![Music and Ballads. 18th century and later, including 'The Banks of Banna', n.d. [second-half 18th century], 16 lines of manus](https://cdn.globalauctionplatform.com/c8165be0-1c73-412f-a81e-af7300b3c311/ee08a071-fb58-46c2-994a-af7f00f49c2c/468x382.jpg)
Music and Ballads. 18th century and later, including 'The Banks of Banna', n.d. [second-half 18th century], 16 lines of manuscript libretto, 'The Dandies', n.d. [contemporary to the broadside ballad in the Bodleian, Norwich, 1780-1830], 25 lines of MS, 'To the Tune of good Queen Bess', n.d. [early 19th century, ?1805-1821], 33 lines, including references to the late "immortal Lord Nelson" and the house of Brunswick, 'Bonnie Jamie./ (For Music)/By E. Willis Fletcher', n.d., the 28 lines of MS probably not in the florist-musician's hand, 'Triumphant Music', by Felicia Hemans, n.d. [first-second quarter 19th century], 34 line manuscript verse in another's hand, Wales, Sir Watkin Williams Wynn Baronet attained his Majority on the 22nd: May 1841/Written and sung at the Public Dinner in Oswestry on the Occasion by T.N.P. Air "Jerry Jones", 2ff, lithograph-printed, mounted, with verse by John Jebb, Bishop of Limerick, transcribed by Mrs Sarah Parker, dated 1837, (6).
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FRANCIS BACON (Dublin, 1909- Madrid, 1992)."Study for a Portrait of John Edwards", 1986.Lithograph, copy 165/180.Signed and justified in pencil.Provenance: acquired at the Galería Alejandro Sales, Barcelona, in 2004. Presents label on the back of the Gallery.Measurements: 67.9 x 49 cm; 97 x 70 cm (frame).Francis Bacon is the author of some of the most striking and unprecedented paintings in contemporary art. His style, obsessive, tormented and heartbreaking, is a clear document of the harshness that Europe experienced after the Second World War. His works are currently fetching stratospheric figures at international auctions, making him one of the most sought-after artists on the art market. A reflection of this is the triptych "Three Studies by Lucian Freud (1969)", which in 2013 reached a record sale price of 142 million dollars at public auction, making it one of the three most expensive works in history. Some of his works can be seen in the most important art galleries in the world, such as the Tate Britain in London (which has one of the artist's most extensive collections), the MET and the Moma in New York, the Museo Thyssen-Bornemisza and the Museo Reina Sofía."Portrait of John Edwards" defines in the most emphatic terms what Bacon's art was all about. Its protagonist is John Edwards, a young Londoner whom Bacon considered his only "genuine friend" and therefore heir to his expensive fortune. This inheritance consisted, in addition to real estate, of a number of paintings valued at 16 million euros. The two personalities met in 1976 in a shop in Soho, and soon began a strong friendship whose bonds were reflected in the more than 20 canvases that Edwards starred in. As in the present work, Bacon immortalised his close friend as a discomposed, isolated, disturbing and spiritual figure who, far from seeking a concrete resemblance to the character, delved into the spirituality of the person depicted. It reveals the abstraction, fragmentation and distortion that defined Bacon's style, a consequence of the life events that made his existence a fervent time bomb waiting to explode.Born in Dublin to English parents, Francis Bacon began painting as a self-taught artist. When he was only 17, the Paul Rosemberg gallery opened its doors to the painter. There he became acquainted with the work of Picasso, an artist he would admire throughout his career. Like Picasso, other painters made an impression on Bacon's work: Velázquez (whose version of Pope Innocent X he painted, producing at least 40 "popes") and Nicolas Poussin, whose "The Massacre of the Innocents" aroused intense emotion in him. In 1945 he exhibited in London, together with the English artists Henry Moore and Graham Sutherland, his painting "Three Studies for Figures at the Foot of a Crucifixion", a triptych which, according to Bacon himself, marked the starting point of his career. By 1945 he had developed his own unmistakable style. In 1949, the Museum of Modern Art in New York (MOMA) bought an impressive work of his entitled "Painting 146". In 1956 he was invited to represent Britain at the Venice Biennale alongside Ben Nicholson and Lucian Freud. With his work, Bacon decided that the subject of his paintings would be both life in death and death in life. He sought to express his vital condition, which was also linked to his self-destructive side. Michel Leiris suggested to him that masochism, sadism and similar manifestations were really just ways of feeling more human. Portraits and self-portraits constitute an important part of his paintings. Bacon made portraits without poses taken from life, developed from photographs. He portrayed his intimate companions and friends as well as famous people: Peter Lacy, George Dyer and John Edwards, Henrietta Moraes, Isabel Rawsthorne, Muriel Belcher, Lucian Freud, Peter Beard and Michel Leiris, as well as Hitler, Pius XII and Mick Jagger. Some of his works can be seen in the world's most important art galleries, such as the Tate Britain in London (which has one of the artist's most extensive collections), the MET and the Moma in New York, the Museo Thyssen-Bornemisza and the Museo Reina Sofía.
