70555 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Joseph Clement Coll (American, 1881-1921). Lithograph on paper depicting a chase scene. A sign in the background reads "The Great Medlo." Signed in print along the lower right.Sight; height: 20 in x width: 14 1/2 in. Framed; height: 29 1/4 in x width: 23 in x depth: 1 in.Condition: The sheet is toned. There is matburn around the perimeter of the visible sheet. Housed under an acidic frame. Some water damage visible to the mat along the upper right corner. Framed under glass; some wear and accretions to the glass. Wear to the frame. Not inspected out of frame.

Toko Shinoda (Japanese, 1913-2021). Lithograph on paper titled "Night" depicting abstract shapes of deep black ink. Pencil signed, titled, and numbered 25/35 along the lower right.Unframed; height: 26 1/2 in x width: 20 in. Framed; height: 31 in x width: 24 3/4 in x depth: 1 1/4 in.Condition: The colors are bold and deep and the sheet is slightly toned. There are no visible tears, losses, or restorations. There is a slight undulation to the sheet. Floated in frame atop an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

Russell Chatham (American, 1939-2019). Large lithograph on paper titled "Missouri Headwaters: December" depicting a wintery landscape, 1986. Pencil signed, numbered 218/275, and dated along the lower right.Sight; height: 33 1/2 in x width: 44 1/2 in. Framed; height: 44 1/2 in x width: 55 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no visible tears, losses, or restorations. Several light creases throughout. The work is floated on a non-acidic mat. Framed under plexiglass. Light wear to the frame.

Cameron Booth (American, 1892-1980). Lithograph on paper titled "Winter" depicting one of Booth's iconic horses, 1964. Pencil initialed and dated along the lower right; titled along the lower center; numbered 9/35 along the lower left.Sight; height: 17 in x width: 21 in. Framed; height: 23 1/2 in x width: 27 in x depth: 1 1/4 in.Condition: The colors are bold and bright. The sheet is toned. There are no major visible tears, losses, or restorations. There is a slight undulation to the sheet. There are a few dark accretions throughout, especially along the lower right and the center. Housed under a non-acidic mat. Framed under glass. Light wear to the frame. Not inspected out of frame.

George Morrison (Grand Portage Anishinaabe, 1919-2000). Color lithograph on Japan paper titled "Surrealist Landscape," 1990-1996. Printed and published by Akasha Studio, Minneapolis. Pencil signed and dated along the lower right; titled along the lower left; numbered CTP 15/22 along the lower center.Lot Essay:Regarded as the founding figure of Native American modernism and among the top American abstract expressionist painters is George Morrison. Also highly regarded as a master collage artist, he assembled large collages of found driftwood and woodcut in framed, puzzle-like forms. In the 1940s, he was formally trained at the Minneapolis College of Art and in the 1950s at the Art Students League in New York before receiving a Fulbright to study in France. Taking his place as part of the modern art movement in New York in the 1950s after World War II, he was friends with Jackson Pollock and Willem de Kooning, regularly exhibiting with de Kooning, Philip Guston, Hans Hofmann, and Franz Kline. Morrison helped bring the New York Modern Art movement to Minnesota, where he was based and worked with pure form via Abstract Expressionism. Later in his career, in the mid-1970s, Morrison shifted to a new theme and started to really explore his heritage when he and his family built a home with an art studio on the Grand Portage Indian Reservation on Lake Superior, naming it Red Rock.Rather than portraying an overt depiction of identity, Morrison was in the process of exploring his identity so he looked to nature, stating “in this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.†Translating nature into paintings was Morrison’s way to navigate learning and absorption, and in turn produce self-expression. His token theme was the horizon, taking on dynamic form as colors or shapes in the eternal motion of nature. His inspiration was provided by Lake Superior, observing and documenting the temporary sight of the revered sky meeting landscape that he beheld in the moment.His artworks are spotted today in the collections of the Heard Museum, Philadelphia Museum of Art, and Whitney Museum of American Art, US National Gallery of Art, Minneapolis Institute of Art, and the Walker Art Center. In 1997 he was honored in a ceremony at the White House when his work was included in the Twentieth Century American Sculpture at The White House: Honoring Native Americans exhibition. In 1999 Morrison was honored as inaugural Master Artist in the Eiteljorg Museum of American Indians and Western Art, Indianapolis.Height: 21 in x width: 17 in.Condition: No rips, tears, losses, or restorations. The sheet is toned. Some light handling marks along the extreme edges. Unframed.

