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70553 Los(e)/Seite
Los 436
Sir James Charles Inglis (1851-1911), Toll house on Putney Bridge, watercolour, signed with a monogram, inscribed verso, 21cm x 32cm; also Boat moored on a river estuary, watercolour, signed with a monogram and dated 1880, 17cm x 24cm; also a Vanity Fair lithograph of Sir James Charles Inglis 'Great Western', 32cm x 18cm; and a Victorian lithograph of a rifleman, 27cm x 19cm (4) NB: Sir James became Chief Engineer and General Manager of The Great Western Railway
Los 109
Exeter. Spreat (W.), Exeter from Exwick Hill, published W. Spreat, Exeter, circa 1840, lithograph with contemporary colouring, slight spotting and toning, one long repaired tear affecting image, 380 x 510 mm, mounted, framed and glazed, together with Fore Street Exeter as it appeared on the occasion of the Royal Agricultural Society's Exhibition with some of the Arches erected in the principal streets, W. Spreat, Exeter, circa 1850, lithograph with contemporary hand colouring, a central view of Fore street with another six vignettes surrounding, slight spotting and dust soiling, 560 x 330 mm, mounted, framed and glazedQty: (2)
Los 120
Hardinge (Charles, Stewart). Gulab Sing, Kashmir, 1847, colour lithograph, published by Thomas Fairland, plate size 38 x 29cm, sheet size 53 x 36.5cm, together with The Relief of Lucknow & Triumphant Meeting of Havelock, Outram, & Sir Colin Campbell, monochrome print after the original by Thomas Jones Barker, 1859, published by S. Lipschitz, London, poor condition, plate size 43 x 62cm, sheet size 54 x 71cm, plus In the Karwan, A Suburb of Hyderabad, 1834, colour lithograph, image size 22 x 26cm, sheet size 34 x 42cm, all unframedQty: (3)
Los 136
Military Prints. London Scottish Rifle Corps, Lord Elcho, M.P., Lieut. Colonel Commandant 1860, colour lithograph after H. Fleus, printed by M & N Hanhart, 47 x 29cm mount aperture, together with The Turkish Contingent, colour print after Henry Martens from designs of uniforms made by Landon, Morland & Landon 1856, published by Rudolph Ackermann, 36 x 25.5cm mount aperture, Reminiscences of the Camp The Rifle Brigade, monochrome lithograph, published by Messrs Preston, London 29 x 37.5cm, The Ninth (Queen's Royal) Lancers and other printsQty: (35)
Los 157
Sporting Prints. A collection of 13 prints, 19th & 20th century, including Aldin (Cecil). The Albion, circa 1900, colour lithograph, 405 x 590 mm, mounted, framed and glazed, together with another five similar Aldin lithographs and prints of fox-hunting and genre scenes, all framed and glazed, together with Edwards (Lionel). The Cheshire (Earl of Chester's) Yeomanry, Eaton Hall, 7th. June 1959, George Falkner & Sons Ltd. Manchester, 1959, colour photolithograph tipped on to contemporary card with printed title, signed by the artist in pencil to the lower right corner, overall size 450 x 625 mm, framed and glazed, with Balfour-Browne (Vincent). They've Settled among the Hags and by Jove! He's Royal, The First Spy - All Hinds and Trash [and] Well Done Sir! He's All Right, A Baird Carter, 1912, together three circular colour gravures of Highland stalking, each signed in pencil by the artist to the lower right, diameter 160 mm, uniformly mounted, framed and glazed, with another three large sporting engravings similar, all framed and glazedQty: (13)
![[Roberts, John S.]. The Life and Explorations of David Livingstone, LL.D., carefully compiled from reliable sources, London:](https://cdn.globalauctionplatform.com/665fceac-e154-4412-a5b5-ae3000d23766/ab6918b7-6b29-496f-bc6d-ae360102cdb0/468x382.jpg)
Los 23
[Roberts, John S.]. The Life and Explorations of David Livingstone, LL.D., carefully compiled from reliable sources, London: John G. Murdoch, [1874], additional chromolithograph title with imprint of Adam & Co, 20 sepia lithograph plates (including frontispiece), plate margins generally dust- and finger-soiled, one plate with edge tear, one with some loss to blank margin, some spotting (mainly at rear), hinges strengthened, all edges gilt, original gilt-decorated black morocco, rubbed, 4toQty: (1)
Los 236
Piper (John & Tambimuttu). India Love Poems, Paradine/PL Editions Poetry London No. 4, 1977, 18 colour lithograph plates after John Piper, printed on Arches Velin, untrimmed, original morocco-backed cloth over boards, large folio, without publishers's slipcase, fineQty: (1)Footnote: Limited edition 115/200 copies, signed by both the artist and translator.
