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Banksy, British b.1974-Di-Faced Tenner, 2004; offset lithograph on paper, signed on the front in black pen, sheet: 7.5 x 14.3 cm, contained in a clear Perspex case measuring 15 x 20 x 3 cm, (ARR) Note: together with a certificate from Stephen Jones at Tempus Arts, who allegedly met the artist.
Stik, British b.1979-Holding Hands (orange), 2020;offset lithograph in colours on wove, signed in black marker pen, published in the Hackney Today Newspaper, London, folded twice as issued, sheet: 50 x 50 cm, (unframed) (ARR)Note: Holding Hands (orange) is part of Stik's Holding Hands collection, made in collaboration with Hackney Council.
Nelson Mandela, South African 1918-2013, Hand of Africa (impression of right hand of Nelson Mandela), 2002; lithograph on BFK rives, signed in pencil, and numbered 954/1000, printed by Michaelis School of fine art, University of Cape Town, published by Touch Of Mandela, Cape Town, 66 x 50 cm, (framed)Note: Purchased at The Art and Mind dinner, 2019. Provenance: Belgravia Gallery, Surrey.
ANONYMOUS, 14 Un Match de Football (entree du stade) colour poster depicting a France v Switzerland, circa 1950s offset lithograph in colours, 14 UN MATCH DE FOOTBALL (entree du stade) printed on upper and lower margins, TABLEAUX D'ELOCUTION C.E.2e - EDITIONS ROSSIGOL, MONTMORILLON (VIENNE) printed lower margin, 56 by 76cm.
J. De Bussac, Ballon Bager Les Ballon des Grandes Equipes Chassure "Coupe du Monde" (football and football boots) French advertising poster, offset lithograph in colours, horizontal and vertical folds, some creasing, 80 by 62cm, unbacked and unframed and a The Coco-Cola Cup advertising post, trimmed, 60 by 41cm (2)
Hans Feibusch (German, 1898-1998). Tobias and the Angel, signed & dated l.r., 4 September 1985, inscribed for Walter Strachan, colour lithograph, 508mm by 308mm, loose/unframed, clean, bold & vibrant, marginal creasing at corners Provenance: By descent of Walter J. Strachan (1903-1994), poet, translator and champion of the arts. Strachan taught at Bishop's Stortford College and was the author of numerous works, including A Relationship with Henry Moore 1942-1976 [Elliott Group, 1988]; Towards Sculpture: Drawings and Maquettes from Rodin to Oldenburg [Thames & Hudson, 1976]; Apollinaire to Aragon: Thirty Modern French Poets [Methuen, 1948]. Much of his personal collection went to the Tate, the V&A and the Taylor Institution, as well as forming the basis of The Walter Strachan Collection, University of Manchester Library
A collection of prints to include a large 19th-century hand-coloured lithograph depicting cavalry soldiers in regimental uniform, publication details presumably trimmed for frame; a late-19th century wood-engraving of the Omnibus Office in Birmingham, probably from Illustrated London News or a similar publication; a pair of late-19th century chromolithographs, copies of medieval manuscripts, likely plates from a published work; a hand-coloured lithograph depicting the proposed monument on Bromsgrove Lickey to the memory of the late Earl of Plymouth, by William Daniell, c. 1834; a colour litho of St. Martin's Church in Birmingham, and three other 20th-century colour prints, all framed & glazed, various sizes (9)
A collection of three large prints comprising: A Village Festival, engraved by Ernst Thelot after David Teniers, London: V. & R. Green, 1 March 1793, discolouration & wear, 47cm by 55cm; Mariana de Jesús de Paredes, engraving dedicated to Charles III of Spain, 1776, faint spotting & pale marginal staining, 70cm by 45cm; Bathers at Lake Nero, colour lithograph by Boris Kalitov (b. 1945), signed in pencil, good & bright, tape mark at top edge but not affecting image, 46cm by 54cm (plate-mark), all unframed/rolled (3)
