70553 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Serge. Panorama du Cirque, Paris: Editions Arc en Ciel, [1945], stencil-coloured decorative title and illustrations to text (comprising two unsewn gatherings), 80 two-tone lithograph plates (plate 42 misnumbered 41), occasional dust-soiling and spotting to few plates (majority bright and clean), all loosely contained in original red portfolio, with decorative printed title label, extremities slightly rubbed (plate size 24 x 29.7 cm)Qty: (1)

* Vallée (Georges, active 1897-1921). L'Arrivée a l'auberge 1830 / L'Arrivée a l'Hôtel aujourd'hui, two-part colour lithograph poster, in six sections and laid on linen, from the series 'Nelson's French Wall Pictures', some pale discolouration and cockling (mainly to blank margins), each image size 605 x 405 mm (23.75 x 16 ins), sheet size 770 x 1025 mm (30.25 x 40.25 ins)Qty: (1)

Nash (Paul). Six leaves of proof illustrations for Seven Pillars of Wisdom, by T.E. Lawrence, circa 1923-26, 5 colour lithograph proof illustrations, and one monochrome wood engraving on wove paper, one (Rocky Landscape) with pencil annotations by Paul Nash giving corrections for printing, sheet size 252 x 190 mm, a few light marks, loosely contained in old plain cream paper envelope, marked in pencil 'Paul Nash Corrections of proofs 7 Pillars of Wisdom', torn with consequent fraying, and some light soilingQty: (1)NOTEST.E. Lawrence selected some of the best artists of the day to produce illustrations for his Seven Pillars of Wisdom, which was first published in a subscriber's edition in 1926. Paul Nash delivered his illustrations to Lawrence in early January of 1924, and on 13th January Lawrence wrote to the artist 'They've come and I like the two pale ones of Jidda and the sandstone hills are gorgeous, and the palm grove is as a palm grove should be and the courtyard of the little palace at Azrak is the courtyard. Even the puff-puff gladdens me, though I did blow it up the poor thing. The waterfall is magnificent.' The present group includes 3 copies of Rocky Landscape (one of which is annotated in pencil by the artist), 2 copies of Mountains, and one sheet containing 2 printings on a single sheet of the railway engine Dhat el Haj.

Richards (J.M. & Eric Ravilious). High Street, London: Curwen Press for Country Life, 1938, 24 colour lithograph plates by Eric Ravilious, Baker and Confectioner plate with ink inscription '5/- insurance' to verso, a little minor spotting to text, rear endpaper with ink price calculations, original illustrated boards, lacking most of spine, some edge wear, 8voQty: (1)

Francois (Fanch) Ledan (French, b. 1949), Beach scene with horses, colour lithograph, wove, signed in pencil lower right, 60 x 36cm

Mary Fedden LG RA, British 1915-2012- 'The Lamp'; lithograph printed in colours, signed and numbered 119/250 in pencil, 56 x 40cm

Tully Crook (British, b. 1938) 'Water Lily', limited edition of 200, signed, titled and dated 1983 in pencil to the margin, colour lithograph, 48 x 36cm

Renee Halpern (1914-) Tuscan Interior VIII/XV lithograph, signed and numbered in pencil, 53cm x 40cm; Reginald Montague Lander (1913-1982) Dunster castle, Minehead, Somerset, Artist's Proof, signed in pencil, 18cm x 27cm; Claire Brown (20th Century) British Fenlands colour etching edition of 150, signed and titled in pencil, 60 x 50cm (3)

By and after Georg August Goldfuss, (1782 - 1848), Dicholophus cristatus, hand coloured ornithological lithograph, 2/3 natural size, 57 x 46cm

By and after Georg August Goldfuss, (1782 - 1848), Recurvirostra Avosettas (Pied Avocet), hand coloured ornithological lithograph, 58 x 47cm

By and after Georg August Goldfuss, (1782 - 1848), Colymbus Podiceps (Pied-Billed Dobchick), hand coloured ornithological lithograph, 58 x 47cm

Albert Houthuesen (1903-1979), 'Celebration', lithograph, numbered 1/100, 39 x 32cm

A carved wooden Folk Art articulated jig/jigger doll, length 19cm, together with a part puzzle.Additional InformationHeavily worn, commensurate with age and use, deterioration to the painted detail, surface scuffs and scrapes. Further general wear throughout to the remaining items, we have an extensivley torn wrapper, some deterioraiton to the lithograph blocks, discolouration, etc.

§ Laurence Stephen Lowry RBA RA (British, 1887-1976). 'Huddersfield', offset lithograph in colours on wove paper, 1973, from an edition of 850, signed in pencil 'L.S. Lowry' lower right, with the Fine Art Trade Guild blindstamp lower left. Published by Henry Donn. Image size: 45 x 57cm. Paper size: 60 x 71.5cm. Unframed, in mount. Provenance: Purchased in the 1970s by the vendor. The original oil painting on canvas was produced in 1965 and is held in The Huddersfield Art Gallery. Please note that Artists Resale Right maybe additionally payable on top of the hammer price for this lot, where above the threshold, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information.

Pears Lithograph titled 'Saluting the Admiral', the original painting by Albert W. Holden, 71 x 47cm

A framed and glazed signed coloured lithograph by British artist and illustrator Glynn Boyd Harte. 'EARLY MORNING, CHARLCOTE'. Edition 192/195. H.81 W.63cm

A framed and glazed signed lithograph by British artist Deirdre Morgan, titled 'The National Palace Sintra' , with CCA galleries certificate of authentication verso. Edition 102/195. H.54 W.44cm

Irene Bedard signed 14x11 Pocahontas Walt Disney Studios exclusive Commemorative Lithograph. Irene Bedard (born July 22, 1967) is an American actress, who has played mostly lead Native American roles in a variety of films. She is perhaps best known for the role of Suzy Song in the 1998 film Smoke Signals, an adaptation from a Sherman Alexie collection of short stories, as well as for providing the speaking voice for the titular character in the 1995 animated film Pocahontas. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

HORATIO McCULLOCH.  Coast of Sleate, Isle of Skye, hand coloured lithograph; also 4 other engravings.  (5).

