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70553 Los(e)/Seite
Los 1045
A Tipp & Co (Tippco) post WWII tin plate clockwork motorcycle and rider, manufactured in West Germany in the 1950s, modelled on a 1940s motorcycle, featuring Dunlop cord tyres, saddle bags on both sides, headlamp, perspex windscreen, lithograph printed decoration and registration number TCO 59Condition ReportCondition report: the motorcycle is in generally good condition for age, with a strong clockwork motor, bright colours and very little corrosion, limited to the crash bars and stabiliser wheels.
Los 135
* MR BRAINWASH (B. 1966) 'Follow Your Dreams signed in plate, offset lithograph, 80cm x 53.5cm (unframed). Thierry Guetta aka Mr. Brainwash is a French street artist and videographer known for his large-scale installations and prints of celebrities like Madonna, Kate Moss, and Marilyn Monroe. His practice of subverting cultural iconography and appropriation borrows from Andy Warhol, Keith Haring, and Bansky. A number of critics have observed that his works strongly emulate the styles and concepts of Banksy, and have speculated that Guetta is an elaborate prank staged by Banksy, who may have created the works himself. Banksy insists on his official website, however, that his film Exit Through the Gift Shop featuring the French-born, Los Angeles based street artist Thierry Guetta is authentic and not part of a prank.
Los 136
* MR BRAINWASH (B. 1966) 'Kate Moss - Cover Girl' signed in plate, offset lithograph, MBW London show poster 2012, 60cm x 60cm . Thierry Guetta aka Mr. Brainwash is a French street artist and videographer known for his large-scale installations and prints of celebrities like Madonna, Kate Moss, and Marilyn Monroe. His practice of subverting cultural iconography and appropriation borrows from Andy Warhol, Keith Haring, and Bansky. A number of critics have observed that his works strongly emulate the styles and concepts of Banksy, and have speculated that Guetta is an elaborate prank staged by Banksy, who may have created the works himself. Banksy insists on his official website, however, that his film Exit Through the Gift Shop featuring the French-born, Los Angeles based street artist Thierry Guetta is authentic and not part of a prank.
Los 31
*EDWARD BAWDEN (1903-1989) 'Among the Marsh Arabs' signed, titled and numbered 71/75 in pencil to the margin, limited edition coloured lithograph, the image 36cm x 58cm. Issued in 1985 in editions of 75 by the Hurtwood Press, and printed by the Curwen Studio, the production of this lithograph was supervised by Bawden and based upon a watercolour carried out by him as a war artist in 1943. The original work is in the Collection of the Imperial War Museum
Los 535
* Copley (John, 1875-1950). Monte Pisano: Olive Gatherers, 1913, lithograph on white paper, signed in pencil lower right, image size 535 x 385 mm (21 x 15.25 ins), sheet size 670 x 510 mm (26.25 x 20 ins), framed and glazed (glass cracked), together with: Seen from an Omnibus, 1931, lithograph on white paper, signed in pencil lower centre, image size 277 x 170 mm (10.9 x 6.75 ins), with margins, framed and glazedQty: (2)NOTESWright 230 for the second work.
Los 547
Nevinson (Christopher Richard Wynne, 1889-1946). Column on the March, 1917, offset colour lithograph on thin wove paper, signed in pencil lower right, sheet size 287 x 220 mm (11.3 x 8.7 ins), as issued in Modern War Paintings by C.R.W. Nevinson, with an introductory essay by P. G. Konody, 1st edition, Grant Richards Ltd., 1917, with monochrome plates, rough-trimmed, original green cloth-backed boards with printed paper title labels to upper cover and spine, some minor marks and slight fraying to extreme head of spine, spine label somewhat darkened and a little chipped, 4toQty: (1)
Los 550
* Rothenstein (William, 1872-1945). Portrait of John Singer Sargent, lithograph on pale brown laid paper, printed by T. Way, from the book 'English Portraits, A Series of Lithographed Drawings', published by Grant Richards, 1898, 29.5 x 20.5cm (11.5 x 8ins) mount aperture, together with 8 other lithographs from the same publication, comprising: Prof. Charles Villiers Stanford, Mr. Sidney Colvin, Sir Frederick Pollock, Arthur Wing Pinero, Sir Seymour Haden, Mr. William Archer, Prof. Alphonse Legros, and Mr. Robert Bridges, all similarly mounted, framed and glazedQty: (9)
Los 563
* Whistler (James Abbott MacNeill, 1834-1903). La Marchande de Moutarde, 1858, etching on pale cream laid paper, the 5th state (of 5), with printer's name and address removed, light mount stain, short closed tears to lower left and lower right blank corners, plate size 158 x 88 mm (6.2 x 3.5 ins), sheet size 323 x 241 mm (12.75 x 9.5 ins), together with other prints by or after Whistler, including La Robe Rouge, 1894, lithograph (printed in an edition of approximately 3000, as published in The Studio, November 15, 1895, framed and glazed, colour lithographs by Thomas Robert Way after Whistler (Bead-stringers, Venice, 2 copies, Sunset: Venice, The Purple Cap, Baby Leyland, and The Blue Girl), as published in The Studio, 1903-1905, all framed and glazed or mounted, plus a reproduction of Whistler's Chelsea etchingQty: (9)NOTESKennedy 22, v/v; Glasgow Online Catalogue, 20, v/v (75 known impressions).