Los 305
Moore (Thomas). Paradise and the Peri, London: Day & Son, (1860), numerous elaborate chrome-lithograph plates, hinges cracked with gatherings loose, a couple of leaves loose, spotting, some leaves with closed marginal tears, original blind-stamped leather, gilt turn-ins, all edges gilt, margins worn, spine extremities rubbed, rear board stained, 4to, together with: Jerrold (Walter). The Big Book of Fables, London: Blackie and Son, 1912, numerous colour and black and white plates, pictorial endpapers, hinges cracked, spotting, original red publisher's cloth gilt, extremities rubbed, backstrip slightly faded, 8vo, with Burne-Jones (Edward). The Beginning of the World, Twenty-Five Pictures, London: Longmans, Green & Co, 1902, numerous illustrations after Burne-Jones, endpapers toned, light dust-soiling, original publisher's quarter cloth, inner margin of front board and rear board stained, extremities worn, 4to with 1 carton of other worksQty: (a carton)
Los 308
Galt (John). Letters from the Levant; containing views of the state of society, manners, opinions, and commerce, in Greece, and several of the principal islands of the archipelago, London: T. Cadell & W. Davies, 1813, engraved map frontispiece, scattered spotting, edges untrimmed, original publisher's boards, marked and soiled, 8vo, together with: Jones (Charles H.), Appletons' hand-book of American travel. Southern Tour. Being a complete guide through Maryland, Delaware, District of Columbia, Virginia ... Texas, Arkansas, Tennessee, and Kentucky, and to the Ohio and Mississippi Rivers..., revised for Autumn of 1873, New York: D. Appleton & Co., 1874, folding lithograph map, folding plans of Baltimore, New Orleans, & Louisville, hotel & travel related advertisements at front and rear, original cloth, 8vo, Ridgeway (William), The origin of metallic currency and weight standards, Cambridge: University Press, 1892, few illustrations, original cloth, slightly frayed at head & foot of spine, 8vo, Hughs (Mrs. Mary), The Young Sailor; or, perseverance rewarded; for little boys and little girls, Philadelphia: Lindsay & Blakiston, 1850, hand-coloured wood engraved frontispiece, original blind stamped cloth, spine faded, 16mo in 8s, Sollas (William Johnson), Ancient Hunters and their modern representatives, 2nd edition, London: Macmillan & Co., Ltd., 1915, folding monochrome panoramic frontispiece, illustrations, top edge gilt, original cloth, 8vo, and other miscellaneous 19th & 20th century books, including literature, natural history, & travel related etc.Qty: (2 cartons)
Los 56
Kirby (W.F.) European Butterflies and Moths, London: Cassell, Petter, Galpin & Co., 1882, 61 hand-coloured lithograph plates, 1 uncoloured plate, occasional light spotting and stains, presentation inscriptions, contemporary half calf, joints and edges rubbed, 4to, together with Anton Kerner von Marilaun's The Natural History of Plants. Their forms growth reproduction and distribution, 2 volumes, 1904Qty: (3)
Los 6
Fesquet (Goupil). Voyage d'Horace Vernet en Orient, Paris: Challamel, (1843), colour lithograph frontispiece, 15 colour lithographs, half-title, sporadic spotting, leaves toned and dust-soiled, one plate with closed tear affecting image, hinges cracked, water spots to title and half-title, bookplate and newspaper article to front pastedown, contemporary red half morocco over pictorial paper boards, board edges and margins worn, extremities rubbed, 8vo, together with: Cabrol (Elie). Voyage en Grèce, Notes et Impressions, 1st edition, Paris: Librairie des Bibliophiles, 1890, inscribed by the author to half-title, 21 heliogravure plates, 5 lithographed maps, tissue-guards, some leaves uncut, spotted, original paper wrappers, toned to margins, lightly marked and spotted, spine extremities rubbed, 4to, with ALS by the author loosely inserted, with Buchon (Alexandre). Voyage dans l'Eubée, Les Iles Ioniennes et Les Cyclades en 1841, Paris: Emile-Paul, 1911, half-title, many gatherings uncut, margins lightly toned, original paper wrappers, lightly dust-soiled, extremities rubbed, 8voQty: (3)
