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Los 330

Laurence Stephen Lowry RA (Brit. 1887-1976)-Market place in a Northern town, lithograph, signed in pencil to the margin, 46cm x 60cm (Illus.)

Los 603

AFTER JJ MIDDERIGH "Danish harbour scene", a coloured lithograph together with three others from the same series

Los 22

OF ROWING INTEREST: Rowing on the Isis off Christchurch meadows, hand coloured lithograph, 9" x 16 1/2" (unframed)

Los 26

EDMUND HORT NEW - 'The Towers of Oxford from the bell Tower of Magdalen College, photo lithograph, 8 1/2" x 21" (a late impression)

Los 28

MERLYN EVANS (1910-1973) 'Vox Popoli', lithograph, inscribed in pencil to the margin and numbered 5/100, 19 1/2" x 25"

Los 29

AFTER MASACCIO AND PHILIPPINO LIPPI - 'S.S. Peter and Paul raising the King's son and the homage to St Peter', chromo lithograph by the Arundel Society, 1858, 14 1/4" x 27 1/2"

Los 32

AFTER MAX ROMAN - View of a Greek The Temple: Agracento, Sicily, chromo lithograph, 26 1/2" x 38" (see illustration)

Los 37

JOHANN HEINRICH BLEULER I (1758-1823) or Johann Heinrich Bleuler II (1787-1857) 'Die teufelsbrucke' lithograph, hand coloured, bears signature 'J H Bleuler' and the date 1825, 16 1/2" x 23 1/2"

Los 68

AFTER CECIL ALDIN - The Mitre at Oxford, lithograph in colours, 13 1/2" x 23 1/2"

Los 102

Hardy, Heywood (1842-1933) After - Lithograph - In Reserve, being a study of two Pointers, 50cm x 62cm

Los 1184A

A Maple Framed Coloured Lithograph, beach scene with lifeboat setting out on a rescue, plate size 17” x 25”

Los 307

19th Century French egg-shaped and gilt-mounted Jewellery Box, the top inset oval panel with lithograph landscape scene, the buildings with mother of pearl windows, on rope-work supports, joined by swags, 15cms, (6").

Los 362

19th Century Folding Fan, with pierced and gilded sticks and guards, decorated with flowers and fruits, the leaf decorated with a lithograph of a courting scene to one side and allegorical scene to the reverse, surrounded by cartouches of doves, with gilt highlights.

Los 364

Mid 19th Century Folding Fan, with carved and pierced bone guards, decorated with flowers and garlands, the sticks similarly decorated, the leaf with a lithograph, with an allegorical scene to one side and painted with a primitive landscape to the reverse.

Los 371

Mid 19th Century Folding Fan, with mother of pearl guards, decorated with flowers in gilt, the pierced mother of pearl sticks with a cartouche, depicting seated figures in a landscape in raised gilt enamels, within a scrolled border, the leaf with lithograph scene of figures and musicians in a landscape, flanked by painted flower sprays, musical instruments and gilt scrolls, the reverse with a lithograph of seated figures by a stream, flanked by painted mountains, gilt scrolls on pink ground.

Los 372

Mid 19th Century Folding Fan, with pierced and gilded guards, decorated with flowers, the sticks decorated with a scene of mother and child, the father carrying a lamb with a dog at his feet, in gilt enamels, flanked by birds, flowers and scrolls, the leaf with lithograph, the garden scene with seated figures, flowers and lambs, flanked by painted flowers and gilt scrolls, the reverse with lithograph of a seated nobleman wearing a turban and with female attendants.

Los 65A

Poulery - Limited edition lithograph of figures beneath Moorish arch, pencil signed to margin, 58 x 40cm

Los 1002

After David Roberts RA 1796-1864- "St Jean d' Acre, April 25th, 1839"; published by F G Moon, 20 Threadneedle Street, London, September 18th, 1843, lithograph, plate 22, from the Holyland series, vol II, signed and titled within the plate, 25.5x35.5cm: together with twenty-four further hand coloured and uncoloured lithographs after David Roberts, to include "Ruins of the Church of St.John, Sabaste", publ.1844, "The Dead Sea Looking towards Moab", publ. 1842, "Temple In Jafa In Nubia", publ. 1846, "Ancient Watch Tower", publ.1842 and others, (unframed) (24)

Los 1003

After David Roberts RA 1796-1864- "Mount Tabor, from the Plan of Esdraelon, April 19th 1839"; published by F G Moon, 20 Threadneedle Street, London, June 1st, 1844, hand-coloured lithograph, signed and titled within the plate, 25x34cm; together with twenty-four other similar subject hand-coloured and uncoloured lithographs after David Roberts to include "Encampment of the Pilgrims at Jerico"; "The Upper Fountain of Siloam"; publ. July 1st, 1841, "Fountain of the Virgin, Nazareth"; publ. June 1st 1844, "Summit of Mount Sinai"; publ. Jan 1st, 1845 and others, (unframed) (25)