David Bradley (Chippewa, b. 1954). Lithograph on Arches paper titled "Surrounded by Indians," 1982. Pencil signed along the lower right; titled along the lower left; numbered 30/75 along the lower center.Height: 22 1/4 in x width: 30 in.Condition: The colors are bold and bright. There are no major tears, losses, or signs of restoration. Light wear to the deckled edges. Some penciled inscriptions and minute areas of soiling along the verso. The work is not framed.

Thomas Hart Benton (American, 1889-1975). Lithograph on paper titled "Instruction" depicting a man teaching a young boy about the teachings of the Bible, 1940. Pencil signed along the lower right margin; signed in print along the lower left. From a limited edition of 250.Benton was a key figure in the American Regionalist art movement along with fellow artists Grant Wood and John Steuart Curry.Sight; height: 10 1/2 in x width: 12 1/2 in. Framed; height: 17 in x width: 18 3/4 in.Condition: There are no major visible tears, losses, or restorations. The sheet is toned. Light areas of foxing throughout. Housed under an acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.

Georges Braque (French, 1882-1963). Lithograph on paper print titled "Nature Morte" depicting a still life, ca. 1950s. Pencil numbered 251/375 along the lower left.Sight; height: 18 in x width: 24 in. Framed; height: 25 1/2 in x width: 31 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Housed under a mat. Framed under glass; light wear to the frame. Not inspected out of frame.

Robert Stackhouse (American, b. 1942). Lithograph on paper titled "Niagara Dance," depicting a winding attic-like space, 1986. Pencil signed and dated along the lower center; numbered 41/45 along the lower left. Blindstamp along the lower left.Provenance: Percival Galleries, Inc., Des Moines, Iowa; Distinguished Corporate Collection.Unframed; height: 31 in x width: 45 1/2 in. Framed; height: 38 3/4 in x width: 53 in x depth: 2 in.Condition: The colors are bold and bright. The sheet is lightly toned. There are no major visible tears, creases, losses, or signs of restoration. Light wear along the deckled edges. Floated in frame. Framed under plexiglass; light wear to the frame, including a few faint scratches or scuffs to the plexiglass. Not inspected out of frame.

Red Grooms (American, b. 1937). Lithograph in colors on wove paper titled "Mid-Rats," depicting a rat approaching a trap in a beam of light. Hand signed and dated 1981 along the shadow beneath the mousetrap; numbered 50/88 along the edge of the trap.Unmatted; height: 22 in x width: 29 3/4 in. Matted; height: 24 3/4 in x width: 32 1/2 in.Condition: The colors are bold and bright. There are no major tears, losses, or signs of restoration. Light wear along the deckled edges. Hinged along the top edge along the verso to a piece of foamcore. The work is not framed.

Italo Scanga (Italian/American, 1932-2001). Lithograph and woodcut on arches cover white paper print titled "Two Cypress" depicting a geometric scene with two cypress trees against the white and blue background, 1989. Pencil signed, dated, editioned 20/40 along the lower center.Height: 41 3/4 in x width: 29 1/2 in.Condition: The colors are bold and bright. There are no major tears, losses, or signs of restoration. Two minute spots of soiling along the verso. Light wear along the deckled edges. The work is not framed.

