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Preisdatenbank abonnierenAn assortment of six vintage lithographs on paper after Henri Matisse ( 1869-1954). The lot to include three mid 20th century lithographs of the ' La Femmes et Singes ', a lithograph after ' Composition fond bleu, 1953 ' (detail), a lithograph after ' Le Piscine ' (detail), together with a lithograph after ' Composition fond bleu, 1953 ' (detail) in green. All unframed. Each measuring approx. 90cm x 30cm (35.5" x 12").
An assortment of four exhibition / gallery posters. To include: Piet Mondrian (1872-1944) Windmill in the Evening, 1916 Lithograph on paper Copyright 1996 ABC/Mondrian Estate/Holtzman Trust Measures approx. 70cm x 50cm (27 1/2 “ x 19 ½”) Jim Dine (1935) Self portrait Next to a coloured window, 1964 Lithograph on paper Published by Dallas Museum of Art Limited edition of 500 Measures approx. 63.5cm x 87cm Jiri Georg Dokoupil Untitled, 1985 Print on paper 28 September-19 October 1985 Leo Castelli/Sonnabend 420 West Broadway, New York Measures approx.. 89cm x 60cm (35” x 23 3/4 “) Bruce Nauman 15 Pairs of Hands, 1996 Print on paper November 2 – December 14, 1996 Leo Castelli/Sonnabend 420 West Broadway, New York Measures approx.. 93cm x 63cm (36 1/2” X 24 ¾ ) (4)
An assortment of four lithograph vintage posters. To include: Andy Warhol Orange Marilyn - 1964 Lithograph on paper Published by te Neues Measures approx. 80cm x 60cm (31 1/2" x 27 1/2") Andy Warhol Princess Diana - 1982 Lithograph on paper Published by te Neues Measures approx. 80cm x 60cm (31 1/2" x 27 1/2") Patrick Nagel Venetian Light - 1992 Print on paper Published by Lipman Publishing, LA Measures approx. 61cm x 46cm (24" x 18") Rene Magritte La Magie Noire 1945 Print on paper Published by Musee Magritte Museum, Belgium Measures approx. 70cm x 50cm (27 1/2" x 19 1/2")
A selection of four exhibition posters and lithographs comprising: After Alexander Calder (American, 1898-1976) Calder Pace / Columbus 1971 Poster Measures approx. 64cm x 82cm (25" x 32") Lucian Freud (b. 1922-2011) Works On Paper - The Cleveland Museum Of Art, 1989 Poster Measures approx. 61cm x 46cm (24" x 18.1") After Jim Dine (b. 1935) Still Life Published by Pace Columbus Offset lithograph edition of 2000 Measures approx. 63cm x 80cm (24.8" x 31.4") After Francis Bacon Georges a Bicyclette Edition of 500 Printed on Stonehenge Paper Measures approx. 85cm x 65cm (33.4" x 25.5")
An assortment of seven vintage lithographs on paper after Henri Matisse (1869-1954). The lot to include a lithograph after ' L'Avaleur de Sabres ', a lithograph after ' Le Cowboy ', a lithograph after ' Le peintre et son modèle ', two lithographs of lady posing on black ground, together with two blue nudes lithographs. All unframed. Each measures approx. 45cm X 58cm (18" x 23").
An assortment of six vintage lithographs on paper after Henri Matisse (1869-1954). The lot to include a lithograph after ' L'Avaleur de Sabres ', a lithograph after ' Le Cowboy ', a lithograph after ' Blue Nude IV ', a lithograph after ' La Chevelure ', together with two lithographs of ladies posing. All unframed. Each measures approx. 45cm x 58cm (18" x 23").
An assortment of five vintage lithographs & serigraphs on paper after Pablo Picasso (1881-1973). The lot to include: a blue serigraph after the poster for the 1951 Vallauris Exposition, a sepia and black lithograph after Jeux de pages (Page’s Games) 1951, a lithograph after ' La ronde de Jeunesse ', a lithograph after the Vollard Suite, together with a lithograph of female portrait. All unframed. Each measuring approx. 59cm x 44cm (23" x 17").
A large collection of nine vintage lithographs after Joan Miro (Spanish, 1893-1983). The lot to include a lithograph after ' Woman and bird in the night ', three compositions with large red dot, two compositions with blue moon, together with two compositions in green, red & black. All unframed. each measures approx. 29cm x 89cm (11.5" x 35").
