Typhoon FGR4 Squadron series Print. 44 x 29 cm. Squadron Prints Lithograph No. 1079 - Typhoon FGR4, ZJ911 BX29(R) Squadron, RAF Coningsby, Royal Air Force Typhoon Display Team 2010. No. 29 Squadron formed at Gosport on 7 November 1915. The Squadron moved to France in 1916 and during the early years, equipped with DH2s and Nieuport Scouts, was engaged mainly in escort duties to protect vulnerable reconnaissance aircraft over the Western Front. In 1918, now flying SE5As, the Squadron's role became fighter and ground attack missions. After a short period in Germany, the Squadron returned to the UK and was disbanded in 1919. In April 1923, No. 29 reformed as a fighter squadron at Duxford first with Snipes, then re-equipping with Grebes in 1925, Siskins in 1928, Bulldogs in 1932, and the two-seat Demons in 1935, which it took to Egypt for a year during the 1935 Abyssinian crisis. The Squadron converted to Blenheims in 1938 and on the outbreak of World War II used these aircraft for patrols over shipping, and early trials with airborne radar. In June 1940 the Squadron became involved in the fight to counter German night bombing raids, and eventually began to receive Beaufighters. Its defensive role remained after conversion to Mosquitoes in 1943 but in May 1944 intruder missions began, and continued until 1945. In October 1945 the Squadron moved to West Malling to become part of the peacetime night-fighter force in the UK. Meteors replaced the Mosquitoes in 1951. In 1957 the Squadron moved to Northumberland, then to Scotland in 1958, having crossed over to Javelins in November 1957. In February 1963, No. 29 relocated to Cyprus and in December 1965 deployed to Zambia for a nine month detachment. In 1967 the Squadron returned to the UK and became a Lightning squadron, subsequently converting to Phantoms at Coningsby in January 1975. In 1982 a detachment of 29 Squadron Phantoms was deployed to Stanley for the defence of the Falkland Islands. In 1987 the Squadron became the first operational squadron to be equipped with the Tornado F3. 29 Squadron deployed to Saudi Arabia after the Iraqi invasion of Kuwait in August 1990, flying throughout Operation Desert Storm in the air-defence role. The Squadron disbanded in 1998. In September 2003 a nucleus began to form at Warton aerodrome, home of the BAE Systems Case White project, to bring the Eurofighter Typhoon into service. The first Typhoon was delivered to the Squadron on 23 June 2004. On 1 July 2005 the Squadron took its new aircraft back home to Coningsby to become the Typhoon Operational Conversion Unit. It officially reformed on 4 November 2005, almost 90 years after the original formation. No. 29(R) Squadron is responsible for the training of RAF Typhoon pilots and Qualified Weapons Instructors. The Squadron also continues to train engineers and ground trades for the UK and overseas. The aircraft, ZJ911, is one of many used throughout the 2010 display season. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
70553 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
70553 Los(e)/Seite
A collection of contemporary artwork to include the following: John Loker (b. 1938) Untitled - 1983 Lithograph Signed and dated by the artist. Measures 37cm x 34cm. Framed and glazed. Born in Leeds, Loker has lived and worked throughout his career in London and East Anglia. He studied Graphic Design at Bradford College of Art and Design from 1954-58; and went on to study Painting at the Royal College from 1960-63. With the exception of a brief period spent in Manchester in the mid 1960s, he continued to live and work in London until 2002. He has exhibited widely internationally, and was included in many survey exhibitions of British art of the 1970s. In 1980, a travelling retrospective was curated by Lewis Biggs at