Diego Romero (Cochiti Pueblo, b. 1964). Lithograph on paper titled "Fallen Angel" depicting a winged angel sitting at a bar with a coyote, 2013. Pencil signed and dated along the lower right; titled along the lower center; numbered 28/50 along the lower left. In addition to prints, he is well-known for his pottery, having collaborated with Navajo-Hopi ceramicist Nathan Begaye. His works often address difficult issues related to Native American politics, history, identity, war, and the effects of alcoholism and addiction.Unframed; height: 20 in x width: 25 1/2 in. Framed; height: 22 1/2 in x width: 28 1/4 in.Condition: The item is in great condition with no visible tears, creases, or losses. The item is floating on the frame, showing all four margins. The paper is slightly toned, though this may be the original color of the paper. No visible sign of restoration. Framed under plexiglass; not inspected out of the frame. Very light wear to the frame.
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Frances "Fanny" Flora Bond Palmer (American, 1812-1876) for Currier and Ives, United States. Lithograph titled "The Wayside Inn," depicting a scene from Henry Wadsworth Longfellow's poem "The Wayside Inn," 1864.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 7103, page 740.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Sight; height: 18 in x width: 24 in. Framed; height: 24 in x width: 30 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Richard Anuszkiewicz (American, 1930-2020). Lithograph on paper titled "Yellow Reversed" depicting a geometric abstract composition, 1970. Pencil signed, dated, and numbered 96/100 along the lower right. Anuszkiewicz was a practitioner of Op-art and was a student of Joseph Albers.Sight; height: 17 in x width: 11 1/4 in. Framed; height: 24 1/4 in x width: 18 1/4 in.Condition: The print is in excellent condition with no visible tears, creases, or losses. No visible sign of restoration under UV light. Not inspected out of frame. There is a crack to the lower left corner in the glass. Light wear to the frame.
Christo (Bulgarian/American, 1935-2020). Lithograph with pencil, cloth, masking tape, plastic, and string on paper titled "Wrapped Champagne Bottle (Project for Happy Anniversary)" depicting a bottle wrapped in cloth, 2000. Pencil signed, dated, and numbered 20/30 along the upper edge. Published and printed by Landfall Press, Chicago as part of The Landfall Press 30th Anniversary Portfolio. With a stamp from Landfall Press along the verso.Height: 21 1/2 in x width: 16 1/2 in.Condition: The item is in good condition with no visible tears or losses, or major creases. Light wear along the margins. There is a minor crease to the upper right and left corners. To the center of the right margin, there is a minute accretion. To the verso, there are a few scattered light handling marks. No visible sign of restoration when inspected under UV light.
Peter Hurd (American, 1904-1984). Color lithograph titled "Night Visitor," depicting a ranch house with a rising mountain in the background. Pencil signed along the lower right; numbered 35/260 along the lower left.Provenance: Distinguished Corporate Collection, Ohio.Sight; height: 15 1/2 in x width: 21 in. Framed; height: 25 in x width: 30 in.Condition: The item is in good condition with no visible tears, creases, or losses. When inspected under UV light, there is no visible sign of restoration. The paper has light toning. Framed under plexiglass; not inspected out of frame. Light wear to the frame.
Suzanne Caporael (American, b. 1949). Lithograph and stencil print titled "Arbitrary World" depicting a color-blocked abstract map of the world, 2007. Pencil signed and dated along the lower right; numbered 40/40 along the lower left.Height: 24 in x width: 48 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Jim Dine (American, b. 1935). Lithograph on paper titled "Cincinnati II" depicting a black field with names in blue-white scrawled throughout, 1969. This print is based on the Name Painting (1968-69) in the collection of the National Gallery of Art in Washington, D.C. The names are of everyone with whom he had a relationship with in the first 28 years of his life.Height: 28 x width: 40 1/4 in.Condition: The item is in good condition with no visible tears, creases, or losses. Light wear along the margins, most likely original to the artistic practice. Light crease to the upper left corner. From the recto there is a pencil inscription to the lower right corner; there are light creases to the upper corners. Along the upper margin, there is a line of paint residue. There is skimming to the upper left quadrant. There are paint marks to the lower right quadrant. No visible sign of restoration when inspected under UV light.