David Hockney (English, b. 1937). Red Square and the Forbidden City, signed & numbered by the artist l.r., 1982, limited edition numbered 237/1000, a five-colour hand-drawn lithograph printed at Petersburg Studios, New York on Somerset satin-finish mould-made rag paper for China Diary, the lithograph folded three times to form four paper panels, each panel measuring 9 11/16 x 7 1/8 inches, very well-preserved, clean & bright, housed in protective tissue-paper within captioned red wallet, together with China Diary, first edition, signed by David Hockney & Stephen Spender, London: Thames & Hudson, 1982, quarto, publisher's gilt red cloth, internally very good & bright, some very faint spotting to signed page, binding tight & square, the set housed in original slipcase with red paper title label, the slipcase with spotting
Late-Victorian Circus & "Freak Show" Posters. "Bostock & Wombwell's Monster Combined Shows - Menagerie", colour lithograph, n.d., [c. 1890s], 88.5cm by 28cm, light creasing; "Hartley's Great Combination of Living Wonders", featuring "Marianne, the Great Russian Giantess" and "General and Lady Mite, the Original American Midgets", woodcut illustration, Bristol: Fry Bros, n.d., [c. 1890], 89cm by 29cm, fold-lines and slight marginal loss; "Taylor's Mechanical Wonders", woodcut depicting of a storm at sea, Birmingham: James Upton, Theatrical & General Printer, n.d., [c. 1890s], 88.5cm by 28cm, fold-lines. Very scarce, possibly unrecorded (3)
Two Framed Prints: J. M. Ardell After Joshua Reynolds (1723-1792) - 'The Rt. Honourable George Lord Anson, Baron of Soberton', mezzotint, published according to act of parliament 1755, 38 x 27.5 cm, in Hogarth frame; together with Richard James Lane After Edwin Landseer - 'Lord Alexander George Russell and his Pony Emerald', lithograph, proof, 19.5 x 24.5 cm; both framed and glazed (2)
ZERO Rupprecht Geiger (1908 - 2009 München)2 Arbeiten. 1965. Mit 1 Lithographie und 1 Farbserigraphie auf Velin. Blattmaße von 47,5 x 37 cm bis 19,5 x 20 cm. - Die Serigraphie mit minimalem Schmutzfleck und leichten Randläsuren an einer Seite. Insgesamt gut. Schöne, kräftige Motive in der typischen Manier der Künstler. Je eins von 500 Exemplaren. 2 works. With 1 lithograph and 1 Colour silkscreen on wove paper. - The silkscreen with minimal stain and slight marginal tears on one side. Overall good. Superb, strong motifs in the typical manner of the artists. - Each one of 500 copies.
Kölner Kunstmarkt '71. Luxusausgabe mit 26 Graphiken und 1 Schallplatte. 1971. Mit insgesamt 26 Graphiken in verschiedenen Techniken. Je auf unterschiedlichen Velin, Velinkarton bzw. Papier. Blattmaße von ca. 31,3 x 42,3 cm bis ca. 63,3 x 42,3 cm. 24 Arbeiten je signiert und nummeriert (teils verso), teils datiert und betitelt. Original Kassette mit den in Faltbogen lose eingelegten Graphiken, Schallplatte, Künstlerliste und Impressum sowie mit dem gebundenen Ausstellungskatalog. - 1 Blatt mit kurzer Fehlstelle an einer Ecke. Vereinzelte Graphiken an den Ecken leicht knickspurig bzw. angestoßen. Wenige Blätter mit punktuellen Braunfleckchen bzw. wässrig-bräunliche Fleckchen (auch verso), Atelierspuren bzw. verso leichten Schmutzspuren. Die Faltblätter teils etwas knickspurig. Der Katalog am Gelenk oberflächlich berieben. Die Kassette an Ecken und Kanten etwas bestoßen und mit Fleckchen, innen mit Etikett. Insgesamt in ausgesprochen gutem Zustand. Die Drucke prachtvoll bis ausgezeichnet, kräftig bzw. farbintensiv. 5 Arbeiten jeweils mit Schöpfrand an einer Seite. Eines von 300 Exemplaren der Vorzugsausgabe, davon 27 Künstler-Exemplare. - Enthält je 1 Arbeit von: - Georg Baselitz, Radierung - Bernhard Becher, Offset - Agostino Bonalumi, Serigraphie - K. P. Brehmer, Radierung - Johannes Geccelli, Serigraphie - Raimund Girke, Serigraphie - Hermann Goepfert, Serigraphie - Nancy Graves, Lithographie - Antonius Höckelmann, Radierung - Dieter Krieg, Serigraphie - Tadaaki Kuwayama, Serigraphie - Alf Lechner, Prägedruck - Barry Le Va, Offset - Bernhard Luginbühl, Radierung - Rafael Martinez, Serigraphie - Rune Mields, Serigraphie - Lienhard von Monkiewitsch, Serigraphie - Wolfgang Petrick, Radierung - Michelangelo Pistoletto, Serigraphie in Form eines Abziehbildes - Joachim Schmettau, Radierung - John Seery, Lithographie - Giangiacomo Spadari, Serigraphie - Larry Starl, Offset - Alan Turner, Serigraphie - Stefan Wewerka, Radierung - Rainer Wittenborn, Serigraphie sowie - 1 Schallplatte "Sticky fingers" der Rolling Stones. - Die Schallplatte mit dem original Cover nach Andy Warhol und in der ikonischen Schutzhülle mit Reisverschluss. - Hg. vom Verein progressiver deutscher Kunsthändler e.V., Köln 1970. - Katalog zum 5. Kölner Kunstmarkt. - Vollständige Ausgabe der Luxusedition. Kölner Kunstmarkt '71. Deluxe edition with 26 prints and 1 record. The prints in different techniques. Each on different wove paper, wove cardboard or paper. 