An assortment of six vintage lithographs & serigraphs on paper after Pablo Picasso (1881-1973). The lot to include two black & white lithograph from the Vollard Suite, a blue serigraph after the poster for the 1951 Vallauris Exposition, a lithograph after ' La ronde de Jeunesse ', together with a serigraph of lady with vine in hair. All unframed. Each measures approx. 58cm x 44cm (23" x 17.5").
An assortment of seven vintage lithographs on paper after Henri Matisse (1869-1954). The lot to include a lithograph after ' L'Avaleur de Sabres ', a lithograph after ' Le Cowboy ', two lithographs after ' Le peintre et son modèle ', two lithographs of lady posing, together with another. All unframed. Each measures approx. 45cm X 58cm (18" x 23").
An assortment of five vintage lithographs & serigraphs on paper after Pablo Picasso (1881-1973). The lot to include three black & white lithograph from the Vollard Suite, a blue serigraph after the poster for the 1951 Vallauris Exposition, two serigraphs of lady with vine in hair. All unframed. Each measures approx. 58cm x 44cm (23" x 17.5").
Rene Magritte (Belgium, 1898-1967) La Magi Noire Offset lithograph Unframed Measures approx. 60cm x 45cm (24" x 18") Rene Magritte (Belgium, 1898-1967) Son of Man Offset lithograph Unframed Measures approx. 60cm x 45cm (24" x 18") Rene Magritte (Belgium, 1898-1967) The Happy Donor Offset lithograph Unframed Measures approx. 60cm x 45cm (24" x 18") (3)
Sue Campion (b.1944), Artists Proof colour lithograph, Mediterranean landscape, signed in pencil, limited edition, VI/XV, 41 x 47cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
After W Howard Robinson (19/20th. C), colour lithograph, 'An evening at the National Sporting Club', signed in plate, 40 x 77cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Theo Tobiasse (French, 1927-2012), colour lithograph, 'Sejours Secrets', signed in pencil, limited edition 153/199, 58 x 79cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Pablo Picasso 1881 Malaga - 1973 Mougins Femme au fauteuil no. 4. 1949. Lithografie. Signiert sowie links unten ganz schwach erkennbar handschriftlich bezeichnet 'Épreuve d'artiste'. Künstlerexemplar außerhalb der Auflage von 50 nummerierten Exemplaren. Auf Velin von Arches (mit Wasserzeichen). 69,8 x 54,7 cm (27,4 x 21,5 in). Papier: 75,9 x 56,2 cm (29,8 x 22,1 in). [AR]. • Wunderbar tiefschwarzer Druck aus der bedeutenden druckgrafischen Werkserie 'Femme au fauteuil' (1948/49). • Dargestellt ist Picassos Muse Françoise Gilot. • Zeugnis der großen Experimentierfreude des Künstlers. • Picassos Frauen-Porträts zählen zu den berühmtesten Kunstwerken des 20. Jahrhunderts. PROVENIENZ: Privatsammlung Schweiz. LITERATUR: Fernand Mourlot, Picasso. Lithograph, Paris 1970, WVZ-Nr. 137/5 (m. Abb. S. 115). Georges Bloch, Pablo Picasso. Katalog des graphischen Werkes 1904-1967, Bd. I, 4. Aufl., Bern 1984, WVZ-Nr. 588/5 (m. Abb. S. 143). Aufrufzeit: 08.06.2024 - ca. 19.17 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONPablo Picasso 1881 Malaga - 1973 Mougins Femme au fauteuil no. 4. 1949. Lithograph. Signed and barely legibly inscribed 'Épreuve d'artiste' in the lower left. Artist proof aside from the edition of 50 numbered copies. On Arches wove paper (with the watermark). 69.8 x 54.7 cm (27.4 x 21.5 in). Sheet: 75,9 x 56,2 cm (29,8 x 22,1 in). [AR]. • Marvelous deep black print from the important series “Femme au fauteuil” (1948/49). • The work shows Picasso's muse Françoise Gilot. • Testimony to the artist's great love of experimentation. • Picasso's portraits of women are among the most 20th century's most famous works of art. PROVENANCE: Private collection Switzerland. LITERATURE: Fernand Mourlot, Picasso. Lithograph, Paris 1970, cataloque raisonné no. 137/5 (illu. on p. 115). Georges Bloch, Pablo Picasso. Katalog des graphischen Werkes 1904-1967, vol. I, 4th ed., Bern 1984, no. 588/5 (illu. on p. 143). Called up: June 8, 2024 - ca. 19.17 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