PORTRAIT OF JOSEPH CONRAD BY MUIRHEAD BONE, LITHOGRAPH, SIGNED LOWER RIGHT, APPROXIMATELY 32 x 18cm

Goldsmith (Oliver). A History of the Earth and Animated Nature, 2 volumes in 6 divisions, London: Blackie & Son, 1876, additional colour-printed engraved title to volumes 1 & 2, colour printed and uncoloured engraved plates (few detached), occasional spotting, original pictorial cloth, light wear at head & foot of spines, 8vo, together with: Brunhoff (Jean de), Babar en Famille, [Paris]: Hachette, 1938, colour printed illustrations and pictorial endpapers, original cloth-backed pictorial boards, folio, Hansi, L'Alsace heureuse, la grande pitie? du pays d'Alsace et son grand bonheur, raconte?s aux petits enfants, [Paris]: H. Floury, [1920], colour lithograph title and illustrations, few tears to margins (mostly closed tears), occasional toning and marks, pictorial endpapers (lacking front free endpaper), original pictorial cloth, transparent sticky-back plastic to spine and 5cm over boards, folio, and other miscellaneous books including children's books & annuals, general literature, some works in FrenchQty: (4 cartons)

Lear (Edward). Journals of a Landscape Painter in Calabria, 1st edition, London: Richard Bentley, 1852, half-title, 2 single-page engraved maps, and 20 tinted lithograph plates, correct as list, 4-page publisher's advertisements at rear, early ownership signature to front pastedown of Lucy Patience Morewood, Ladbroke, with ownership label below bearing the initials in blue and gold gothic script CPM, original blindstamped blue cloth gilt, lightly rubbed and with minor fraying to head and foot of spine (generally a good copy), 8voQty: (1)NOTESAbbey, Travel 175.

Bingham (Denis A.). A Selection from the letters and despatches of the First Napoleon, 3 volumes, London: Chapman & Hall, 1884, Signet Library bookplate to upper pastedown of each, original cloth, 8vo, together with: Méneval (Claude-Francois de), Memoirs to serve for the History of Napoleon I from 1802 to 1815 ... the work completed by the addition of unpublished documents, and arranged and edited by his grandson Baron Napoleon Joseph de Méneval, translated and annotated by Robert H. Sherard, 3 volumes, London: Hutchinson & Co., 1895, portrait frontispiece to each, edges untrimmed, original cloth, 8vo, Simeon (Stephen Louis), The Private Life of Napoleon by Arthur Lévy, from the French by Stephen Louis Simeon, 2 volumes, 2nd edition, New York: Charles Scribner's Sons, [1894], engraved portrait frontispiece to each, bookplate of Park Close, Englefield Green to upper pastedowns, hinges split, original cloth, 8vo, Baring-Gould (Sabine), The Life of Napoleon Bonaparte, London: Methuen & Co., 1897, wood engraved portrait frontispiece, photogravure plates and illustrations, top edge gilt, original cloth, rebacked preserving original spine, folio, Sainsbury (John), The Napoleon Museum, The history of France Illustrated..., London: Printed in the year 1845, lithograph frontispiece and 40 plates of facsimile documents at rear, each with Brooklyn Public Library ink stamps, few additional illustrations pasted to front endpapers and verso of frontispiece & initial leaves, initial leaves strengthened to gutter & fore-edge margins, perforated library stamp to frontispiece & title, front hinge crudely repaired, contemporary half morocco, rebacked preserving original spine, library number at foot of spine, worn, folio, and others similarQty: (5 shelves)

Moor (Henry). A Visit to Russia in the Autumn of 1862, 1st edition, London: Chapman and Hall, 1863, 8 tinted lithograph plates, 32 pp. catalogue at end, a little minor spotting and toning, modern half calf, spine with blue and orange labels and gilt decoration, 8voQty: (1)NOTESRare. No copies recorded at auction.

Waterloo. Collection de Douze Vues de Waterloo, chez Gerard Lithographe editeur, Brussels: Rue de la Bergère, circa 1842?, 12 lithograph plates (many with imprints dated 1842) and hand-coloured folding plan, scattered spotting, original blue printed wrappers, slim oblong 4to, together with another copy of the same work (without plan), published Brussels: Rue d'Accolay, circa 1850, in original green printed wrappers, slim oblong 4to, and, Napoleon Bonaparte. A Panoramic View of the state funeral procession of Napoleon Bonaparte, from St Helena to Paris, 1840, contemporary lithograph panorama, comprising 15 conjoined sheets folding concertina style (of 16? incomplete at right end), captioned in French & English to lower margin, some spotting and toning, 15.3 x 304 cmQty: (3)

* Aldin (Cecil Charles Windsor, 1870 - 1935). Dandie Dinmont Puppy, uncoloured lithograph, boldly signed by the artist in pencil to the lower right, 220 x 525 mm, mounted, framed and glazedQty: (1)NOTESA rare and unusually large Aldin lithograph.