MIGUEL BERROCAL (Villanueva de Algaidas, Malaga, 1933 - Antequera, Malaga, 2006)."Figura acostada", 1987.Lithograph, copy 76/100.Signed, dated and justified by hand.Size: 56 x 75 cm; 64 x 82 cm (frame).Berrocal began his training at the School of Arts and Crafts in Madrid, as a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to several architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and since 1968 he has alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicettera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government. He has sculptures in public places in Korea, Bordeaux, Denmark and Switzerland, as well as in various places in Spain. He is represented in the Museums of Modern Art in New York and Paris, the Olympic Museum in Lausanne, the Kunsthalle in Hamburg, the Juan March Foundation in Madrid, the National Gallery in Rome and the Victoria & Albert Museum in London.
Pablo Picasso - 'Côte d'Azur', lithograph in colours on wove paper, printed by Mourlot 1962, 99cm x 65cm, within a gilt composition frame with applied plaque.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
William Scott - 'Blue Still Life', lithograph in colours on wove paper, printed by Curwen Studio, London, published for PSA Supplies Division by Editions Alecto Ltd., London 1975, sheet size 75.5cm x 96.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
David Shrigley - 'The Moment has Arrived', offset lithograph, published by Shrig Shop circa 2021, 80cm x 60cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Robert Martin, after Wenceslaus Hollar - 'A View of London Bridge in the Year 1647, from an Engraving by Hollar', 19th century lithograph, 36cm x 57cm, within a maple and gilt frame, together with three similar lithographs from the same series.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Ordnance Survey of England and Wales (publishers) - 'Geological Survey of Great Britain, Sussex', electrotype lithograph in 15 sections with near period hand-colouring, folding and backed onto linen, published circa 1893, overall 69cm x 102.5cm, within cloth covered boards, together with 38 similar geological maps, the majority of Home Counties interest.This lot is subject to a Buyer’s Premium of 24.5% (including VAT @ 0%) of the hammer price. Purchased online via the-saleroom.com, this lot will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
James Abbot McNeil Whistler - La Robe Rouge (The Red Dress), stone lithograph, with The Studio blindstamp, 24m x 19cm, within a gilt frame. Note: published in The Studio (6), no.32, November 15, 1895.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
William Scott - 'Blue Still Life', lithograph in colours on wove paper, printed by Curwen Studio, London, published for PSA Supplies Division by Editions Alecto Ltd., London 1975, sheet size 75.5cm x 96.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Louis Haghe, after Benjamin Ferrey - 'High Street Lymington Hants', 19th century stone lithograph with later hand-colouring, 34.5cm x 45.5cm, within a verre églomisé mount and Hogarth style frame, together with a similar print by the same hands.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Ernest Montaut - 'Circuit des Ardennes Belges 1906', lithograph in colours, published by Mabileau & Cie, Paris, 1906, 44cm x 89cm, together with a similar lithograph by the same hand.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Government of India (publishers) - 'Manipuri Dancer India' (Travel Poster), lithograph in colours, printed by Glasgow Printing Co circa 1959, sheet size 101cm x 63cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Blanche McManus Mansfield - 'Legends of the Rhine', 19th century lithograph in colours, published circa 1895, sheet size 51cm x 38.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
William Nicholson - New College, Oxford, lithograph, signed in ink, published by the Stafford Gallery circa 1905, 37cm x 27cm, within an oak frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
20th Century Fox and Warner Bros (publishers) - 'La Tour Infernale', (The Towering Inferno French Movie Poster), offset lithograph, published circa 1974, 75cm x 57cm, within an ebonized wood frame, together with another French movie poster, 'Jurassic Park'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Robert Johnston - 'Associated Humber Lines Ltd, Regular Cargo Service…' (Commercial Shipping Poster), offset lithograph, published by British Railways North Eastern Region and printed by Jordison & Co circa 1961, sheet size 101cm x 63cm, together with a group of other shipping and travel posters, including Sealink Channel Islands.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
