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70553 Los(e)/Seite
![A Lot of three Limited edition lithograph prints after David Gentleman [b1930] prints titled ' The Piazza looking North towar](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/13bbb239-9e54-4dca-a715-abc4000426df/468x382.jpg)
![ANNE REDPATH 1895-1965Original lithograph Landscape 'Kyleakin'. [Edge of white trim 35.5x53cm]](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/35cc781e-418e-4e6e-a751-abc400045ec3/468x382.jpg)
![ANNE REDPATH 1895-1965Original lithograph Landscape 'Kyleakin' [Edge of white trim 36x54cm]](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/a35bc39d-af47-491e-ab31-abc4000460cc/468x382.jpg)
![ANNE REDPATH 1895-1965Original lithograph Landscape 'Kyleakin' [Edge of white trim 37x54cm]](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/4518ca1d-4aaf-4129-b6ca-abc40004699c/468x382.jpg)
![ANNE REDPATH 1895-1965Original lithograph Landscape 'Kyleakin' [Edge of white trim 37x54cm]](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/0f1e6482-ed6a-4a0d-9e1a-abc400046f6d/468x382.jpg)
![Sir Robin Philipson Lithograph print titled 'Peasant' [53x35cm]](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/f80080f1-8d56-428d-90f1-abc4000473f5/468x382.jpg)
![Sir Robin Philipson Lithograph print titled 'Peasant' [53x35cm]](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/1b7cddd4-4295-4666-ad0f-abc4000478ac/468x382.jpg)
![Sir Robin Philipson Lithograph print titled 'Peasant' [53x35cm]](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/ef7b681c-9a4e-4f26-9afd-abc400047fdc/468x382.jpg)
![Sir Robin Philipson Lithograph print titled 'Peasant' [53x35cm]](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/91114c1d-0ffc-4da2-8a3a-abc400048150/468x382.jpg)
![ANNE REDPATH 1895-1965two lithograph print titled 'Corsican Village' [29.5x43cm]](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/fe44f02c-c8c5-4e64-841f-abc40004c439/468x382.jpg)
![Large fishing boat lithograph. Unsigned. [51x64cm]](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/f039d4d6-adab-446d-a367-abc40004c819/468x382.jpg)
![A Large lithograph print depicting landscape. [51x68cm]](https://cdn.globalauctionplatform.com/1ad89cfa-a062-4d09-9b80-abc300e0420d/f9df1a91-2ef4-47fe-8622-abc400050d20/468x382.jpg)
Los 50
Farid Belkahia (Morocco, 1934-2014)Atours Autor Artist's book titled 'Atours Autour' in fifteen loose sections (first section is a double fold, remaining sections are triple folds) on paper with deckle edge at tail. 14 original lithographs by the artist. Title of book block-stamped onto front cover in dark brown. Book comprises fourteen poems by Natacha Pavel, printed (using lithographic process) in French on left hand side of folded section, with Maghrebi Arabic translation on right hand side of section; all text in terracotta-coloured ink. Centre of each section has designs by Farid Belkahia in black and brown inks. All lithograph designs are signed in pencil by Belkahia. executed in 1980, numbered 72 of 10038 x 74cm (14 15/16 x 29 1/8in).Footnotes:Provenance:Property from a private collection, ParisFor further information on this lot please visit Bonhams.com
Los 180
The famous sheep-eating fakir, Jurah Geer Berah Geer Calcutta, circa 1800watercolour on paper, black inner margin rules, yellow outer border, inscription from reverse glued to backboard A Hindoo eating a whole sheep alive 335 x 505 mm.Footnotes:ProvenanceGeneral Sir George Nugent, 1st Bt. (1757-1849), Commander-in-Chief, India, 1811-13, & Maria, Lady Nugent.Thence by descent via the Nugents to the current owners.The fact that several depictions exist of this bizarre figure and his macabre rite (and/or performance) is testament to the fascination he held for the British in India. We might compare the interest shown in 'Mr Flowery Man', a fakir well known in Delhi (actually Sardhaj, a Brahmin from Gokal), who wore a towering headdress made of flowers. Some of the British took a more scholarly approach to Indian religions: while the meaning of the ritual remains obscure, it is thought that the fakir was a devotee (bhakta) of Vishnu, emulating the boar (one of the god's avatars) by disembowelling with his mouth). But inevitably this figure must have become an object of interest purely because of his oddness, and the Nugents were clearly no exception to this. Early in her time in Calcutta, in a letter to Lady Temple (Cohen, p. 362), Lady Nugent wrote: 'I am making great preparations for a journal and intend to get a person to make drawings for me of anything curious'. Just outside Monghir, she noted in her diary that 'There were two fakiers, in green dresses, covered with garlands, their faces daubed with all sorts of colours, and spiral feathers in their turbans. I have two in my collection of drawings, exactly like them'. (Cohen, p. 98).He seems to have been attracting attention from the late 18th Century: a Major-General Hardwicke watched him at Fategarh on 3rd March 1796, and gave a lecture on the subject to the Royal Asiatic Society in 1832, later published and illustrated with a lithograph after 'original sketches made on the spot by a native artist'. He later presented a oil painting to the Society, perhaps used at the lecture. Other British gentlemen saw the feat at Lucknow, and Indian artists produced various versions at Murshidabad and Calcutta for British consumption. A version dated Calcutta, circa 1800 is in the V&A (see M. Archer, Company Paintings, pp. 82-83, no. 46, with the same seven stages as our painting, but with a key and other inscriptions. Other examples appear in S. C. Welch, Room for Wonder, p. 44, no. 11 (from the collection of James Nathaniel Rind), ascribed to Farrukhabad, circa 1785-90, and another in the Kasturbhai Lalbhai Collection, Ahmedabad. The British Library possesses another (illustrated in W. Dalrymple (ed.), Forgotten Masters: Indian Painting for the East India Company, London 2019, p. 134, no. 75), and there was a Lucknow example (depicting the third stage only) as part of a set of 'occupations' (see J. P. Losty, 'The sheep eater of Fategarh', South Asian Studies, 4 (1988), pp. 1-11); for a Lucknow painting of circa 1810, showing the fakir approaching the sheep menacingly, see Christie's, Visions of India, 5th June 1996, lot 6.This lot is subject to the following lot symbols: PP This lot is owned by a private individual. The right of return enjoyed by EU customers is not applicable.For further information on this lot please visit Bonhams.com
Los 521
Edward McKnight KAUFFER (1890-1954)Outposts of Britain Posting Box at Lands End (1937)Coloured lithograph, P.R.D. 204101 x 126cm (unframed)Literature:Summary Catalogue of British Posters to 1988 in the Victoria & Albert Museum in the Department of Design, Prints & Drawing (Emmett Publishing, 1990) p.129This colour offset lithograph poster from the Outposts of Britain series was designed by Edward McKnight Kauffer in 1936 and issued by the General Post Office, Great Britain in 1937. Another version of the same poster is housed in the Prints, Drawings & Paintings Collection of the Victoria and Albert Museum, London.
