70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Abington Abbey Retreat, near, Northampton, (South Front) For Mental Invalids, an early Victorian lithograph published by Martin & Hood, Gt. Newport Street, London, ‘Conducted by Thomas Richard M.D. formerly Medical Superintendent of the Glasgow Royal Asylum’, with printed testimonial from Dr. Brown, Royal Crichton Institution, Dumfries, August 1845, outlining the benefits and terms of residence, laid down to backboard of original maple frameThe aperture is 17.4cm x 19.2cmFramed is 26.4cm x 28.4cm

Literature, various. [MANNERS (John Henry, Duke of Rutland)] A Tour Through Part of Belgium and the Rhenish Provinces, 1822, 4to, 13 lithograph plates as called for, upper board detached; HUTCHINSON (W) The History of the County of Cumberland, 2 vols., 1794, small 4to, plates present as per plate list at rear of vol. 2, some occasional staining, half calf; RICHARDSON & EBERLEIN. The Smaller English House of the Later Renaissance 1660-1830, Batsford 1925, small 4to, cloth; others, including bindings, children's stories, Eton College related, etc (condition varies)

Elisabeth Kopec 95. 1960 - . No. 1/20. Nude woman with vacuum cleaner. Femme de ménage. Lithograph on paper. Dimensions: H 88 x W 57 cm. In good condition.

Ton Schulten, Ootmarsum. 1938 - . Twents coulissen landscape. Lithograph on paper. Dimensions: H 55 x W 70 cm. In good condition.

Signed Chinese lithograph. Youth with water buffalos on country road. Lithograph on paper. Dimensions: H 39.5 x W 59 cm. In good condition.

Corneille, 1998. 1922 - 2010. No. 31/32. Texoprint. Woman with cat and sunflower. Lithograph on textile. Dimensions: H 90 x W 125 cm. In good condition.

Guilliaume Corneille, 1960. 1922 - 2010. Artist's impression. Abstract composition. Jeux A'íté. Lithograph on paper. Dimensions: H 70 x W 55 cm. In good condition.

Jean-Michel Basquiat. 1960 - 1988. Lithograph. No. 10/199. Broken we are broken. Lithograph on paper. Dimensions: H 75 x W 56 cm. In good condition.

Wilm Wouters. 1887 - 1957. Fisherwoman at window. Lithograph on paper. Dimensions: H 34 x W 27 cm. In good condition.

Pierre Alechinsky (1927): 'Le genou dans la grande robe', lithograph in colours, ed. 32/60, dated 1981Work: 160 x 118 cm Frame: 181,5 x 140 cm

Bram Bogart (1921-2012): Untitled, lithograph in colours, ed. 76/100, dated (19)74Work: ca. 70 x 50 cm Frame: 92 x 72 cm

Karel Appel (1921-2006): 'Tantrika', lithograph in colours, [1985]Work: ca. 77 x 57 cm Frame: 96 x 75,5 cm

Rene Magritte (1898-1967, after): 'L'Empire des Lumieres', lithograph in colours, ed. 129/275, dated 2012Work: 52 x 35,5 cmPaper: ca. 59 x 43 cmFrame: 91 x 61 cmThe lithograph based on the series of paintings 'L'Empire des Lumieres' by Rene Magritte and edited by Philippe Moreno, with the authorisation and under control of the ADAGP, representing 'La Succession Magritte' (see also the blind stamps in the left and right bottom corner).

Karel Appel (1921-2006): Composition, lithograph in colours, ed. 43/50, dated (19)58Work: ca. 74,5 x 55 cm Frame: 90,5 x 72,5 cm

Félix Labisse (1905-1982): 'Amazone', ed. E.A. 11/30, lithograph in coloursWork: ca. 64,5 x 42 cmPaper: ca. 70 x 46 cmFrame: 83 x 58 cm

René Magritte (1898-1967, after): 'La magie noire', lithography in colours, ed. 153/275Work: 51 x 38 cmPaper: ca. 59 x 45 cmFrame: 71 x 51 cmThe lithograph based on the painting 'La magie noire' by Rene Magritte and edited by Philippe Moreno, with the autorisation and under control of the ADAGP, representing 'La Succession Magritte' (see also the stamps in the left and right bottom corner).

