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70555 Los(e)/Seite
jacob Kramer (1892-1962) "The Philosopher" signed artist's proof within the image, also inscribed with the title of the work within the margin, black and white lithograph, 46cm by 30.5cm, unframed; together with portrait Study of a Girl numbered "26/30", black and white lithograph on tinted paper, 47cm by 37.5cm, unframed (2)
after Henry Spencer Moore O.M. (1898-1986) "Balancing Lintel" artist's signed proof, also numbered "59/60", black and white lithograph, 45.5cm by 51.5cm the work is sold together with a certificate of authentication from Christie’s Contemporary Art, together with an old type-written document on print techniques
JESSIE M. KING (ILLUS.) A BOOK OF SCOTTISH VERSE chosen by George Burnett, M.A, London, 1937, includes pieces by Sir Walter Scott, Robert Burns, James Hogg and Lady Nairne, with frontispiece by Jessie M. King; JESSIE M. KING (ILLUS.) THE LEGENDS OF FLOWERS or "'Tis Love That Makes The World Go Round", London, 1909, a translation from the Italian of Paolo Mantegazza, a collection of flower and sentimental themed tales; JESSIE M. KING (ILLUS.) EVERYMAN; A MORALITY PLAY, pub. Gowans & Gray 1921 and JESSIE M. KING 'BUDDING LIFE' a small compilation of stylised flora lithograph prints, Glasgow, 1907, with decorative frontispiece also by Jessie M. King (4)
British School mid 19th century- The Royal Procession at the opening of The Great Exhibition at Crystal Palace, 1851; hand-coloured lithograph, 48x66cm: A 19th Century Reverse Printed Picture on Glass depicting Adam and Eve, in a reverse profile veneered frame, 35.2x24cm: An early 19th century Crystoleum depicting a lady standing full-length in an interior, after Cuno von Bondenhausen, mounted in a pierced gilt composition frame, 39.5x21.5cm., (3)
Paul Gavarni 1804-1866- "Chicard"; hand-coloured lithograph, signed and dated 1830 (in reverse) within the plate, 30x20.5cm: Phillibert Louis Debucourt 1755-1832- "Remailleur de Chaise" after Carle Vernet, publ chez Bance et Aumont, rue J J Rousseau, No 10; hand-coloured aquatint, 30.7x23.8cm., (2), (unframed)
* After Henry Moore OM 1898-1986- Three reclining figures; lithograph printed in colours, on Rives BFK paper, with full margins, bears signature and dated 72, numbered 88/90 in pencil, condition poor, with creasing, handling marks, minor tears and mount staining mainly to the edges, image overall unaffected, 65x50.6cm., (unframed)
G B Black, mid 19th century- Portrait of the Duke of Wellington in profile turned to the right, publ by James Palmer, 180 Cambridge Street, Pimlico, Day & Son Lithrs to The Queen; lithograph printed in colours, 59.5x46cm: Frederick George Fraser 19th/20th century- River landscape; watercolour, signed, 24.7x45cm: together with a quantity of various 19th century framed bookplates and prints, (a lot)
After Henri de Toulouse-Lautrec 1864-1901- "Jane Avril Jardin de Paris", originally published 1893 chez Kleinmann, 8 Rue de la Victoire, printed by Chaix, 20 Rue Bergere, Paris; lithograph printed in colours, 20x14.7cm: After Anthony van Dyck 1599-1641- "Paulus du Pont Calcographus, Antwerpae"; collotype, 22.5x16cm: British School late 19th entury- ""Isola di San Georgio"; etching, inscribed and initialled in penil, 16.5x34.5cm: Meg Wright, late 20th century- "Squeak Piggie Squeak for Tea..."; pen and black ink and watercolour, signed, titled and dated 98, 24.2x24cm: Roday, late 20th century- Figures in a village street; black ink and wash, signed, 44.5x30cm: Late 20th century- "Corked"; hand-coloured etching, signed, titled and numbered 3/200 in pencil, 29.3x7cm., (6), (part unframed)
Leonor Fini 1908-1996- Portrait; lithograph printed in colours, signed and numbered 49/220 in pencil, 55x36.5cm: Elke McDonald, Peruvian late 20th century- "Perturbacion"; oil on canvas, signed and dated 83, bears submission label for The Royal Academy Summer Exhibition, 1988, 90x60.2cm: T Wood, early 20th century- River landscapes; oil on board, a pair, both signed and in matching ebonised frames, 33.3x59.7cm., ea., (4), (part unframed)
Joseph Nash 1808-1878- "The Dragoman of the Austrian Consul at Alexandria", after Sir David Wilkie, publ London 1843; hand-coloured lithograph, 38x26cm: Charles Hullmandel 1789-1850- "Cedars of lebanon"; lithograph, 31x43.5cm: Late 20th Century School- Abstract composition with calligraphy; mixed technique on paper, bears inscription attached to the revers of the frame 'The Poem by Labeed Ebno Rabeeaa', a12.4X36.5cm: together with a hand-coloured 19th century engraving of Tripoli and an over painted photograph of figures in a boat in a gilt oak frame, (5)
After David Roberts 1796-1864- "Le Jaen d'Acre April 24th 1839"; hand-coloured lithograph, signed, titled and dated within the plate, 34.5x50cm: Eugene Ciceri 1813-1890- "Pantheon d'Agrippa", after Felix Benoist, publ by Charpentier, Qai des Augustins, 55 Paris; hand-coloured lithograph, 28x36.5cm., (2)
AFTER DAVID ROBERTS - 'Petra, March 7th 1839', hand tinted lithograph, 10 1/2" x 13 1/2" and mixed other prints and engravings to include George Bickham after Canaletto, a View of the Monument erected in memory of the dreadful fire in 1666; small map of Greece; two Oxford related engravings and three Far Eastern prints, pencil signed 'MacColl' (8).
