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70555 Los(e)/Seite
Los 288
Sir Frank Brangwyn RA (1867-1956), Sketch for St John (O359), lithograph from the Brangwyn Portfolio 1927, number 99, published by E F d'Alignan and Paul Turpin, 19cm x 24cm, unframed, together with Men with Hatchets (D. 1574), lithograph from the Brangwyn Portfolio 1927, number 63, published by E F d'Alignan and Paul Turpin, 38cm x 29cm, unframed (2)
Los 489
AN ARTS AND CRAFTS FLORAL PANEL EMBROIDERED WOOL ON LINEN PANEL, 47 X 39CM, HANSLIP FLETCHER, KEATS HOUSE HAMPSTEAD, LITHOGRAPH, SIGNED BY THE ARTIST IN PENCIL, 16 X 25CM, A. E. O. BROOKS, BIRCHFIELDS FROM SLADE LANE LONGSIGHT, SIGNED AND DATED 1904, WATERCOLOUR, 17 X 26CM AND AFTER A. R. QUINTON, HAMPSTEAD HEATH, AQUATINT, 14 X 21CM
Los 213
* Darton & Son (publisher). Destruction of Both Houses of Parliament by Fire, October 16th 1834, unattributed lithograph with contemporary hand colouring, slight dust soiling, 230 x 270 mm, framed and glazed, together with Dean & Co, publisher. An Exact Representation of the Great Fire at the Tower of London as seen from Tower Hill on the night of 30th Octr. 1841, unattributed lithograph with contemporary hand colouring, thread margins, 265 x 330 mm, mounted, framed and glazed, with William Spooner, publisher. York Minster as it appeared during the Fire of the South West tower & Nave on the Night of Wednesday May 20th 1840, lithograph with contemporary hand colouring, 230 x 340 mm, plus Gauci (Maxim). The Destruction by Fire of the Houses of Parliament on Thursday Night Oct. 16th 1834, published W. Spooner, 1834, uncoloured lithograph, some marginal spotting, occasional marginal repaired closed tears, 215 x 285 mm and William Spooner, publisher. Destruction by Fire of Both Houses of Parliament on Thursday Night 16th of Oct. 1834, uncoloured lithograph after H. O'Neill, some marginal spotting and occasional repaired marginal closed tears, 250 x 320 mm (Qty: 5)
Los 206
* Baynes (Thomas Mann, 1794-1854). Wolverhampton Race Course, printed by C. Hullmandel, 1825, lithograph after Robert Noyes, contemporary hand colouring, trimmed to image, some repaired closed tears affecting image, torn with loss to upper left corner, replaced in facsimile, 440 x 605 mm, mounted, framed and glazed (Qty: 1)
Los 167
* Giller (William C., circa 1805-circa 1870). Jeffery, Earth Stopper to the Berkeley Hunt, published T. Godson, Sportsman's Repository, circa 1830, uncoloured mezzotint after E. Bristow of Windsor, 255 x 185 mm, framed and glazed, together with, Parsey (A.), The Ferret Boy, circa 1860, uncoloured lithograph after Russell, 175 x 105 mm, mounted, framed and glazed, with, Pocock (A.), Old Isaac Joules. A well known gypsy in Somersetshire, published J. Whereat, Weston Super Mare, circa 1870, uncoloured lithograph after S. C. Jones, slight spotting, occasional marginal closed tears, tipped on to later card, 315 x 215 mm, framed and glazed, plus Lucas (Alfred), Attacking the Fortress, published J. W. Laird,1841, uncoloured mezzotint after J. G. Fennell, trimmed to image with marginal closed tears, some abrasion and wear to image largely confined to the sky, 265 x 315 mm, and, Hunt (George), A Bachelors Supper, circa 1830, mezzotint printed in colours and finished by hand after Richardson, thread margins, 305 x 355 mm, framed and glazed, with, Celebrated race between Mrs. Thornton and Mr Flint at the York August meeting, 1804, unattributed and uncoloured engraving, set in a tri-aperature mount with portraits of Mrs Thornton and Colonel Thornton on either side, overall size 185 400 mm, mounted, framed and glazed, with four other framed and glazed prints and engravings including an uncoloured lithograph of the Duke of Wellington's funeral, a coloured aquatint portrait of two Newhaven fisherwomen, an engraving of the moon, and a caricature by George Hunt entitled 'A Thaw', various sizes and condition, all framed and glazed (Qty: 10)