René Magritte (1898-1967, after): 'La Décalcomanie', lithography in colours, ed. 192/275, dated 2010Work: 47 x 38 cmPaper: ca. 55 x 45 cmFrame: 81 x 61 cmThe lithograph based on the painting 'La Decalcomanie' by Rene Magritte and edited by Philippe Moreno, with the autorisation and under control of the ADAGP, representing 'La Succession Magritte' (see also the stamps in the left and right bottom corner).

Rene Magritte (1898-1967, after): 'Golconde', lithograph in colours, ed. 153/275, dated 2011Work: 47 x 37,5 cmPaper: ca. 54,5 x 45 cmFrame: 91 x 61 cmThe lithograph based on the painting 'Golconde' by Rene Magritte and edited by Philippe Moreno, with the authorisation and under control of the ADAGP, representing 'La Succession Magritte' (see also the blind stamps in the left and right bottom corner).

Jef Van Tuerenhout (1926-2006): 'Blauwe maskers' (Blue masks), lithograph in colours, ed. 65/150Work: 77 x 54 cm Paper: 85 x 59 cm Frame: 107,5 x 81,5 cm A dry stamp in the right bottom corner.

Jef Van Tuerenhout (1926-2006): 'L'idole', lithograph in colours, ed. 65/150Work: 76 x 53,5 cm Paper: ca. 85 x 60 cm Frame: 107,5 x 81,5 cm

Chu Teh-Chun (1920-2014): Untitled, lithograph in colours, ed. 6/90, dated (19)89Work: 66,5 x 50,5 cm Frame: 95 x 75 cm

This amazing artwork honors the legacy of the New York Giants in their victorious 1986-1987 season. This framed lithograph is facsimile signed by the team and hand signed by Ottis Anderson. Certificate of Authenticity included. Artist: Anthony PetruccelloIssued: 1996Dimensions: 36.25"L x 0.25"W x 24.25"HEdition Number: 196 of 1000Condition: Age related wear.

James C Kirkpatrick: a screen print of a nude and a Dutch lithograph of Kasteel "Ovo Poelgeest" in Oegstgeest, in strip frames

Valentine Garland lithograph of dogs by a stream 25 x 32cms; a hand tinted lithograph from Cries of London, of a woman selling vegetables with her donkey 11 x 18cms; after Myles Birkett Foster, Cullercoats, late 19th Century print, 20 x 25cms; together with six other prints, to include: a hand-tinted engraving of children by a pond; a lithograph of British soldiers after J. Hoynck; a hand-coloured print of "Tunbridge Wells"; two other prints of scenes of Northumberland; and an engraving "The Examination of Shakespeare", after George Harvey, engraved by Robert Graves.

After A. CooperWellington at Waterloo, a hand-tinted lithograph,printed by Hodgson and Graves, in rosewood frame, 42.5 x 55cms.

Cooper (Thomas Sidney). Thomas Sidney Cooper's Cattle Subjects, London, circa 1840, without title-page (title taken from upper board), 30 lithograph plates of cattle in rural settings, plate 5 is misnumbered '6', closed tear to margin of plate 7 and 30, occasional minor spotting, bookplate to upper pastedown of John King & Co. Limited, Lithographers, Engravers & General Printers, 63 Queen St., Cannon St., London, all edges gilt, publisher's half morocco with title to upper board, lacking spine, worn, oblong folio (33.5 x 52 cm), together with:Cotman (John Sell). A Series of Etchings illustrative of the Architectural Antiquities of Norfolk..., London: Longman and Co., Lackinton and Co., Colnaghi and Co., [et al.], 1818, 59 etched plates only of 60, edges untrimmed, original printed boards, boards damp-stained, lacking spine and upper board detached, worn, folio (50.5 x 35.5 cm)QTY: (2)