* India. Jukes (Francis), View of Golconda from a Range Rocks West of it, Thomas Albury, 1st June 1798, aquatint after Thomas Aubrey (Royal Engineers) with the remnants of contemporary hand-colouring, the plate showing signs of cleaning, slight spotting to margins, 390 x 535 mm, together with [D'Oyly (Charles)]. Church Entrance to the Dhurumtolla, circa 1848, a hand-coloured lithograph of the Portuguese Church in Calcutta, spotting and adhesion scaring to the margins with slight loss to printed margins, mount stained, slight spotting and staining to the printed image, 330 x 440 mm, mounted, with Hunt (George). Scene upon the Terrace of the Great Pagoda at Rangoon looking towards the north, The Attack upon the Stockades near Rangoon by Sir Archibald Campbell K. C. B. on the 28th May 1824, The Storming of the Lesser Stockade at Kemmendine near Rangoon on the 10th June 1824 [and] The Storming of one of the Principal Stockades on its inside on the 8th July 1824, Kingsbury & Co. and T. Clay, 1825, 4 aquatints after J. Moore, with contemporary hand colouring, originally published for Lieutenant Joseph Moore and Captain Frederick Marryat's 'Rangoon Views, and Combined Operations in the Birman Empire', some mount staining and slight spotting to the first two items, occasional marginal closed tears, the second two images are taped on to mount board with a separate aperture cut for the title, mount stained, each approximately 285 x 380 mm, plus Walton (W.). View near Bombay, circa 1830, uncoloured lithograph after Major Pouget, slight spotting, thread margins, 230 x 300 mmQty: (7)

* Payne (Charles Johnson 'Snaffles'). Merry England and worth a guinea a minute, [1927], lithograph heightened with body colour, remarque of a fox jumping a dyke, snaffle bit blind stamp, signed by the artist in pencil to the lower left, overall size 390 x 360 mm, framed and glazedQty: (1)

* Prints & engravings. A mixed collection of 30 prints & drawings, 19th & 20th century, including Pritchard (William, publisher). Welsh Peasantry, Drawn from Living Characters in 1850, Carnarvon, June 1850, uncoloured lithograph with Llanberis Slate Quarries and Dolbadern Tower in the background, slight creasing, several marginal closed tears, some dust soiling 355 x 455 mm, together with Hunt (Charles). Bay Middleton. The Winner of the Derby Stakes at Epsom, 1836, S & J Fuller, July 1st, 1836, aquatint after J. F. Herring with bright contemporary hand-colouring heightened with gum-arabic, thread margins on 3 sides, 350 x 415 mm, mounted, with Picken (T.). Conway Tubular Bridge, W. Shone, Bangor, April 20th 1849, tint stone lithograph after Samuel Crowther, some marginal fraying, heavily dust-soiled, some spotting, 325 x 465 mm, plus Shone (W. publisher). A West View of the Britannia Tubular & Menai Suspension Bridges, printed by Day & Son, 10th July 1850, unattributed tint stone lithograph, some marginal fraying, dust-soiled and spotted, 340 x 475 mm, with a further 26 portraits, topographical views and late 20th-century male and female nude pencil drawings, various sizes and conditionQty: (30)

* Roberts (David). Alexandria, F. G. Moon, 1848, hand-coloured lithograph, 400 x 525 mm, mounted, framed and glazedQty: (1)

Borthwick (John David). Three Years in California, 1st edition, Edinburgh and London: William Blackwood, 1857, 8 tinted lithograph plates, light offsetting to title and text, prize label, contemporary calf gilt, joints cracking, a little rubbed, 8voQty: (1)NOTESHowes B622; Sabin 6436. Classic account of the California Gold Rush by Borthwick, a visiting Scotsman, who spent three years observing life in the mining camps from 1851.

Trade Catalogue. Maison R. Garnier, Cuivrerie & Serrurerie Artistiques [Cremones en tous gentres a combinaisons diverses et a serrures...], 2 volumes in one, Paris: Garnier, [c.1885], lithograph illustrations throughout of door & window furniture etc. (four leaves of plates with short closed tear to fore-edge blank margins), browned throughout, hinges cracked, original printed green cloth, spine slightly rubbed, oblong folio (31 x 22.2 cm)Qty: (1)NOTESLimited edition 892/1000.

Mantell (Gideon). The Geology of the South-East of England, 1st edition, London: Longman, Rees, Orme, Brown, Green & Longman, 1833, half-title discarded, lithograph frontispiece, title with wood engraved vignette (both leaves washed), five lithograph plates (including one folding), folding colour geological map (few tears with slight loss, archival tissue-lined to verso), illustrations to text, chapter 10 with few coloured pencil markings to blank margins, occasional light toning, modern half calf, contrasting morocco labels to spine, 8voQty: (1)NOTESChapter 10 refers to Mantell’s discovery of a fossilised dinosaur in the Weald in 1832. It was the first armoured dinosaur discovered and he named it Hylaeosaurus or ''fossil lizard of the Weald'', proving that some dinosaurs at least had dwelt on land.

A Lithograph 'From The Pieta Avignon'

Large original coloured lithograph of “The Black Valley, Killarney” by Newman & Co. C. 1860. Mounted. 150/200

Large original coloured lithograph of “Waterford” by Newman & Co., C. 1860. Mounted.

Large coloured lithograph of “Kish Castle”, Lough Corrib, Co. Galway” by Newman & Co., C. 1860. Mounted.

Large coloured lithograph of “Fairhead, Co. Antrim” by Newman & co. C. 1860. Mounted. C. 1860.

Large original coloured lithograph of “Cromwell’s Bridge, Glengariffe”. Newman & Co. C. 1860. Mounted.

