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70553 Los(e)/Seite
AFTER MILES DAVIS; a limited edition lithograph 'Square Head', bearing blind stamp to lower right, numbered 271/300 lower left, 87 x 60.5cm.Accompanying the lot is a booklet, 'The Art of Miles Davis', a retrospective of the jazz musicians music - on canvas featuring the work on the front cover.
JOAN MIRO (SPANISH 1893-1983) Plate vii. ubu roi: les nobles à la trappe from the suites pour ubu roi c.1966 Signed and numbered Miro/23 from the edition of 75 (lower right and left, respectively) Lithograph printed in colours One plate from the complete set of 39 lithographs 49 x 70cm (19 1/4 x 27 1/2in)
*Stik (British, b.1979) STANDING FIGURE (YELLOW) Offset lithograph printed in colours, 2015, signed in black ink, on wove paper folded twice (as issued), with full margins; within the book 'Stik', signed in black ink, published by Century sheet 75.7 x 23.9cm, unframed book 26.7 x 22 x 2.5cm *Artist's Resale Right may apply to this lot.
signed and dated 21.2.68 in the plate lithograph in colours, Archers watermarked paper In the last decade of Picasso’s expansive life, theartist explored his child-like curiosity in multipleprints that celebrated the archetype of the clown.With the use of vibrant colour and his masterful freehand, Pablo Picasso managed to capture his ownlove of whimsy and folly.Throughout his prolific career, the artist, who wasonce considered a child prodigy, spoke often of thegenius of childhood. He famously remarked, “It tookme four years to paint like Raphael, but a lifetimeto paint like a child.”(1) Picasso was fascinated withthe freedom of the art of children, the expansiveoriginality and utter lack of self-consciousness.What would become known as the artist’s RosePeriod explored Picasso’s captivation with clowns,saltimbanques and harlequins. Despite the subjectmatter, the earlier period, often referred to as hisCircus Period, was still weighted with a sense ofmelancholia(2). As he unknowingly approachedhis death in 1973, the icon’s work became moreexpressive, experimenting with vivid colour anda multitude of varying styles. His final works,including his clown prints, now stand as testamentto the artist’s perpetual desire for rejuvenation andreinvention, even in his last chapter.1. Daniel. A. Siedell. Who’s Afraid of Modern Art? Essays on Modern Artand Theology in Conversation. Oregon: Wipf and Stock Publishers, 2015,p.1342. Victopria Charles. Pablo Picasso. Ho Chi Minh City: ParkstoneInternational, 2011, p.49
Robert Rauschenberg (1925 - 2008) "Back Out" Collage and Transfer lithograph. Pencil Signed, numbered 67/100 and dated '79 in lower portion. With embossed printer's seal. Published by Multiples Inc. Printed by Styria Studios (New York). Provenance: Jamison Thomas Gallery (New York) 1991. Sight Size: 31 x 24 in. Overall Size: 42 x 35 in. Framed behind glass.
Mihail Chemiakin (New York, Russia born 1943) "Nature Morte w/ Fish" Color Lithograph on Japan paper. Numbered (60/78) lower left. Signed lower right. Chemiakin's work is in the permanent collections of numerous museums, including the Metropolitan Museum (New York), the State Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), the Sao Paolo Museum of Art (Brazil), the Museum of Modern Art of the City of Paris, Yad Vashem and the Tel Aviv Museum of Modern Art, as well as smaller museums throughout Russia and the United States. Image Size: 18 x 25.25 in. Sheet Size: 21 x 29.75 in. Unframed.
Mackenzie Thorpe (Contemporary British), Walking in the Rain, photo lithograph, 775/850 edition, dated 2000, Artist Proof /85, signed bottom right, mounted and framed. Measurements 19 x 35.5 cm, framed measurements 47 x 62.5 cm. Certificate of Authenticity verso, Washinton Green Fine Art Publishing Company Ltd. Mackenzie Thorpe (b.1956) is a British contemporary artist from Middlesbrough. He began his working life in ship building before studying at the Cleveland College of Art and Design and the Byam Shaw College of Art in London. Upon his return to the North, Thorpe founded the Arthaus gallery in Richmond. His work is predominantly abstract, ranging from more accessible figures to challenging pieces exploring themes such as isolation and human struggle, many influenced by his childhood growing up in working-class North East. He has received a number of honours including an Honorary Masters Degree from Teeside University and an Honorary Professorship from Seisa University in Japan. Thorpe was appointed as the official artist for 2019 Tour de Yorkshire and in 2019 launched a world tour 'From the Heart' to as a 30 year retrospective.
Paul Guiramand (1926-2007), Figures with Flowers, signed, numbered 113/120, lithograph. Measurements 20.5 x 19.5cm (SH) Paul Guiramand (1926-2007) was a post-war French painter and engraver, belonging to the New School of Paris, who was heavily influenced by French painters such as Matisse and Bonard. His work is figurative, almost semi-abstract and characterised by the use of strong brushstrokes and very bright, colourful palette. He studied at the National School of Fine Arts in Paris and spent some years living in Rome during the 1950s at the Villa Medici, before returning to Paris once more. His works can be found across international collections such as the National Library of France, Art Institute Chicago, New Otani Museum in Japan and Musee d'Art Moderne de Ville in Paris.
Andy Warhol (American, 1928-1987). See a shoe and pick it up and all day long you will have Good Luck, from ‘a La Recherche du Shoe Perdu’, published in 1955. Lithograph with some hand-colouring, ink stamped and initialled by the Estate of Andy Warhol Authentication Board and numbered A590.10 on the reverse. 23 x 30cm .
After Alberto Giacometti (Swiss, 1901-1966), Ritratto di Giovinetta I, limited edition lithograph from 'Quarantacinque disegni de Alberto Giacometti', numbered 47/100 lower left, ed. Giulio Einaudi, signed and dated within the print, embossed with original blindstamp of an ostrich surrounded by the motto: « spiritus durissima coquit", 48 x 31 cm

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