Willoughby (John). East Africa and its Big Game. The Narrative of a Sporting Trip from Zanzibar to the Borders of the Masai, London: Longmans, Green, and Co., 1889, lithograph plates and folding map (with adhesive tape repairs to folds), ink stamp to half-title and lower margin of title, modern cloth, 8vo, plus another copy of the same work with map detached, damp-staining and cockling throughout, leaves sprung, original cloth gilt, damp-mottled and rubbed, 8vo, Höhnel (Ludwig von). Discovery of Lakes Rudolf and Stefanie. A Narrative of Count Samuel Teleki's Exploring & Hunting Expedition in Eastern Equatorial Africa in 1887 & 1888, 2 volumes, London: Longmans, green, and Co., 1894, wood-engraved plates and illustrations, lacking maps, scattered spotting, original cloth gilt, rubbed, 8vo, Calmeyn (Maurice). Au Congo Belgie. Chasses a l'Elephant less Indigenes l'Administration, Brussells: En Vente chez less Principaux Libraires, 1912, photogravure portrait frontispiece, monochrome illustrations, original printed wrappers, covers detached and lacking spine, 8vo, Gibbons (Alfred St. Hill). Exploration and Hunting in Central Africa 1895-96, London: Methuen & Co., 1898, monochrome portrait frontispiece and plates, lacking map, bookplate of H. F. Salt to front pastedown, original cloth gilt, covers marked and rubbed, 8vo, plus other elephant related, big game hunting and Africa exploration related etc., including some defective QTY: (2 cartons)

[Le Vaillant, Francois]. Travels into the Interior Parts of Africa, by the Cape of Good Hope; in the years 1780, 81, 82, 83, 84 and 85, 2 volumes, early English edition, Perth: R. Morison Junior for R. Morison and Son, 1791, 2 folding frontispieces, 7 engraved plates, a few light spots, bookplates of Sheffield Airey Neave (1879-1961, British entomologist and naturalist), contemporary sprinkled calf, spines a little rubbed with light stains, 12mo, together with Methuen (Henry H.) Life in the Wilderness; or Wanderings in South Africa, 1st edition, London: Richard Bentley, 1846, tinted lithograph frontispiece, 2 lithograph plates at rear, some toning and spotting to plates, bookplate of Sheffield Airey Neave, front hinge broken, contemporary half calf gilt, joints and edges rubbed, 8vo, plus Ward (Herbert). Five Years with the Congo Cannibals, 1st edition, London: Chatto & Windus, 1890, half-title, portrait frontispiece, wood-engravings, some light spotting, bookplate of Sheffield Airey Neave, hinges reinforced, top edge gilt, contemporary half morocco, some damp stains to cloth covers, small 4to, with others including Francois Le Vaillant's New Travels into the Interior Parts of Africa, 1796, volumes I & II only, (of 3) QTY: (8)NOTE:First work Mendelssohn I, pp. 889-90 for the first English edition of 1790.

Eglinton. An Account of the Tournament at Eglinton, revised and corrected by Several of the Knights; Illustrated by Representations of the Various Scenes, from Sketches taken on the Spot, by Mr. W. Gordon; with a Biographical Notice of the Eglinton Family; to which is prefixed A Sketch of Chivalry, and of the most Remarkable Scottish Tournaments, by James Aikman, Esq., Edinburgh: Hugh Paton, Carver and Gilder, 1839, lithograph frontispiece and four double-page hand-coloured lithograph plates, reinserted on stub, some spotting, biopredation to edge of lower margins, original brown cloth boards, upper cover gilt-titled within shield frame, boards with some marks, slim 4toQTY: (1)NOTE:Abbey, Life 388.This work describes the famous tournament at Eglinton Castle, in August 1839, given by the 13th Earl of Eglinton, and presided over by Lady Seymour as the Queen of Beauty. This entertainment is said to have cost £40,000 and to have made the Earl the most popular nobleman in Scotland.

* Wilkinson (Norman). North Wales for Holidays, The Pass of Aberglaslyn (L.M.S. Railway Travel Poster), circa 1930, lithograph, printed by John Horn Limited, image portion only, 101.5 cm x 63.5 cm, framed and glazedQTY: (1)

Ward (Rowland, publisher). Great and Small Game of Africa. An account of the distribution, habits, and natural history of the sporting mammals, with personal hunting experiences, edited by H. A. Bryden, London: Rowland Ward, 1899, 15 hand-coloured lithograph plates (occasional light spotting), illustrations, circular armorial bookplate of John W. Walker (1900-1964, numismatist, Keeper of the Department of Coins and Medals at the British Museum, 1952-64), original green cloth gilt, small scuff to upper cover, joints and edges slightly rubbed, 4toQTY: (1)NOTE:Limited edition 453/500, signed by the publisher. Czech Africa p. 41 'A sumptuous Victorian-era work that details scientific knowledge of African big game and is highlighted by numerous hunting adventures from its host of contributors.'