Jorge Castillo (Spanish, b. 1933). Large lithograph on paper titled "Night, Wall Street, New York" depicting a darkened city, 2013. Pencil signed and dated along the lower right; numbered 7/10 along the lower left.Sight; height: 34 in x width: 40 in. Framed; height: 41 1/2 in x width: 49 1/2 in x depth: 1 1/2 in.Condition: The colors are bold and deep. There are no visible tears, creases, losses, or restorations. The work is housed under a mat. Framed under plexiglass. Light wear to the frame. Not inspected out of frame.

Alphonse Mucha (1860-1939) La Dame Aux Camelias, Lithograph in colour, the image 36cm x 14cmextenstive browning to reverse, tear to corner of boarder and tear to bottom, the image itself ok with some minor discoloration

Alexander Calder(American, 1898-1976)Poster for Amnesty International Prisoners of Conscience 1977,unsigned,offset lithograph,sheet 77.5 x 58.5cms, unframed.

Five posters for Amnesty International Prisoners of Conscience 1977, by Max Bill (Swiss 1908-1944), Jack Youngerman (American, 1926-2020), Roman Cieslewicz (Polish, 1930-1996), Pierre Fernandez Arman (French-American 1928-2005) and Fernando Botero (Colombian 1932-2023), all unframed offset lithograph prints, of various sizes, largest 81.5 x 64cms.

Georges Braque (French, 1882-1963)"Composition au Roi de Coeur",signed within the plate,offset lithograph, 50 x 79cms, 66 x 93cms total in frame.

Francisco Toledo (Mexican, 1940-2019)Poster for Amnesty International Prisoners of Conscience 1977,signed in pencil, limited edition 22/100,offset lithograph,sheet 83 x 63cms, unframed.

David Hockney(b.1937)Poster for Amnesty International Prisoners of Conscience 1977,unsigned,offset lithograph,sheet 73 x 60cms, unframed.

Piero Dorazio(Italian, 1927-2005)Poster for Amnesty International Prisoners of Conscience 1977,signed in pencil, limited edition 57/75,offset lithograph,sheet 60.5 x 81.5cms, unframed,together with;Tadanori Yokoo(Japanese, 1936)Poster for Amnesty International Prisoners of Conscience 1977,signed in pencil, limited edition 12/100,offset lithograph,sheet 61.5 x 82cms, unframed.

After Marc Chagall(French, 1887-1985)"The Circus" (1960),lithograph on wove paper,32 x 24cms, in frame.

Alexander Liberman(Ukrainian, 1912-1999)Poster for Amnesty International Prisoners of Conscience 1977,unsigned,offset lithograph,sheet 84.5 x 64cms, unframed,together with;Roland Topor(French, 1938-1997)Poster for Amnesty International Prisoners of Conscience 1977,unsigned,offset lithograph,sheet 76 x 61cms, unframed.

James "Alan" Davie (Scottish, 1920-2014)"Magic Picture No. 1",signed and dated 1977,lithograph,57 x 78cms (page), 74 x 90cms total in frame.

Henri De Toulouse-Lautrec(French, 1864-1901)"Ta Bouche",lithograph, from the edition after 1901, printed in olive green on wove paper,31.5 x 22.5cms, 46 x 36cms total in frame.

After Joan Miró(Spanish, 1893-1983)Lithograph in nine colours (1973),signed in the plate,lithograph on wove paper, series Oda a Joan Miró,44 x 33cms, in frame.

Tom McGuinness (1926-2006), lithograph, signed in pencil, dated xx86, number 11/40, 'Drift Miners Going In', 62cm x 38cm

NORMAN STEVENS (ENGLISH 1937-1988)  LOUVERED SHUTTER  Lithograph, signed lower right, dated (19)71, dated 47/65  65 x 57cm   Condition Report:Available upon request

HERBERT JOHANNES JOSEPH SIEBNER RCA (POLISH 1925-2003)  BYZANTINE KNIGHTS  Lithograph, signed lower right, dated (19)63, 44 x 52cm Condition Report:Available upon request