Large original coloured lithograph of “The Cove of Cork from Above Queenstown”. Lithographed by Newman of London. C. 1860. Mounted but unframed

Banksy (British b.1974) - 'Time Out, Sidney', offset lithograph image, limited edition 426/500, 23.25" x 16.5" *Please note, this lot is subject to 4% Artist Resale Rights

Banksy (British b. 1974) - 'Forgive Us Our Trespassing, 2010', offset coloured lithograph, a two-sided promotional poster for the 2010 documentary Exit Through the Gift Shop, 23.25" x 16.5"

Banksy (British b. 1974) - 'Forgive Us Our Trespassing, 2010', offset coloured lithograph, a two-sided promotional poster for the 2010 documentary Exit Through the Gift Shop, 23.25" x 16.5"

E. I. MARKUS, from G. K. BAKMANSON’s series, edited by R. V. PATS.Nicholas II in the uniform of the Life Guards Hussar Regiment lithograph in colors38 x 51.5 cmexecuted in 1896From the album «His Imperial Highness, Sovereign Emperor Nikolai Alexandrovich».

E. I. MARKUS, from G. K. BAKMANSON’s series, edited by R. V. PATS.Nicholas II in the uniform of the Grodno Hussar Regiment lithograph in colors38 x 51.5 cmFrom the album «His Imperial Highness, Sovereign Emperor Nikolai Alexandrovich».

LEV ALEXANDROVICH BELOUSOV (1806-1854)Officers of the Cavalry Regiment lithograph, painted with watercolors34 ? 25,5 ?mexecuted in 1830

Indistinctly signed 1837 coloured lithograph "Princess street, Edinburgh", framed,29 x 42 cm

LARGE ANTIQUE LITHOGRAPH OF A VAST ARMADA OF SAILING GUN SHIPS, MOORED IN LINE OFF THE COAST

CHAGALL, MARC1887 Witebsk - 1985 St. Paul de VenceTitel: Mégaclès reconnait sa fille pendant le festin. Untertitel: Aus: "Daphnis et Chloé". Datierung: 1961. Technik: Farblithografie auf Arches (Wasserzeichen). Maße: 42 x 64,5 x 54 x 76cm. Bezeichnung: Signiert und nummeriertRahmen/Sockel: Rahmen. Im Rahmen beschrieben. Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur:- Mourlot, Fernand: Chagall - Lithograph, Bd. II, 1957-1962, Monte Carlo 1963, WVZ.-Nr. 347, Abb. Erläuterungen zum KatalogMarc Chagall Frankreich Expressionismus Surrealismus Moderne Kunst Grafik 1960er Mythologie Druckgrafik Lithografie Figur / Figuren CHAGALL, MARC1887 Vitebsk - 1985 St. Paul de VenceTitle: Mégaclès reconnait sa fille pendant le festin. Subtitle: From: "Daphnis et Chloé". Date: 1961. Technique: Colour lithograph on Arches (watermark). Measurement: 42 x 64,5 x 54 x 76cm. Notation: Signed and numberedFrame/Pedestal: Framed. Not examined out of the frame. Provenance:- Private collection North Rhine-Westphalia Literature:- Mourlot, Fernand: Chagall - Lithograph, vol. II, 1957-1962, Monte Carlo 1963, cat. rais. no. 347, ill. Explanations to the Catalogue

HARING, KEITH1958 Kutztown, PA/USA - 1990 New YorkTitel: Ohne Titel. Untertitel: Aus: Free South Africa. Datierung: 1985. Technik: Farblithografie auf BFK Rives. Darstellungsmaß: 77 x 96cm Blattmaß: 81,5 x 100cm. Bezeichnung: Signiert, datiert und nummeriert. Herausgeber: Edition Schellmann, München/New York (Hrsg.). Exemplar: 25/60. Rahmen: Rahmen. Im Rahmen beschrieben. Provenienz:- Privatsammlung NorddeutschlandLiteratur:- Littmann, Klaus: Keith Haring - Editions on Paper 1982-1990/Das Druckgraphische Werk, Ostfildern-Ruit 1997, S. 42f., Abb.- Schellmann, Jörg (Hrsg.): Forty Are Better Than One. Edition Schellmann 1969-2009, Ostfildern/New York 2009, S. 143, Nr. 4-6, Abb. Erläuterungen zum KatalogKeith Haring USA Street Art Comic Graffiti Nachkriegskunst Grafik 1980er Figur / Figuren Druckgrafik Lithografie HARING, KEITH1958 Kutztown, PA/USA - 1990 New YorkTitle: Untitled. Subtitle: From: Free South Africa. Date: 1985. Techinque: Colour lithograph on BFK Rives. Depiction Size: 77 x 96cm. Sheet Size: 81,5 x 100cm. Notation: Signed, dated and numbered. Publisher: Edition Schellmann, Munich/New York (publisher). Number: 25/60. Frame: Framed. Not examined out of the frame. Provenance:- Private collection North Germany Literature:- Littmann, Klaus: Keith Haring - Editions on Paper 1982-1990/Das Druckgraphische Werk, Ostfildern-Ruit 1997, p. 42f., ill.- Schellmann, Jörg (ed.): Forty Are Better Than One. Edition Schellmann 1969-2009, Ostfildern/New York 2009, p. 143, number 4-6, ill. Explanations to the Catalogue

