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70553 Los(e)/Seite
Original vintage lithograph poster for a Non-World Championship Grand Prix at the Syracuse racing circuit. Ente Autonomo Circuito Di Siracusa, 2nd Gran Premio Siracusa, Formula Two ("manifestazione automobilistica internazionale di velocita formula 2") on 16 March and 3rd Coppa dOro Sicilia ("manifestazione automobilistica nazionale di velocita per vetture sport internazionale da 1100 a 3000 cmc") on 19 March, international and national sports car races. The race was won by Alberto Ascari driving a Ferrari. Dynamic image of a red racing car speeding past trees. Judging by the grille, the car pictured appears to be an Alfa Romeo Tipo 159 Alfetta but mostly Ferrari and Maserati cars took part in the race. Good condition, restored and backed on linen. The Syracuse Grand Prix was a motor race held at Syracuse Circuit in Sicily, Italy. For most of its existence, it formed part of the Formula One non-Championship calendar, usually being held near the beginning of the season before the World Championship races. Country: Italy, year of printing: 1952, designer: Bosco, size (cm): 100x67
Original vintage travel advertising poster printed for the Office of French Tourism and featuring an interpretive rendering of lithograph executed by Charles Sorlier, from a detail of the preliminary sketch of the ceiling of the Paris Opera by Marc Chagall. This fragment is a tribute to Berlioz for Romeo and Juliet which also includes pictures of the Place de la Concorde and the Arc de Triomphe. Marc Zakharovich Chagall (/??????l/ sh?-GAHL;[3][nb 1] born Moishe Zakharovich Shagal;[4] 6 July [O.S. 24 June] 1887 – 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in virtually every artistic format, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago, and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opéra. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern European Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Poor condition, poster was cut on sides, paper losses and tears in margins, reinforced with water soluble brown tape on reverse. Country: France, year of printing: 1964, designer: Marc Chagall, size (cm): 63.5x78 (Horizontal)
Wright (John) Fruit Grower's Guide. A collector's collection of this desirable work in the 6 Division format. Division 1 (2 copies) Div. II, Div III (3 copies) Div. IV (2 copies) Div 5, Div 6 (3 copies). They are undated but early printings, probably 1st Editions, having publisher's adverts at the rear (apart from 1 of Div IV). Div's 1, IV & VI have the extra lovely chromo-lithograph title page illustration. They are all bound in racing green and black embossed with bevelled edged covers. Apart from 1 Div II the rest of the covers are worn and stained but tight. The plates are chromo-lithograph coloured. There is scattered spotting and occasionally a missing tissue guard. Divs III & VI have damp stains and damage. More details on request. Vitue, London. ND 11 items
After: Andre Derain, French (1880 - 1954) Between 1935 to 1949 Lithograph Portfolio, Collection Pierre Levy, Publisher: Fernand Mourlot. Several pages with total of 8 artworks. Measures 26-1/4" H x 20-1/2" W. Condition: Light fraying to sheets otherwise good condition Estimate: $200.00 - $400.00 Domestic Shipping: Third party
The Destruction of Jerusalem, colour lithograph heightened with watercolour, Louis Haghe after David Roberts, mounted on board bearing blind-stamp for 'Hering & Remington, Regent Street', the board signed in pencil l.l., 'David Roberts R.A.', signed in pencil l.r., 'L. Haghe'. Together with a separately published key to the picture, bold black & white outline of the scene with numerical system indicating exactly what is being depicted (from landmarks to individual figures). The key advertises the finished print as being 'Printed in Colours by Day & Son, Lithographers to the Queen', and, at lower margin, 'Published by Hering & Remington, 137 Regent Street, London' (matching the board of finished lithograph). The original painting by David Roberts was sold at Christie's in 1961 and has never been traced, hence the importance of the lithograph and corresponding key. The lithograph is trimmed to image (no publisher details), but the Hering & Remington mount, and signatures in pencil, suggests that this is how it was issued. The lithograph measures 69cm by 106cm (image only), 78cm by 116cm (including mount). The key measures 50cm by 68cm. The lithograph has several nicks and scratches; the mount has several tears with loss to corners; the whole is in need of cleaning; dampstaining to mount. The key has fold-lines running horizontally and vertically, some foxing. Each picture is framed, the lithograph is not glazed (2)
An original Russian Football poster for a tournament March 25th-29th 1984, lithograph, 84x62cm, together with an album of photographs and postcards of club and international stadiums and trophy rooms etc, various commemorative football newspapers and other ephemera. (From the estate of FA Referee Alan Robinson)

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