Victorian lithograph store display spice tin, circa 1880 Victorian lithograph store display spice tin, circa 1880. A bulk spice tin from a grocery store of rectangular form with rotating cylinder with various spice names including ginger, cloves cr. tartar, all spice, and baking powder. The merchant could turn the cylinder to the spice he wished to sell making the canister multi-functional. The front of the tin front was decorated with a portrait of a beauty which is mostly gone. 8" x 6.25" x 11.75". Starting Price: $50
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AUTOGRAPHED, COLOR LITHOGRAPH, TIGER STADIUM, 23" X 35", "GONE BUT NOT FORGOTTEN": Signed by 43 past Detroit Tiger players and announcers including Hall of Famer Ernie Harwell and Paul Carey, who broadcast the last game at Tiger Stadium; Inscribed: "Gone But Not Forgotten"; "Bennet Park, Navin Field, Briggs Stadium, Tiger Stadium"; Players signatures include: Hall of Fame Player and announcer George Kell, Willie Horton, Kirk Gibson, Mickey Lolich, John Hiller, Willie Hernandez, John Wockenfuss, Clem Labine, Jon Warden, Randall Simon, Darryl Evans, Bill Freehan, Chet Lemon, Pat Dobson, Pat Sheridan, Fred Scherman, Wayne Comer, Dave Dombrowski [Detroit Tiger General Manager], Juan Berenguer, Damion Easley, Gates Brown, Phil Garner [Manager of last game at Tiger Stadium], Milt Wilcox, Dan Petry, Steve Sparks, Jim Price, Brandon Inge, Jason Thompson, Elroy Face, Craig Paquette, Shane Halter, Frank Tanana, Lou Whitaker, Jim Northrup, Rick Leach, Ned Garver, Sid Monge, Robert Fick with inscription: "Last Grand Slam at Tiger Stadium 9/27/99" Dennis Smith [bat boy at 68 World Series]framed and floated under glass;
Henry Moore, (SH) 'Heads, Figures and Ideas', with a comment by Geoffrey Grigson. George Rainbird, London, 1958, 1st. edn. with dust jacket. This copy is with the colour auto-lithograph (13 dancers) printed on handmade paper with MOORE'S SIGNATURE tipped-in below it; plus another illustration (6 dancers) signed in the plate. Both these two are tipped-in before the title page; also The bookplates of: Antony Grinling & Hugh Johnson pasted to front endpaper. CONDITION REPORT: Little wear to dust jacket; otherwise VG copy.
JOAN MIRO `CERAMIQUES` SIGNED LITHOGRAPHJoan Miró (SPANISH, 1893-1983) lithograph depicting an abstract scene of shapes and lines. Titled `Ceramiques` lithograph. Pencil signed lower right. Numbered LXIV/D to lower left. Mounted in gilded wood frame behind screen. Includes certificate of authenticity. Measures 19" height x 17" width + 4" mat & frame (48.2cm x 43.1cm + 10.1cm).
HAND SIGNED LITHOGRAPH OF WOMAN AFTER PICASSOHand signed lithograph depicting a seated woman after Pablo Picasso. Titled `Buste de Femme d`apres Cranach le Jeune (Bust of a Woman after Cranach the Younger)`. Circa 1962. Hand signed with red pencil to lower right. Lead pencil numbered 5/50 to lower left. Measures 11 5/8" length x 9 1/2" width + 2 7/8" mat & frame (29.5cm x 24.1cm + 7.3cm). Provenance: Galerie les Tourettes, Dr. A. Wertheimer, Paris. Includes COA from Andre H. Frey.