KIRCHNER, ERNST LUDWIG1880 Aschaffenburg - 1938 Frauenkirch/DavosTitel: Leipziger Strasse, Kreuzung. Datierung: 1914. Technik: Lithografie auf festem, gelben Papier. Maße: 61 x 50,5 x 69 x 58cm. Bezeichnung: Signiert und bezeichnetRahmen/Sockel: Modellrahmen. Auf der Rückseite befindet sich ein Abzug des III. Zustandes mit starker Überarbeitung mit Terpentinätzung. Hier bezeichnet oben: No 16(?), 4260 Leipziger Straße Kreuzung (207) 1913/14, 18(eingekreist).Provenienz: - Galerie Kornfeld, Bern 1988, Los 36- Galerie Kornfeld, Bern 1993, Los 67- Galerie Ferdinand Möller, Berlin (verso Stempel)- Sammlung Prof. Dr. Thomas Olbricht, EssenAusstellungen:- Kunstverein Jena 1914 (verso ausgestrichener Stempel). Vom Künstler für die Botho Graef Stiftung für diese Ausstellung ausgewähltes Exemplar.- Kunstverein für die Rheinlande und Westfalen, Düsseldorf 1960, Nr. 34- Galerie R. N. Ketterer, Campione bei Lugano 1964, Nr. 141 - Karl und Faber, München 1971, Nr. 42, Abb. - Allan Frumkin Gallery, Chicago 1972, Nr. 35- Kunsthalle Basel 1979/80, Nr. 194, Abb.- Galerie Aurel Scheibler, Berlin 2013Literatur:- Dube, Annemarie und Wolf-Dieter: Ernst Ludwig Kirchner - Das graphische Werk, Bd. I Katalog, München 1991 (3. Aufl.), WVZ.-Nr. L 250- Gercken, Günther: Ernst Ludwig Kirchner - Kritisches Werkverzeichnis der Druckgraphik, Bd. III, 1912-1916, Nummern 543-847, Bern 2015, WVZ-Nr.?????????????Kirchners Straßenszenen verdichten - hier im wahrsten Sinne - Hektik, Enge und Anonymität der Großstadt. "Die agierende Menschenmenge auf der Straße, die in Bewegung befindlichen Droschken, Autobusse, Automobile - so z.B. in der Lithographie "Leipziger Straße, Kreuzung" - führen Kirchner zu herausragenden Bildlösungen." (Magdalena M. Moeller: Die Straßenszenen 1913-1915, München 1993, S. 25) Ernst Ludwig Kirchner hat seine Lithographien auf einer ihm gehörenden Presse gedruckt. Da er den Stein eigenhändig einrieb, stellt jeder Abzug einen "Zustand" dar im Range eines Unikats. Diesen Vorgang kann man an dem vorliegenden Exemplar besonders gut beobachten: Kirchner hat zunächst einen Abzug geschaffen und dann den Stein für einen weiteren Druck vorbereitet. Dabei überarbeitete er die Zeichnung durch eine Terpentinätzung und setzte damit andere, neue Akzente. Beidseitig bedruckte Blätter, die diesen Arbeitsvorgang über zwei Stufen hinweg festhalten, sind selten. Wir danken Herrn Prof. Dr. Dr. Gerd Presler für die freundliche Unterstützung. Erläuterungen zum KatalogErnst Ludwig Kirchner Deutschland Expressionismus Die Brücke Moderne Kunst Grafik 1910er Straßenszene Druckgrafik Lithografie Figur / Figuern KIRCHNER, ERNST LUDWIG1880 Aschaffenburg - 1938 Frauenkirch/DavosTitle: Leipziger Strasse, Kreuzung. Date: 1914. Technique: Lithograph on strong, yellow paper. Measurement: 61 x 50,5 x 69 x 58cm. Notation: Signed and inscribedFrame/Pedestal: Craftman's frame. Verso is a proof of the third state overworked heavily with white spirit etching. Here inscribed top: No 16(?), 4260 Leipziger Straße Kreuzung (207) 1913/14, 18 (circled).Provenance: - Galerie Kornfeld, Berne 1988, lot 36- Galerie Kornfeld, Berne 1993, lot 67- Galerie Ferdinand Möller, Berlin (verso stamp)- Collection Prof. Dr. Thomas Olbricht, EssenExhibition:- Kunstverein Jena 1914 (verso crossed out stamp). Artist selected copy for the Botho Graef Stiftung for this exhibition.- Kunstverein für die Rheinlande und Westfalen, Düsseldorf 1960, number 34- Galerie R. N. Ketterer, Campione near Lugano 1964, number 141 - Karl und Faber, Munich 1971, number 42, ill. - Allan Frumkin Gallery, Chicago 1972, number 35- Kunsthalle Basel 1979/80, number 194, ill.- Galerie Aurel Scheibler, Berlin 2013Literature:- Dube, Annemarie und Wolf-Dieter: Ernst Ludwig Kirchner - Das graphische Werk, vol. I Katalog, Munich 1991 (3. label), cat. rais. no. L 250. Explanations to the Catalogue