![* [ Gauci (M., lithographer). Portrait of a Short horned Bull, circa 1836], uncoloured lithograph after J. H. Carter, trimmed](https://cdn.globalauctionplatform.com/2032d0fc-fc45-4baa-96fd-aacd0111a502/af429e3d-6e24-4fd2-a824-aace012e224c/468x382.jpg)
Los 166
* [ Gauci (M., lithographer). Portrait of a Short horned Bull, circa 1836], uncoloured lithograph after J. H. Carter, trimmed to image with loss of title and margins, laid on later paper, 425 x 550 mm, mounted, together with Simmons (W. H.). A Scene at Wiseton [1844 but 20th century impression], hand coloured engraving after Richard Andsell, 535 x 645 mm, mounted, with Woodman (Richard). The Print of the Celebrated Bull Alexander & the Rest of the Cattle, [1818], uncoloured engraving after Benjamin Marshall, some surface abrasion and creasing, several closed tears affecting image creating areas of loss which are crudely repaired, some staining, 530 x 630 mm, framed and glazed (Qty: 3)
Los 100
Forbes (Edward & Hanley, Sylvanus). A History of British Mollusca, and their Shells, 4 volumes, London: John Van Voorst, 1853, large paper copy, 203 lithograph plates, all but 2 hand-coloured, many plates with manuscript numbers written to caption key, occasional light toning to text, ink stamp to endpapers, all edges gilt, near contemporary gilt and blind decorated red morocco, lightly rubbed, large 8vo (Qty: 4)
Los 86
Rowlands (Henry). Mona Antiqua Restaurata. An Archaeological Discourse on the Antiquities, Natural and Historical, of the Isle of Anglesey, the Ancient Seat of the British Druids..., with an Appendix, containing a Comparative Table of Primitive Words, 2nd edition, Corrected and Improved, London: J. Knox, 1766, folding engraved frontispiece map and 12 engraved plates, errata at rear, worm trails to lower blank margins at front of volume and upper blank margins at rear, contemporary calf, joints cracked, white paint stripe to upper panel of spine, 4to, together with Gastineau (Henry) , Wales Illustrated, in a Series of Views, comprising the Picturesque Scenery, Towns, Castles, Seats of the Nobility & Gentry, Antiquities &c., London: Jones & Co., 1830, engraved title (spotted), 114 engraved views on 57 plates, some toning and spotting, contemporary green half calf by B. Hill of Birmingham (label to upper pastedown), gilt decorated spine with black morocco title label, extremities slightly worn, 4to, with Fenton (Richard) , A Historical Tour through Pembrokeshire, 1811, engraved title with signature to upper margin, folding engraved maps and 30 plates, toning and spotting throughout, modern sheep, extremities slightly rubbed, 4to, and Jones (Harry Longueville) , Illustrations of the Natural Scenery of the Snowdonian Mountains: accompanied by a Description, Topographical and Historical, of the County of Caernarvon, 1829, 15 lithograph plates (including frontispiece), few light dampstains and occasional spotting, original cloth-backed boards, few dampstains and slight wear, large 4to, plus other Welsh topography and Welsh history related etc. (Qty: 10)
Los 349
Freedman (Barnett, illustrator). Bowman's Furniture, Ring up the Curtain, circa 1930s, 42 pages of text (including price list at end), with several colour illustrations, and numerous monochrome photographic illustrations, colour lithograph design to covers by Barnett Freedman, slim square 4to (26 x 26 cm) (Qty: 1)NOTESBowman's was a modern fitted furniture showroom in Camden Town, London.