the Arnolfini in Bristol. Loker’s work is in the collections of the Arts Council of Great Britain; British Council; CODA Museum Collection in Apeldoorn, Holland; Hunterian Collection, Glasgow; Power Institute of Fine Art, Sydney; Royal College of Art; Tate; and the Victoria and Albert Museum. Loker is also represented in the corporate collections of Deutsche Bank, ABH Bank Amsterdam, De Beers and Unilever. Linda Eaves (b. 1967) Unspecified Purpose No. 5 Acrylic, Conte, Charcoal on Paper Measures 66cm x 85cm. Framed and glazed. Chitra P Merchant Devakad Bell Jar - Xl Screen-print on paper Signed titled and numbers by the artist. No 6/30. 58cm x 47cm. Framed and glazed. Chitra Parvathy Merchant grew up in India and currently works as an artist in Bristol, U.K. After completing a B.A Degree in Psychology, she left India to work for a year in an artist's studio in West Africa. She came to England in the early nineties and completed a B.A (Hons) Degree in Illustration from U.W.E Bristol ('98) where she was first introduced to printmaking. In 2001 she based herself at Spike Print Studio where she prints, exhibits and works to commission on a regular basis. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Print of the view of the Holy Land, signed in pencil lower left and dated May 7th 1839m label verso " DAVID ROBERTS, VIEW OF THE HOLY LAND (1842 - 43), 'BAALBEC' an original lithograph with later handcolouring . Label Presented to the winner of The ChildStakes, 9th July 1986 Newmarket, in gilt glazed frame, 51cm x 36cm
Josef Albers, German/American 1888-1976,Homage to the Square (Red with Teal Square); Homage to the Square (Purple with Pink Square); Homage to the Square (Red with Orange Square); each offset lithograph in colours on thick wove, each edition of 250 numbered in pencil on the reverse, each published by the Guggenheim Museum, Artists Rights Society (ARA), New York/ADAGP, Paris, 1979, each sheet: 33 x 33 cm, (unframed) (ARR) (3) Note: together with the book 'Josef Albers: Small Paintings', 2009, published by Waddington Galleries, and the catalogue book 'Joseph Albers, Homage to the Square, 1950-1976', published by Hatje Cantz Verlag GmbH, Berlin.
David Hockney OM CH RA,British b.1937- The Singer from 1963, 1994; offset lithograph printed in colours on wove, signed in black marker pen, and signed with initials and dated in the plate, printed in 1994 for the Drawings retrospective exhibition 1954-1994 at the Hamburg Kunsthalle, the sheet is trimmed along the left and lower edges,sheet: 73 x 57 cm, (unframed) (ARR)
Josef Albers, German/American 1888-1976, Homage to the Square (Blue with Orange square); Homage to the Square (Blue with Grey Square); Homage to the Square (Yellow with Orange Square); each offset lithograph in colours on thick wove, each edition of 250 numbered in pencil on the reverse, each published by the Guggenheim Museum, Artists Rights Society (ARA), New York/ADAGP, Paris, 1979, each sheet: 33 x 33 cm, (unframed) (ARR) (3) Note: together with the book 'Josef Albers: Small Paintings', 2009, published by Waddington Galleries, and the catalogue book 'Joseph Albers, Homage to the Square, 1950-1976', published by Hatje Cantz Verlag GmbH, Berlin.
After Dr Seuss (Theodor Seuss Geisel), American 1904-1991, The Bee Watched, 1998; The Cat in the Hat's 40th Anniversary Limited Edition Print, 1997; Dr Seuss's Sleep Book, 1998; How the Grinch Stole Christmas!, 1999; I Am Sam, 1999; each lithograph in colours on wove, each signed in the plate, authenticated by Audrey Geisel, each numbered 1915/2500 in ink, largest image: 25.4 x 30.9 cm, (framed) (5) Note: each print is accompanied by a certificate of authenticity. All plates utilized to create these editions were made posthumously and have been destroyed upon completion of the edition.