CHAGALL, MARC1887 Witebsk - 1985 St. Paul de VenceTitel: Cirque. Datierung: 1967. Beschreibung: Buch mit 23 Farblithografien und 15 Lithografien auf Arches (Wasserzeichen). Lose Blätter. 42,5 x 32,5cm; 3 Farblithografien 42,5 x 65cm. Eine Farblithografie (Nr. 527) signiert, alle anderen Blätter nummeriert. Nochmals signiert und nummeriert im Impressum. Tériade Éditeur, Paris (Hrsg.). In originalem Papierumschlag, Buchdeckel und Schuber (45 x 34 x 6cm). Exemplar: 97/250. Provenienz:- Privatsammlung Baden-WürttembergLiteratur:- Cain, Julien: Chagall - Lithograph, Bd. III, 1962-1968, Monte Carlo 1969, WVZ. 490-527, Abb.- Cramer, Patrick: Marc Chagall - Catalogue raisonné des livres illustres, Genf 1995, WVZ.-Nr. 67, Abb."Ein Zirkus ist für mich ein magisches Schauspiel, das wie ein Weltgeschehen vorbeizieht und schmilzt. Warum sind Clowns, diese Kunstreiterinnen und diese Akrobaten in meinen Visionen zugegen? Und warum erregen mich ihre Schminken und Grimassen? Mit ihnen nähere ich mich anderen Horizonten. Ihre Farben und Schminken ziehen mich nach anderen psychischen Verformungen, die ich zu malen träume." (Marc Chagall, Der Zirkus, in: Ulrike Gauss (Hrsg.), Chagall - Die Lithografien, Stuttgart 1998, S. 216)1962 begann Chagall mit der Arbeit an der Suite "Le Cirque", das wohl eines der schönsten Bücher Chagalls ist. In einem lebendigen malerischen Stil und durch ausdrucksstarke Farbkompositionen beschwört Chagall das Schauspiel in all seiner bunten Vielfalt herauf: Clowns, Akrobaten, Reiter, wilde Tiere, Ränge voller Zuschauer.Chagall versucht in seinem Werk konsequent, Fantasiewelten zu schaffen, in denen alles möglich ist. Für ihn bietet die Zirkusbühne den idealen Rahmen für traumhafte, außergewöhnliche Szenen. Chagall liebte den Zirkus. Dabei sah er in den Artisten nicht in erster Linie komische Figuren oder bewundernswerte Akrobaten, die vom Publikum verlacht oder bestaunt werden. Ihn fasziniert auch eine unterschwellige Tragik, die in seinen Augen den Artisten anhaftet. Diese Zweideutigkeit ist in seinen Umsetzungen deutlich spürbar. Die Bilder umgibt eine magische, geheimnisvolle Aura.Die begleitenden Texte stammen ebenfalls von Chagall. So entstand ein Künstlerbuch, bei dem sich Text und Bild wunderbar ergänzen. Erläuterungen zum KatalogMarc Chagall Frankreich Expressionismus Surrealismus Moderne Kunst Grafik 1960er Zirkus Druckgrafik Lithografie Figur / Figuren CHAGALL, MARC1887 Vitebsk - 1985 St. Paul de VenceTitle: Cirque. Date: 1967. Description: Book with 23 colour lithographs and 15 lithographs on Arches (watermark). Loose sheets. 42,5 x 32,5cm; 3 colour lithographs 42,5 x 65cm. One colur lithograph (number 527) signed, all other sheets numbered. Once more signed and numbered in imprint. Tériade Éditeur, Paris (publisher). In original paper jacket, board and slipcase (45 x 34 x 6cm). Number: 97/250. Provenance:- Private collection Baden-WuerttembergLiterature:- Cain, Julien: Chagall - Lithograph, vol. III, 1962-1968, Monte Carlo 1969, cat. rais. no. 490-527, ill.- Cramer, Patrick: Marc Chagall - Catalogue raisonné des livres illustres, Geneva 1995, cat. rais. no. 67, ill. Explanations to the Catalogue

RICHTER, GERHARD1932 DresdenTitel: Abstract Painting (Abstraktes Bild). Untertitel: Edition Tate Modern, London. 2011. Technik: Farbige Offsetlithografie/Diasec matt auf Aludibond. Maße: 79 x 79cm.Bezeichnung: Signiert.Herausgeber: fiftyfifty Galerie, Düsseldorf (Hrsg.).Rahmen/Sockel: Rahmen. Im unteren linken Bildbereich befinden sich typografische Angaben zu Künstler und Werk.Eines von fünf signierten und unnummerierten Benefizexemplaren zugunsten der Fifty-Fifty Obdachlosenhilfeorganisation in Düsseldorf.Provenienz:- Privatsammlung Berlin. Erläuterungen zum KatalogGerhard Richter Deutschland Abstraktion Kapitalistischer Realismus Neuer Realismus Nachkriegskunst Grafik 2010er Abstrakt Druckgrafik Offsetlithografie Farbe RICHTER, GERHARD1932 DresdenTitle: Abstract Painting (Abstraktes Bild). Subtitle: Edition Tate Modern, London. 2011. Technique: Colour offset lithograph/Diasec matt on Alu-Dibond. Measurement: 79 x 79cm.Notation: Signed.Publisher: fiftyfifty Galerie, Düsseldorf (publisher).Frame/Pedestal: Framed. In the lower left part of the picture there are typographical details about the artist and work.One of five signed and unnumbered benefit copies for the benefit of the Fifty-Fifty homeless aid organisation in Düsseldorf.Provenance:- Private collection Berlin. Explanations to the Catalogue

CHAGALL, MARC1887 Witebsk - 1985 St. Paul de VenceTitel: La Chevauchée. Datierung: 1970. Technik: Farblithografie auf Arches (Wasserzeichen). Darstellungsmaß: 67 x 52cm. Blattmaß: 75,5 x 59cm. Bezeichnung: Signiert und nummeriert. Exemplar: 18/50. Rahmen/Sockel: Modellrahmen. Provenienz:- Privatsammlung Baden-WürttembergLiteratur:- Sorlier, Charles: Chagall - Lithograph, Bd. IV, 1969-1973, Monte Carlo 1974, WVZ.-Nr. 620, Abb. Erläuterungen zum KatalogMarc Chagall Frankreich Expressionismus Surrealismus Moderne Kunst Grafik 1970er Figur / Figuren Druckgrafik Lithografie Paare CHAGALL, MARC1887 Vitebsk - 1985 St. Paul de VenceTitle: La Chevauchée. Date: 1970. Technique: Colour lithograph on Arches (watermark). Depiction Size: 67 x 52cm. Sheet Size: 75,5 x 59cm. Notation: Signed and numbered. Number: 18/50. Frame/Pedestal: Craftman's frame. Provenance:- Private collection Baden-Wuerttemberg Literature:- Sorlier, Charles: Chagall - Lithograph, vol. IV, 1969-1973, Monte Carlo 1974, cat. rais. no. 620, ill. Explanations to the Catalogue

