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70553 Los(e)/Seite
Los 59
Bracebridge Panoramic Sketch of Athens large folding lithographed panorama 265 x 2710mm "sketched from Nature and on Zinc by Mrs. Bracebridge" 2 splits at fold (currently in 3 separate sections) a little light spotting loose in original cloth text vol. upper cover gilt rubbed and lighty soiled [Blackmer 193; Abbey Life 545] 4to W.H.Dalton 1839. ***Scarce. It was originally published in 1836 in aid of the fund for building the Anglican Church (now St.Paul`s) in Athens this edition in fact comprises an entirely new lithograph from a drawing made from a different position near the church of St.Demetrius the Bombardier..
Los 231
Whittock. Art of Drawing and Colouring from Nature first edition 24 lithograph plates in 2 states one hand-coloured the other plain contemporary half calf rubbed [Not in Abbey which lists the companion vol. Birds Beasts Fishes & Insects as Abbey Life 189] 4to 1829. ***"Whittock was one of the first to publish lithograph illustrations systematically coloured by hand." Abbey..
Los 482
Sir Peter Markham Scott, CH (British, 1909-1989), Portrait of HRH The Princess Margaret, Countess of Snowdon (1930-2002), pencil on plasticowell, 29 x 23cm (11.31 x 8.97in). Literature: Portrait Drawings by Sir Peter Scott, published by Country Life in 1949, (illustrated). Plasticowell film was the invention of the printer W S Cowell. These transparent plastic sheets were born out of necessity, to make up for metal shortages after the Second World War, but they were seized upon by a generation of British artists, including Henry Moore and John Piper, because of their flexibility and practicality. As the sheets were transparent, the artist, who drew each colour on a separate sheet, could easily get the colour registration exactly as they wanted. When the drawings were transferred from the plasticowell to specially-prepared zinc plates for printing, the artist could also work the right way round, rather than back to front as when drawing a lithograph directly onto zinc or stone
Los 2
JOHN SPEED (1542-1629) `Herefordshire Described` engraved map. coloured, with some discolouration creasing and rubbing at plate edges Pl. 15 x 20in (38.2 x 50.8cm) ; an engraving of Ludlow Castle after W. Gwynn, published 1807) ; two coloured lithographs by L. Haghe depicting` Hereford from Broomy Hill`,and View from Putson (both published by W.H.Vale,Hereford, 1825) and a coloured lithograph by Newman & Co. London (4)
Los 779
Ceri Geraldus Richards 1903-1971- "Violin d`Ingres"; screenprint in colours, signed, titled numbered 41/60 and dated 70 in pencil, 55x76cm: Josef Herman RA 1911-2000- Three farm workers and a donkey; lithograph printed in colours, signed and numbered 62/70 in pencil, 59x76.5cm: together with one other lithograph by the same hand of a single crouching figure, signed and numbered 26/70 in pencil, 59x76.5cm: Harold Cohen b.1928- "Richard H"; screenprint in silver, signed, titled, numbered 2/50 and dated 1967, 68.7x77cm: together with eleven further screenprints by Harold Cohen, all signed, numbered and dated in pencil: "First Folio F", 36/50 signed and dated 1965; "First Folio G", 36/50, signed and dated 1965; "First Folio C2, 27/50, signed and dated 1965; "#5", 5/70, signed and dated 1967; "#3", 14/70, signed and dated 1967; "#3", 35/70, signed and dated 1967` "#4", 1/70, signed and dated 1967; "#4", 14/70, signed and dated 1967; "#1", 10/70, signed and dated 1967; #2", 13/70, signed and dated 1967; 2#3", 13/70, signed and dated 1967, 68x68cm., (15) (may be subject to Droit de Suite)
Los 887
Edward Calvert 1799-1883- "The Lady with the Rooks" 1829 , wood engraving; 3rd state, possibly from the portfolio `The Early Engravings of Edward Calvert`, published by the Carfax Gallery, London, 1904, 5x8.5cm: "The Flood"; c.1829, lithograph, published by Edward Calvert, 4.5x8.5cm, (2) (shared mount) Note: Of all Calvert`s prints, the atmosphere of "The Lady with the Rooks" comes closest to the literary taste for romanticised medieval imagery. the diamond windows within the ancient tower, the damsel and the sombre mood illustrated by the black rooks silhouetted against the fading light were all ideals of the gothic novels.
Los 1
Ingeborg Surgensen Hiscox (Canadian, b.Schleswig Germany 1938) YOUNG WOMAN STANDING signed in pencil, dated 1967 and numbered 3 from an edition limited to 6 etching and aquatint 24.6 x 19.2cms; 9 3/4 x 7 5/8in.; and AN ABSTRACT COMPOSITION signed on the plate. lithograph in black on buff coloured paper. (2)
Los 13
Ken Sprague (1927-2004) PETERLOO GIRL signed, inscribed and dated `69; inscribed on a label verso colour lithograph, 68 x 99cms; 26 3/4 x 39in. PROVENANCE: Purchased at an exhibition of prints by Ken Sprague at the Peterloo Gallery, Manchester, August 1969 commemorating the sesquicentenary of the Peterloo Massacre, August 1819. This lot includes an original poster for that exhibition.
Los 264
COCTEAU, Jean (1889-1963). Picasso de 1916 à 1961. Monaco: Éditions du Rocher, 1962. 2° (374 x 275mm). Half-title, printed reproduction title handwritten by Cocteau and Picasso, text in French, signed by the artist and author in pencil on the colophon. 23 lithographs by Picasso, 8 of which full-page and 2 double-page. (Very faint minimal spotting to 2 text leaves.) Original green and grey printed wrappers, upper cover with a lithograph by Picasso complete with a cut-out profile revealing the title, the whole enclosed in a black leather-backed portfolio, lettered in gilt to spine, with slipcase (extremities lightly rubbed). FINE COPY OF THIS LIMITED EDITION, number 80 of the 199 copies printed on Rives rag paper. 'On the occasion of Picasso's 80th birthday, Pierre Bertrand, who was Cocteau's publisher, assembled eleven of the poet's texts which reflected his friendship for Picasso. The latter illustrated these texts with 24 lithographs, some which are drawn in a Cocteau-esque style' (Cramer). Bloch 1037-60; Cramer 117. View on Christie's.com
Los 596
A hand tinted lithograph of Vice Admiral Dundas, GCB, published “1st June 1854 by Mr Skilton, Portrait engraver and lithographer, 11 Carlton Terrace, Harrow Road, from a Daguerrotype by Mr Kilburn”, in its moulded gilt frame 19½” x 17½”, GC (minor damage), with printed details of Admiral Dundas’s career.
Los 713
A signed etching of children playing on a round-a-bout, signed Soper, various prints of the Lake District, Salisbury etc, a pencil sketch painted by Aldersley, a Moorland Scene oil on canvas initialled C H, a watercolour signed M Reddoch Smith of Alfriston in Sussex, various photographic prints, a lithograph titled Maiden`s Prayer, a photograph of Manchester Dental School "Final Student`s Year - 1920-21", a school photograph, an oil painting signed by Sarah Greenhaulsh of the East Cornwall Society of artists etc
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70553 Los(e)/Seite