Los 63
Von Humboldt (Alexander & Francois Grimaudet). The Fluctuations of Gold, The Law of Payment, New York: The Cambridge Encyclopedia Co, 1900, largely uncut, occasional light dust-soiling (mostly confined to margins), original publisher's green cloth, spine lettered in gilt, rear board faintly marked, extremities slightly rubbed, 8vo, together with: Phillips (J. Arthur). The Mining and Metallurgy of Gold and Silver, 1st edition, London: E. and F.N. Spon, 1867, frontispiece, numerous woodcut illustrations, 8 folding maps and plates, bookplate of the Library of Society of Engineers, library stamp to upper margin of title, contemporary ownership inscription to title, occasional light dust-soiling, original publisher's maroon cloth gilt, gilt mining tool to front board, spine lettered in gilt, remnants of library sticker to spine, boards marked, spine faded, extremities slightly worn, 8vo, with Read (C Rudston). What I Heard, Saw, and Did at the Australian Gold Fields, 1st edition, London: T & W. Boone, 1853, colour lithograph frontispiece, 3 colour lithograph plates, illustrations in-text, folding map to rear, map with tape reinforcements to folds, title with bottom right corner torn with loss, some leaves with marginal staining, endpapers replaced, original blue publisher's cloth, boards with ink stains to margins, joints worn, extremities rubbed, 8vo, with 12 others relatedQty: (15)
Los 9
Hall (Captain Charles Francis). Life with the Esquimaux: The Narrative of Captain Charles Francis Hall, of the Whaling Barque "George Henry," from the 29th May, 1860, to the 13th September, 1862, with the results of a long intercourse with the Innuits... and deductions in favour of yet discovering some of the survivors of Sir John Franklin's expedition, 2 volumes, 1st edition, London: Sampson Low, Son, and Marston, 1864, engraved frontispiece to first volume, wood-engraved illustrations, folding lithograph map at rear of first volume, several closed tears neatly repaired, without loss, some spotting, to mainly to front and rear of volumes, marbled edges and endpapers, contemporary half-calf, gilt decorated spines with contrasting red and dark brown morocco spine labels, very lightly rubbed (generally an attractive copy), 8voQty: (2)Footnote: Sabin 29739; Arctic Bibliography 6485. Captain Hall's first Arctic expedition, during which he searched for traces of Franklin's ill-fated Northwest Passage expedition, during which he discovered relics from Frobisher's 16th century mining venture at Frobisher Bay on Baffin Island.
Los 74
Pablo Picasso - Deux Clowns, lithograph in colours on wove paper, published by Mourlot circa 1954, title and Mourlot stamp verso, 75cm x 54cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
![* Michael English [1941-2009]-Gibbs SR Toothpaste,:-lithograph laid on board61 x 89cm.](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/6afd0589-7679-4fa4-97a0-ae2800ca79e0/468x382.jpg)
![Four variour prints,:- comprisingAdolph Cieslarczyk [1916-2003]- Epouse d'Ariste, lithograph, signed and inscribed, sheet siz](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/ccf06ad0-5977-4012-9024-ae2800ca5518/468x382.jpg)
Los 52
Four variour prints,:- comprisingAdolph Cieslarczyk [1916-2003]- Epouse d'Ariste, lithograph, signed and inscribed, sheet size 64 x 48cm, Valerie Thornton [1931-1991] - etching, signed and numbered 8/50, sheet size 50 x 70cm, Bernard Kay [b.1927]- Noon Landscape, signed and inscribed, sheet size 53 x 69cm and Tony Avora [b.1937], artist proof, signed, sheet size 51 x 60cm, all unframed. [4]* Notes Please refer to websites for further images of this lot - www.the-saleroom.com & www.easyliveAuction.com
![* Bernard Leach [1887-1979]-Tree Vase,:- photo-lithograph, signed and numbered 62/100 in pencil blindstamp bottom left margin](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/47e6a863-d07b-4855-b83c-ae2800ca8810/468x382.jpg)