Los 1199

Colin Kent RI b.1934- "The Pink Car"; pen and ink watercolour and gouache, bears label for The Fraser Carver Gallery, Thames Ditton, Surrey attached to the reverse of the frame, 27x31cm: Janet Judge b.1956- Children's toys; watercolour, signed and dated 91 in pencil, 25x35cm: Peter Hodson, late 20th century- Landscape; gouache, signed and dated 94, 25x18cm: English School late 20th century- Fountain at Twickenham; watercolour and coloured crayon, signed with initials 'JW', 36.5x25.5cm: Alex Portner b.1920- Pall bearers leaving a prison; lithograph, signed and numbered 5/75 in pencil, 37x49cm: After Glyn Martin b.1955- "Exeter Cathedral"; hand-coloured reproduction print, signed in pencil, 14x18.7cm., (6) (may be subject to Droit de Suite)

Los 1240

Anton Kaulbach, German 1864-1930- Tavern scene; oil on board, signed, 47.5x67.8cm: British School circa 1900- Nursery frieze; lithograph, 33x116.5cm., (2)

Los 1303

Nigel Lambourne RE 1919-1988- Woman doing her hair; etching, signed, dedicated 'To M & R', numbered R/7 and dated 1962 in pencil, 30x16.5cm: Dorothea Braby 1909-1987- The Hand of God; wood engraving, signed and dated '44 in pencil, 16.5x13.5cm: Rudolf Harold van Rossem, Dutch b.1924- "Solome's Death'; etching, signed with initials within the plate, signed, titled, inscribed and dated '49 in pencil, 15.4x10cm: Marcel Vertes 1895-1961- The Lovers; lithograph printed in colours, signed and inscribed 'Epreuve d'Artiste' in pencil, 20.5x13cm: trogether with one other wood engraving by Dorothea Braby, an etching of lovers in an interior by an unknown hand and a further quantity of small wood engravings, nine of which are mounted in two common mounts and frames, (qty)

Los 1317

Michael Rothenstein RA RE 1908-1993- "The Drill"; lithograph in colours with silver, signed and numbered twenty-four/twenty-five in pencil, 73.2x59.7cm: Norman Stevens ARA 1937-1988- "Tree-Flower"; etching, signed, titled, numbered 15/15 and dated 71 in pencil, 19.3x28.7cm: William Turnbull b.1922- "Composition"; lithograph in pink, signed, numbered 73/100 and dated 68 in pencil, 53.5x53.5cm: Alan Kaprow, American 1927-2006- "Yard"; lithograph, 41.5x54.5cm: After Ronald Searle b.1920- "Evasion"; reproduction print, signed, numbered 142/200 and dated 1998 in pencil, 48.2x63.5cm., (5)

Los 404

Andrew Cheetham (20th century) Warehouse, gouache John Loder Littered Ways, lithograph Charlotte Verity Untitled VII, 1988, watercolour, 41x30cm (3)

Los 444

Jean Glasebrook (20th century) Aigaliers Provence Watercolour and a lithograph (2)

Los 500

AFTER GILRAY, CRUIKSHANK & OTHERS eight 19th century hand coloured caricatures relating to the 10th Hussars: La Poule; The Lame Duel; Saint Shela; Phrenological illustrations, or the Science practically developed; Drilling 1/10th of the military in the Manual Exercise; Sic Transit Gloria-Decimi; Heroic Exploits of the Tenth with Nobody; Adventures of the Tenth, together with 10th Royal Hussars Trumpeter, hand coloured lithograph after Hull, circa 1829 (9)

Los 23

David Roberts 13 3/4in. x 20in. (35 x 51cm) "Monument of St. Catherine, Mount Sinai, February, 17th, 1839" - colour lithograph Published by L. Haghe.

Los 24

David Roberts 12 3/4in. x 19in. (32.5 x 48.5cm) "Edfou, Nov. 24th, 1838" - lithograph with blue plate tint Published by L. Haghe. See illustration

Los 25

David Roberts 12 3/4in. x 19 1/4in. (32.5 x 48.5cm) "Mosque of Sultan Hassan, Cairo" - colour lithograph Published by L. Haghe.

Los 26

"Snaffles" (Charles Johnson Payne) 4 1/4in. x 6in. (10.8 x 14.9cm) "The sweet little feller his wescoat was yeller" - photo lithograph with hand colouring Inscribed on the reverse in the Artist's hand "Many thanks for the card Brigadier, it is reproduced in first class style. All the best for 1965 to you and the Black Watch. Snaffles. Orchard Cottage, Salisbury - Wilts, Tisbury".

Los 33

Tom McGuinness 18in. x 26in. (46 x 65.5cm) "The Allotments, Easington" - colour lithograph Signed, inscribed and dated 1992 in pencil, and no. 26 from an edition limited to 200.

Los 35

After Tom Dack 11in. x 15in. (28 x 38cm) "High Level Bridge, Newcastle" - colour photo lithograph Inscribed by the Artist on a label on the reverse.

Los 44

Margaret Shaw 19 3/4in. x 13 3/4in. (50 x 35cm) "The Trevi Fountain" - colour lithograph Signed in pencil.