John Egerton Piper - Dorchester Abbey from the East, 20th century offset lithograph, signed in ink, sheet size 66.5cm x 87cm, within an aluminium frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Ordnance Survey (publishers) - Middlesex, London, Kent, Sussex (Geological Map of South East England), electrotype lithograph in 6 sections with near period hand-colouring, folding and backed onto linen, published by the Ordnance Survey Office, Southampton 1907, overall 44cm x 63.5cm, together with thirty other Ordnance Survey folding maps.This lot is subject to a Buyer’s Premium of 24.5% (including VAT @ 0%) of the hammer price. Purchased online via the-saleroom.com, this lot will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Marguerite Gamy - Racing Peugeot (Automobilia), lithograph in colours, published by Mabileau & Cie, Paris, 1913, 44cm x 89cm, together with a similar lithograph by the same hand, 'Grand Prix de L'A.C.F. 1912'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Government of India (publishers) - 'Feasts of Fairs and Festivals India' (Travel Poster), lithograph in colours, printed by New Jack Printing Works circa 1959, sheet size 101cm x 63cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Directorate of Military Survey - 'Road Map of Telemark Fulke, Norway' (Second World War Road Map), colour lithograph, sheet size 88.5cm x 97cm, together with fourteen similar folding sheet maps of Scond World War interest.This lot is subject to a Buyer’s Premium of 24.5% (including VAT @ 0%) of the hammer price. Purchased online via the-saleroom.com, this lot will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Henri Riviere - View of the Seine and Notre Dame, Paris, late 19th/early 20th century lithograph in colours, 50.5cm x 80cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Marc Chagall - 'Nice Soleil Fleurs', lithograph in colours on wove paper, printed by Mourlot 1962, 97cm x 60cm, within a gilt composition frame with applied plaque.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Government of India (publishers) - 'India Kanchenjunga near Darjeeling' (Travel Poster), lithograph in colours, printed by Glasgow Printing Co circa 1958, sheet size 100cm x 64cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Blanche McManus Mansfield - 'Crowns of Promise', 19th century lithograph in colours, published circa 1895, sheet size 51cm x 36cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A vintage 20th Century Gevecht hand coloured lithograph print of a combat naval ship battle. 30th May 1781. Framed and glazed. Entre deux fregates Neerlandaises commandeesparles capitaines reter melvill et gerard oorthuis et deux fregates anglaises. Label to verso The Parker Gallery. Measures approx. 50cm x 62cm.
LE CORBUSIER (SWISS/FRENCH, 1887-1965)Modulorlithograph in colours70 x 53cmARRCondition reportThis is a Lithograph. Tears and abrasions to right hand border, scattered surface abrasions throughout. Held in a frame and mount; unexamined out of frame.Provenance: The estate of Paul Manousso (1930-2021), an artist's home on Brompton Square, Knightsbridge.
DAVID SHEPHERD (BRITISH, 1931-2017) (3)Zebra Mother and Foal, Etosha signed and numbered in pencil 'David Shepherd 164/850' and with Solomon and Whitehead stamp (in lower margin) and with Certificate of Authenticity (attached to the backboard) offset lithograph in colours 36 x 27cm together with two David Shepherd prints in colour; Rhino Reverie, signed and numbered in pencil '117/850', 22.5 x 40cm; and Tiger Cubs, signed and numbered in pencil '75/850', 16 x 26.5cm (3) ARR
John Armitage: Three watercolours 'Silver Birches', 'Old Sheep bridge - Ashford' and 'Below Grinwood' dated between 1950-52, framed and glazed 35 x 24cm, 2 x 25 x 35cm; Robert Brandard 1805-1862: pencil sketch of blacksmith, attributed en verso, framed and glazed 13.5 x 10.5cm; Winston Megaron: artist pencil signed lithograph title 'Birches by the River' framed and glazed
Daveluy, publisher. Two decks of 52 Belgian playing cards, c1875-80, original design, double figure, double lithograph, surface polished, round borders, turquoise or pink reverse, one gilt, 89 x 58mm The collection of C. W. Briggs (1906-1971) (lots 1-429) Good condition, in part of the original box
A French travel poster,c.1950, 'Join the Sun on a Ski Run in France', created by Jacques Dubois, lithograph in colour, printed by S A Courbet, Paris, backed on linen, 62 x 100cmCondition ReportLinen backed, appears to have a few small touched up holes to the top edge.Some further creases to the poster in a few places - additional photos show these areas. Back of seat and around the ski boots.
An Italian travel poster,1951, 'Vercelli e i Suio Campi di Neve', designed by Adalberto Campagnoli (Italian, 1905-1983), lithograph in colours, printed by Barabino & Graeve, Genova, backed on linen,97 x 62cmCondition ReportLinen backed with a 1 inch border. The base of the linen backing has a crease and a small tear - not into the poster. Otherwise it appears good overall.
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