Salvador Dalí,Spanish 1904-1989,L'Hirondelle (The Swallow), from Le Jungle Humaine, 1976; lithograph in colours on wove,signed and numbered 'XXXI/CCL' in pencil,image: 46.5 x 63 cm,(framed)(ARR) Note: Bruce Hochman has confirmed the authenticity of this lot. Albert Field: The Official Catalog of the Graphic Works of Salvador Dali, 76-2 D
After Georges Braque, French 1882-1963, The Bird, 1961; lithograph in colours on wove, signed in the plate and numbered 235/500 in pencil, sheet: 67 x 49.5 cm, (unframed)together with two lithographs by the same artist;Valse (from Derrière le Miroir), 1961; La Liberte des Mers (from Derrière le Miroir), 1960;each lithograph on wove, each unsigned and unnumbered, (i) image: 25.8 cm (diameter), (framed), (ii) sheet: 37.8 x 28.1 cm, (unframed), (ARR) (3)
After Dr Seuss (Theodor Seuss Geisel),American 1904-1991,Green Eggs and Ham, 2002; lithograph in colours on Somerset Paper, signed and inscribed in the plate, numbered 910/2500 in ink, with a Dr Seuss Enterprises blind stamp, printed by Anazao Studio, Chandler, Arizona, image: 35.5 x 27.7 cm, (framed)
After Henri Matisse, French 1869-1954,Nu aux Oranges, 1958;lithograph on wove from Dernieres oeuvres de Matisse, from the Cut-Outs series, printed in 1958 by Mourlot, published by Edition de la Revue Verve, sheet: 35.5 x 26 cm, (framed) Note: together with a certificate from Jonty Hearnden (on the reverse).
Jean Dubuffet, French 1901-1985, Fragilité, 1959; lithograph printed in colours on Arches wove paper, signed in pencil, dated, titled and inscribed 'épreuve d'artiste', an artist's proof aside from the total edition of 53, plate VI from 'Banalité', published by the artist in 1961, (unframed) (ARR)
Fougasse (Cyril Kenneth Bird CBE), British 1887-1965, Careless Talk Costs Lives, c. 1940 (set of eight posters); each lithograph in colours on wove, each signed in the plate, each sheet: 31.4 x 20.3 cm, (framed) (ARR) (8)Note: Fougasse, whose real name was Cyril Kenneth Bird, was a well-known cartoonist and editor of the magazine Punch when war broke out. Fougasse designed a series of eight posters for the Careless Talk Cost Lives campaign. They were produced in a variety of formats both for indoor and outdoor display, and proved so popular that they were even reproduced on textiles
Amendment: Please note, the 'Welsh Miners' print is a silkscreen, and not as previously stated. It is also a very rare edition of ten with watercolour, made for the Investiture of the then Prince of Wales, now King Charles III. Josef Herman OBE RA, Polish/British 1911-2000, Cockle Gatherers, 1974; Welsh Miners, 1969; Scene on the Shore, 1975;each lithograph in colours on wove, each signed and two inscribed 'Artist's Proof' in pencil, largest image: 49.2 x 64.5 cm, (framed)(ARR)(3)
Kehinde Wiley, American b. 1977- Portrait of Barack Obama, 2018; offset lithograph in colours on wove, published by the Smithsonian Institution in a limited edition of an undisclosed size, sheet: 25.4 × 17.8 cm, (unframed)Note: this print is after an original painting by the artist of President Obama. The official presidential portrait in the permanent collection of the National Portrait Gallery.
![Sir Howard Hodgkin CH CBE,British 1932-2017,Julian and Alexis, [Heenk 31] 1977;lithograph printed in colours with hand-colour](https://cdn.globalauctionplatform.com/0336bf5e-e207-46d2-8c70-b10f00abda34/45f95909-e23e-4a63-a7b2-b11600b87db7/468x382.jpg)
Sir Howard Hodgkin CH CBE,British 1932-2017,Julian and Alexis, [Heenk 31] 1977;lithograph printed in colours with hand-colouring in green gouache, signed, dated and numbered 22/30 in pencil,printed by Ian Lawson at Aymestrey Water Mill, Herefordshire, hand coloured by the artist and Sam Hodgkin under the artist's supervision, published by Bernard Jacobson Ltd, London, sheet: 69 x 100 cm,(framed)(ARR)
Loading...-
70553 Los(e)/Seite