Merlyn Evans LG 1910-1973- "Porthmeor"; publ by Curwen for The Penwith Portfolio 1973, from the edition of 90; lithograph printed in colours, signed, inscribed 'Studio Proof' and dated 73 in pencil, 57.7x79cm. Provenance: with Curwen Gallery, London, according to label attached to he backboard: David Gentleman b.1930- "Little Moreton Hall"; lithograph printed in colours, signed, titled and numbered 15/70 in pencil, 41.5x53cm., (2) (may be subject to Droit de Suite)
After Francis Bacon 1909-1992- "Portrait N 106"; lithograph printed in colours, on wove with full margins, bears pencil inscription on the reverse, 57.8x40cm: together with two other colour lithographs after the same hand titled "George Dyer" and "Henrietta Moraes", on wove with full margins, both bearing inscriptions on the reverse, 55x38 and 50x38.5cm, (3), (unframed), (rolled)
Henry Moore OM 1898-1986- Six reclining figures; lithograph, on Arches, signed and dated 63, numbered 43/50 in pencil, with full margins, 51x65.5cm: together with one other lithograph by the same hand depicting three reclining figures, printed in colours, on BFK Rives, signed and dated 72, numbered 74/90 in pencil, with full margins, 65x50cm., (2) (unframed)
Keith Milow b.1945- "Recollection"; lithograph in colours, signed, titled, numbered 27/75 and dated 72 in pencil, 46.5x46.5cm: George Apostoli, late 20th century- Untitled; hand-coloured aquatint, bears Young Contemporaries label attached to the reverse, 32.5x20cm: Harcourt, late 20th century- Tudor building; lithograph in colours, signed, numbered 5/10 and dated Dec '70 in pencil, 36.5x54cm: Harcourt, late 20th century- Stage design; lithograph printed in colours, signed, numbered 9/15 and dated 71, 48.7x49.5cm: Paul Harbutt, late 20th century- Untitled; etchings, a suite of three, each signed, inscribed "Artist's Print" and numbered 1/1 in pencil, 27x48.7cm., ea., (7) (may be subject to Droit de Suite)
David Inshaw b.1943- "Julie Christie"; screenrpint in black and orange on canvas, 34.5x59cm: Nigel Lambourne RE 1919-1988- Portrait of Rusty M, Panton St W1; lithograph, signed with monogram, titled and dated 1947 within the plate, 21x19.5cm., (2), (part unframed) (may be subject to Droit de Suite)
Keith Milow b.1945- Untitled, Interior; lithograph, signed, numbered 34/785 and dated 69 in blue pen, 68x101cm: together with five other prints from the same suite, all similarly signed, numbered and dated, some in different colour pen, some signatures fugitive and faded, in matching metal frames, 68x19cm., ea., (6) (may be subject to Droit de Suite)
Richard John Hass, American b.1936- "Donald Judd's Building II"; etching, signed, titled and inscribed 'AP' in pencil, 39.5x47cm: Simo Hannula, Finnish b.1932- "Boundless"; etching, signed and dated 1967 within the plate, signed, titled, numbered 32/100, inscribed and dated 1967, 18.7x16.3cm: Mordecai Moreh, Israeli b.1937- "A Goat, Paris"; etching, signed and dated 1966 within the plate, signed, titled, numbered 187/210 and dated 1966 in pencil, 26x35.5cm: After Eric Gill 1882-1940- Eve; lithograph, 10.5x7cm., (4)
Josef Herman RA 1911-2000- Two figures with a donkey by the setting sun; lithograph printed in colours, signed and numbered 97/100 in pencil, 49x62cm: together with one other similar lithograph printed in colours by the same hand depicting a figure with a horse and cart, signed and numbered 58/100 in pencil, 49x62cm., (2)
Peter Blake RA b.1932- "About Collage: Tourist Attraction"; lithograph printed in colours, signed and numbered 6/60 in pencil, full margins, with blind stamps, 51.3x42.2cm: Patrick Procktor RA 1936-2003- Still life; aquatint printed in colours, signed and numbered 26/100 in pencil, full margins, 65x50cm.,(2), (unframed) (may be subject to Droit de Suite)

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70555 Los(e)/Seite