![* Mel Ramos [1935-2018]-Lola Cola [1972] - lithograph,:-Edition Bischofberger Zurich, signed and dated '72 bottom rightnumber](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/48f00a8b-a9a5-4993-b18b-ae2800ca796b/468x382.jpg)
![* Helena Markson [1934-2012],:-The Church on The Hill, lithograph, signed inscribed and numbered 12/100, 57 x 78cm, together](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/d3cbd7f2-b950-478e-bbab-ae2800ca5587/468x382.jpg)
Los 53
* Helena Markson [1934-2012],:-The Church on The Hill, lithograph, signed inscribed and numbered 12/100, 57 x 78cm, together with Bernard Cheese [1925-2013]- Stisted Church, screenprint, signed, inscribed and numbered 2/20, sheet size 77 x 54cm, both unframed. [2]* Notes Please refer to websites for further images of this lot - www.the-saleroom.com & www.easyliveAuction.com
![* Sidney Nolan [1917-1992]- Leda and The Swan,:-Leda Suite lithograph, signed in pencil bottom rightnumbered 70/125, 45.5 x 6](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/8adc77cf-ab59-4f9a-b7af-ae2800ca850b/468x382.jpg)
![* John Hubbard [1931-2017]-Water Garden - lithograph, numbered 10/100signed, inscribed and dated 1991sheet size 96 x 85cm.](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/7c4cf4c3-f294-4d81-a181-ae2800cac111/468x382.jpg)
![* Bernard Cheese [1925-2013]-Morning Sun,:-lithograph, signed, inscribed and dated '63numbered 9/5070 x 52cm, unframed.](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/f7d58ab0-02a2-4a11-bc95-ae2800ca5ef6/468x382.jpg)
![* Bernard Leach [1887-1979]-Fish Vase,:- photo-lithograph, signed and numbered 74/100 in pencil blindstamp bottom left margin](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/2aee318a-8504-40f5-b584-ae2800ca886a/468x382.jpg)
![* Bruno Bruni [b.1935]-AmorRoma - lithograph, signed in pencil and numbered 36/100 lower left, sheet size 81 x 59cm, together](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/b5e04b5d-92aa-4d7f-9ac6-ae2800ca571a/468x382.jpg)
Los 57
* Bruno Bruni [b.1935]-AmorRoma - lithograph, signed in pencil and numbered 36/100 lower left, sheet size 81 x 59cm, together with one other indistinctly signed and numbered 36/60, 78 x 56cm, unframed. [2]* Notes Please refer to websites for further images of this lot - www.the-saleroom.com & www.easyliveAuction.com
![* John Phillips [20/21st Century]-Demons Are A Boys Best Friend,:-artist proof lithograph, signed, inscribed and dated '89Pad](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/55738009-39ea-4568-97b1-ae2800ca5650/468x382.jpg)
![* Bernard Leach [1887-1979]-Cornish Coast Tile,:-photo-lithograph, signed and numbered 61/100 in pencil blindstamp bottom lef](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/8e31df9e-77e1-4091-9426-ae2800ca89b2/468x382.jpg)
![* Bernard Leach [1887-1979]-Lion Tile,:- photo-lithograph, signed and numbered 63/100 in pencil blindstamp bottom left margin](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/bb3b214f-2dae-495e-9039-ae2800ca894f/468x382.jpg)
![* Mary Fedden [1915-2002]-Aldeburgh Fishing Boats,:-lithograph signed and numbered 97/15023 x 28cm.](https://cdn.globalauctionplatform.com/25ea1a08-995e-47f6-824a-ae1f016f32d3/26a9e9e1-4efc-456d-a9dd-ae2800ca5228/468x382.jpg)
Los 202
DMITRY MOOR (Russian, 1883-1946),'Red Guard Doesn't Want Blood, But Is Standing Ready' (КРАСНЫЙ СТРАЖ НЕ ХОЧЕТ КРОВИ, НО СТОИТ ОН НАГОТОВЕ), c.1922, a rare Soviet Communist anti-Polish propaganda poster, colour lithograph, laid down on archival linen, published in Moscow, 72 x 102cmFrom late 1918 until 1921, Poland fought an aggressive war against the Russian communists, culminating in the Treaty of Riga, after Russia sued for peace after their defeat at the Battle of Warsaw. The poster warns of Poland's continued hostile intentions and the potential Soviet response to such actions.Condition report: Some loss to the lower border. Some restoration, linen backed. See additional images.