Miles (Henry Downes). English Country Life; a valuable work of reference for the Gentleman, the Sportsman, the Farmer, the members of the Volunteer Rifle Corps, and every one interested in rural pursuits and recreations, publisher's specimen copy, London: Henry Lea, c.1870, pictorial colour title (close-trimmed at foot, affecting imprint), 16 (of 50) lithograph plates, of which 9 are hand-coloured, all edges gilt, limp morocco with blind decoration to wrappers, rubbed and worn, 4to, together with The Artist's Repository and Drawing Magazine, exhibiting Principles of the Polite Arts in their various Branches, volume I & II, [1784-86], engraved frontispiece to volume I, engraved vignettes to title-pages of each volume, engraved aquatints and hand-coloured plates, including many folding, one plate with closed tear and frayed edge (volume I), Sir Windham Dalling Bartbook plate to each front pastedown, contemporary speckled calf, rubbed and worn, spine rubbed with some loss, 8vo, with some other ephemera and books including: Shaftesbury Theatre programmes, Victorian scrapbook, Power and Paper (Rothes Paper Mill photographic book), Love's Progress or The Education of Araminta by James Laver, 1929, etc.QTY: (1 carton)

Pollok (Fitzwilliam Thomas). Fifty Years' Reminiscences of India, a retrospect of travel, adventure and shikar, 1st edition, London: Edward Arnold, 1896, frontispiece, publisher's file copy (with stamp to half-title), publisher's advertisements at rear, many gatherings uncut, original pictorial blue cloth gilt, 'File Copy' sticker at foot of upper cover, 8vo, together with:Griffin (Lepel). Ranjit Singh, Rulers of India, 1st edition, Oxford: Clarendon Press, 1892, folding map frontispiece, bookplate of Caroli. E. Doble to front pastedown, preliminary leaves lightly spotted, small portion of paper pasted to gutter of front free endpaper, original blue cloth gilt, 8vo, plusWakefield (William). The Happy Valley: Sketches of Kashmir & the Kashmiris, 1st edition, London: Sampson Low, Marston, Searle, & Rivington, 1879, 8 tinted lithograph plates (including frontispiece), folding map, errata slip, a few small damp-stains to blank margins of plates, original grey cloth gilt, spine faded, rubbed, 8vo, with Stephen (James Fitzjames). The Story of Nuncomar and the Impeachment of Sir Elijah Impey, 2 volumes, 1st edition, London: Macmillan and Co, 1885, original blue cloth gilt, 8vo, with 19 others, including W. Crooke's The Popular Religion and Folk-Lore of Northern India (2 volumes, 1896), Martin Gubbins' An Account of the Mutinies in Oudh (1858) and John Wood's A Journey to the Source of the River Oxus (1872)QTY: (24)

Zoological Society of London. Transactions, volume 19, London: Printed for the Society, 1909-10, 2 monochrome plates and 24 chromolithograph plates, contemporary cloth, neatly rebacked, large 4to, together with:Brandt (Johann Friedrich). Versuch einer Monographie der Tichorhinen Nashörner, nebst Bemerkungen über Rhinoceros Leptorhinus Cuv. u. s. w., Memoires de l'Academie Imperiale des Sciences see St. Petersbourg, Viie Serie, tome XXIV, No. 4, St. Petersbourg: Commissionaires de l'Academie Imperiale des Sciences, 1877, 11 lithograph plates, sewing broken, some toning, original printed wrappers, torn to edges, 4to,Lankester (E. Ray). Monograph of the Okapi, Atlas plate volume, London: British Museum, 1910, 48 plates (2 chromolithograph and 46 monochrome), library ink stamp to title and plates, library presentation bookplate, contemporary cloth, paper label to upper board, joints split and worn at head and foot of spine, slim 4toQTY: (3)NOTE:The entire volume 19 of the Transactions of the Zoological Society of London relates to the expedition to the Ruwenzori Mountains in what was at the time the British-controlled Uganda Protectorate.

