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70555 Los(e)/Seite
Los 850
Paul DELVAUX (1897-1994), colour lithograph ‘Le bout du monde’, dated in plate 12-68, numbered E/A. and signedPaul DELVAUX (1897-1994), kleurenlithografie 'Le bout du monde', gedateerd in de plaat 12-68, genummerd E/A. en getekend52 x 74.5 cm Oeuvrecatalogue Paul Delvaux by Mira Jacob page 52 n° 23Oeuvrecatalogus Paul Delvaux door Mira Jacob pag 52 n° 23
Los 574
Roger RAVEEL (1921-2013), colour lithograph ‘De lezer’ 1989, numbered 87/100, signed and dated ‘89Roger RAVEEL (1921-2013), kleurenlithografie 'De lezer' 1989, genummerd 87/100, getekend en gedateerd '8964 x 47.5 cm Mentioned in Roger Raveel's graphic oeuvre by Octave Scheire page 154 n° 188Vermeld in het grafisch oeuvre Roger Raveel door Octave Scheire pag 154 n° 188
Los 744
Vic GENTILS (1919-1997), mixed media on paper Untitled, signed and lithograph ‘The green room’, numbered 41/165 and signedVic GENTILS (1919-1997), lot van gemengde techniek op papier Zonder titel, getekend en lithografie 'De groene kamer', genummerd 41/165 en getekend61.5 x 50.5 & 26.5 x 22.5 cm
Los 468
Various graphic art about Ghent, lithograph View of Ghent Hemelsoet 1872, Diploma awarded to the Van Crombrugghes genootschap Ghent by the Violier 1894 and map Stad Ghent Nieuwkwartier designed on the grounds of the fortress 1874Lot grafiek over Gent, lithografie Zicht op Gent Hemelsoet 1872, Diploma toegekend aan het Van Crombrugghes genootschap Gent namens de Violier 1894 en kaart Stad Gent Nieuwkwartier ontworpen op de gronden der vesting 187425 x 30.5, 35.5 x 49.5 & 58 x 74.5 cm
Los 849
René MAGRITTE (1898-1967), lithograph Un peu de l'Ame des BanditsNumbered 60/275 with dry stamp ADAGP and Succession Magritte, initials by Charly Herscovice (The Fondation Magritte)René MAGRITTE (1898-1967), litho Un peu de l'Ame des BanditsGenummerd 60/275 met droogstempel ADAGP en Successie Magritte, initialen door Charly Herscovice (De Fondation Magritte)49 x 38 cm
Los 550
David Hockney OM, CH, RA (b.1937) "Woman with a Sewing Machine" (1954) Lithograph in colours, 23cm by 37.5cm Provenance: The Estate of David George Fawcett ATD, FRSA (1935-1973) Thence by descent In 1954 a young Hockney, much enthused by starting at Bradford College of Art the previous year, drew and painted scenes of everyday life around his home in Bradford. Thus it was subjects close to his heart that he chose for his first tentative steps into print making, which resulted in his early lithographs: “Self Portrait”, “Fish and Chip Shop” (depicting The Sea Catch, Eccleshill, Bradford), and the present “Woman with a Sewing Machine”, for which his own mother, Laura, modelled.Loosely based on the front room in his family home, Hockney depicts his mother seated with hands clasped and looking calmly at the viewer, behind a hand-operated sewing machine amongst a riot of pattern and colour. Comprising six coloured inks (red, yellow, blue, green, pink and black), Hockney adds complexity with surface pattern rather than depth of space. The intricate checked blue, white and muted green fire surround frames the red and yellow block of his mother’s blouse, whilst the yellow and red wallpaper offsets the black sewing machine. The design is unified by detailed and precise drawing.The image reflects the exuberance of the artist aged just 17, filled with possibilities and the joy of being allowed to spend his days at college exploring the world of art. Learning about great artists that came before him, he was perhaps inspired by the likes of Edouard Vuillard, who produced intimate domestic scenes, filled with pattern and texture, that featured his mother, a seamstress.This lithograph was once owned by Bradford-born artist David George Fawcett, with whom Hockney was at school both at Bradford Grammar School and at Bradford College of Art. Fawcett went on to gain his teaching diploma at Birmingham Regional College of Art before moving to Kent where he taught at Deal Grammar School and Folkestone and Dover Art Colleges. Hockney and Fawcett shared a studio for a time in Kent, and Hockney was best man for Fawcett at his wedding. Fawcett worked in an impressionistic style, and exhibited at the Paris Salon and the Royal Academy, but sadly died in a plane crash in 1973. The print has good colour depth. The paper is hinged at the top edge to the back of the mount board. Slight time staining to the paper, particulary to the outer edges/margins where covered with the mount. Slight handling creases to the outer edges and a crease approximately 10cm horizontal to the top of the wallpaper, below the picture. Brown stains to the paper, in particular to the outer edges and reverse, areas to the top margin extreme right, within his mother's forhead and hair, to her hands and below this and the odd more scattered sporadic foxing spot. See additional images.
Los 645
Mark Hearld (b.1974) "Pisanello's Hare" Signed and dated (20)08, artist's proof, lithograph, 54cm by 74cm Provenance: York Open Studios The paper is float mounted and has a deckled edge. Slight cockling to the paper throughout. Some light surface drt and debris trapped under the glass. Otherwise appears in good overall condition. Not examined out of the frame.
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70555 Los(e)/Seite