Joseph Nash (English, 1809-1878). Hand colored lithograph on paper titled "Gallery, Hatfield," depicting a lively crowd in the gallery at Hatfield House in Hertfordshire, England. Signed and dated 1841 in the plate along the lower center.Provenance: Distinguished Corporate Collection, Minnesota.Sight; Height: 13 in x width: 17 1/2 in. Framed; Height: 26 in x width: 30 in.Condition: The print is in good condition with no visible tears, creases, or losses. The paper is toned and has light foxing throughout, particularly to the left margin. When inspected under UV light, there is no visible sign of restoration. Framed under plexiglass; not inspected out of frame. Wear to the frame.
Max Papart (French, 1911-1994). Lithograph titled "The Smile of Gilda," depicting an abstract geometric composition, 1970. Signed along the lower right; numbered 84/120 along the lower left.Max Papart was a French painter and printmaker who is best known for his depictions of circus performers, birds, figures and still lives in a colorful Cubist style. His work captures the joy of life through a sense of movement, cheerful hues, and lighthearted subject matter.Sight; height: 24 in x width: 18 3/4 in. Framed; height: 32 1/2 in x width: 26 in.Condition: The print is in great condition in general with no visible tears, losses, or creases. When inspected under UV light, there is no visible sign of restoration. The paper appears to be slightly toned. The color is bold and bright. Along the margins, there is undulation. Framed under plexiglass. Not inspected out of frame. Very light wear to the frame.
James J. McAuliffe (American, 1848-1921) for Currier and Ives, United States. Color lithograph titled "The Trotting Gelding Billy D. with Running Mate," and subtitled "Owned by J.B. Barnaby. Driven by John Murphy. Beacon Park, Boston, Oct. 22, 1881. Record 2:14 1/4. Driven by Thomas S. Foster." This print depicts a team of racing horses as they fly past an audience, 1881. Signed in plate along the lower right.Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 2: O-Z (Gale Research Company: Detroit, 1984). Number 6654, page 678.Provenance: Distinguished Corporate Collection, Ohio.Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907.Sight; height: 22 1/4 in x width: 33 3/4 in. Framed; height: 28 1/4 in x width: 36 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Yuse Yoshinori (Japanese, b. 1947). Lithograph on paper titled "Tantopia Port" depicting a row of boats in a harbor. Pencil signed along the lower right; titled and numbered 52/60 along the lower left.Yoshinori has had several solo exhibitions in Tokyo, Japan in 1980, 1982, and 1984. He was also a part of the CWAK Traveling Show to Australia and New Zealand in 1992-93. His works are in the collections of the British Museum, the Ibiza Museum of Contemporary Art, the Krakow National Museum, and the Gallery of New South Wales.Sight; height: 23 in x width: 29 in. Framed; height: 31 1/2 in x width: 36 1/2 in.Condition: The item is in great condition with no visible tears, creases, or losses. The color is bold and bright. No visible sign of restoration when inspected under UV light. Framed under plexiglass; not inspected out of frame.
Malcolm Haynie Myers (American, 1917-2002). Lithograph on paper with hand coloring titled "Geronimo," depicting a battle. Pencil signed along the lower center.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 19 1/2 in x width: 28 in. Framed; height: 26 3/4 in x width: 35 1/2 in.Condition: The item is in good condition with no visible tears, creases, or losses. The paper seems slightly toned; however, the color is bold and bright. No visible foxing or soiling. When inspected under UV light, there is no visible sign of restoration. The artwork is not inspected out of frame; framed under plexiglass. Wear to the frame.