Aragon. D'Anville (Jean Baptiste B.), Carte du Royaume d'Aragon... Theatre de la Guerre d'Espagne, Paris, 1719, uncoloured engraved folding map secionalised and laid on linen, single hand coloured line tracing route to right lower corner of printed area, printed ownership stamp of Baron Reille to verso under publisher's label, small damp stains to a few areas, some areas of linen worn with loss, total 890 x 790 mm, together with:Spain & Portugal. Wyld (James, publisher), Spain & Portugal, Reduced from the large map in four sheets, London, 1840 circa, engraved folding map with contemporary hand colouring, secionalised and laid on linen, contained within publisher's slipcase, 570 x 820 mmPortugal. Laurie & Whittle, The Kingdom of Portugal and Algarve from Zannoni's Map..., London, 1794, engraved folding map with contemporary hand colouring, secionalised and laid on linen, bookplate of S. Fraser to verso, 600 x 430 mm, contained within a contemporary marbled slipcaseBalkan Peninsula. Levrault (F. G.), Carte de la Turquie d'Europe (Partie Septentionale) [&] (Partie Méridonale), présentant d'après les meilleures cartes et les documents les plus recens, cete partie de l'Empire Ottoman depuis Constantinople jusqu'aux frontières des Empires d'Austriche et de Russie, Strasbourg & Paris,1828, engraved folding map with contemporary hand colouring, sectionalised and laid on linen, 1020 x 900 mm, contained within contemporary slipcase with Comte de Robersart ownerhsip label plus Planche (M. D. de la), Pilote de le Mer Noire traduit du Russe pr M. H. de la Planche, Captaine de Frégate, Cote d'Europe, publie sous le Ministere..., Paris: Imprimerie Adolphe Laine, 1869, 29 lithograph charts (19 folding), publisher's original printed boards, tall 8vo (290 x 120 mm) and 3 other folding maps, various sizes and condition QTY: (8)NOTE:Provenance: Honoré Charles Michel Joseph Reille, Marshal of France, 1775-1860 (for the first item).Reille was an extremely important figure in Napoleon Bonaparte's army. He was Commander of the Army of Portugal at Vitoria during the Peninsula War and commanded the II Corp at Waterloo. He was later made a Maréchal of France and is buried in Père Lachaise cemetery in Paris in the tomb of his father-in-law, Maréchal Masséna.

Herdman (William Gawin). Pictorial relics of Ancient Liverpool, 2 volumes, Liverpool: Brown, Barnes & Bell, 1878, titles in red and black, photogravure plates, all edges gilt, publisher's dark green half morocco, gilt-blocked title and armorials to upper boards, extremities slightly rubbed, folio, together with:Otley (Jonathan). A concise description of the English Lakes, and adjacent Mountains, with general directions to Tourists; and observations on the Mineralogy and Geology of the District..., 2nd edition, Keswick: published by the Author. By John Richardson and Arthur Foster, 1825, folding engraved map, some spotting and browning to text, endpapers renewed, contemporary calf, rebacked preserving original gilt decorated spine, 12mo,Tilt (Charles, publisher). A Collection of Twenty-four Caricatures, which have appeared in Paris, since the late revolution; with an introduction, and explanatory remarks annexed to each plate, London: Charles Tilt, 1831, 24 engraved plates, original pictorial front wrapper bound in, some spotting throughout volume, near contemporary half calf, extremities rubbed, oblong 12mo,Trevelyan (George Otto). Cawnpore, London and Cambridge: Macmillan and Co., 1865, colour lithograph frontispiece and folding map, contemporary red half morocco, 8vo, plus other 18th and 19th-century leather-bound volumesQTY: (a carton)

Australia. Wyld (James). Map of Australia, Compiled from the Nautical Surveys, Made by Order of the Admiralty, and other Authentic Documents, London: James Wyld, circa 1855, engraved map with contemporary hand colouring, sectionalised and laid on linen, areas of offsetting, some loss to linen, edged in green silk with areas of loss, 560 x 820 mm, publisher's title label to verso, together with: Arrowsmith (Aaron). Australia. Map published for the House of Commons, London: 1830, lithograph map with contemporary hand colouring, trimmed to lower margin, repairs to old folds, 430 x 470 mm, plus Arrowsmith (John). Sketch of South Eastern Australia shewing The River Murray and its Southern Branches, circa 1853, lithographic map with contemporary hand colouring, repaired splits, toning to old folds, 300 x 480 mm QTY: (3)

