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70553 Los(e)/Seite
Los 46
RONALD SEARLE (British, b.1920) limited edition (71/99) colour lithograph on wove - Bouquet Garni, signed, titled, numbered and dated 1975 in pencil, printed by Michel Casse lithographs with the blindstamp, Cartoon Gallery Ltd. label verso (I) 60 x 45cms Provenance: private collection north Wales, consigned via our Colwyn Bay office Presentation & Condition: excellent, framed ready to hang. Please note that this lot may be subject to Droit de Suite at 4% of the hammer price (please see terms / enquire)
Los 86
JOHN ALFRED VINTNER lithograph - portrait of Brigadier-General Thomas Fox Strangways RA, printed by Day & Sons, after Edward Hayes, mid 19th Century, (I) 34 x 25cms, in period birds eye maple frame with gilt gesso slip. Auctioneer's Note: T F Strangways (1790-1854) died at the Battle of Inkerman following the loss of his leg from an enemy shell explosion, whilst commanding the RA at the side of Lord Raglan. Condition: rippled to right side, water stains to bottom margin, surface dirt
Los 456
The Great Train Robbery - Chuck Close (1940-2021) - an A3 colour lithograph print numbered 1/50, gifted to Ronnie Biggs (1929-2013) by Close. The picture of Biggs being made from composited pictures of old £5 Bank Of England notes. Unsigned. '£5 Notes' annotated in an unknown hand. Folded centrally. Supplied with a dual autographed card of Biggs, signed in blue ink. The Great Train Robbery was the robbery of £2.6 million from a Royal Mail train heading from Glasgow to London on the West Coast Main Line in the early hours of 8 August 1963, at Bridego Railway Bridge, Ledburn, near Mentmore in Buckinghamshire, England. After tampering with the lineside signals in order to bring the train to a halt, a gang of fifteen, led by Bruce Reynolds, attacked the train. Other gang members included Gordon Goody, Buster Edwards, Charlie Wilson, Roy James, John Daly, Danny Pembroke, Jimmy White, Ronnie Biggs, Tommy Wisbey, Jim Hussey, Bob Welch and Roger Cordrey, as well as three men known only as numbers "1", "2" and "3". A 16th man, an unnamed retired train driver, was also present. With careful planning based on inside information from an individual known as "The Ulsterman" (erroneously named as Patrick McKenna in 2014), the robbers escaped with over £2.6 million (equivalent to £53.5 million today). The bulk of the stolen money was never recovered. Though the gang did not use any firearms, Jack Mills, the train driver, was beaten over the head with a metal bar. Mills' injuries were severe enough to end his career. After the robbery, the gang hid at Leatherslade Farm and famously used the money in a game of Monopoly - unwittingly incriminating themselves whilst doing so as the Monopoly set was used to garner finger prints of the suspects and was instrumental in the Police arresting most of the gang. The ringleaders were sentenced to 30 years in jail.
Los 310
Giuseppe Capogrossi (Italian 1900-1972), 'Opale 3'. Original lithograph. 1971-72 , hand signed, edition number 79/80, excellent condition, 35cm x 50cm, framed and glazed. Giuseppe Capogrossi participated in many group exhibitions in the 1930's in Rome, Venice, Milan and Paris, and in 1934 was one of the artists exhibited at the Western Art Museum’s ‘Exhibition of Contemporary Italian Painting’ in San Francisco. In the years following the Second World War his work changed to be more abstract, and he was part of the 1948 Summer Olympics. He subsequently became one of the main exponents of Italian informal art.