Guilford (Simeon Hayden). Orthodontia, or Malposition of the Human Teeth; its Prevention and Remedy, 1st edition, Philadelphia: Spangler & Davis, 1889, monochrome illustrations, previous owner ink stamp to dedication leaf, patterned endpapers, original cloth, edges a little rubbed, a few small marks, 8vo, together with Coles (Oakley). Deformities of the Mouth, Congenital and Acquired with their Mechanical Treatment, 3rd edition, London: J. & A. Churchill, 1881, 25 lithograph plates, 11 diagramatic plates, illustrations, occasional light spotting, previous owner inscription 'J. Henry Whatford, 1881' at head of title, original cloth gilt, spine ends a little rubbed with tiny tears, 8vo, plus Kingsley (Norman W.) A Treatise on Oral Deformities as a Branch of Mechanical Surgery, 2nd UK edition, London: H. K. Lewis, 1882, monochrome illustrations, 16 pp. publisher's catalogue at rear,. a little minor spotting, original cloth gilt, 8vo, with 6 others related including Anatomie Comparée du Systeme Dentaire chez l'homme et chez les principaux animaux, by L. F. Emmanuel Rousseau, 1st edition, Paris, 1839, Francis Lepper, Manufacturer, Importer, and Exporter of Dental Materials catalogue, 1891, and Orthodontia and Orthopaedia of the Face, by Victor Hugo Jackson, 1st edition, Philadelphia, 1904QTY: (9)NOTE:First work rare first text-book on orthodontics, which ran to a further three editions.

Powers (Alan, illustrator). The Marches. A Picturesque Tour, Eight Lithographs with Sonnets by Peter Levi, limited edition, London: Merivale Editions, 1989, 8 lithograph plates, including 6 colour, each numbered, titled and signed by the artist, loose as issued together with the prospectus for the work and contained in original solander box, folioQTY: (1)NOTE:Limited signed edition 36/75, from a total edition of 150.

London. A Collection of Papers relating to the Thames Quay; with hints for some further improvements in the Metropolis, by Frederick William Trench, London: Carpenter and Son, 1827, 17 engraved and lithograph plates and plans (some folding), plate 1 with few repaired closed tears to folds, short closed tear to title and following leaf, modern maroon quarter morocco, cloth sides, 4to, together with:First Report of the Commissioners appointed by Her Majesty to inquire into and consider the most effectual means of Improving the Metropolis, and of providing increased facilities of communication within the same, 27 January 1844, [London]: Ordered, by The House of Commons, to be printed, 7 February 1844, several folding tables, 60 folding lithograph plates, some coloured (lacking 2 plates), occasional toning and minor scattered spotting, all edges gilt, contemporary half calf, joints and extremities rubbed, folio,Reports from Committees: (2.) Bread; Supply of Water to the Metropolis; London Bridge; &c., Session 23 January to 11 July, 1821, volume 5, [London: Ordered, by The House of Commons, to be printed, 1821, general title with inscription to upper margin 'Presented by Messrs. E. & J. Lawford' and with ink stamp to verso, occasional scattered spotting, armorial bookplate of The Law Society to upper pastedown, contemporary half calf, joints cracked, light wear to extremities, folio, plus Matthews (William). Hydraulia; An Historical and Descriptive Account of the Water Works of London, and the contrivances for supplying other great cities, in different ages and countries, London: Simpkin, Marshall, and Co., 1835, lithograph portrait frontispiece, ink stamp to title, 5 folding plans and 12 lithograph plates of 13 (including one folding, lacks plate facing p.15), some toning and minor scattered spotting, edge untrimmed, modern calf-backed marbled boards, 8vo, and Haskoll (William Davis). Examples of Bridge and Viaduct Construction, of Masonry, Timber, and Iron: from the contract-working drawings or admeasurements of select works, 2nd edition, London: Lockwood & Co., 1867, 50 lithograph plates (mostly double-page or folding), some scattered spotting, contemporary dark green half morocco, light wear to extremities, large 4toQTY: (5)