![* Portraits of farmers . [Thomas William Coke], uncoloured mixed method engraving on india wove, proof before title and lette](https://cdn.globalauctionplatform.com/2032d0fc-fc45-4baa-96fd-aacd0111a502/37ed3640-c520-4bbb-8d09-aace012e2842/468x382.jpg)
Los 176
* Portraits of farmers . [Thomas William Coke], uncoloured mixed method engraving on india wove, proof before title and letters. '1st proof' added in pencil below image, tipped on to later card, 520 x 340 mm, framed and glazed, together with Reynolds (Samuel William) , [Charles 5th Duke of Richmond], circa 1850, uncoloured mixed method engraving after Richard Andsell, some dust soiling and toning, water stained along bottom margin, 540 x 345 mm, framed and glazed, with Tathan (Frederick) , Mr John Price. The celebrated breeder of Hereford Cattle, circa 1860, uncoloured lithograph, several long closed tears affecting image, frayed with slight loss, title in mount aperture and replaced in manuscript, 505 x 370 mm, framed and glazed, plus Day & Haghe (lithographers) , J. Penhallow Peters Esqre, uncoloured lithograph, slight marginal toning, 365 x 270 mm, mounted, framed and glazed, and Reynolds (S. W.). Geo. Webb Hall Esqre. Mr. Lonsdale & Berners, 1822, uncoloured mezzotint on wove, some water staining.660 x 405 mm (Qty: 5)Amended Description: The lead item does not depict the Duke of Bedford
Los 203
* Athletics. Ploszczynski, (N. lithographer), The contest for the Champion's Belt. Value twenty five pounds with six pounds added. Second £4. Third £3. Fourth £2. Fifth £1. This important race which excited the greatest interest in the sporting world came off on Monday January 12th 1852 over Copenhagen course in the prescence of 6000 persons. The distance was 10 miles over heavy ground and done in 54 minutes, 9 seconds. Eighteen started and where placed by the judges..., published J. Moore, March 2nd. 1852, tinted lithograph after A. F. Prade, slight spotting, one small repaired rust hole affecting image, some fraying and repaired marginal closed tears, 445 x 595 mm, mounted, framed and glazed (Qty: 1)
Los 374
Evelyn (John). Silva: or, a Discourse of Forest Trees..., with Notes by A. Hunter, 1st edition, York, 1776, subscribers list with subscription receipt slip signed by A. Hunter tipped-in, 40 engraved plates including one folding, without portrait frontispiece, folding table, some light toning, occasional marginal stains, contemporary boards without leather covering, 4to, together with Stevens (Francis) , Views of Cottages and Farm-Houses in England and Wales, London: R. Ackermann, 1815, etched frontispiece and numerous plates, some toning mostly to plates, later 19th century half calf, covers detached, worn, 4to, and Nicholson (Francis) , The Practice of Drawing and Painting Landscape from Nature, in Watercolours, 2nd edition, 1823, lithograph portrait frontispiece and plates, occasional spotting, original board detached and worn, strengthening to spine, 4to, plus other miscellaneous antiquarian etc., including two editions of Cary's New Itinerary (1806 & 1815), both worn (1815 edition disbound), and an incomplete Progress of a Water-coloured Drawing by John Laporte, circa 1810, plus a large early 19th century watercolour of cattle by a lake (requiring cleaning and some repair), plus few miscellaneous engravings by Hollar etc. (Qty: a carton)
Los 92