Los 96
After Arthur Pan., Portrait of Sir Winston Churchill, 'bears quotation 'We are all of us defending ... a Cause', with facsimile signature, a colour lithograph, published 1943 by Frost & Reed Ltd, Fine Art Publishers, Bristol and London, glazed, simulated burrwood frameoverall 16.7 x 76 cm. Some chips and losses to frame Condition: Good condition
Los 33
MARTYN COLBECK; photo lithograph, elephants, 1/50, signed, 35 x 52cm, framed with artist's biographical detail verso. (D)Additional InformationPresented in good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 5
LAURENCE STEPHEN LOWRY RBA RA (1887-1976); pencil signed limited edition lithograph print, 'St Luke's Church', 198/850, 64 x 48cm, framed and glazed. (D)Additional InformationThe frame with dents and knocks. Non-reflective glass. The image is good with strong colours, We are unable to tell if the piece has been stuck to the board.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 41
ANDREW SMITH (Contemporary); lithograph, 'Big Red Percolator (Plane): Blue Point on Silver Grey Disc', abstract study, signed with monogram and dated '96 to image lower right, further titled and signed to mount, 100 x 77cm, framed and glazed. (D)Additional InformationImage good, general wear to the frame, some spots of paint to the glass, frame somewhat loose.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 12
HAROLD FRANCIS RILEY DL DLitt FRCS DFA ATC (born 1934); lithograph, ‘Street Vendor’, 20/50, signed in charcoal lower right, 38.3 x 27.3cm, framed and glazed. (D)Additional InformationImage good, wear and nicks to frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 98
CALCUTTA - STREET PHOTOGRAPHYA fine archive of 339 vintage photographs of Calcutta (mostly street scenes and festivals, also film studios, burning ghats, etc.) taken by Frank Buck Rockwell, an American G.I., journalist and photographer, gelatin silver prints, each mounted on paper sheet with type-written description, sheets housed in a wooden box, the images 100 x 100mm., the sheets 200 x 135mm., [c.1945/6]Footnotes:An impressive series of vintage photographs of Calcutta taken by Frank Buck Rockwell, an American photographer, working out of an office at the Eagle Lithograph Company in the Entally district in the late 1940s. Each photo is mounted with a short typed descriptive text beneath, the whole produced as a Christmas present, the result of 'over a year of picture taking and a lot of hard work'. The tone is set with an opening image of the photographer 'in front of Ferrizini's sweet shop the leading tea and cake palace of downtown Calcutta'. The majority of photographs (taken with a Zeiss Super Ikonta) are of Rockwell's everyday milieu, including workplace, street scenes, traders, festivals etc. rather than historical sites. Includes views of his residence at Agabeg's Hotel near the Lower Circular Road; workplace at the Eagle Lithograph Company (the staff making up copies of 'Yank Magazine', 'Sanka... in the lab with a big lithograph camera', monotype operators and proof readers, the 'charming scene of our office latrine', views of and from the building), street activities (dung makers, traffic controllers, shoe shine boys, vendors of oranges, lemonade, tea, drinking water, etc, monkey wallahs, basket weavers), street musicians, 'a Moslem fakir', street markets, the city 'after dark, typical bustling scenes of 'dreary, evil-smelling streets' and the street poor ('this little girl is probably all of ten years old. I watched her paw through the garbage pile...'), washing of both humans and animals, labourers, popular performers, a sequence of scenes at the Nimtala Burning Ghat (watched by a party of American G.I.s), swimming in the lake beside the Victoria Memorial ('erected at a cost of over 7,6000,000 rupees... pretty much a waste of money'), dance performers, the fire brigade, Sikhs, Jains and Muslims, religious festivals ('Durga Puja Immersion Ceremony'; Muhharam), areas near the Hooghly bridge, Hanshari Temple ('... I seriously doubt any American has ever visited this place before... we persuaded the keeper to unlock the bolted doors...'), and outer environs of the city, the race course and punters, a sequence of images from the Bengal Film area of Tollygunge (Rockwell talking to producer B.B. Sircar, the making of a film directed by P.C. Barua, on set and behind the scenes, perhaps for a production of Kajri in 1945), and some of other American G.I.s and American Red Cross employees.Alongside the photographer's chatty text the photographs provide a wonderfully vivid, gritty but slightly idiosyncratic overview of the city in all its aspects bringing the streets to life. Rockwell seems to have delighted in the city, but is aware of issues beyond the surface, suggested at by an image of men crowded onto a street tram who had been chanting 'Jai Hind' or 'Quit India', under which he notes 'Just a day later men would be killed and inured and trucks and cars burned...'.For further information on this lot please visit Bonhams.com
![AFTER JAMES RATTRAY (1919-1854'Kelaut-I-Ghiljie' [Kalat-i-Ghilzai], Afghanistanhand-coloured lithograph by R. Carrick after J](https://cdn.globalauctionplatform.com/06eec964-5eaa-4c09-8fc4-ad8a00c41dfb/3cf5c05f-aca4-4ce2-95c5-ad8a00c67669/468x382.jpg)
Los 71
AFTER JAMES RATTRAY (1919-1854'Kelaut-I-Ghiljie' [Kalat-i-Ghilzai], Afghanistanhand-coloured lithograph by R. Carrick after James Rattray, published by Hering and Remington, 1848; and 3 other views30 x 40cm (11 13/16 x 15 3/4in). (4)Footnotes:The other tinted lithographed images comprise: 'Roree on the Indus'; 'Camp Follower - Milk Women', and 'Main Guard and Government House, Hyderabad'.For further information on this lot please visit Bonhams.com
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70553 Los(e)/Seite