Pablo Picasso 1881 Malaga - 1973 Mougins Jacqueline lisant. 1954/1958. Lithografie. Signiert und nummeriert. Im Druckträger zweifach datiert „11.1.58” und „27.12.58”. Aus einer Auflage von 50 Exemplaren. Auf Velin. 55,5 x 44 cm (21,8 x 17,3 in). Papier: 65,7 x 50 cm (25,8 x 19,6 in). [EH] Weitere Werke aus der Sammlung Dr. Maier-Mohr werden in unserem Evening Sale und in unserem Contemporary Art Day Sale am Freitag, 7. Juni 2024, angeboten – siehe Sonderkatalog „Eine private Sammlung – Dr. Theo Maier-Mohr”. • Porträt der letzten Muse und Lebensgefährtin Picassos, Jacqueline Roque. • Grafiken Picassos stellen in ihrem Umfang, ihrem technischen Variantenreichtum und Ausdrucksvermögen einen bedeutenden Teil seines Gesamtwerks dar. PROVENIENZ: Galerie Iris Eckert, Kampen a. Sylt. Sammlung Dr. Theo Maier-Mohr (1978 beim Vorgenannten erworben, seitdem in Familienbesitz) . LITERATUR: Georges Bloch, Pablo Picasso. Catalogue de l’œuvre gravé et lithografié 1904-1967, Bern 1984, WVZ-Nr. 852 (m. Abb.). - - Fernand Mourlot, Picasso. Lithograph, Paris 1970, WVZ-Nr. 310/3 (von 3). Picasso lernt Jacqueline im Sommer 1953 in Vallauris kennen und heiratet sie 1961. Die vielen Variationen des Porträts seiner Frau Jacqueline sind ein beredtes Zeugnis seiner Liebe. An dem Lithografiestein für 'Jacqueline lisant' beginnt er erstmals am 17. Dezember 1957 zu arbeiten, am 11. Januar überarbeitet er den Stein, was heute allein an der oberen Datierung nachzuvollziehen ist, denn von diesem 2. Zustand sind keine Abzüge bekannt. Fast ein Jahr später, am 27. Dezember 1958, überarbeitet er den Stein nochmals abschließend. Indem der gesamte Hintergrund bis auf wenige Abschattierungen im Bereich des Buches in tiefes Schwarz eingefärbt wird, findet in dem hier vorliegenden 3. Zustand eine starke Fokussierung auf die Lesende, die geliebte Frau, statt. Pablo Picasso gelingt es so, die tiefe Versunkenheit der lesenden Jacqueline zu zeigen. [EH] Aufrufzeit: 08.06.2024 - ca. 19.16 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONPablo Picasso 1881 Malaga - 1973 Mougins Jacqueline lisant. 1954/1958. Lithograph. Signed and numbered. Twice dated '11.1.58' and '27.12.58' in printing substrate. From an edition of 50 copies. On wove paper. 55.5 x 44 cm (21.8 x 17.3 in). Sheet. 65,7 x 50 cm (25,8 x 19,6 in). Further works from the Dr. Maier-Mohr Collection will be offered in our Evening Sale and Contemporary Art Day Sale on Friday, June 7, 2024 – see collection catalog 'A Private Collection - Dr. Theo Maier-Mohr'. • Portrait of Picasso's last muse and partner, Jacqueline Roque. • Picasso's prints represent a significant part of his oeuvre in terms of their extent, technical variety and expressiveness. PROVENANCE: Galerie Iris Eckert, Kampen a. Sylt Collection of Dr. Theo Maier-Mohr (acquired from the above in 1978, ever since family-owned). LITERATURE: Georges Bloch, Pablo Picasso. Catalogue de l’œuvre gravé et lithograpié 1904-1967, Bern 1984, no. 852 (illu.). - - Fernand Mourlot, Picasso. Lithograph, no. 310/3 (of 3), Paris 1970. Picasso met Jacqueline, who he married in 1961, in Vallauris in the summer of 1953. The many variations of her portrait are an impressive testimony to his love for her. He began working on the lithograph stone for 'Jacqueline lisant' on December 17, 1957, and reworked the stone on January 11, as the date at the top suggests, as no prints of this second state are known. Almost a year later, on December 27, 1958, he reworked the stone once again. By coloring the entire background in a deep black, except for a few shadings in the area of the book, there is a strong focus on the reader in this 3rd state. Pablo Picasso thus succeeds in showing how deeply immersed Jacqueline is in her read. Called up: June 8, 2024 - ca. 19.16 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
