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70553 Los(e)/Seite
Mid 19th Century Folding Fan, with mother of pearl guards, decorated with flowers in gilt, the pierced mother of pearl sticks with a cartouche, depicting seated figures in a landscape in raised gilt enamels, within a scrolled border, the leaf with lithograph scene of figures and musicians in a landscape, flanked by painted flower sprays, musical instruments and gilt scrolls, the reverse with a lithograph of seated figures by a stream, flanked by painted mountains, gilt scrolls on pink ground.
Mid 19th Century Folding Fan, with pierced and gilded guards, decorated with flowers, the sticks decorated with a scene of mother and child, the father carrying a lamb with a dog at his feet, in gilt enamels, flanked by birds, flowers and scrolls, the leaf with lithograph, the garden scene with seated figures, flowers and lambs, flanked by painted flowers and gilt scrolls, the reverse with lithograph of a seated nobleman wearing a turban and with female attendants.
After David Roberts RA 1796-1864- "St Jean d' Acre, April 25th, 1839"; published by F G Moon, 20 Threadneedle Street, London, September 18th, 1843, lithograph, plate 22, from the Holyland series, vol II, signed and titled within the plate, 25.5x35.5cm: together with twenty-four further hand coloured and uncoloured lithographs after David Roberts, to include "Ruins of the Church of St.John, Sabaste", publ.1844, "The Dead Sea Looking towards Moab", publ. 1842, "Temple In Jafa In Nubia", publ. 1846, "Ancient Watch Tower", publ.1842 and others, (unframed) (24)
After David Roberts RA 1796-1864- "Mount Tabor, from the Plan of Esdraelon, April 19th 1839"; published by F G Moon, 20 Threadneedle Street, London, June 1st, 1844, hand-coloured lithograph, signed and titled within the plate, 25x34cm; together with twenty-four other similar subject hand-coloured and uncoloured lithographs after David Roberts to include "Encampment of the Pilgrims at Jerico"; "The Upper Fountain of Siloam"; publ. July 1st, 1841, "Fountain of the Virgin, Nazareth"; publ. June 1st 1844, "Summit of Mount Sinai"; publ. Jan 1st, 1845 and others, (unframed) (25)
Colin Kent RI b.1934- "The Pink Car"; pen and ink watercolour and gouache, bears label for The Fraser Carver Gallery, Thames Ditton, Surrey attached to the reverse of the frame, 27x31cm: Janet Judge b.1956- Children's toys; watercolour, signed and dated 91 in pencil, 25x35cm: Peter Hodson, late 20th century- Landscape; gouache, signed and dated 94, 25x18cm: English School late 20th century- Fountain at Twickenham; watercolour and coloured crayon, signed with initials 'JW', 36.5x25.5cm: Alex Portner b.1920- Pall bearers leaving a prison; lithograph, signed and numbered 5/75 in pencil, 37x49cm: After Glyn Martin b.1955- "Exeter Cathedral"; hand-coloured reproduction print, signed in pencil, 14x18.7cm., (6) (may be subject to Droit de Suite)
Nigel Lambourne RE 1919-1988- Woman doing her hair; etching, signed, dedicated 'To M & R', numbered R/7 and dated 1962 in pencil, 30x16.5cm: Dorothea Braby 1909-1987- The Hand of God; wood engraving, signed and dated '44 in pencil, 16.5x13.5cm: Rudolf Harold van Rossem, Dutch b.1924- "Solome's Death'; etching, signed with initials within the plate, signed, titled, inscribed and dated '49 in pencil, 15.4x10cm: Marcel Vertes 1895-1961- The Lovers; lithograph printed in colours, signed and inscribed 'Epreuve d'Artiste' in pencil, 20.5x13cm: trogether with one other wood engraving by Dorothea Braby, an etching of lovers in an interior by an unknown hand and a further quantity of small wood engravings, nine of which are mounted in two common mounts and frames, (qty)
Michael Rothenstein RA RE 1908-1993- "The Drill"; lithograph in colours with silver, signed and numbered twenty-four/twenty-five in pencil, 73.2x59.7cm: Norman Stevens ARA 1937-1988- "Tree-Flower"; etching, signed, titled, numbered 15/15 and dated 71 in pencil, 19.3x28.7cm: William Turnbull b.1922- "Composition"; lithograph in pink, signed, numbered 73/100 and dated 68 in pencil, 53.5x53.5cm: Alan Kaprow, American 1927-2006- "Yard"; lithograph, 41.5x54.5cm: After Ronald Searle b.1920- "Evasion"; reproduction print, signed, numbered 142/200 and dated 1998 in pencil, 48.2x63.5cm., (5)
AFTER GILRAY, CRUIKSHANK & OTHERS eight 19th century hand coloured caricatures relating to the 10th Hussars: La Poule; The Lame Duel; Saint Shela; Phrenological illustrations, or the Science practically developed; Drilling 1/10th of the military in the Manual Exercise; Sic Transit Gloria-Decimi; Heroic Exploits of the Tenth with Nobody; Adventures of the Tenth, together with 10th Royal Hussars Trumpeter, hand coloured lithograph after Hull, circa 1829 (9)
"Snaffles" (Charles Johnson Payne) 4 1/4in. x 6in. (10.8 x 14.9cm) "The sweet little feller his wescoat was yeller" - photo lithograph with hand colouring Inscribed on the reverse in the Artist's hand "Many thanks for the card Brigadier, it is reproduced in first class style. All the best for 1965 to you and the Black Watch. Snaffles. Orchard Cottage, Salisbury - Wilts, Tisbury".
C H SHANNON, SIGNED IN PENCIL TO MARGIN, SEPIA LITHOGRAPH, “Mother and Child”, 8” x 6”, AFTER FREDERICK TAYLOR, BLACK AND WHITE ETCHING, A Hunting Group, 3” x 4 ½”, maple framed, and TWO HAND COLOURED ENGRAVINGS (From a Publication), “St Katherine’s Docks” and “London Bridge – 1756”, 6” x 8” (4)

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70553 Los(e)/Seite