View Books. Besley's Views. Devonshire, circa 1860, 24 engraved vignette views, occasional spotting, all edges gilt, original green cloth gilt, oblong 8vo, together with Stirling and the Scottish Lakes, Edinburgh: Banks & Co., circa 1860, decorative engraved title, 26 engraved vignette views, all edges gilt, hinges split, original green cloth gilt, extremities worn and frayed, oblong 8vo, with Views of Edinburgh and its Vicinity, Edinburgh: Banks & Co., circa 1860, decorative engraved title, 25 engraved vignette views, all edges gilt, upper hinge split, original cloth gilt, extremities rubbed, oblong 8vo, and Views of Jersey, London: Rock & Co., circa 1866, 30 engraved vignette views, all edges gilt, original cloth gilt, faded and marked, oblong 8vo, and Views of Edinburgh and its Vicinity, Edinburgh: Banks & Co., circa 1860, engraved decorative title and fifteen vignette plates, occasional spotting and light dampstains, original cloth, oblong 8vo, together with The Royal Album of London Views, circa 1880, photo lithograph views bound concertina style, original cloth with gilt blocked decorative title to upper board, slim 8vo, with Rock's Royal Bristol & Clifton Cabinet Album, circa 1880, photo lithograph views bound concertina style, original cloth with gilt blocked decorative title to upper board, slim 8vo, and The Monas Isle Album of Isle of Man Views, circa 1880, photo lithograph views bound concertina style (few tears to folds & one image), original cloth with gilt blocked decorative title to upper board, slim 8vo, plus other view books etc (Qty: 30)
Los 216
* Dutton (Thomas Goldsworthy, 1819-1891). The Great China Race. The Clipper Ships "Taeping" & "Ariel" passing the Lizard Sept. 6th 1866 on their Homeward Voyage from Foo-Chow-Foo, published Wm. Foster, 1866, lithograph by and after Dutton, with contemporary hand colouring, some repairs to printed image, 430 x 630 mm, mounted, framed and glazed (Qty: 1)
Los 171
* Jackson (G.). Belshazzar. The property of the Earl of Carlisle, circa 1860, pencil and watercolour portrait, trimmed to image and laid on near contemporary paper, signed and title below image in pen, image size 315 x 430 mm, framed and glazed, together with, Portrait of a Hereford cross Bull, circa 1870, unattributed watercolour, 255 x 25 mm, framed and glazed, with, Stafford (H.), Short Horned Heifer, circa 1845, lithograph with contemporary hand colouring, 235 x 330 mm, framed and glazed, plus, Welles (E. F.), Woodstock. A Hereford Bull. The property of Mr. John Price, circa 1870, lithograph with contemporary hand colouring, 230 x 320 mm, framed and glazed, and, Dighton (Dennis), Daffodil (in two positions) at 21 months old. Bred by & the property of W. B. Thomas, circa 1870, uncoloured lithograph, old folds, 185 x 235 mm, mounted, framed and glazed, with an unattributed etching of a Black West Highland Stot, 215 x 280 mm (Qty: 6)
Los 285
NELSON MANDELA (SOUTH AFRICAN 1918-2013), 'THE TENNIS COURT', 2002, lithograph in colours, from My Robben Island series II, signed and numberd in pencil, together with commissioned photograph signed by Grant Warren, and print of hand written motivation by Mandela, contained in Belgravia Gallery presentation box, (Sheet 40.5 x 50.5cm) PROVENANCE: With Belgravia Gallery Certificate of Authenticity
Los 617
Pierre-Auguste Renoir (1841-1919)lithograph'Etude de Femme nue, assise' from L’Album des douze Lithographies (Delteil 42) Lithograph, circa 1904, on wove, with the printed signature as issued, from the edition of 950, the edition was not completed, published by A. Vollard, Paris, Redfern Gallery label verso, ex-collection Sir Michael Sadler11.75 x 7.5in.
Los 700
§ Nicolas de Stael (1914-1955)lithograph'Méditerranée (La Ciotat)', 1952-1953signed, 166/200, 1963 Redfern Gallery label verso16.5 x 21in.Provenance:The Redfern Gallery Ltd, London John R. Baddeley (purchased from the Redfern Gallery Ltd December 11th 1963 as 'Méditerranée')Gifted by John R. Baddeley to the present ownerExhibited:Gravures: Deux mille gravures en couleur, The Redfern Gallery, London, December 1962, cat. no. 364Literature (original work):Andre Chastel (Ed.), Nicolas de Stael Catalogue Raisonné des Peintres, Paris 1968, p. 227, no. 526, illustratedFrancoise de Stael (Ed.), Nicolas de Stael: Catalogue Raisonné de l'Oeuvre Peint, Neuchâtel 1997, p. 322, no. 355, illustrated
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70555 Los(e)/Seite