24 works each signed and numbered (partly verso), partly dated and titled. Original cassette with the prints loosely inserted in folding sheets, LP record, list of artists and imprint as well as with the exhibition catalogue. - 1 sheet with short loss at one corner. A few prints slightly creased or bumped at the corners. A few sheets with brown spots or watery-brownish stains (also on the verso), traces of studio work or slight traces of dirt at the verso. The folded sheets slightly a bit creased. The catalogue superficially rubbed at the joint. The cassette somewhat bumped at corners and edges, with some spots and a label inside. All in all in very good condition. The prints splendid to excellent, intense in colours. 5 works each with scooped edge on one side. - One of 300 copies of the special edition, 27 of which are artist's copies. - Contains 1 work each by: - Georg Baselitz, etching - Bernhard Becher, offset - Agostino Bonalumi, silkscreen - K. P. Brehmer, etching - Johannes Geccelli, silkscreen - Raimund Girke, silkscreen - Hermann Goepfert, silkscreen - Nancy Graves, lithograph - Antonius Höckelmann, etching - Dieter Krieg, silkscreen - Tadaaki Kuwayama, silkscreen - Alf Lechner, relief printing - Barry Le Va, offset - Bernhard Luginbühl, etching - Rafael Martinez, silkscreen - Rune Mields, silkscreen - Lienhard von Monkiewitsch, silkscreen - Wolfgang Petrick, etching - Michelangelo Pistoletto, silkscreen in the form of a decal - Joachim Schmettau, etching - John Seery, lithograph - Giangiacomo Spadari, silkscreen - Larry Starl, offset - Alan Turner, silkscreen - Stefan Wewerka, etching - Rainer Wittenborn, silkscreen as well as - 1 LP record "Sticky fingers" by the Rolling Stones. - The record with the original cover after Andy Warhol and in the iconic protective sleeve with zipper. - Pub. by Verein progressiver deutscher Kunsthändler e.V., Cologne 1970. - Catalogue for the 5th Cologne Art Market. - Complete edition of the luxury edition.
Christo (d. i. Chr. Javacheff). (1935 Gabrovo/Bulgarien - 2020 New York). Wrapped Walk Ways, Loose Park, Kansas City, Missouri 1977-78. 1980. Farboffsetlithographie auf Papier. 45 x 65 cm (ca. 49,5 x 66,5 cm). Signiert sowie am unteren Rand mit typographischen Editionsvermerken. Unter Glas gerahmt (ungeöffnet). - An den Ecken und Kanten mit leichten Schmutzspuren. Insgesamt gut. Ausgezeichneter Druck der nahezu formatfüllenden Darstellung. Nicht bei Schellmann. - Aus dem Art Zanders-Portfolio. Colour offset lithograph on paper. Signed and with typographic edition notes at lower margin. Framed under glass (unopned). - With slight traces of dirt at the corners and edges. All in all good. Superb print of the almost full-sized depiction. - From the Zanders-Portfolio.
Guarna Guiseppe Capogrossi. (1900 - 1972 Rom). Zwei Arbeiten. 1965. Farbholzschnitt bzw. Farblithographien auf BFK Rives-Velin (mit Wz). 50 x 36 cm (72,5 x 56,5 cm) bzw. 65 x 50,5 cm. Je signiert und nummeriert, 1 Blatt datiert. Mit dem Trockenstempel der Erker Presse St. Gallen bzw. dem Blindstempel der Galerie Wolfgang Ketterer. - In sehr guter Erhaltung. Prachtvolle, farbkräftige Drucke, der Holzschnitt die Maserung fein mitdruckend und mit Rand, die Lithographie formatfüllend. Enthält: - "Composizione". - Eines von 300 bzw. 65 Exemplaren. Two works. - Colour woodcut or rather colour lithograph on BFK Rives wove paper (with watermark). Each signed and numbered, 1 print dated. With drystamo by Erker Presse St- Gallen or rather blindstamp by Galerie Wolfgang Ketterer. - In a very good condition. Splendid, colour-rich impressions, the woodcut finely printing the grain and with margin, the lithograph filling the format. - With works as mentioned above. - One of 300 or rather 65 copies.

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