* De Dreaux (Alfred, after). Black Knight, Paris, London & La Haye: Goupil et Cie, 1st April 1862, uncoloured lithograph by Durand, additional title above image "Chevaux de Selle et D'Attelage", 665 x 515 mm, mounted, framed and glazed QTY: (1)

Agassiz (Louis). Etudes sur les Glaciers, 2 volumes (octavo text and folio atlas), 1st edition, Neuchatel & Solothurn: Jent et Gassmann, 1840, text volume with errata leaf at rear, bound without half-title, some occasional spotting, mainly marginal, contemporary half calf, edges a little rubbed and scuffed, 8vo; atlas with original upper wrapper (with manuscript shelf number) and 18 lithograph plates of glaciers, 14 printed outline key plates as issued, first key plate with long tear and tape repair to verso, a few plates and key plates with Clifton Hall Association, Mercantile Library, New York oval ink stamps to corners, a few mainly marginal water stains, contemporary boards, calf reback, a little rubbed with some edge wear, atlas, 49.1 x 34.1 cm QTY: (2)NOTE:Provenance: Gawdy Hall Library (label at front of text volume); Clifton Hall, Mercantile Library, New York (ink stamps in atlas).Norman 17; PMM 309. "Agassiz was not the first to observe the phenomena of glaciation, but he was innovative in the wide-ranging character of his research, his measurements of ice formations, and his elaboration of local geology into a theory explaining Continental natural history" (D. S. B.). His concept of an "Ice Age" during which glaciers advanced and retreated over a large part of the northern land-mass not only accounted for the area's topography and rock distribution, but gave naturalists such as Darwin and Lyell a means of explaining the geographical distribution and subsequent genetic kinship of species now separated by land or water barriers." (Norman).

Sir William Russell Flint (1880-1969): artist signed colour lithograph, 87 x 62 cm. Not available for in-house P&P

Sir William Russell Flint (1880-1969): artist signed colour lithograph, 84 x 71 cm. Not available for in-house P&P

Sir William Russell Flint (1880-1969): large limited edition framed colour lithograph, Variations, 96 x 83 cm. Not available for in-house P&P

[Fashion] Collection of Victorian, Edwardian and later colour fashion plates from Le Costume Royal, Le Bon Ton by S.T. Taylor, Godey’s Fashions and Toilettes Publishing Co., pages from L’Art De La Mode, Illustration of British Juvenile Costume (summer 1883). Large colour lithograph by Heppenheimer & Maurer for E. Butterick & Co’s Report of Fashions 1879 together with several related adverts and catalogues including May Manton’s Bazzar Glove-Fitting Patterns for 1908 etc

Helen Bradley (British, 1900-1979), 'Friday Afternoon at the Co-op In The Year 1912', framed colour lithograph, together with two prints after Kevin Platt and another.

3 graphic works: Shinkicki Tajïri, (1923-2009) My secret garden n°2, 1975 102/190. Hugo Duchateau (1938) Untitled, 1971 lithograph 163/225. Anton Buytendijk (1913-2002) dry needle etches 102/190. | Tajïri: 71.5 x 51.5 cm.Duchateau: 60 x 60 cm.Buytendijk: 64 x 44 cm.

Jean Hugo (1894-1984), Character in landscape, lithograph 95/300. | 46 x 40 cm.

Antonio Saura (1930-1998) Untitled, lithograph 102/190. | 70 x 50 cm. | Condition: not framed

Jozef Mees (1898-1987) Untitled, 1975. Lithograph. 98/200. | 67.5 x 47 cm.

Etienne Elias (1936-2007) Eclipse. Lithograph 112/190. | 72,5 x 55 cm

8 graphic works. Pol Mara, silkscreen 49/125, André Lambotte, lithograph 27/40 , Jon Marten, lithograph 102/190, Jules Lismonde, etching 13/35, Yvan Theys Idyll 1973, etching 17/60 and 3 illegibly signed works. | Pol Mara: 76 x 55 cm.André Lambotte: 78 x 48 cm.Jon Marten: 65 x 50 cm.Jules Lismonde: 55 x 39 cm.Yvan Theys: 30 x 24 cm. | Condition: not framed.