George Hawkins (British 1819-1852) after William Richardson (British fl.1842-1877): 'Whitby Abbey Church Yorkshire from the South West', lithograph with hand colour 30cm x 48cm; After Henry Warren (British 1794-1879): 'Leeds' 'Bradford' and 'Hull', set three engravings with hand colour 14cm x 19cm (4)
Katharina Grosse 1961 Freiburg i. Br. - lebt und arbeitet in Berlin 4 Bll.: Fo' Faux Rocks. 2007. Farblithografien. Verso jeweils signiert, datiert und nummeriert. Aus einer Auflage von 40 Exemplaren. Auf Velin von Arches (jeweils mit dem Wasserzeichen). Jeweils: 100 x 67,5 cm (39,3 x 26,5 in), jeweils blattgroß. Vier lose Blätter sowie ein Blatt mit dem Impressum in der Original-Leinenmappe mit Titel- und Künstlerprägung, vollständig. Gedruckt von Rasmus Urwald, June Rehak und Peer Carstensen. Herausgegeben von der Edition Copenhagen, Kopenhagen. [AW]. • Farbschöne und zeitlose Farblithografien in Grosses typischer Handschrift. • Katharina Grosse zählt international zu den erfolgreichsten deutschen Künstlerinnen der Gegenwart. • Zuletzt wird sie mit spektakulären Einzelausstellungen im Kunstmuseum Bonn (2024), in der Albertina in Wien (2023/24), im Kunstmuseum Bern (2023) und im Hamburger Bahnhof, Berlin (2020/2021), geehrt. PROVENIENZ: Privatsammlung USA. Privatsammlung Baden-Württemberg. Aufrufzeit: 07.06.2024 - ca. 15.51 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONKatharina Grosse 1961 Freiburg i. Br. - lebt und arbeitet in Berlin 4 Bll.: Fo' Faux Rocks. 2007. Lithograph in colors. Each signed, dated and numbered on the reverse. From an edition of 40 copies. On Arches wove paper (each with the watermark). Each: 100 x 67.5 cm (39.3 x 26.5 in), each the full sheet. Four loose sheets and one sheet with imprint, in the original cloth portfolio embossed with the title and the artist's name, the complete set. Printed by Rasmus Urwald, June Rehak and Peer Carstensen. Published by Edition Copenhagen, Copenhagen. [AW]. • Beautiful and timeless color lithographs in Grosse's typical handwriting. • Katharina Grosse is one of the internationally most successful contemporary German artists. • Most recently, she was honored with spectacular solo exhibitions at the Albertina in Vienna (2023/24), the Kunstmuseum Bern (2023) and the Hamburger Bahnhof, Berlin (2020/2021). PROVENANCE: Private collection USA. Private collection Baden-Württemberg. Called up: June 7, 2024 - ca. 15.51 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.
***Henry Moore (1898-1986) - Lithograph in colours - "Three reclining figures for Panorama", printed in three colours on Reeves by Kirwan Prints Ltd, London, signed, dated '71, and annotated artist's copy, all in pencil,11.75ins x 9ins, framed and glazedThis work has not been inspected out of its frame. It appears to be in good condition with no obvious damage/loss/restoration
‡ PAUL PETER PIECH (American-British, 1920-1996) three colour lithograph - stark image of figure with neck in noose and Christian cross suspended, with words from Australian Aboriginal Jack Davis' poem 'Aboriginal Australia', signed and dated 1988, 51 x 75cmsProvenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalComments: light creasing in corners, unframed
Clare LEIGHTON (1898-1989) Poster WEEK-END WALKS, Lithograph, signed in the plate, published by London Transport 1938, 99x61cm and 105x67cm including the frameThe collection of Julian Andrews, British Council arts envoyThis framed glazed work appears to be in perfect clean condition. It is only on close examination that the high-quality restoration can be seen.We have uploaded images in an attempt to show the condition issues. The single repair that can be seen on close examination is a repair to a hole/tear 2x1.5cm in the sky to the left of the hill. Otherwise, there are minor creases, surface abrasions and a few faint foxing spots.
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