Los 569
* Toulouse-Lautrec (Henri de, 1864-1901). Divan Japonais, 1893, colour lithograph poster on wove paper, printed by Edward Ancourt, Paris, some overall toning, minor fraying to extreme sheet edges, image size 815 x 605 mm (32 x 24.25 ins), sheet size 855 x 650 mm (33.75 x 25.7 ins)Qty: (1)NOTESAdriani 8; Delteil 341. The advertising poster for the Parisian café-concert Divan Japonais run by Edouard Fournier, depicting the dancer Jane Avril and critic Edward Dujardin in the foreground, and singer Yvette Guilbert on stage.
Los 576
* Roberts (John, 20th c.). Floral Heads, 1982, mixed media, captioned, signed & dated in pencil to lower margin, image size 30.5 x 49.5cm (12 x 19.5ins), framed & glazed, together with Take a Card, 1983, uncoloured lithograph of male figure holding an ace of spades playing card, captioned, signed & dated in pencil to lower margin, image size 41.5 x 24cm (16.5 x 9.5ins), framed & glazed, (limited edition 15/50), together with Brangwyn (Frank, 1867-1956). Busy street scene before an Abbey , lithograph, heightened with watercolour, apparently unsigned, 41 x 31 cm (16 x 12.25ins), framed and glazed, plus Sorel (Agathe, 1935-). Rochers , colour etching, 1960, signed, titled and numbered 22/30, plate size 45.5 x 35.5 cm (18 x 14 ins), framed and glazed, and Howerd (Geoffrey, 20th c.). Chelsea Pensioners , mounted colour lithograph, signed and dated in pencil to lower margin, 35 x 25cm (13.75 x 9.75ins), framed and glazed, plus four other framed and glazed prints by various artists including Peter Godfrey Coker and Hubert Andrew FreethQty: (9)
Los 578
ARR * Trevelyan (Julian, 1910-1988). Camden Lock, 1975, colour lithograph on thick handmade paper, printed by the Curwen Studio, and published by Curwen Press, London, with their blindstamp, signed and numbered 46/100 in pencil, image size 382 x 513 mm (15 x 20.2 ins), sheet size 505 x 653 mm (19.9 x 25.75 ins), framed and glazedQty: (1)
Los 611
* John (Augustus Edwin, 1878-1961). Strolling Musicians, circa 1920, pencil on cream wove paper, signed lower right, a variation of the composition used for Augustus John's lithograph Strolling Musicians (West Coast of Ireland), or Irish Gypsy Musicians, dated to circa 1921 by the British Museum, sheet size 355 x 435 mm (14 x 17.2 ins), framed and glazedQty: (1)NOTESProvenance: Private Collection, Gloucestershire, UK.
Los 624
* Weissenborn (Hellmut, 1898-1982). River Landscape in Asturias, North West Spain, coloured chalks, and black ink on brown paper, signed lower right, 355 x 535 mm (14 x 21 ins) mount aperture, framed and glazed, together with: Poole (Monica, 1921-2003). Winter Wood, 1956, wood engraving on ivory paper, from the published edition of 25 impressions, signed, titled and numbered 15/25 in pencil, image size 204 x 167 mm (8 x 6.6 ins) with margins, framed and glazed, plus: Topolski (Feliks, 1907-1989) . The Nizam's Garden Party, colour lithograph, unsigned, 45.5 x 61 cm (18 x 24 ins), framed and glazedQty: (3)NOTESProvenance (for the first work): Private Collection, Gloucestershire, UK; purchased at the Harrington Road Gallery, London, SW7, circa 1970.
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70553 Los(e)/Seite