Fritz William Scholder V (La Jolla Band of Luiseno Indian, 1937-2005). Lithograph on paper titled "Monster Love, Dream C" depicting an abstract scene, 1982. Pencil signed along the lower right; numbered 119/150 along the lower left. These works were distributed via the book "Fritz Scholder" published by Rizzoli, New York, in 1982.Scholder spent much of his early life moving throughout the Midwest, living in Minnesota, South Dakota, and Wisconsin. At seventeen, he attended the Mid-West Art and Music Camp at the University of Kansas where he studied with Robert B. Green. As a freshman at Wisconsin State University he studied with Arthur Kruk, James Grittner, and Michael Gorski. In 1957 he followed his family to Sacramento, California where he studied with Wayne Thiebaud. He has met and worked with numerous designers and artists including Lloyd Kiva New, Charles Loloma, Max Cole, John Heric, and Bruce McGrew.His works often show the harsh, realistic side of Native Americans' lives and deaths including the effects of alcohol. His unique experience as a figure who never lived on or around other Native Americans allowed for a fresh perspective on Native American art, though it was sometimes controversial. He fused together Expressionism, Color Field, and Pop art to convey his perspective on his subjects.Unframed; height: 19 1/4 in x width: 14 3/4 in. Image; height: 11 1/2 in x width: 9 3/4 in. Framed; height: 25 1/2 in x width: 20 1/2 in.Condition: The item is in good condition with no visible tears, creases, or restoration under UV light. The color is bold and bright. Very light wear to the frame, not inspected out of frame.
Exeter Cathedral; a group of twelve assorted printsvarious dates 19th/20th century, comprising;a view of the nave, engraved by Thomas Allom; three etchings with indistinct pencil signature to lower margin; a hand-tinted lithograph of the east front after W. Davey; and others; together with a poster of the Exeter Cathedral 800th anniversary celebrations (13)* Offered with a catalogue by P. Jones, Exeter, the Golden Years, pub. 2003, and a book of sketches of Exeter, illustrated by Walter Henry Sweet
Louis Marx & Co. NY (USA) A boxed Complete Modern Farm Set: comprising tinplate 'Happi Time' Barn with lithograph decoration, tinplate grain silo, farm accessories, farm implements, tractors and implements and cows in original brown paper bag packing, fencing and instruction leaflet in illustrated box.
The Investiture of the Prince of Wales limited edition lithograph poster 2/150 signed in ink by the poet laureate C.Day-Lewis, artist John Piper (1903-1992) and typographer Josef Herman (1911-2000). 50 x 74cm. The poem was originally published in The Guardian newspaper in 1969 and the poster was printed and published by Tom Adams at the Fulham Gallery
Alexander-Louis-Marie Charpentier, 1856-1909. Art Nouveau studio embossed lithograph, 1896, “Young Woman Reading”. Signed in graphite and embossed studio mark “The Studio London” lower right, 21cm x 29.5cmOne small tear along the lower edge, crease across top left corner and some tiny tears along the right edge - see images.
δ Damien Hirst (b.1965)Claridge's Art Space PosterOffset lithograph printed in colours, 2021, signed in black ink, printed on both sides, published by Heni Editions, London, on smooth wove paper, the full sheet printed to the edges, sheet 990 x 582mm (39 x 23in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Harland Miller (b.1964) after.York - So Good They Named It OnceOffset lithograph printed in colours, 2020, from the edition of an unknown size, published by York Art Gallery, York, on the occasion of the artist's exhibition, on wove paper, the full sheet printed to the edges, sheet 841 x 555mm (33 x 21 3/5in)
δ Oskar Kokoschka (1886-1980)Max Reinhardt (Head) (Arntz 112; Wingler & Welz 135)Lithograph, 1919, signed in pencil, numbered from the edition of 125, printed by Pan-Presse, published by Paul Cassirer, Berlin, on wove paper, with full margins, sheet 555 x 443mm (21 7/8 x 17 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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70555 Los(e)/Seite