Los 87
Photographer Andre De Dienes (1913-1985) photograph of Marilyn Monroe on Tobay beach in 1949, 15x11 inches, copyright stamped on verso, from the collection of Kim Goodwin, a Marilyn canvas print, vintage Marilyn calendar, a signed lithograph out of 500 of Roseberry Topping in Yorkshire, a large elephant print at Amboseli in Kenya, a signed painting of sailing boats, and additional vintage calendars to include Michael Douglas, Robert Redford, Kevin Costner, Harrison Ford and others.
Los 1139
*Laurence Stephen Lowry (British 1887-1976), offset lithograph in colours, Britain at Play, signed and with blindstamp, from an edition of 850, 59 x 45cm, glazed frameCondition report: Please see further images of the sheet removed from the frame. Published by J. H. Mainstone. The colours are faded but uniform, it has not been stuck down. Some discolouration to the outer edges where the mount meets the sheet.
Los 1141
Christopher Richard Wynne Nevinson (1889-1946) offset lithograph, printed in colours, on thin wove, Banking at 4000 Feet, 1917,Condition report: Signed in pencil lower right. Sheet size 28.5cm x 21.5cm, image size 195cm x 15.5cm. Colours good and no foxing, some slight browning to the outer edges beneath the mount, not serious. Overall framed size 38.5c x 31cm.
Los 1149
*Robert Colquhoun (1914-1962) lithograph, Boy with birdcage, signed, 58 x 38cm, in glazed frameCondition report: Although not examined out of the frame it doesn't appear to be stuck down. Some discolouration to the paper, more noticeable areas on the upper left side (see images). The first and second images best illustrate the colour of the paper.
Los 1255
AFTER ANDY WARHOL; lithograph on wove arches paper, Mickey Mouse (Red) (1978), printed signature, numbered 43/100, watermarked bottom right, and Leo Castelli Gallery New York stamp verso, image 33 x 32.5cm, unframed. Provenance: From a private North West collector.Additional InformationThree slight creases to paper but none in the image. A couple of slight surface dirt specks and slightly grubby to the right edge. Perhaps very slight rubbing to the red background to the bottom left corner and to another small section just up from this. Overall ok.
Los 1258
AFTER ANDY WARHOL; lithograph on wove arches paper, with deckled edges, ‘APPLE 359’ (1985) printed signature to stone, no. 73/100, pub. Georges Israel (blind stamp recto) and Leo Castelli Gallery New York (stamp verso), the image 31.5 x 31.5cm, the sheet 56.6 x 38.5cm. Provenance: From a private North West collector.Additional InformationA couple of very light scrapes to the paper at the top and a very slight little tear to the top right edge. A couple of slight dirt marks to the paper and bottom left corner lightly knocked.
Los 1260
AFTER ANDY WARHOL; lithograph on wove arches paper, with deckled edges ‘Pele’ from the ‘Athletes series’ 1977, printed signature in stone and numbered 45/100, published by Georges Israel and Leo Castelli Gallery New York stamp verso, image 36.7 x 37cm, the sheet 57 x 38.5cm, unframed. Provenance: From a private North West collector.
Los 1268
AFTER SHEPARD FAIREY; offset lithograph, 'Vote Obama '08', from the 'Art for Obama' Presidential Campaign fundraiser poster series, edition of 5000, with 'Paid for by Obama for America' and further related stamps to lower border, the image 52.5 x 38cm, total 60.9 x 45.7cm, unframed.Provenance: From a private North West collector.
Los 1288
PAUL NASH (1889-1946); black and white lithograph, 'Strange Coast', signed and dated 1920, image 31 x 40.5cm, framed and glazed.PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional InformationCrease through the centre of the image, also a crease lower right, the border is slightly browning in colour, also a small crease lower centre running horizontally to the border. We cannot remove from the frame without potential damage to the image. The creases are quite severe, especially the central example, there limited edition number is very faint, the creases and folds throughout are severe, there is light scratches, there is a blemish to the middle right of the image. There is foxing to the mount also.
Los 1294
CLIFF WILKINSON; coloured lithograph, 'Outside the Kasbah', signed and dated 1988 and numbered 3/25, 48 x 63cm, framed and glazed. (D)PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 1295
CLIFF WILKINSON; a signed limited edition coloured lithograph, 'Farm Machinery VIII', signed and dated 1984 and numbered 3/12, image 48 x 63cm, also a further lithograph by the same artist, 'Three Trees', image 41 x 54.5cm, both framed and glazed (2). (D)PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
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70553 Los(e)/Seite