Conchology.- Swainson (William) Zoological Illustr [First Series] Conchology 3 parts in 1 vol. Second Series The Shells together 2 vol. only 118 hand-coloured lithograph plates only some spotting plates generally in good condition lower part of Conchology pt II title missing and restored modern half cloth old marbled board covers g.e. 8vo 1820-1833.
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Fullarton & Co. The Royal illustrated atlas of modern geography. London and Edinburgh: A. Fullarton and Co., [c.1865]. Folio, 76 lithograph maps, engraved title, modern half morocco gilt [using contemporary boards], a.e.g., marble endpapers, inner hinges strengthened, large water stain to title page
JAMES GILLRAY - `John Bull Taking A Luncheon`; all British Cooks Cramming Old Grumble - Gizzard With Bonne - Chere`, etching, hand coloured, 10 1/2" x 14 1/2"; seven John Doyle lithograph characters from the `H.B. Sketches` Series; Robert Dighton characters - `Mr Braham in the character of Orlando`; and one further titled `John Bull Arming` (10).
Serge Shart - Study of a Bucolic Man playing Pipes, mid-20th Century lithograph printed in colour, signed, dedicated, inscribed `Paris` and dated `20.III.72`, signed and further inscribed, together with another lithograph, Study of a Female Street Vendor holding a Basket of Fruit, both within blue canvas mounts and gilt frames.
A hand coloured lithograph c.1855 of a School scene with inspector in foreground and three children standing on a table, 43x55cm, framed and glazed, a chromolithograph c.1880 of a School scene with an elderly school master reprimanding four pupils, 27x37cm, framed and glazed, a hand coloured steel engraving by Bourne c.1855 entitled `The Village Choir`, from the picture and the collection of John Tyson esq, Waterloo, Liverpool, 15x25cm, framed and glazed (3)
A hand coloured lithograph engraved by Hullmandel, c.1828 of Market Street, Manchester, 39x28cm, framed and glazed, a hand coloured lithograph engraved by Aglio c.1823 of Market Street, Manchester, 30x38cm, framed and glazed and another hand coloured lithograph c.1823, of Market Street, Manchester, 25x40cm, framed and glazed (3)
A hand coloured lithograph by Haghe c.1853 of Windermere as seen from Orrest Head, 35x50cm, framed and glazed, six framed chromolithographs by Leighton c.1860 of Lake District scenes comprising `St Mary`s Church and Schools Ambleside`, `Ferry Vale and Hotel Windermere`, `Bowness on Windermere`, `The Old Mill Ambleside`, `Keswick`, `Rydal Water`, dimensions of whole 29x24cm, framed and glazed
A hand coloured lithograph c.1870 of de Tabley Park, showing the tower on Tabley lake with cows in the foreground, 23.5x34.5cm, framed and glazed, a hand coloured steel engraving by Barber c.1823 of Tatton Park, Cheshire, 8.5x12.5cm, framed and glazed and a modern limited edition coloured print of King Street, Knutsford being no.660/850 used, 15x19cm (3)
A hand coloured lithograph of `Lower Peover Church`, originally painted by J Caldwell and engraved by J Gowd. c.1860, 17x24cm, framed and glazed, a hand coloured engraving of the chimney piece at Tabley Hall with further inset coloured print of Tabley Old Hall, c.1810, 20x15cm, 6.5x9cm, framed and glazed, an old photograph of the front of Tabley Old Hall, 25x34cm, framed and glazed (3)
A hand coloured print of `Adams Hill, Knutsford, Cheshire` after Holland/Watt engraved by Smith and Elder c.1906, showing the view from Adams Hill up King Street with various houses and figures in foreground (the original was painted before the railway) 17.5x11.5cm, framed and glazed, a hand coloured print advertising sheet for the commercial boarding and day school at `The Heath, Knutsford` and `Knutsford Grammar School` c.1860, 19x12cm, framed and glazed, a coloured lithograph of new schools, `Crosstown, Knutsford, Cheshire` engraved by JR Jobbins, c.1975, 12.5x18cm, framed and glazed, a hand coloured lithograph of the infants school Bollington Cheshire, originally painted by J Lindley, engraved by Maclure, c. 1855, 22x33cm, framed and glazed, also approximately thirteen ordinance survey maps of the local areas to include Mobberley, Ashley, Mere, Langley, Tegg`s Nose, Knutsford, Tabley etc and a quantity of copies of old Knutsford maps (illustrated)
A hand coloured lithograph of `Over Tabley Church, Cheshire` c.1860 18x26cm, with oak veneered frame with gilt slip and glazing, a hand coloured print of Tabley Old Hall c.1930 6.5x9.5cm, framed and glazed, a view of Tabley House after Neale, engraved by Cruse c.1829 9x13cm, framed and glazed, a hand coloured steel engraving of `Tatton Park, Cheshire` after Neale, engraved by Barber c.1823 9x12.5cm, framed and glazed, a hand coloured engraving of `Tatton` from the park entrance c.1875 8x23cm, framed and glazed and a map of Cheshire, North West from London according to `The Act of Parliament` engraved by G Bickhan, c.1754 showing an imaginative topographical scene with water mill and two figures in the foreground with named villages and towns including Knutsford and Altrincham 25x14cm, framed and glazed (5) (illustrated)