* Smith (Richard Shirley, 1935). A collection of 54 ex-libris for Adrian Sassoon, James Wilson, P & D Colnaghi, Raymond & Pamela Lister, Oak Hill, John Martin Robinson, Richard Shirley-Smith, Robert Irving, John Retallack, Lord Waldegrave of Northill [William Waldegrave], Murray Rosen, Brian North Lee, John Loch, Geoffrey & Hedy Smith, Boston Athenaeum, Iain Bain, The Folio Society, Patricia Lennox-Boyd, Elke R Hawila, Robin & Jill Butler, John Landis, Nicholas Bomford, Rosalind Morrison, Roger W Moss, Nicholas Fisher, Sir John Sykes, Lord Butler of Brockwell [Robin Butler], Robert & Shirley Ely, Peter Allpress, Gordon P. Smith, and numerous with just initials, mostly wood engravings (some offset lithograph) on various papers, all signed in pencil (bar three), some impressions numbered and dated, largest sheet size 26.5 x 19 cm, all housed in 14 clear plastic ring binder sleevesQTY: (54)

* Bayros (Franz von, 1866-1924). A collection of 29 bookplates for Ameila Fahrenhorst, Hedwig Wollf-Adolphi, Gerhard Wunderlich, Bruno Fischer, Sussy de Coiquard, Hans Hickl, Oskar Neuhardt, Eduard Klampfl, Alan Steiner, Dr, Ernst Julius Thaler, And. Barrier, Dr. Otto Kahn etc., mainly etching, etching with aquatint or lithograph on wove paper, Ameila Fahrenhorst signed in pencil to lower right, various sizes, largest sheet 25 x 15.8 cm, contained in twelve clear plastic ring binder sleevesQTY: (29)

Pyne (James Baker). The Lake Scenery of England, with a descriptive letterpress by Llewellynn Jewitt, F. S. A., 2 volumes, deluxe issue, Leeds: D. Banks, circa 1870, 24 finely hand-coloured lithograph plates mounted on thick card, each plate with captioned tissue-guards, bookplate of William Park to foot of front free endpapers, spotting, all edges gilt, original decorative green cloth gilt, tailcaps neatly reinforced, folioQTY: (1)NOTE:This edition not in Abbey. A scarce set, rarer than the deluxe issue of Pyne's The English Lake District. This title in the deluxe format was also published by Henry Sotheran in 1870.

Darwin (Charles). The Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life, 6th edition, with Additions and Corrections to 1872, (Thirtieth Thousand), London: John Murray, 1886, half-title, folding lithograph diagram, hinges cracked or splitting, original green cloth gilt, lower board slightly rubbed to upper edge, 8vo, together with:Darwin (Charles). The Descent of Man and Selection in Relation to Sex, 2nd edition, revised and augmented, (Thirty-Third Thousand), London: John Murray, 1896, half-title discarded, few wood-engraved illustrations, occasional scattered light spotting, original green cloth gilt, 8vo, plus Darwin (Charles). Journal of Researches into the Natural History and Geology of the Countries visited during the Voyage of H.M.S. "Beagle" round the World. Under the Command of Capt. Fitz Roy, R. A., new edition, London, New York and Melbourne: Ward, Lock and Co., 1891, wood engraved portrait frontispiece, signature to upper margin of title and ink stamp to verso, wood-engraved plates and illustrations, original cloth, damp-mottled and some wear, 8voQTY: (3)

* Kokoschka (Oskar, 1886-1980). Ex Libris for Lilly und Arthur Fürst, circa 1909, lithograph on wove paper, sheet size 55 x 42 mm, laid down on pale green thin cardQTY: (1)NOTE:Charlotte Lilly Fürst, née Perutz (1888-1980) was the sister of the Prague-born author Leo Perutz. Lilly emigrated to America, while Leo emigrated from Vienna to Palestine in 1938.