MARC CHAGALL (French/Russian, 1887-1985)PROPERTY OF A PALM BEACH GENTLEMAN: MARC CHAGALL (French/Russian, 1887-1985) "Les Mimosas." 1968. Signed Marc Chagall l/r. Inscribed epreuve d_artiste VII/XXV l/l. Lithograph in colors on Arches paper. Measuring 29 3/4 by 21 inches. Literature: Catalog Raisonne, Mourlot, page 544.Start Price: $4,000
Peter Kitchell, British late 20th/early 21st century- "Orca Belly I" and "Earth Swollen Feelings"; lithographs printed in colours, two, ea. signed, titled and numbered in pencil, ea. 75x114cm: Terry Duffy, British b.1966- "Lyrical Abstraction II and III"; digital prints in colours, two, ea. signed, titled, numbered and dated 2001 in pencil, 38x38cm: Jo Scott McCarthy, British late 20th/early 21st century- "No Time To Wonder"; lithograph printed in colours, signed and numbered in pencil, 35.5x44.5cm, (5), (may be subject to Droit de Suite)
Richard Davies, British b.1944- "Westminster"; lithograph with screenprinting in colours, signed, titled, numbered 68/125 and dated 1988 in pencil, with publisher`s blind stamp, 60x85cm: together with twelve other lithographs with screenprinting in colours by the same hand, each signed, titled and inscribed in pencil, most with publisher`s blind stamp, various sizes, (13) (may be subject to Droit de Suite)
Richard Davies, British b.1944- "Vivaldi"; lithograph with screenprinting in colours, signed, titled, numbered 27/80 and dated 80 in pencil, 55.5x45: together with eight further lithographs with screenprinting by the same hand, each signed, titled, and inscribed in pencil, various sizes, all in matching glazed metal frames, (9) (may be subject to Droit de Suite)
Richard Davies, British b.1944- "Astor-Miami Beach"; lithograph with screenprinting in colours, signed, titled, numbered 31/100 and dated 1985 in pencil, 103x72.5cm: together with five other lithographs with screenprinting in colours from the same suite, each signed, titled and inscribed in pencil, various sizes, all in matching glazed metal frames, (6)(may be subject to Droit de Suite)
After Francis Bacon, Irish 1909-1992- Chateau Mouton Rothschild Pauillac wine label, 1990; off-set lithograph printed in colours, signed within the plate, mounted in a glazed gilt frame, 25x17cm See: Rothschild, Mouton, Paintings for Labels, Baron Philippe de Rothschild, SA, exhibition catalogue, 1995, p.50, ill. p.51
Thomas Shotter Boys NWS, British 1803-1874- "Regent Street Looking Towards the Quadrant"; hand-coloured lithograph, 30.5x42cm: together with two other hand-coloured lithographs by Thomas Shotter Boys entitled "Hyde Park Corner" and "The Horseguards from St James`s Park", 31.5x43.5 and 26x36cm: John Harris, British 1811-1865- "Returning Home", after W J Shayer, publ May 30th 1830 by R Ackermann 96 Strand; hand-coloured aquatint, 51x37.5cm., (4)
Sir Leslie Ward, (Spy), British 1851-1922- "Alfred", Alfred Cooper, 1838-1908, for Vanity Fair, Publ. Vincent Brooks Day & Son, December 30th 1897; chroma lithograph, 32.5x18.5cm: Jan, European school, late 20th century- Bouquet: acrylic on canvas, 59x49cm: After Barbara Shaw, British b.1924- Still life of flowers- reproduction print, in a glazed gilt composition frame, 50x39cm, (3) Note: The first issue of Vanity Fair was published in London on November 7, 1868. Founded and edited by Thomas Gibson Bowles, the purpose of this weekly was to display current vanities and those responsible for them. Each issue contained a full page colour lithographic portrait of a well known sovereign, statesman or man of the day, caricatured in a uniquely good-natured manner which became famous as the `Vanity Fair Style`. Working under the pseudonyms of `Spy` (Sir Leslie Ward, born, 1851 - Died, 1922)became well known for their caricatures.
David Burton, British 1883-1945- "Leg of Mutton Pond Hampstead"; tempera on buff paper, signed and titled, 56x75cm: British School, mid-late 20th century- "Regents Park Open Air Theatre"; tempera on buff paper, titled on reverse in pencil, 38x56cm: Power, mid/late 20th century- Fortune teller; tempera on paper, signed and dated 39, 40x29.5cm: British School, early 20th century- View of pathway in Hampstead; watercolour, signed and dated 1900, 75x55cm: Dr John Horder, British 1919-2012- "Prague, River Vltava"; watercolour, signed and dated 1986, 26.5x36.5cm: Dr John Horder, British 1919-2012- "Guadalupe"; watercolour, signed and dated 1987, 27x38cm: Yves Brayer, French 1907-1990- Figures from the Camargue; lithograph printed in colours, signed and 119/195 in pencil, 50x65cm: Winston, late 20th/early 21st century- Flowers; oil on un-stretched canvas, mounted, signed, 60x50cm: Late 20th/early 21st century School- Untitled abstract composition; oil on unstretchered canvas, signed, 61x50cm., (9) (may be subject to Droit de Suite) (part unframed)
Peter Nutall, British b.1943- Untitled bird form; black and coloured chalk/crayon, signed, 34.5x32.5cm: Ken Howard, British, mid-late 20th century- Cathedral front; etching with aquatint printed in colours, signed, numbered 11/50 and dated 66 in pencil, 60x29cm: Stephen Bicknell, British 1957-2007- "St Chad`s College, Durham"; lithograph, signed, titled, numbered 48/200 and dated 1984 in pencil, 27.5x38cm., (3) (may be subject to Droit de Suite)

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