Los 463
Salvador Dali. A gilt framed limited edition granolithograph on arches paper (1909/5000) 'Gala looking at the Mediterranean sea which at a distance of twenty meters is transferred to the portrait of Abraham Lincoln' with certificate, impressed Dali signature and gallery mark. Lithograph size 70 x 100cm.
Los 324
*Stik (British, b.1979) 'STANDING FIGURE (YELLOW)' Offset lithograph printed in colours, 2015, signed in black ink, on wove paper folded twice (as issued), with full margins; within the book 'Stik', signed in black ink, published by Century sheet 75.5 x 24cm, unframed book 26 x 22 x 2.5cm *Artist's Resale Right may apply to this lot.
Los 329
*Banksy (b.1974) 'DI-FACED TENNER' Offset lithograph printed in colours, 2004 7.5 x 14cm, presented in a double-windowed custom-made frame with hologram Provenance : Accompanied by a letter of authenticity from Steve Lazarides, Banksy's previous agent, with hologram on letter matching that on the frame. *Artist's Resale Right may apply to this lot.
Los 156
Somerset.- Buckler (John Chessell, British artist and occasional architect, 1770-1851) West View of Brympton House, Somersetshire, The Seat of the Hon. Lady Georgina Fane, pen and brown ink over pencil, watercolour, signed and dated in the lower left corner, and inscribed with the title to separate tab underneath, 270 x 430 mm. (10 5/8 x 16 7/8 in), laid onto support, some spotting, browning and surface dirt, unframed, 1848; together with two further original monochrome watercolours by Buckler of the 'Manor House at Meare, Somsersetshire' dated 1824, an ancient doorway in Milbourne Port dated 1843, a pencil study of 'Muchelney Abbey', and with a lithograph after a design by the artist, various sizes, all unframed, 1824-1843 (5)
Los 298
Birds.- Swainson (William) Zoological Illustrations,, 6 vol. (i.e.1st and 2nd series), 182 and 136 hand-coloured lithographs respectively, some foxing, contemporary green half morocco over marbled boards (not quite uniform), rubbed, spines and joints worn and with a few defects, uncut, [Nissen ZBI 911; Fine Bird Books p.146], 8vo, 1820-23 and 1829-33.⁂ One of the earliest natural history works to be illustrated with lithograph plates. The author's extensive travels in Brazil, round the Mediterranean and Europe are all reflected in the choice of subjects (covering ornithology, conchology and entomology) for this work, which included many new or very rare species. The list of "Original Subscribers, who have sent their names" at the beginning of vol.1 2nd series is headed by J.J. Audubon and also includes Charles Lucian Bonaparte, Sir William Jardine, and P[rideaux] John Selby.
Los 416
Polar.- Kennedy (William) A Short Narrative of the Second Voyage of the Prince Albert, in search of Sir John Franklin, first edition, folding engraved map, 4 lithograph plates, list of subscribers to the Branch Expedition at end, Hydrographic Office ink stamp at foot of title, original cloth, soiled and partially faded, [Arctic Bib. 8539; Sabin 37443], 8vo, 1853.⁂ Rare at auction. William Kennedy (1814-1890) was the son of a Hudson's Bay Company factor and a Cree Indian. In 1851 he was chosen by Lady Franklin to lead the second private expedition in search of her husband. Although he found no trace of Sir John, the expedition discovered Bellot Strait in the far north of America. Kennedy was also the first to use dogs and sleds from an exploring ship.
Los 380
ARR Edward Bawden (1903-1989) - Coloured lithograph (after a lino cut) - "Cattle Market, Braintree", printed in black, red, blue and fawn, showing a busy market scene with auctioneer conducting sale to left hand side surrounded by pens of cattle, sheep and pigs and numerous figures, fully signed in pencil to lower right margin, 20.5ins x 30.5ins, published by Contemporary Lithograph Ltd, London, published 1937, in modern whitewood frame and glazed Note: Illustrated in "Art for Everyone - Contemporary Lithographs Ltd" Ruth Artmonsky 2007 (reprinted 2010 and illustrated in colour on front cover) and with copy of book to go with this lot
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70553 Los(e)/Seite