MUCHA, ALPHONSE MARIE1860 Eibenschütz/Mähren - 1939 PragTitel: Tête byzantine brune / Tête byzantine blonde. Untertitel: Konvolut von zwei Druckgrafiken. Datierung: 1897. Technik: Jeweils: Farblithografie auf leichtem KartonMaße: 54 x 39,5 x 57,5 x 42cm.Bezeichnung: Im Druck signiertSockel/Rahmen: Jeweils Rahmen. Provenienz:- Hauswedell & Nolte, Hamburg 2000- Unternehmenssammlung DeutschlandLiteratur:- Vgl. Bridges, Ann (Hrsg.): The Complete Graphic Works, London 1980, WVZ.-Nr. P15a (Tête byzantine brune), WVZ.-Nr. P16a (Tête byzantine blonde). Erläuterungen zum KatalogAlphonse Marie Mucha Tschechien Jugendstil Moderne Kunst Grafik 1890er Kopf Druckgrafik Lithografie Frau MUCHA, ALPHONSE MARIE1860 Ivancice/Czech Republic - 1939 PragueTitel: Tête byzantine brune / Tête byzantine blonde. Subtitle: Mixed lot of two prints. Date: 1897. Technique: Each: Colour lithograph on thin cardMeasurement: 54 x 39,5 x 57,5 x 42cm.Notation: Signed in the printFrame/Pedestal: Each framed. Provenance:- Hauswedell & Nolte, Hamburg 2000- Corporate collection GermanyLiterature:- Bridges, Ann (ed.): The Complete Graphic Works, London 1980. Explanations to the Catalogue

SERRA, RICHARD1939 San FranciscoTitel: Double Ring II. Datierung: 1972. Technik: Lithografie auf Curtis Rag. Maße: 85,5 x 106 x 89 x 122cm. Bezeichnung: Signiert und nummeriert.Herausgeber: Gemini G.E.L., Los Angeles (Hrsg.)Exemplar: 34/64Das Blatt ist mit dem Copyright-Trockenstempel des Herausgebers versehen. Auf der Rückseite befindet sich der Copyrightstempel des Herausgebers mit der Werk-Nr. RS72-463.Literatur: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2. erweiterte Aufl.), WVZ.-Nr. CR 3, Abb.- Gemini G.E.L. Online Catalogue Raisonné, Kat.-Nr. 47.3, Werk-Nr. RS72-463(www.nga.gov/gemini/home). Erläuterungen zum KatalogRichard Serra USA Minimalismus Nachkriegskunst Grafik 1970er Abstrakt Druckgrafik Lithografie Formen SERRA, RICHARD1939 San FranciscoTitle: Double Ring II. Date: 1972. Technique: Lithograph on Curtis Rag. Measurement: 85,5 x 106 x 89 x 122cm. Notation: Signed and numbered.Publisher: Gemini G.E.L., Los Angeles.Number: 34/64The sheet is equipped with the publisher's copyright blind stamp. Verso is the publisher's copyright stamp with the work no. RS72-463.Literature: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2nd extended ed.), cat. rais. no. CR 3, ill.- Gemini G.E.L. Online Catalogue Raisonné, cat. no. 47.3, work no. RS72-463(www.nga.gov/gemini/home). Explanations to the Catalogue

SERRA, RICHARD1939 San FranciscoTitel: 183rd & Webster Avenue. Datierung: 1972. Technik: Lithografie auf Arjomari. Darstellungsmaß: 81 x 112,5cm Bezeichnung: Signiert und nummeriert. Herausgeber: Gemini G.E.L., Los Angeles (Hrsg.). Exemplar: 35/62. Das Blatt ist mit dem Copyright-Trockenstempel des Herausgebers versehen. Auf der Rückseite befindet sich der Copyrightstempel des Herausgebers mit der Werk-Nr. RS72-462.Literatur: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2. erweiterte Aufl.), WVZ.-Nr. CR 2, Abb.- Gemini G.E.L. Online Catalogue Raisonné, Kat.-Nr. 47.2, Werk-Nr. RS72-462(www.nga.gov/gemini/home). Erläuterungen zum KatalogRichard Serra USA Minimalismus Nachkriegskunst Grafik 1970er Abstrakt Druckgrafik Lithografie Formen SERRA, RICHARD1939 San FranciscoTitle: 183rd & Webster Avenue. Date: 1972. Techinque: Lithograph on Arjomari. Depiction Size: 81 x 112,5cm. Notation: . Signed and numbered. Publisher: Gemini G.E.L., Los Angeles (publisher). Number: 35/62. The sheet is equipped with the publisher's copyright blind stamp. Verso is the publisher's copyright stamp with the work no. RS72-462.Literature: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2nd extended ed.), cat. rais. no. CR 2, ill.- Gemini G.E.L. Online Catalogue Raisonné, cat. no. 47.2, work no. RS72-462(www.nga.gov/gemini/home). Explanations to the Catalogue