Los 354

PHILIP SUTTON R.A. (British, b. 1928) Bird in Flight, 9/250, signed in pencil bas droite, lithograph in colour, 20" x 20", Museum of Modern Art Oxford label verso

Los 335

AFTER T M BAYNES Rochester from Frinsbury Coloured lithograph Published by R Ackermann, Feb 18th 1829 1012 x 1612 image size

Los 468

A mid 19th century lithograph of Worthing, view from the sea, from Tarring Church to Sompting Abbotts, published by Charles Cortis, circa 1860-62, mounted within frame, image 13 x 20in.

Los 351

Fernand Leger 1881-1955, The King of Hearts, colour lithograph, published by School Prints Ltd 1949. (an innovative set of prints by top European artists aimed at brightening classrooms)

Los 417

MARY AUDSLEY Woman sleeping. Drawing. Dated 28.4.92. 10 x 12 3/4ins. Together with a Simon Drew signed lithograph.

Los 352

AFTER THOMAS WOODWARD (1801-52), "THE QUEEN'S FAVOURITE CHARGER", LITHOGRAPH, by Fairland, published 1843. 53cm by 63cm

Los 872

John Piper. Sunningwell, oxfordshire, 1985. Coloured lithograph, 19.75in (50cm) x 25.75in (65.5cm). Signed in pencil by the artist. mounted, framed and glazed.

Los 18

AFTER SIR JOSHUA REYNOLDS, ENGRAVED BY FRANCIS HAWARD, TINTED SOFT GROUND LITHOGRAPH, Published 1783, “The Infant Academy”, 10” x 12”

Los 43

AFTER HENRY FRADELLE, ENGRAVED BY T LUPTON, TINTED LITHOGRAPH, “Olivia and Viola – A Scene in Twelfth Night”, 15” x 17”, in swept rosewood veneered frame

Los 54

AFTER GEORGE CATTERMOLE, ENGRAVED BY THE SAME, TINTED LITHOGRAPH, Published 1854, “Greyfriars Churchyard (Edinburgh) - signing of the Covenant”, 11” x 13”

Los 62

19TH CENTURY GERMAN SCHOOL, BLACK AND WHITE LITHOGRAPH, “Crossing the Ford”, 17” x 22” Maple Framed

Los 131

AFTER VOLMAR, ENGRAVED BY C MOTTE, TINTED LITHOGRAPH, Published circa 1830, “Une Panthere”, 8” x 11”

Los 142

C H SHANNON, SIGNED IN PENCIL TO MARGIN, SEPIA LITHOGRAPH, “Mother and Child”, 8” x 6”, AFTER FREDERICK TAYLOR, BLACK AND WHITE ETCHING, A Hunting Group, 3” x 4 ½”, maple framed, and TWO HAND COLOURED ENGRAVINGS (From a Publication), “St Katherine’s Docks” and “London Bridge – 1756”, 6” x 8” (4)

Los 172

JOHN STAPLETON, TRIAL PROOF LITHOGRAPH (NO 5), Exotic Birds and Foliage, 27” x 20”

Los 190

AFTER FORD, 19TH CENTURY COLOURED LITHOGRAPH, Figures, Horses and Traps by a Railway Bridge with Steam Train Passing, 12” x 16”, birds-eye maple framed (A/F)

Los 213

AFTER C D’OYLY, ENGRAVED BY CHINNERY, BLACK AND WHITE LITHOGRAPH, “View in Bengal”, 6” x 7”

Los 245

LEONARD RUSSELL SQUIRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE LITHOGRAPH, “The Washing Place, Sospel, France”, 5” x 9”

Los 298

RONALD GLENDENING, SIGNED AND DATED 1957 IN PENCIL TO MARGIN, COLOURED LITHOGRAPH, Inscribed “L’eglise St Jacques – Dieppe”, 18” x 13” (unframed)

Los 310

GEORGE FREDERICK WATTS, RA, ARTIST’S PROOF, ROUGE LITHOGRAPH, Study of Head (see Robert Dunthorne label verso), 8” x 6”

Los 315

RICHARD PLATT, SIGNED AND DATED 56 IN PENCIL TO IMAGE, COLOURED LITHOGRAPH, Children Drinking at Fountain, 12” x 16”

Los 317

DAME ELISABETH FRINK, SIGNED AND DATED 65 IN PENCIL TO MARGIN, LIMITED EDITION (49/65) LITHOGRAPH, Spinning Man V, 32” x 23”

Los 322

ANDRE VERLON (SWISS), SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (37/100), COLOURED LITHOGRAPH, Composition with Column, 16” x 11”

Los 325

PAUL WUNDERLICH, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (38/75), COLOURED LITHOGRAPH, Semi Abstract Study of two Naked Ladies, 25 ½” x 19”

Los 326

PAUL WUNDERLICH, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (6/7), COLOURED LITHOGRAPH, Indistinct Inscription to margin and date 16-8-65, 18” x 23”

Los 327

JULIAN TREVELYAN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (27/50), COLOURED LITHOGRAPH, Inscribed “Nov Jarod” 15” x 19 ½”

Los 385

VANITY FAIR COLOURED LITHOGRAPH, Newmarket, Tattersalls 1887, 13”x 19”

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