Bengt Lindström (1925-2008) lithograph 121/150. | 75,5 x 56,5 cm.

Joseph Willaert (1936-2014) Lithograph, 1971 House through the window. Ed. 28/100. | 72 x 54 cm.

Roger Raveel (1921-2013)(*) A curvature in the time. Color lithograph 79/200. | 69 x 49 cm.

Ger Lataster (1920-2012) Lithograph, untitled 112/190. | 73 x 53 cm.

Andy Warhol,Self portrait, 1967,offset lithograph print, stamped "Authorised by the Andy Warhol Foundation for the Visual Arts",image 64x64cm.

After Lieutenant Clifford Henry Mecham (British, 1831 - 1865) 'No. 14 Interior of the Residency Billiard Room' From the Siege of Lucknow, hand-coloured lithographic print, 33.5cm x 25cm, later framed and glazed, also a lithograph, 'Kissing' after Lance Thackeray (1870 - 1916) depicting a billiard match, 29.5cm x 41cm, framed and glazed, and a chromolithograph of a billiards match after Stanley Lock, 30.5cm x 40.5cm, framed and glazed.  (3)

Old Master and Later Pictures and Prints. Robert Williams (fl. 1680-1704) after Michael Dahl (?1659-1743) - The Right Hon:ble Sir George Rooke Vice-Admiral of England [...], portrait, [London]: Sold by John Smith [...], 1704, mezzotint, 37.6 x 29cm, 19th c collector's manuscript note to verso: First state of 3 [...], A. Burgess, 20th c - Mulbarton Churchyard, Norfolk, signed and titled, watercolour and pen-and-ink, 17.3 x 25cm, Modern British School, early 20th c - Ruined Abbey, monogrammed W and dated 1925 within the plate, etching, 18 x 23.9cm, mounted, Salisbury Cathedral after Thomas Hearne, hand-coloured engraving, further antiquarian, ecclesiastical and macabre memento mori prints, including Swinbrook Church chancel tombs, a proof lithograph of Arundel Church, Sussex, Ackermann aquatint of East Side of the Chapel of St. Paul at Westminster Abbey, Common Seal of St. Editha's Church, Tamworth: Published by J. Thompson, 1845, nine proof wood-engravings on India paper by Orlando Jewitt, etching of Glastonbury Abbey monastic ruins, lithograph of the memorial brass to Sir Roger le Strange at Hunstanton Church, Norfolk, a later printing of Farnese Hercules after Hendrick Goltzius, etc., mixed sizes As lot in mixed, but generally good condition.

John Lennon (1940-1980)Bag One, circa 1978Lithograph, AP from the limited edition.Printed signature to lower right hand corner.Mounted and in plastic film.John Lennon studied art at the Liverpool Art Institute from 1957-60. In interviews John described art as his first love. In 1970 exhibitions were arranged of the Bag One Suite, 14 lithographs depicting scenes from John and Yoko’s wedding and honeymoon. These lithographs are numbered and signed in pencil by John Lennon.Measures approx. 50 x 37.5cm (19.75" x 14.75")

Y John Lennon (1940-1980)Bag One, circa 1978Lithograph, limited edition No. 144 of 300.Printed signature to lower right hand corner.Framed and glazed.John Lennon studied art at the Liverpool Art Institute from 1957-60. In interviews John described art as his first love. In 1970 exhibitions were arranged of the Bag One Suite, 14 lithographs depicting scenes from John and Yoko’s wedding and honeymoon. These lithographs are numbered and signed in pencil by John Lennon.Measures approx. 23.5 x 19cm (9.25" x 7.5")

Y After Georges Braque (French, 1882-1963)Derniers Messages, 1963 or 1967Lithograph on in 6 colours on Arches watermarked paperMounted, framed & glazed With Innocent Fine Art, Bristol label to back Georges Braque (French, 1882-1963) was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso.Measures approx. 61cm x 45cm (24" x 17.5")