SERRA, RICHARD1939 San FranciscoTitel: Spoleto Circle. Datierung: 1972. Technik: Lithografie auf Fabriano. Darstellungsmaß: 80,5 x 107cm Blattmaß: 89 x 129,5cm. Bezeichnung: Signiert und nummert. Herausgeber: Gemini G.E.L., Los Angeles (Hrsg.). Exemplar: 36/65. Rahmen: Plexiglaskastenrahmen. Im Rahmen beschrieben. Das Blatt ist mit dem Copyright-Trockenstempel des Herausgebers versehen.Provenienz:- Kaiser Wilhelm Museum, Krefeld (Dauerleihgabe)Ausstellungen:- Kunsthalle Nürnberg 1998/99, Kat.-Nr. 110 (Aufkleber)Literatur: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2. erweiterte Aufl.), WVZ.-Nr. CR 5- Gemini G.E.L. Online Catalogue Raisonné, Kat.-Nr. 47.6, Werk-Nr. RS72-467 (www.nga.gov/gemini/home). Erläuterungen zum KatalogRichard Serra USA Minimalismus Nachkriegskunst Grafik 1970er Abstrakt Druckgrafik Lithografie SERRA, RICHARD1939 San FranciscoTitle: Spoleto Circle. Date: 1972. Techinque: Lithograph on Fabriano. Depiction Size: 80,5 x 107cm. Sheet Size: 89 x 129,5cm. Notation: Signed and numbered. Publisher: Gemini G.E.L., Los Angeles (publisher). Number: 36/65. Frame: Plexiglass box frame. Not examined out of the frame. The sheet is equipped with the publisher's copyright blind stamp.Provenance:- Kaiser Wilhelm Museum, Krefeld (permanent loan)Exhibitions:- Kunsthalle Nürnberg 1998/99, cat. no. 110 (label)Literature: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2nd extended ed.), cat. rais. no. CR 5- Gemini G.E.L. Online Catalogue Raisonné, cat. no. 47.6, work no. RS72-467 (www.nga.gov/gemini/home). Explanations to the Catalogue

SERRA, RICHARD1939 San FranciscoTitel: Eight by Eight. Datierung: 1972. Technik: Lithografie auf Arjomari. Darstellungsmaß: 125,5 x 78cm Blattmaß: 128,5 x 84,5cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Gemini G.E.L., Los Angeles (Hrsg.). Exemplar: 33/55. Rahmen: Plexiglaskastenrahmen. Im Rahmen beschrieben. Das Blatt ist mit dem Copyright-Trockenstempel des Herausgebers versehen.Provenienz: - Kaiser Wilhelm Museum, Krefeld (Dauerleihgabe) Ausstellungen: - Kunsthalle Nürnberg 1998/99, Kat.-Nr. 111 (Aufkleber) Literatur: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2. erweiterte Aufl.), WVZ.-Nr. CR 7- Gemini G.E.L. Online Catalogue Raisonné, Kat.-Nr. 47.8, Werk-Nr. RS72-470 (www.nga.gov/gemini/home). Erläuterungen zum KatalogRichard Serra USA Minimalismus Nachkriegskunst Grafik 1970er Abstrakt Druckgrafik Lithografie Formen SERRA, RICHARD1939 San FranciscoTitle: Eight by Eight. Date: 1972. Techinque: Lithograph on Arjomari. Depiction Size: 125,5 x 78cm. Sheet Size: 128,5 x 84,5cm. Notation: Signed and numbered. Publisher: Gemini G.E.L., Los Angeles (publisher). Number: 33/55. Frame: Plexiglass box frame. Not examined out of the frame. The sheet is equipped with the publisher's copyright blind stamp.Provenance: - Kaiser Wilhelm Museum, Krefeld (permanent loan) Exhibitions: - Kunsthalle Nürnberg 1998/99, cat. no. 111 (label) Literature: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2nd extended ed.), cat. rais. no. CR 7- Gemini G.E.L. Online Catalogue Raisonné, cat. no. 47.8, work no. RS72-470 (www.nga.gov/gemini/home). Explanations to the Catalogue

SERRA, RICHARD1939 San FranciscoTitel: Du Common. Datierung: 1972. Technik: Lithografie auf Velin. Darstellungsmaß: 128,5 x 98cm Blattmaß: 130,5 x 103cm. Herausgeber: Gemini G.E.L., Los Angeles (Hrsg.). Exemplar: 33/55. Rahmen: Plexiglaskastenrahmen. Im Rahmen beschrieben. Das Blatt ist mit dem Copyright-Trockenstempel des Herausgebers versehen.Provenienz: - Kaiser Wilhelm Museum, Krefeld (Dauerleihgabe) Ausstellungen: - Kunsthalle Nürnberg 1998/99, Kat.-Nr. 109 (Aufkleber) Literatur: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2. erweiterte Aufl.), WVZ.-Nr. CR 4 - Gemini G.E.L. Online Catalogue Raisonné, Kat.-Nr. 47.4, Werk-Nr. RS72-464 (www.nga.gov/gemini/home). Erläuterungen zum KatalogRichard Serra USA Minimalismus Nachkriegskunst Grafik 1970er Abstrakt Druckgrafik Lithografie Formen SERRA, RICHARD1939 San FranciscoTitle: Du Common. Date: 1972. Techinque: Lithograph on vellum. Depiction Size: 128,5 x 98cm. Sheet Size: 130,5 x 103cm. Publisher: Gemini G.E.L., Los Angeles (publisher). Number: 33/55. Frame: Plexiglass box frame. Not examined out of the frame. The sheet is equipped with the publisher's copyright blind stamp.Provenance: - Kaiser Wilhelm Museum, Krefeld (permanent loan) Exhibitions: - Kunsthalle Nürnberg 1998/99, cat. no. 109 (label) Literature: - Berswordt-Wallrabe, Silke von: Richard Serra - Werkverzeichnis Druckgrafik 1972-2007, Düsseldorf 2008 (2nd extended ed.), cat. rais. no. CR 4 - Gemini G.E.L. Online Catalogue Raisonné, cat. no. 47.4, work no. RS72-464 (www.nga.gov/gemini/home). Explanations to the Catalogue