Czech p.10], 8vo, 1866.
Windsor.- Law (Ernest) Vandyck's Pictures at Windsor Castle, one of 60 copies signed by author, half-title, 30 plates, tissue-guards, scattered spotting (most to text), staining to endpapers, original half morocco, rubbed and worn, bumping to corners and extremities, 1899 § Pyne (J. B.) Windsor, with its Surrounding Scenery, the Parks, the Thames, Eton College &c., lithograph frontispiece, colour lithograph title, 11 lithographs, water-staining and mould (most to margins), lacking final free endpaper, original morocco backed boards, rubbed and worn, small loss to spine extremities, bumping to corners and extremities, n.d.; folio (2).
Architecture.- Sharpe (Edmund) [Original manuscript] Supplement to "Architectural Parallels" Containing Full-sized Mouldings, containing the full-sized mouldings of the Abbey Churches: Furness, Roche, Byland, Hexham, Jervaulx, Whitby, Fountains, Netley, Rievaulx, Bridlington, Tintern, St. Mary’s, York, Guisborough, Howden, and Selby, manuscript title and contents, comprising 59 manuscript watercolour wash outline drawings, pencil under-drawing and annotations, lacking drawing for plate 20, all but 10 on wove paper, the others on tracing tipped onto wove paper support, each sheet approx. 550 x 425 mm (21 1/2 x 16 3/4 in), handling creases, surface dirt and finger-soiling throughout, some spotting and repaired tears, without covers, presented in modern cloth portfolio, [circa 1848]; together with a disbound copy of Sharpe's 'Architectural Parallels...', folio, 1848; and another unrelated, folio (3)*** The present drawings were first outlined in pencil before an ink line was added to differentiate the edge of each of the mouldings, these were then finished with a coloured wash in order to fill out the image. These drawings where doubtless transferred to the lithograph plates at which stage the lithographs were supplied with letterpress. It is quite possible a number of the pencil drawings were made in situ as Sharpe was adept at using the the Robert Willis’ newly invented Cymagraph. With some practice and dexterity mouldings could for the first time be accurately reproduced, Sharpe had improved the design of the instrument and was clearly the first person to provide accurate drawings of the major ecclesiastical building in a printed work. It was somewhat fortuitous that the instrument was available at the time he was planning his Architectural Parallels.
Greece.- Beny (Roloff) An Aegean Note-Book, one of 50 deluxe copies, signed by the artist and with each of the 20 lithograph prints also signed, captioned tissue guards, prints loose as issued, upper corner of title repaired, hinges weak, original cloth with red paper title label on upper cover and another along spine, spine ends worn, 4to, Lethbridge, Canada, 1950.
Sussex.- Horsfield (Thomas Walker) The History and Antiquities of Lewes and its Vicinity, 2 vol., folding lithograph frontispiece and engraved frontispiece, vignette titles (one detached), 40 plates, one folding map, 6 folding tables, illustrations, list of subscribers, scattered spotting and staining, contemporary diced calf, rubbed and worn, vol. 2 upper cover detached, bumping to corners and extremities, Lewes, 1824 § Excursions in the County of Sussex, additional engraved title, 2 folding plans and maps, 45 engraved plates, occasional off-setting, previous owner's ink inscription, contemporary straight-grain morocco, a little rubbed, bumping to corners and extremities, 1822 § Nibbs (R. H.) & Mark Antony Lower. The Churches of Sussex, etched frontispiece, title in red and black, plates, scattered spotting, contemporary half-calf, sympathetically rebacked, rubbed, bumping to corners, Brighton and Worthing, 1872; and others Sussex, including directories, v.s. (c.85).
Europe.- World War II.- Vlaanderen (André) L'Europe en Sept 1939, serio-comic map of Europe, lithograph with full original hand-colouring, no. 19 from an edition of [?] 150, signed by the artist, sheet 610 x 860 mm (24 x 33 3/4 in), under glass, minor cockling, minor surface dirt, framed, Leon Burghgraeve, Bruges, 1939; together with an explanatory letterpress text sheet in English, framed (2)*** Scarce at auction. Britain is shown depicted as a woman with battleships on leads; France as Marianne, leading her troops into battle; Germany, with a swastika sash, stabbing a female Poland; and Russia as a Cossack holding a hammer and sickle, his arm around a large brown bear.
*ANTHONY MICALLEF (b. 1975) 'A Small Print Of What I Think Love Looks Like' 2010, signed and numbered 74/100 in pencil to the margin, lithograph, the image 37cm x 27cmTaught by the great landscape artist John Virtue, Anthony Micallef roots his expressionistic paintings in social commentary, completing his visual language with loose, abstract brushstrokes, recalling the works of the old masters, and Francis Bacon, as well as the teacher of his teacher, the great Frank Auerbach.'A Small Print Of What I Think Love Looks Like' was made to support a Palestine-based charity, with all proceeds going to support art workshop projects in Beit Sahour, Nablus and Ramallah.Framed dimensions: 58cm x 45.7cm
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