Pissis (A.). Atlas de la Geografía Fîsica de la República de Chile, Paris: Instituto Geográfico de Paris, 1875, 23 plates (map of South America, 14 lithograph plates, 7 profiles and 1 table), leaves strengthened to gutter with later paper, a few spots, original red morocco gilt, marked and scuffed, oblong folioQTY: (1)

* Roberts (David). The Destruction of Jerusalem by the Romans under the Command of Titus A.D.70, published by Hering and Remington, printed by Louis Haghe, 1st July 1851,large-scale tinted lithograph after David Roberts, some additional contemporary hand colouring, some marginal toning, laid on later card and mounted on a contemporary stretcher, image size 690 x 1070 mm, framed and glazed in an ornate carved stained oak frame in the 'Black Forest' style, overall size 1115 x 1420 mmQTY: (1)NOTE:Louis Haghe and his partner William Day are irrevocably linked to David Roberts. This large and very striking lithograph is arguably one of the finest images to result from this partnership.

A large framed pencil signed limited edition 603/1000 lithograph 'Evening on the Galana' by Antony Gibbs with gallery impressed stamp, frame size 68 x 102cm

Werner und Maria von Axster-Heudtlass(1898 Berlin - 1949 Hannover bzw. 1884 Linz - 1966 Hannover)Plakat für Steinway & SonsFarblithographie/Papier, original auf Karton kaschiert, um 1930-1940. Im Stein sign.; Druck Gustav A. Schmidt, Hamburg. Dekoratives Plakat mit Geschwisterduo, Steinway-Flügel und begeisterten elterlichen Zuhörern. Das Künstlerpaar gründete um 1925 ein gemeinsames Atelier für Gebrauchs- und Werbegrafik, arbeitete im Auftrag renommierter Unternehmen wie Lufthansa und Steinway & Sons. Gebräunt, ger. Läsuren. 60,5 cm x 82,5 cm. Original-RahmenGerman Poster for Steinway & Sons with lithograph in colour on paper, laid down on cardboard, circa 1930-1940. Signed on the stone.

Georges Rouault(1871 Paris - 1958 ebenda)"Duo"/"Les deux frangins" (Duo/Die zwei Brüderherzen). OriginaltitelFarblithographie/Papier. Im Stein sign.; Nummeriert 50/100. Nach dem bekannten Gemälde von 1948; Druck wohl von Fernand Mourlot, Paris, um 1960. Darstellung ca. 58 cm x 37,5 cm. Rahmen.Lithograph in colour on paper. Signed on the stone. Numbered 50/100. After the painting from 1948. Printed probably by Fernand Mourlot, Paris, ca. 1960.

J. Baines Ltd. Trading Cards. An early 20th century circa 1910 Wales Gold Medal Football Trade Card in shield shape. The card featuring inset photograph of player John Sidney Smith with lithograph colour illustration of football players alongside. To verso, J. Baines Ltd. 15, North Parade Bradford. J. Baines Ltd. VG+ to EX.

J. Baines Ltd.Trading Cards. An early 20th century c1910 Glasgow Celtic Gold Medal Trade Football Card in shield shape. The card featuring inset photograph of Joe Dodds, with lithograph colour illustration of football players in goal alongside. To verso, J. Baines Ltd. 15, North Parade Bradford. VG+ to EX.

J. Baines Ltd. Trading Cards. An early 20th century circa 1910 Leeds City Gold Medal Football Trade Card in shield shape. The card featuring inset photograph of player Fred Croot with lithograph colour illustration of a football player heading a ball alongside. To verso, J. Baines Ltd. 15, North Parade Bradford. VG+.

J. Baines Ltd. Trading Cards. An early 20th century circa 1910 Stanley Wheelers Gold Medal Football Trade Card in shield shape. The card featuring inset photograph of Wilfred Hartley with lithograph colour illustration of cyclists alongside. To verso, J. Baines Ltd. 15, North Parade Bradford. Small fold to upper corner; VG+.