A hand coloured lithograph originally painted by J B Pyne, engraved by W Gauci c.1853, showing a scene from Langdale Pikes c.1853, with a view of a lake with mountains in the background and figures playing in the foreground, 37x49.5cm, framed and glazed, hand coloured steel engraving by G Pickering, engraved by W Watkins c.1835 of Cartmel Church, Lancashire, 12x18.5cm, framed and glazed, a hand coloured lithograph originally painted by Ralston c.1823 of Market Street Corner, Off Brown Street (probably Manchester), 25.5x39.5cm, framed and glazed, and a mid 19th century hand coloured engraving of a school scene depicting a teacher showing pupils a globe, 7.5x10.5cm, framed and glazed (4)
William Gear (British, 1915 - 1997), Spring Landscape , lithograph, signed and dated in crayon/coloured pencil 62 and indisticly marked in crayon 12/13 , framed" Paper size: 78.5 cm (high) x 57.5 cm (wide), Image size: 71 cm (high) x 47.5 cm (wide) 2 pin holes, 2 staple holes with rust marks to paper, border of paper generally dirty creases and dog ears to all edges of paper, not inspected out of frame View on auctionatrium.com
* AFTER HENRI MATISSE ‘Papier Colle III’, coloured lithograph, bearing facsimile signature and date 53 lower right image, The Redfern Gallery Ltd, Bond Street, London label verso, 24 x 24cms; ‘Papier Colle I’, coloured lithograph, The Redfern Gallery Ltd, Bond Street, London label verso, 32 x 11cms; ‘Papier Colle II’ coloured lithograph, bearing facsimile signature and date 51 lower right image, The Redfern Gallery Ltd, Bond Street, London label verso, 32 x 15cms. (3).
JOHN PIPER, CH (1903-1992) TICKENCOTE , RUTLAND: THE NORMAN CHANCEL ARCH (L.130) Colour lithograph, plate IX from A Retrospect of Churches portfolio, 1964, printed by Curwen Studio and published by Marlborough Fine Art, signed in pencil and numbered 56/70 44.2 x 67cm. ++ Some old soft creases and/or printer`s creases; minor damage at extreme sheet edges
JOHN PIPER (1903-1992) ARBROATH ABBEY (cp. Levinson 407) Offset lithograph from the original aquatint, 1988, signed in pencil and numbered 92/100 39 x 54.5cm.; with another, of a different subject, also by Piper, derived from a screenprint, numbered 2/70, 43 x 64cm. (2) ++ Each in good condition
DAVID HOCKNEY, CH, RA (b.1937) CHINA DIARY The book, with text by Stephen Spender, 158 illustrations (84 in colour), published by Thames and Hudson, 1982, signed by Spender and Hockney, original red cloth gilt; with "Red Square and the Forbidden City", original folding five-colour lithograph by Hockney, signed by him, dated 82 and numbered 68/1000, original card slipcase with printed label, rare when complete ++ Book and print excellent; slipcase with handling marks and foxing
LESLIE MOFFAT WARD (1888-1978) AN INTERESTING SELECTION OF PRINTS to include Cement Works near New Hythe, signed etching; Evening at Poole; The Newfoundland Warehouse, Poole; The Harbour Office, Poole, three lithographs, two signed, 1911 and 1916; Shop Front by Lamplight, lithograph; and Coastal Walkers, lithograph, signed, 1949, various sizes. (6) Provenance: This lot (and the next two) were formerly in the artist`s personal collection until acquired by a collector in c.1979. * Ward`s technical skills as a printmaker and draughtsman do not disguise his concerns for the burgeoning industrialisation of provincial England alongside the decay of older traditional workplaces. These three lots reflect his awareness of the encroachment of progress and, simultaneously, his love of the unpsoilt environs of Poole, the Medway and east London. ++ Some soft old handling creases, handling marks etc on a few
Circle of John Burgess A rocky outcrop pencil hei Circle of John Burgess A rocky outcrop pencil heightened with body white inscribed `Road to Dolwyddelan` lower right and dated 1861 18.5 x 27 cm (7 1/4 x 10 3/4 in); with a 19th century pen and ink alpine village view a pencil landscape view and a lithograph (4)
After David Roberts RA Interview with the Viceroy After David Roberts RA Interview with the Viceroy of Egypt original hand-coloured lithograph c1840 340 x 480mm. trimmed to image and mounted on card support as issued; with another Roberts lithograph with later hand-colouring and 2 others by J.F. Lewis and D. Wilkie (4)
Sir Hugh Casson Albert Memorial colour-printed off Sir Hugh Casson Albert Memorial colour-printed offset lithograph signed and titled in pencil below artist`s proof 270 x 190mm Condition report: artist`s proof limited edition colour printed offset lithograph 230 x 190mm. signed and titled in pencil below New Academy Gallery label on backboard framed and glazed.
Gerald Scarfe Orpheus in the Underworld poster off Gerald Scarfe Orpheus in the Underworld poster offset lithograph signed and inscribed `To Jason Best wishes` lower left 760 x 530mm. 1986; with the `No Home Rule Protest Vote Rushton` poster from the 1963 Perth and Kinross bi-election offset lithograph 570 x 440mm. tape-stains some spotting inscribed in blue ink `88 Cadogan Pl. SW1` lower left; with a pencil caricature by another hand (3)

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