J. Baines Ltd. Trading Cards. An early 20th century c1910 pre First World War Navy Gold Medal Football Card in shield shape. The card featuring inset photograph of Naval Admiral Jellicoe, with lithograph colour illustration of navy ship alongside. To verso, J. Baines Ltd. 15, North Parade Bradford. VG+ to EX.

J. Baines Ltd. Trading Cards. An early 20th century circa 1909 Bradford City Gold Medal Football Trade Card in shield shape. The card featuring inset photograph of football player Jimmy Logan, with lithograph colour illustration of a game in play alongside. To verso, J. Baines Ltd. 15, North Parade Bradford. EX.

J. Baines Ltd. Trading Cards. An early 20th century circa 1910 France Gold Medal Football Trade Card in shield shape. The card featuring inset photograph of French General Joffre wearing plumed hat, with lithograph colour illustration of football players to either side. To verso, J. Baines Ltd. 15, North Parade Bradford. EX.

J. Baines Ltd. Trading Cards. An early 20th century circa 1910 Stoke Gold Medal Football Trade Card in shield shape. The card featuring inset photograph of player Bob Whittingham alongside lithograph colour illustration of two football players. To verso, J. Baines Ltd. 15, North Parade Bradford. VG+ to EX.

2 Lithograph Suite With Portfolio Cover titled Woman's Head 1 Each lithograph is Signed lower right each lithograph is numbered 178/300 Each lithograph Sight size 22" x 29.5'Condition: Age related wear.

Lithograph titled There is No Immortality But a Tree's Love Signed on the bottom right. Sight size 14" x 18"Condition: Age related wear.

Lithograph titled Judgment of Paris Year 1980 Signed lower right numbered XIV/L Sight size 28.5" x 21"Condition: Age related wear.

Lithograph titled Dance Lesson #4 Signed lower right numbered 291/300 Year 1978 Sight size 22.5" x 30"

Lithograph titled Magnus on His Way To School Signed lower right numbered 219/285. Sight size 29.5" x 20.5"

Lithograph titled The Old Bull. Signed lower right numbered 159/500. Year 1977 Sight size 32" x 24".

Lithograph titled Prophesy. Signed lower right numbered 79/150. Sight size 21" x 29".

2 Lithographs, 1 printed in color and 1 printed in black and white titled Seamstress I Portfolio Each lithograph is Signed lower right Each lithograph is numbered 32/300 Sight size 21.5" x 29.5" each piece. Original Portfolio cover included

An exquisite original color lithograph on watermarked Arches paper after Pablo Picassos 1932 oil painting Nature morte a la fenetre. Printed by Master Chromist Laurent Marcel Salinas and part of a limited edition of 500. Publication text on verso. Hand signed in graphite on lower right by Marina Picasso: Collection Marina Picasso. Blindstamped by Picasso Family Estate on lower right. Edition number on lower left: 302/500. Artist: After Pablo Picasso (Spanish, 1881-1973)Issued: 1982Dimensions: 22"L x 30"HCondition: Age related wear.

3 Lithographs, 1 with hand coloring ,1 printed in colors and 1 in black and white titled A Very Large Flying Boat Taking Off Portfolio Each lithograph is Signed lower right Each lithograph is numbered 70/175 Year 1979 Sight size 22.5" x 29.5" each piece. Original Portfolio cover included

An original lithograph on paper poster from 1991 by artist LeRoy Neiman. Courtesy Knoedler Publishing. Artists signature in plate lower edge of painting and in top margin of poster. The Michael Jordan Foundation logo on lower right. Artist: LeRoy Neiman (American, 1921-2012)Issued: 1991Dimensions: 24"L x 36"HCondition: Age related wear. Small bend at top right corner.

Lithograph titled Paris Signed lower right numbered EA Sight size 25.5" x 30"Condition: Age related wear.